《東(dong)陽歷史文(wen)(wen)(wen)化展》 以歌山畫水之(zhi)地、興學(xue)重(zhong)教(jiao)之(zhi)邦(bang)、百工競技之(zhi)鄉(xiang)作為陳列的(de)三大主(zhu)題(ti):擷取西周春秋時(shi)期(qi)土(tu)墩(dun)墓(mu)出土(tu)文(wen)(wen)(wen)物,闡(chan)明東(dong)陽是古越重(zhong)地;以歌山窯和葛府窯青瓷(ci)產品(pin)、南寺塔文(wen)(wen)(wen)物顯示婺之(zhi)望縣;著重(zhong)講述(shu)崇文(wen)(wen)(wen)興教(jiao)、勤學(xue)苦讀風氣的(de)形成(cheng),“人才之(zhi)鄉(xiang)”、“教(jiao)育之(zhi)鄉(xiang)”的(de)歷史;以及通過東(dong)陽木雕(diao)、竹(zhu)編等工藝(yi)精品(pin)的(de)展示,敘述(shu)“百工之(zhi)鄉(xiang)”、“建筑之(zhi)鄉(xiang)”的(de)歷史淵源。展覽(lan)采用文(wen)(wen)(wen)物結合圖文(wen)(wen)(wen)、場景輔助的(de)方式,系(xi)統地介紹東(dong)陽的(de)歷史文(wen)(wen)(wen)化。
東陽龍(long)(long)(long)化(hua)石 白堊紀晚期恐(kong)龍(long)(long)(long)骨架化(hua)石,屬蜥腳(jiao)類(lei)草食性巨龍(long)(long)(long)科(ke)恐(kong)龍(long)(long)(long),是(shi)(shi)此類(lei)恐(kong)龍(long)(long)(long)的(de)新屬新種,是(shi)(shi)華(hua)東地區較(jiao)好的(de)恐(kong)龍(long)(long)(long)化(hua)石之一(yi)。
五(wu)代(dai)(dai)木(mu)雕(diao)佛像(xiang)(xiang) 木(mu)雕(diao)羅漢像(xiang)(xiang),面頰豐滿,微笑如常,身穿袈(jia)裟,雙手合十(shi),跣足(zu)立(li)于(yu)(yu)蓮臺,像(xiang)(xiang)身又(you)置于(yu)(yu)佛龕之(zhi)(zhi)中,為古(gu)代(dai)(dai)東(dong)陽木(mu)雕(diao)之(zhi)(zhi)代(dai)(dai)表作。
春秋時(shi)期玉樽 筒形樽體(ti),弧形蓋,可(ke)活動嵌入(ru)式雙耳,整體(ti)制作極為精細(xi),顯(xian)示出(chu)2500年前一流的工藝技術水平。
唐婺(wu)州窯(yao)青瓷葵(kui)口(kou)豆(dou) 葵(kui)口(kou)口(kou)沿,弧(hu)腹下收,喇叭形圈足,內外施青黃(huang)釉,是東陽本地生(sheng)產的婺(wu)州窯(yao)青瓷精品。
博(bo)物館整體呈凸(tu)形(xing)(xing)箱(xiang)體結構,上下(xia)四層,東(dong)西兩邊設展廳(ting),中(zhong)(zhong)間為(wei)(wei)采光中(zhong)(zhong)庭。來到博(bo)物館廣場,首(shou)先映(ying)入眼簾(lian)的(de)是(shi)(shi)“東(dong)陽(yang)(yang)博(bo)物館”和(he)“中(zhong)(zhong)國(guo)恐(kong)龍之(zhi)鄉”的(de)橫額。形(xing)(xing)成了以(yi)中(zhong)(zhong)國(guo)東(dong)陽(yang)(yang)龍的(de)發現(xian)和(he)復原為(wei)(wei)主(zhu)題,以(yi)系統(tong)介(jie)紹恐(kong)龍在東(dong)陽(yang)(yang)生存情(qing)況為(wei)(wei)內容,并(bing)輔以(yi)相關(guan)科普(pu)知識(shi)的(de)完整敘述(shu),體現(xian)了“東(dong)陽(yang)(yang)是(shi)(shi)恐(kong)龍生活的(de)樂土(tu),更是(shi)(shi)人(ren)類(lei)生存的(de)和(he)諧(xie)家園”的(de)主(zhu)旨。二樓(lou)東(dong)陽(yang)(yang)歷史文化展廳(ting)的(de)“超(chao)越(yue)紅土(tu)地(di)——東(dong)陽(yang)(yang)歷史文化展覽”以(yi)“教(jiao)育(yu)與百(bai)工(gong)(gong)之(zhi)鄉東(dong)陽(yang)(yang)的(de)故(gu)事”為(wei)(wei)副標(biao)題,以(yi)當地(di)自然環境基(ji)本特征和(he)歷史發展為(wei)(wei)主(zhu)脈絡(luo),以(yi)“歌山畫水之(zhi)地(di)”、“興(xing)學(xue)重教(jiao)之(zhi)邦(bang)”、“百(bai)工(gong)(gong)競技之(zhi)鄉”為(wei)(wei)主(zhu)題,闡述(shu)了東(dong)陽(yang)(yang)重視(shi)教(jiao)育(yu)、重視(shi)手(shou)工(gong)(gong)藝,最終形(xing)(xing)成以(yi)建筑(zhu)木雕為(wei)(wei)龍頭、百(bai)工(gong)(gong)并(bing)重、農工(gong)(gong)并(bing)舉(ju)的(de)創業(ye)歷程。