物質文化遺產
全(quan)國重點(dian)文(wen)物保(bao)護單位
地址:萬榮縣(xian)城西南40公里的寶(bao)鼎鄉廟前村
俗(su)稱后土祠。西、北兩面緊臨(lin)黃河、汾河,依山傍水,地勢開闊。
據碑(bei)刻(ke)(ke)記載,這(zhe)里歷(li)史上曾屬(shu)于著(zhu)名的“汾陰脽地”,自漢(han)武(wu)(wu)帝(di)(di)時,汾陰后土廟(miao)(miao)已成為(wei)(wei)歷(li)代(dai)帝(di)(di)王祭祀地神(shen),祈福育民的勝地。漢(han)文(wen)帝(di)(di)后元七(qi)年(nian)(nian)(nian)(前(qian)163年(nian)(nian)(nian))建(jian)(jian)(jian)汾陰廟(miao)(miao),武(wu)(wu)帝(di)(di)元狩二年(nian)(nian)(nian)(前(qian)126年(nian)(nian)(nian))建(jian)(jian)(jian)后土祠,此后,東(dong)漢(han)、唐、宋各代(dai)屢事興建(jian)(jian)(jian),至北宋大中祥符四(si)年(nian)(nian)(nian)(1012年(nian)(nian)(nian)) 祠廟(miao)(miao)規模宏闊,祀勢極盛。后來(lai)屢遭黃河水患,后土廟(miao)(miao)被淹沒。清(qing)同治(zhi)九年(nian)(nian)(nian)(1874年(nian)(nian)(nian)) 易(yi)地重(zhong)建(jian)(jian)(jian)于今址。現(xian)存建(jian)(jian)(jian)筑以晚清(qing)所建(jian)(jian)(jian)居多,但(dan)山(shan)門仍為(wei)(wei)元建(jian)(jian)(jian),秋風樓為(wei)(wei)明代(dai)遺(yi)構,上存有(you)漢(han)武(wu)(wu)帝(di)(di)《秋風辭》元代(dai)碑(bei)刻(ke)(ke)。
廟(miao)址坐(zuo)北朝南(nan)(nan),總平(ping)(ping)面呈(cheng)南(nan)(nan)北長(chang)的矩形(xing),占(zhan)地(di)面積約17600平(ping)(ping)方米。沿(yan)中軸線有山門(men)、戲臺(tai)、獻(xian)殿、享亭、圣(sheng)母(mu)殿、秋風樓(lou),獻(xian)殿兩側為東(dong)西五虎殿,圣(sheng)母(mu)殿東(dong)側為碑亭。山門(men)是以(yi)三開間歇(xie)山頂為主(zhu),兩側歇(xie)山式便門(men)與(yu)山門(men)聯構一體。后檐插廊制成獻(xian)神樂(le)樓(lou),廟(miao)內并列戲臺(tai)兩座,與(yu)山門(men)內倒(dao)座戲臺(tai)連系在一起,平(ping)(ping)面上呈(cheng)“品(pin)”字(zi)形(xing),故俗(su)稱“品(pin)”字(zi)戲臺(tai)。
秋風樓(lou)位居最后,建于(yu)高臺之上,樓(lou)身三層,高33米余,面寬、進深各五(wu)間,樓(lou)頂為(wei)十(shi)字歇山頂。樓(lou)內(nei)設(she)有金柱12根,直通樓(lou)頂。秋風樓(lou)輝宏典雅,挺拔秀美,為(wei)中國樓(lou)閣建筑中的(de)佳作。
后(hou)土廟內存鐵(tie)鐘、鐵(tie)缸、石香(xiang)爐、抱鼓石,以(yi)及宋刻(ke)(ke)“蕭檣碑”、金刻(ke)(ke)“廟貌(mao)碑”、元刻(ke)(ke)“秋(qiu)風(feng)辭”碑等珍(zhen)貴文物(wu)。
門票:50元
