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愛德華·蒙克
0 票數:0 #畫家#
愛德華·蒙克,1863年12月12日出生于挪威勒滕,畢業于奧斯陸皇家藝術和設計學院,偉大的挪威畫家、現代表現主義繪畫的先驅。蒙克一生創作數以萬計的版畫作品,在世界版畫藝術領域的創作以及版畫藝術語言的探索方面做出了極大貢獻,他的畫著力表現“生命、愛與死亡”,但又極少去描繪具體歷史事件和生活場景,而是在簡練的畫面語言中把人的內心世界刻畫得淋漓盡致。其代表作品有《吶喊》、《生命之舞》等。
  • 中文名: 愛(ai)德(de)華·蒙克
  • 外文名: Edvard Munch
  • 出生日期: 1863年12月12日
  • 性別:
  • 國籍: 挪威(wei)
  • 出生地: 挪(nuo)威勒滕
  • 星座: 射手座
  • 生肖:
  • 畢業院校: 奧(ao)斯陸皇家(jia)藝(yi)術(shu)和設計(ji)學院
  • 去世日期: 1944年01月23日(ri)
  • 職業職位: 畫家
  • 代表作品: 《吶喊》,《生命(ming)之舞》,《卡爾約翰街的夜晚》
  • 主要成就: 挪威表現(xian)主義畫家和版畫復制匠,偉大的挪威畫家
詳細(xi)介紹(shao) PROFILE +

主要經歷

早年經歷

1863年(nian)12月12日,愛(ai)(ai)德華·蒙(meng)克(ke)出生(sheng)于(yu)挪威(wei)雷(lei)登在(zai)(zai)奧斯陸(lu)長大(da)。愛(ai)(ai)德華·蒙(meng)克(ke)的(de)父(fu)親患(huan)有精神病,他向他的(de)孩子們灌輸了對地獄的(de)根深蒂固的(de)恐(kong)懼,他一再(zai)告訴他們,如果他們在(zai)(zai)任何(he)情況下、以任何(he)方式犯有罪孽,他們就(jiu)會注定被投入(ru)地獄,沒有任何(he)寬恕的(de)機(ji)會。1879年(nian) ,愛(ai)(ai)德華·蒙(meng)克(ke)為(wei)成為(wei)一名工(gong)程師而(er)進工(gong)學院念書,受印象(xiang)主(zhu)義畫風的(de)影響,然而(er),頻繁的(de)患(huan)病中斷了他的(de)學業(ye)。

1880年(nian),愛德(de)華·蒙克為了成為一名畫(hua)家而離開工學(xue)院。

1881年,愛德華·蒙克考進了奧(ao)斯(si)陸(lu)皇家藝(yi)術和設(she)計(ji)學(xue)院,他的(de)老師是雕刻家朱利厄斯(si)·米德爾頓和自然主義畫家克里斯(si)蒂安·克羅格。

1885年,愛德華(hua)(hua)·蒙克前往巴黎(li)。他的(de)作品(pin)開(kai)始(shi)顯(xian)示出法國(guo)畫家的(de)影響;一開(kai)始(shi)是印象(xiang)派(pai),接著是后(hou)印象(xiang)派(pai),然後是新藝(yi)術造(zao)型。愛德華(hua)(hua)·蒙克的(de)繪畫盡管風格上是后(hou)期印象(xiang)派(pai)的(de),但在(zai)主題上卻是象(xiang)征派(pai)的(de),愛德華(hua)(hua)·蒙克的(de)繪畫內(nei)容在(zai)于刻(ke)畫內(nei)心(xin)世界而不是外(wai)在(zai)現(xian)實。

中年經歷

1889年改用傳統的(de)畫法(fa)創作《病孩》和(he)變體畫《春》,從(cong)而獲(huo)得獎學(xue)金去法(fa)國留學(xue),從(cong)師L.博(bo)納。在法(fa)國,他在研究印象主(zhu)義畫法(fa)的(de)基礎上(shang),轉而對后印象主(zhu)義和(he)納比派發(fa)生興趣。他發(fa)現線條和(he)色彩有強(qiang)烈(lie)的(de)表現力(li),試圖(tu)用它們畫出活生生的(de)人們,他們的(de)呼吸、感覺、受苦受難并彼此的(de)相愛。