萬(wan)榮后土廟位(wei)于山西省(sheng)萬(wan)榮縣城西南40公里黃河東畔(pan),漢武帝時廟在汾陰,清(qing)同治九年(1870年)為黃河水所(suo)淹(yan),移今址重建。占地面積約1.8萬(wan)平方米(mi),現存山門重樓(lou)、戲(xi)臺(tai)、獻殿、后土大殿及鐘鼓樓(lou)、配殿、廊屋等,雕刻富麗,琉璃鮮亮,布局完整。后院廊下鑲有(you)北宋(song)真宗御書的(de)蕭(xiao)墻壁。祠后秋風(feng)樓(lou)以存有(you)元(yuan)刻漢武帝《秋風(feng)辭》碑而著(zhu)名。
萬榮縣西南40公里(li)處廟(miao)(miao)前(qian)(qian)村的汾陰(yin)后(hou)土(tu)(tu)祠(ci)(ci)(ci)(ci),是(shi)(shi)神州(zhou)大地上古(gu)老的后(hou)土(tu)(tu)娘娘廟(miao)(miao)。據(ju)祠(ci)(ci)(ci)(ci)中保(bao)存完(wan)好的《歷朝立廟(miao)(miao)致(zhi)祠(ci)(ci)(ci)(ci)實跡》碑(bei)記(ji)和《蒲州(zhou)府(fu)記(ji)》記(ji)載,“軒(xuan)轅氏祀(si)(si)地祇(zhi)掃(sao)地為(wei)壇于(yu)脽上,二帝(di)(di)(di)(di)八(ba)員有(you)司,三王澤歲舉(ju)”。到漢(han)代(dai),進而(er)形成(cheng)制(zhi)度,每三年(nian)(nian)皇帝(di)(di)(di)(di)都要來這里(li)舉(ju)行一次(ci)(ci)大祀(si)(si)。漢(han)武帝(di)(di)(di)(di)劉(liu)徹時更是(shi)(shi)東(dong)岳封禪(chan),汾陰(yin)祀(si)(si)土(tu)(tu),于(yu)元(yuan)鼎四年(nian)(nian)(公元(yuan)前(qian)(qian)113年(nian)(nian))擴建(jian)汾陰(yin)后(hou)土(tu)(tu)祠(ci)(ci)(ci)(ci),定(ding)為(wei)國家祠(ci)(ci)(ci)(ci)廟(miao)(miao),作為(wei)巡(xun)行之地。他一生曾六(liu)次(ci)(ci)祭(ji)(ji)祀(si)(si)后(hou)土(tu)(tu),儀式隆(long)(long)重無比。漢(han)宣(xuan)帝(di)(di)(di)(di)、元(yuan)帝(di)(di)(di)(di)、成(cheng)帝(di)(di)(di)(di)、哀(ai)帝(di)(di)(di)(di)和東(dong)漢(han)光(guang)武帝(di)(di)(di)(di)等先后(hou)來此(ci)祭(ji)(ji)祀(si)(si)達11次(ci)(ci)之多。唐時,玄宗(zong)李隆(long)(long)基于(yu)開元(yuan)年(nian)(nian)間三次(ci)(ci)來此(ci)祭(ji)(ji)祀(si)(si),并(bing)擴建(jian)祠(ci)(ci)(ci)(ci)廟(miao)(miao)。宋真宗(zong)趙桓大中祥符四年(nian)(nian)也(ye)來此(ci)祭(ji)(ji)祀(si)(si),為(wei)這次(ci)(ci)祭(ji)(ji)祀(si)(si)活動,撥款對(dui)后(hou)土(tu)(tu)祠(ci)(ci)(ci)(ci)進行了(le)修葺。明萬歷年(nian)(nian)間,因黃河(he)沖刷,后(hou)土(tu)(tu)祠(ci)(ci)(ci)(ci)陷(xian)入(ru)黃河(he),經先后(hou)兩次(ci)(ci)遷建(jian),又均被黃河(he)吞(tun)沒,現存建(jian)筑是(shi)(shi)清同治(zhi)九年(nian)(nian)(公元(yuan)1870年(nian)(nian))新選廟(miao)(miao)址重建(jian)。
祠內現存建筑有山門、品字臺、獻殿(dian)、香廳、正殿(dian),東西五虎(hu)殿(dian),宋真宗碑等。藏有漢武(wu)帝秋(qiu)(qiu)風(feng)辭碑的秋(qiu)(qiu)風(feng)樓(lou),就是在正殿(dian)后面中軸線北(bei)端(duan)。后土(tu)娘娘塑(su)像,靈踞正殿(dian)之中,歷來(lai)為人(ren)們崇拜敬仰。每年農歷三月十八和十月初(chu)五為后土(tu)娘娘廟會,也是后土(tu)大祀之日。