1892年 愛(ai)德(de)華(hua)·蒙(meng)(meng)克應邀(yao)參(can)加柏林(lin)藝術(shu)家(jia)聯盟在11月份(fen)舉行的畫展(zhan)。愛(ai)德(de)華(hua)·蒙(meng)(meng)克的繪(hui)畫成了苦澀的爭(zheng)論對象,畫展(zhan)在一星(xing)期后結(jie)束。在柏林(lin),愛(ai)德(de)華(hua)·蒙(meng)(meng)克成了一個(ge)國際圈(quan)子(zi)里(li)的一員,里(li)面有作家(jia)、藝術(shu)家(jia)和評論家(jia),包括挪威劇作家(jia)亨利·易卜生和瑞(rui)典戲劇家(jia)奧古(gu)斯特·史特林(lin)堡(bao)。愛(ai)德(de)華(hua)·蒙(meng)(meng)克為(wei)易卜生的幾個(ge)劇本設計了布景。

1893年12月,愛(ai)德華(hua)·蒙(meng)克(ke)在柏林著名的(de)(de)菩(pu)提樹(shu)下大街(jie)開畫展(zhan)。和其它作品一起,愛(ai)德華(hua)·蒙(meng)克(ke)出展(zhan)了題為“愛(ai)的(de)(de)研究系列”,由六幅畫所組(zu)成。這是他此后命名為“生(sheng)命的(de)(de)飾(shi)帶 以(yi) 生(sheng)命、愛(ai)情和死(si)亡的(de)(de)詩”組(zu)畫的(de)(de)起點。它包括深深地沉浸于(yu)大氣的(de)(de)主(zhu)題《風暴》《月光》和《星夜》。其它主(zhu)題有(you)揭示愛(ai)的(de)(de)陰暗(an)面的(de)(de),比如《玫瑰與(yu)阿美莉》和《吸血(xue)鬼》。《病(bing)室里的(de)(de)死(si)亡》則以(yi)死(si)亡為主(zhu)題,基于(yu)愛(ai)德華(hua)·蒙(meng)克(ke)對姐(jie)姐(jie)蘇菲之死(si)的(de)(de)回憶。

1894年,“生命的(de)飾帶”加(jia)進(jin)了《焦躁》《灰燼》《圣母(mu)》和《女人三階段》作(zuo)品集。在世紀之交之際(ji),愛德華·蒙克完成了他的(de)“生命的(de)飾帶”組畫系列。

晚年經歷

1908年秋,他的焦(jiao)慮變得(de)深刻并在丹尼爾·賈可布(bu)遜(xun)博士(shi)的診所住院(yuan)接受治療。醫院(yuan)里(li)施行(xing)的休克療法改變了他的個性。

1909年愛德華·蒙克回到挪威,更(geng)多地(di)表現出對大自然的(de)(de)興趣,他(ta)的(de)(de)作(zuo)品(pin)(pin)變(bian)得更(geng)富于色(se)彩,減少了(le)悲觀的(de)(de)成分。在納粹統治期間,愛德華·蒙克的(de)(de)作(zuo)品(pin)(pin)被貼上(shang)了(le)“頹廢(fei)藝術(shu)”的(de)(de)標簽,從德國的(de)(de)各(ge)個美(mei)術(shu)館撤了(le)下來(lai)。反納粹主義的(de)(de)愛德華·蒙克來(lai)說(shuo)是很傷心的(de)(de),因為他(ta)把(ba)德國看作(zuo)為他(ta)的(de)(de)第二祖國。

1944年(nian)1月23日,愛德華·蒙克(ke)于(yu)奧(ao)斯(si)陸附(fu)近的(de)艾可利與世長(chang)辭。他向奧(ao)斯(si)陸捐贈了1000幅油畫,15400張(zhang)版(ban)畫,4500件素描和(he)水彩畫,還有6件雕刻作品。后來為(wei)紀(ji)念愛德華·蒙克(ke),建造了愛德華·蒙克(ke)美術館(guan)。

主要作品

作品名 年份

?vre Foss

1880

Small Lake with Boat

1880

Horse and Wagon in front of Farm Buildings

1880

Autumn Work in the Field

1880

Landscape with Woman Walking by a Lake

1880

Landscape with Trees and Water

1880

Autumn in the Forest

1880

Horse and Cart on a Country Road

1880

Still Life with Pipe and Bibles

1880

View from Fossveien

1880-81

View from Fossveien

1881

Winter Landscape with House and Red Sky

1881

Potted Plant on the Window-Sill

1881-82

Potted Plant

1881-82

The Living-Room of the Misses Munch in Pilestredet 61

1881

From Vestre Aker

1881

Hakloa in Maridalen

1881

Maridalsveien in Nydalen

1881

Houses in Maridalen

1881

From Maridalen

1881

Akerselva

1881

Landscape with Woman and Child

1881

Landscape with a Small House and Two People

1881

Landscape with Lake and Forest

1881

From Bunnefjorden

1881

From Sandvika

1881

Man Rowing towards Land

1881

Bay with Boat and House

1881

Man and Woman in Boat

1881

Fisherman by the Water

1881

Christian Munch on the Couch

1881

Christian Munch on the Couch

1881

Study of a Landscape

1881

View of Grüner's Garden

1881

Gamle Aker Church

1881-82

Gamle Aker Church

1881

Gamle Aker Church

1881

Gamle Aker Church

1881

View from Fossveien 7 towards Bergfjerdingen

1881

People on the Road in Wet Snow

1881

Goblin with Christmas Porridge

1881

Still Life with Jar, Apple, Walnut and Coconut

1881

?vre Foss in Winter

1881-82

Boy in Snow

1881-82

View of the City on a Winter's Day

1882

Self-Portrait

1882

Laura Munch

1882

Laura Munch

1882

Olaf Rye's Square towards South East

1882

View across Olaf Rye's Square

1882

Olaf Rye's Square towards South East

1882

Landscape with Waterfall and House

1882

Evening Atmosphere at Sea

1882

Landscape with a Small Waterfall

1882

Spring Landscape

1882

Stream in Spring

1882

Karen Bj?lstad

1882-83

Man's Head with Beard

1882-83

The Errand Boy

1882-84

Garden with Red House

1882

Garden with Red House

1882

By the Garden Table

1882

Akerselva by Sl?motgangen

1882

Inger by the Window

1882

Akerselva by Nedre Foss

1882

Akerselva

1882

Birch Trees with Woman Walking

1882

Birch Trees in the Autumn

1882

From Vestre Aker

1882

Birch Trees and Man Carrying Twigs

1882

Autumn in Vestre Aker

1882

Woman on a Country Lane

1882

Two Boys on a Country Lane

1882

Thorvald Torgersen

1882

Thorvald Torgersen

1882

Head of a Boy

1882

Andreas Reading

1882

Andreas Reading

1882

Andreas Reading

1882

Self-Portrait

1882

Drive at Vaterland

1882

From Saxeg?rdsgate

1882

Laura Munch

1883

Otto Linthoe

1883

Study of a Man's Head