近年來,海外華人尋根,除(chu)到陜(shan)西黃陵祭祖外,把汾陰后土娘娘則視為先于黃帝的(de)祖先,是中華民族的(de)源頭和總根,所以(yi)紛紛前來朝(chao)圣祭祖。
始建(jian)(jian)于(yu)漢(han)(han)文帝(di)(di)公(gong)元(yuan)前163年(nian)(nian)間(jian),廟(miao)內(nei)(nei)(nei)現存建(jian)(jian)筑(zhu)(zhu)有(you)(you)(you)山(shan)門(men)、摒臺、香亭(ting)、正(zheng)殿、秋(qiu)風樓、東西(xi)龍(long)虎配殿等, 結(jie)構精巧、建(jian)(jian)筑(zhu)(zhu)宏偉(wei),山(shan)門(men)與摒臺組(zu)成(cheng)(cheng)的(de)(de)“品”字戲(xi)臺獨具一(yi)格(ge),有(you)(you)(you)極高的(de)(de)藝術(shu)價值,建(jian)(jian)筑(zhu)(zhu)物上(shang)的(de)(de)懸雕(diao)玲瓏剔透、栩栩如(ru)生,琉璃(li)飾(shi)件光彩奪目,木雕(diao)、磚雕(diao)結(jie)構的(de)(de)秋(qiu)風樓平和而立、崇峻壯(zhuang)觀,樓內(nei)(nei)(nei)藏(zang)有(you)(you)(you)元(yuan)治元(yuan)八年(nian)(nian)捐刻漢(han)(han)武(wu)帝(di)(di)秋(qiu)風字碑而聞名全國(guo),整個(ge)后(hou)土(tu)(tu)(tu)(tu)廟(miao)布局嚴謹、完(wan)整,有(you)(you)(you)著(zhu)豐富的(de)(de)文化內(nei)(nei)(nei)涵(han)和歷史(shi)研究(jiu)價值,為(wei)保護這(zhe)一(yi)國(guo)寶,在國(guo)家文物局、省(sheng)(sheng)文物局的(de)(de)高度重(zhong)視下,省(sheng)(sheng)古(gu)建(jian)(jian)研究(jiu)所組(zu)織專家本著(zhu)“修(xiu)舊(jiu)(jiu)如(ru)舊(jiu)(jiu)”的(de)(de)原則科學(xue)地對后(hou)土(tu)(tu)(tu)(tu)廟(miao)部分(fen)古(gu)建(jian)(jian)筑(zhu)(zhu)進行搶救性修(xiu)繕,并于(yu)近日完(wan)工,為(wei)山(shan)西(xi)又增添了(le)一(yi)處(chu)重(zhong)要的(de)(de)文物旅游景點。 這(zhe)里歷史(shi)上(shang)曾屬于(yu)著(zhu)名的(de)(de)“汾陰脽地”,自漢(han)(han)武(wu)帝(di)(di)時(shi),汾陰后(hou)土(tu)(tu)(tu)(tu)廟(miao)已成(cheng)(cheng)為(wei)歷代帝(di)(di)王祭(ji)地神(shen),祈福育民的(de)(de)勝地。漢(han)(han)文帝(di)(di)后(hou)元(yuan)七年(nian)(nian)(公(gong)元(yuan)前163年(nian)(nian))建(jian)(jian)汾陰廟(miao),武(wu)帝(di)(di)元(yuan)狩二年(nian)(nian)(公(gong)元(yuan)前126年(nian)(nian))建(jian)(jian)后(hou)土(tu)(tu)(tu)(tu)祠(ci)”,此后(hou),東漢(han)(han)、唐(tang)、宋(song)(song)各代屢事(shi)興建(jian)(jian),至北(bei)宋(song)(song)大中祥符四(si)年(nian)(nian)(1012年(nian)(nian))修(xiu)葺規模達到極盛(sheng),后(hou)因黃河水患,后(hou)土(tu)(tu)(tu)(tu)廟(miao)被淹沒。清同治九年(nian)(nian)(1874年(nian)(nian)) 易地重(zhong)建(jian)(jian)于(yu)今址。現存建(jian)(jian)筑(zhu)(zhu)以晚清所建(jian)(jian)居多。