1883

Study of an Old Man's Head

1883

Head of an Old Man with Beard

1883

Study of an Old Man's Head

1883

Afternoon at Olaf Rye's Square

1883

Street Corner on Karl Johan, Grand Café

1883

Christian Munch on the Couch

1883

Landscape from Asker

1883

Autumn in Asker

1883

Andreas by the Window

1883

Andreas Reading

1883

The Dome of Trinity Church

1883

Study of a Head

1883

Early in the Morning

1883

Andreas Singdahlsen

1883

Hjalmar Borgstr?m

1883

Portrait of a Woman

1883

Karen Bj?lstad in the Rocking Chair

1883

Around the Paraffin Lamp

1883

At the Coffee Table

1883

At Supper

1883

The Infirmary at Helgelandsmoen

1884

Fence in the Forest

1884

Two People on the Way to the Forest

1884

Morning

1884

Christian Munch

1884

Portrait Studies

1884

Inger Munch in Black

1884

Street in Winter

1885

Ball

1885

Tête-à-tête

1885

Karl Johan

1885

Girl's Head

1885

Dagny Konow

1885

Study of an Old Man's Head

1885

Fredrik Lidemark

1885

Karl Jensen-Hjell

1885

Klemens Stang

1885

Christian Munch with Pipe

1885

Karen Bj?lstad

1885

J?rgen S?rensen

1885

Andreas Munch

1885

Cabaret

1885

The Sickroom

1885

The Sick Child

1885

Red-Haired Girl with White Rat

1886

Girl at the Piano

1886

Self-Portrait

1886

Andreas Munch Studying Anatomy

1886

Afternoon Nap

1886

Boat with Three Boys

1886

Man on the Veranda

1886

From His?ya near Arendal

1886

Woman and Children in Arendal

1886

Thorvald Torgersen

1886

Puberty

1886

The Day After

1886

Seated Young Girl

1887

Betzy Nilsen

1887

Halvard Stub Holmboe

1887

Jacob Torkildsen

1887

Forest Landscape with Small Lake

1887

Veierland near T?nsberg

1887

Two Men by the Window

1887

Law

1887

Kristiania Bohemians

1887

Self-Portrait

1888

Marius Selmer

1888

Bendix Lange

1888

Beach

1888

The T?nsberg Fjord

1888

On the Pier

1888

Man Binding Fishnet

1888

Karen Bj?lstad

1888

Evening

1888

Summer Day on the Pier

1888

Laura and Inger in the Summer Sun

1888

Evening

1888

Inger in Sunshine

1888

At the General Store in Vrengen

1888

Andreas Bj?lstad

1888

Aasta Carlsen

1888

Man Standing in the Doorway

1889

Karl D?rnberger

1889

Charlotte D?rnberger

1889

Georg Stang

1889

John Hazeland on his Deathbed

1889

Spring

1889

Hans J?ger

1889

From Karl Johan

1889

Music on Karl Johan

1889

Beach Landscape from?sg?rdstrand

1889

Beach

1889

From ?sg?rdstrand

1889

Beach Landscape

1889

Shore

1889

Summer Night. Inger on the Beach

1889

Summer Evening

1889

Summer

1889

Summer in ?sg?rdstrand

1889

Morten Damme's House near ?sgardstrand

1889

Standing Female Nude

1889

A French Tavern (Two Men and a Woman)

1890

The Canal near Paris (with a Small Streamboat)

1890

A Woman (in Half-figure) with Landscape (Returned from Victoria terrasse)

1890

A Small Beach Study

1890

Night in Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

The Seine at Saint-Cloud

1890

At the Wine Merchant's

1890

In the Bar

1890

In the Café

1890

Norwegian Spring Landscape

1890

Landscape

1890

The Streamboat Arrives

1890

Beach

1890

Spring Day on Karl Johan

1890

Sunny Day in ?sg?rdstrand

1890

Garden Path

1890

Woman in Evening Landscape

1890

Landscape

1890

View from Hauketo

1890

View from Hauketo

1890

Landscape

1890

The Absinth Drinkers

1890

Two Children

1890

Under the Palm Trees in Nice

1891

Afternoon on the Promenade des Anglais

1891

Morning on the Promenade des Anglais

1891

Sunny Day in Nice

1891

Rooftops in Nice

1891

Night in Nice

1891

Fisherboy from Nice

1891

Boy's Head

1891

Young Woman in Blue

1891

Young Woman in Blue

1891

Model Scratching her Arm

1891

Rue Lafayette

1891

Rue de Rivoli

1891

Sunday in ?sgardstrand

1891

Young Blond Girl

1891

Summer Evening in ?sgardstrand

1891

In Open Air

1891

Summer

1891

Eroticism on a Summer Evening

1891

Karl Johan in the Rain

1891

Evening. Melancholy

1891

Woman in Blue against Blue Water

1891

Old Fisherman

1891

Pine Forest

1891

Summer Day in the Forest

1891

Forest Landscape

1891

From Nordstrand

1891

Landscape in Moonlight

1891

Woman by the Balustrade

1891

Inger in a White Blouse

1891

no:Jappe Nilssen

1891

Arve Arvesen

1891

Gunnar Heiberg

1891

Helge Rode

1891

Olga Buhre

1891

Alexandra Thaulow

1891

Kiss by the Window

1891

The Day After

1891

Munch Museum, Oslo, Norway

1892

Childhood Memory

1892

Gamblers in Monte Carlo

1892

Gamblers in Monte Carlo

1892

At the Roulette Table in Monte Carlo

1892

Sick Mood at Sunset. Despair

1892

Cypress in Moonlight

1892

Kiss by the Window

1892

The Kiss

1892

The Girl by the Window

1892

Woman Combing her Hair

1892

Woman Looking in the Mirror

1892

After the Bath

1892

From the Riviera

1892

From the Riviera

1892

Moonlight by the Mediterranean

1892

A Pine

1892

Trees by the Mediterranean

1892

From the Riviera

1892

Men Flocking round Women in Light Clothing

1892

Forest

1892

Moonlight on the Beach

1892

Mystery on the Shore

1892

Mystery on the Shore

1892

Two Human Beings. The Lonely Ones

1892

Melancholy

1892

Night in Saint-Cloud

1892

Night in Saint-Cloud

1892-93

Night in Saint-Cloud

1892

Vision

1892

The Water Lillies

1892-93

Evening on Karl Johan

1892

From Nordstrand

1892

On the Veranda

1892

Inger by the Window

1892

Inger in Black and Violet

1892

Seated Young Woman

1892

Autumn Rain

1892

Jakob Bratland

1892

Ludvig Meyer

1892

Thor Lütken

1892

Ragnhild andDagny Juel

1892-93

August Strindberg

1892

Night in Saint-Cloud

1893

The Girl by the Window

1893

Study of a Model

1893

Separation

1893

Woman with Red Hat

1893-94

Symbolic Study

1893-94

Portrait of a Man

1893-94

Woman's head against a red Background

1893-94

Self-Portrait under the Mask of a Woman

1893

Seated Nude and Grotesque Masque

1893

Sunrise in the Harbour

1893-94

Rosa and Amelie

1893

Sunrise in ?sg?rdstrand

1893-94

Summer Night

1893

Melancholy

1893

Death at the Helm

1893

Summer Night. Mermaid

1893

Summer Night's Dream. The Voice

1893

Starry Night

1893

Starry Night

1893

Moonlight

1893

House in Moonlight

1893-95

The Storm

1893

Death and Spring

1893

The Angel of Death

1893