后土(tu)廟坐北向南,總平面(mian)呈南北長的矩(ju)形(xing)(xing),占(zhan)地面(mian)積約17600平方米。沿中軸(zhou)線有山(shan)(shan)門、戲(xi)臺、獻(xian)殿(dian)(dian)(dian)、享亭(ting)、圣(sheng)(sheng)母殿(dian)(dian)(dian)、秋風樓(lou),獻(xian)殿(dian)(dian)(dian)兩(liang)側為(wei)東西五虎殿(dian)(dian)(dian),圣(sheng)(sheng)母殿(dian)(dian)(dian)東側為(wei)碑亭(ting)。山(shan)(shan)門是以三(san)開間(jian)(jian)歇(xie)山(shan)(shan)頂(ding)(ding)為(wei)主,兩(liang)側建歇(xie)山(shan)(shan)頂(ding)(ding)便門的三(san)門組合,后加插廊成戲(xi)臺,并(bing)列戲(xi)臺與山(shan)(shan)門后倒座戲(xi)臺上(shang)呈“品”字形(xing)(xing),故稱(cheng)“品”字戲(xi)臺。并(bing)列戲(xi)臺實為(wei)面(mian)寬(kuan)三(san)間(jian)(jian),進深四椽,單(dan)檐硬(ying)山(shan)(shan)頂(ding)(ding)的兩(liang)座建筑(zhu)的連(lian)接。獻(xian)殿(dian)(dian)(dian)面(mian)寬(kuan)五間(jian)(jian),進深四椽,單(dan)檐硬(ying)山(shan)(shan)頂(ding)(ding),脊部墊板上(shang)“大清同治(zhi)十三(san)歲次--立(li)柱”的題記。圣(sheng)(sheng)母殿(dian)(dian)(dian)面(mian)寬(kuan)五間(jian)(jian),進深六椽,單(dan)檐懸山(shan)(shan)頂(ding)(ding),舉折平緩,構造(zao)簡潔。
秋(qiu)風(feng)樓(lou)(lou)(lou)位居最(zui)后,建(jian)于(yu)高臺之上,樓(lou)(lou)(lou)身三層(ceng),高33米余,面寬、進深各(ge)五間(jian),樓(lou)(lou)(lou)頂為十字(zi)歇(xie)山頂。四(si)周圍廊,正南當(dang)心辟板門(men)一道(dao),一、二層(ceng)四(si)面各(ge)出抱廈一間(jian),二、三層(ceng)檐下(xia)密布形制(zhi)各(ge)異的(de)斗?承托平座。樓(lou)(lou)(lou)內檐置12根金(jin)柱,直通(tong)樓(lou)(lou)(lou)頂,柱間(jian)設額(e)枋、平板枋聯結成(cheng)井筒式構架(jia),與各(ge)層(ceng)抱廈、圍廊的(de)梁枋彼此相聯,形成(cheng)穩(wen)固(gu)的(de)整體結構,制(zhi)作(zuo)手法頗具明代風(feng)格。秋(qiu)風(feng)樓(lou)(lou)(lou)輝宏典雅(ya),挺拔秀美,為中國樓(lou)(lou)(lou)閣建(jian)筑中的(de)佳作(zuo)。
后土廟內存碑刻、鐵(tie)鐘、鐵(tie)缸、石(shi)香爐、抱鼓石(shi)等附(fu)屬文(wen)物,尤其是(shi)金刻“廟貌碑”、元刻“秋風辭”碑,在(zai)書法(fa)與文(wen)學藝術方面具有獨特的價值。