By the Deathbed. Fever

1893

Death in the Sickroom

1893

Death in the Sickroom

1893

Death in the Sickroom

1893

Vampire

1893

The Scream

1893

The Scream

1893

Vampire

1893

Vampire

1893

The Hands

1893-94

Dagny Juel Przybyszewska

1893

Helge B?ckstr?m

1893

Minchen Torkildsen

1893

Ragnhild B?kstr?m

1894

Botho Graf Schwerin

1894

Ebehard von Bodenhausen

1894

Julius Meier-Graefe

1894

Separation

1894

Death and Life

1894

Puberty

1894

Puberty

1894-95

The Day After

1894

Vampire

1894

Selma Fontheim

1894

Selma Fontheim

1894

Nora Mengelberg

1894

Ludvig Meyer's Children

1894

Stanislaw Przybyszewski

1894

Inger in a Red Dress

1894

Bathing Women

1894

Bathers

1894

Bathing Boys

1894

Melancholy

1894

Melancholy

1894-96

Woman. Sphinx

1894

Woman

1894

Anxiety

1894

Despair

1894

Madonna

1894

Madonna

1894-95

Madonna

1895

Madonna

1895-97

Madonna

1895-97

Berlin Model

1895

Cabaret

1895

The Scream

1895

Vampire

1895

The Smell of Death

1895

The Smell of Death

1895

At the Deathbed

1895

Vampire

1895

Ashes

1895

Jealousy

1895

Beach in ?sg?rdstrand

1895

Moonlight

1895

Self-Portrait with Cigarette

1895

Stanislaw Przybyszewski

1895

Oscar and Ingeborg Heiberg

1895-96

Half-Nude in a Black Skirt

1896

Study of a Nude

1896

Young Woman Washing herself

1896

Seated Nude against a Red Background

1896

Seated Nude with her Back Turned

1896

The Mermaid

1896

Summer Landscape

1896

The Sick Child

1896

Separation

1896

Summer Night. The Voice

1896

The Girl by the Window

1896-97

Bathing Woman

1896-97

The Kiss

1896-97

Women in a Swimming Pool

1896-97

Paul Herrmann and Paul Contard

1897

The Kiss

1897

The Kiss

1897

Inheritance

1897-99

Women in Hospital

1897

Mother and Daughter

1897-99

Two Women in a Landscape

1897-99

Old Man with a Beard

1897-99

Brothel Scene

1897-99

Hospital Ward

1897-99

Bathing Boys

1897-98

Bathing Boys

1897-99

Bathing Girls

1897-99

Bathing Children

1897-99

Bathing Boys

1897-99

Autumn

1897-98

Marie Helene Holmboe

1898

Female Portrait

1898-99

Dark-Haired Man and Red-Haired Woman

1898-99

Holger Drachmann

1898

Henrik Ibsenat theGrand Café

1898

Study of a Model

1898

Half-Nude in a Blue Skirt

1898

Nude

1898

Nude

1898

Two Women. Symbolic Study

1898

Sitting Nude by the Beach

1898

Man and Woman

1898

Nude in Profile towards the Right

1898

Metabolism

1898-99

Tulla Larsen

1898-99

Tulla Larsen

1898-99

Father and Son

1898

Seated Nude and Three Male Heads

1898-99

Tragedy

1898

Jealousy in the Bath

1898

Beach

1898

The Rainbow

1898

Woman by the Sea in ?sgardstrand

1898

House with Red Virginia Creeper

1898-99

House with Red Virginia Creeper

1898-99

Red Virginia Creeper

1898-1900

The Son

1904

The Coffin is Carried Out

1898-1900

Boulevard in Paris

1898-1900

Winter

1899-1900

Winter in the Woods, Nordstrand

1899

Death and the Child

1899

Death and the Child

1899

Landscape

1899

The Garden

1899

Munch's House and Studio in ?sgardstrand

1899

Munch's House in ?sg?rdstrand

1899

Dark Spruce Forest

1899

貢獻影響

歷史發展

在當時哲(zhe)學和美學思(si)潮影響下,他(ta)努力發掘人(ren)類(lei)心靈(ling)中的(de)(de)各種狀況,表現疾(ji)病、死亡、絕望(wang)、情愛(ai)等主(zhu)題(ti)。因此,他(ta)的(de)(de)創作有“心靈(ling)的(de)(de)現實主(zhu)義(yi)”的(de)(de)稱號。由于受到(dao)保守勢(shi)力的(de)(de)攻擊,很快被封閉,但(dan)對德國青年畫家(jia)以很大的(de)(de)刺激(ji),推動了(le)表現主(zhu)義(yi)運動的(de)(de)產生(sheng)。

思想傳播

愛德華(hua)·蒙(meng)(meng)克通過主(zhu)題(ti)來(lai)表(biao)現(xian)他切身經歷的(de)(de)(de)(de)(de)對(dui)生存(cun)和(he)(he)死(si)亡的(de)(de)(de)(de)(de)感(gan)受。每一(yi)(yi)幅畫(hua)都無與倫比地(di)強烈地(di)傳達著(zhu)畫(hua)家的(de)(de)(de)(de)(de)感(gan)覺和(he)(he)情緒,被(bei)描(miao)繪(hui)的(de)(de)(de)(de)(de)具(ju)體對(dui)象(xiang)的(de)(de)(de)(de)(de)細節被(bei)簡化,而情緒則被(bei)夸張,對(dui)象(xiang)本身成為(wei)一(yi)(yi)種所要表(biao)現(xian)的(de)(de)(de)(de)(de)情緒的(de)(de)(de)(de)(de)載體,雖(sui)然它(ta)們依然還是具(ju)象(xiang)的(de)(de)(de)(de)(de)。這(zhe)些畫(hua)具(ju)有永恒(heng)的(de)(de)(de)(de)(de)震懾心(xin)靈(ling)的(de)(de)(de)(de)(de)力量(liang)。在這(zhe)一(yi)(yi)切的(de)(de)(de)(de)(de)背後,我(wo)們還可以看見那(nei)個(ge)“世(shi)(shi)紀末”的(de)(de)(de)(de)(de)景象(xiang),那(nei)種迷途的(de)(de)(de)(de)(de)欲望深淵和(he)(he)無法(fa)逃脫的(de)(de)(de)(de)(de)死(si)亡陰(yin)影的(de)(de)(de)(de)(de)怪圈,生命(ming)的(de)(de)(de)(de)(de)焦(jiao)躁(zao)和(he)(he)無奈交織(zhi)在一(yi)(yi)起。愛德華(hua)·蒙(meng)(meng)克作品的(de)(de)(de)(de)(de)驚人表(biao)現(xian)力量(liang)來(lai)自(zi)于對(dui)藝術家內心(xin)世(shi)(shi)界(jie)的(de)(de)(de)(de)(de)不加掩(yan)飾的(de)(de)(de)(de)(de)忠實(shi)表(biao)達,愛德華(hua)·蒙(meng)(meng)克的(de)(de)(de)(de)(de)畫(hua)是用整個(ge)心(xin)靈(ling)來(lai)創(chuang)作的(de)(de)(de)(de)(de)。

人物評價

愛德華(hua)·蒙克(ke)的(de)(de)作(zuo)品筆觸大膽(dan)奔(ben)放、色(se)彩艷麗豐富,但卻給人強烈(lie)的(de)(de)刺(ci)激(ji)感(gan),充滿(man)著緊張不安、壓抑(yi)悲傷的(de)(de)情(qing)緒。愛德華(hua)·蒙克(ke)所描(miao)繪的(de)(de)世界是人類(lei)復(fu)雜的(de)(de)精(jing)神世界,他刻意表現死亡、憂郁(yu)和(he)孤獨,描(miao)寫上(shang)世紀(ji)末(mo)的(de)(de)藝術家在充滿(man)矛盾與痛苦的(de)(de)現實中,其孤獨的(de)(de)心靈對人生產生的(de)(de)懷疑和(he)焦慮。

藝(yi)(yi)術史家(jia)(jia)稱(cheng)愛(ai)德華·蒙克為“世紀末(mo)”的藝(yi)(yi)術家(jia)(jia),因(yin)為他(ta)的作品反映了(le)歐(ou)洲整(zheng)(zheng)整(zheng)(zheng)一代(dai)人(ren)(ren)的精神生活面貌。在愛(ai)德華·蒙克生活的時(shi)代(dai),再沒有別的藝(yi)(yi)術能夠像(xiang)他(ta)那樣深入到(dao)人(ren)(ren)的靈(ling)魂(hun)之中,把(ba)那心(xin)靈(ling)的美與丑(chou)一并展現給世人(ren)(ren)。也沒有人(ren)(ren)敢(gan)于(yu)像(xiang)他(ta)那樣赤(chi)裸裸地描寫(xie)人(ren)(ren)類本能的丑(chou)惡,使(shi)善良與罪惡并存,讓美麗與丑(chou)陋共生。

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