我(wo)以數不清的方式愛你,
我(wo)的癡心永遠為你編織歌之花(hua)環——
親愛的(de),接受我(wo)的(de)奉獻,
世(shi)世(shi)代代以(yi)各種方式掛(gua)在你的(de)胸(xiong)前。
我(wo)聽(ting)過的許多古(gu)老(lao)愛情的故事,
充滿聚首的歡樂和離別的悲郁。
縱觀無始的往昔,
我看(kan)見你像永世難忘(wang)的北斗
穿透歲月的黑暗,
姍姍來到我的面前。
從洪(hong)荒(huang)時代的心源出發,
你我泛舟順流而下。
你我在(zai)億萬(wan)愛侶中(zhong)間嬉戲,
分離(li)時辛酸的眼淚(lei)和團圓時甜(tian)蜜的羞澀里,
古老的(de)愛情孕育(yu)了新意。
陳腐的(de)愛情如今化為(wei)你腳下的(de)灰塵。
一(yi)切心靈的愛欲、悲(bei)喜,
一切愛(ai)情傳說(shuo),歷(li)史詩人(ren)寫的(de)戀歌歌詞,
全部融(rong)合(he)在(zai)你我新型的愛(ai)情里。
I seem to have loved you in numberless forms, numberless times,
In life after life, in age after age forever.
My spell-bound heart has made and remade the necklace of songs
That you take as a gift, wear round your neck in your many forms
In life after life, in age after age forever.
Whenever I hear old chronicles of love, its age-old pain,
Its ancient tale of being apart or together,
As I stare on and on into the past, in the end you emerge
Clad in the light of a pole-star piercing the darkness of time:
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount
At the heart of time love of one for another.
We have played alongside millions of lovers, shared in the same
Shy sweetness of meeting, the same distressful tears of farewell -
Old love, but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you,
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life,
The memories of all loves merging with this one love of ours -
And the songs of everypoet both past and forever.
有(you)一(yi)種(zhong)愛(ai)(ai)情(qing),叫“泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)式愛(ai)(ai)情(qing)”。無(wu)論是“曾經,我(wo)(wo)夢(meng)見我(wo)(wo)們(men)竟是陌(mo)生人(ren)(ren),醒來(lai)才(cai)發現(xian),原來(lai)我(wo)(wo)們(men)是相親相愛(ai)(ai)的(de)(de)”,或(huo)是“花(hua)為什(shen)么謝(xie)了(le)呢?我(wo)(wo)熱烈的(de)(de)愛(ai)(ai)把它緊壓在(zai)我(wo)(wo)的(de)(de)心上,因(yin)此(ci)花(hua)謝(xie)了(le)”,都戳中心窩,令人(ren)(ren)慨嘆唏(xi)噓。還(huan)有(you)一(yi)段(duan)(duan)大家(jia)耳熟能詳的(de)(de)“世界上最遙遠(yuan)的(de)(de)距(ju)離”,網友通(tong)常將其歸為泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)所作,但(dan)(dan)事實上并無(wu)確鑿的(de)(de)出(chu)處證據(ju)。不(bu)過(guo),拋開它的(de)(de)作者不(bu)說,泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)本人(ren)(ren)的(de)(de)確是上演(yan)了(le)一(yi)出(chu)“我(wo)(wo)站在(zai)你(ni)面(mian)前(qian),你(ni)卻不(bu)知道(dao)我(wo)(wo)愛(ai)(ai)你(ni)”的(de)(de)故事。他的(de)(de)姑娘叫安娜,兩人(ren)(ren)情(qing)投意合,卻因(yin)為泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)即將遠(yuan)赴英(ying)國分居兩地而沒有(you)勇氣面(mian)對,這段(duan)(duan)感情(qing)歸于沉(chen)默。然而,這份愛(ai)(ai)雖從(cong)(cong)未開始,但(dan)(dan)也從(cong)(cong)未結束。“安娜”存在(zai)于泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)年(nian)輕(qing)妻(qi)子的(de)(de)名字(zi)里(li),存在(zai)于泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)熱烈或(huo)溫(wen)婉的(de)(de)詩句里(li),或(huo)許她不(bu)是泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)作品中的(de)(de)每一(yi)個(ge)主角(jiao),但(dan)(dan)一(yi)定是泰(tai)(tai)(tai)(tai)戈(ge)(ge)爾(er)愛(ai)(ai)情(qing)觀塑造(zao)的(de)(de)繆斯。
當愛(ai)(ai)(ai)情走向柴米油(you)鹽(yan),我們往往忘(wang)記(ji)了曾經的(de)(de)內心翻(fan)涌,但(dan)若抽離自身來看同一個(ge)時空兩人(ren)的(de)(de)相(xiang)遇,則不(bu)(bu)得不(bu)(bu)承(cheng)認(ren)其中(zhong)的(de)(de)神(shen)圣。無論在(zai)哪個(ge)年代哪個(ge)地(di)域(yu),歡聚(ju)與分離,那些(xie)數不(bu)(bu)清的(de)(de)愛(ai)(ai)(ai)的(de)(de)方式,都(dou)有(you)著(zhu)相(xiang)異又相(xiang)似的(de)(de)苦樂悲喜(xi)。“愛(ai)(ai)(ai)情”這個(ge)千代萬世(shi)永不(bu)(bu)褪色的(de)(de)主(zhu)題總能(neng)引起共鳴(ming),正是因為你(ni)也有(you)故事,你(ni)總能(neng)找到你(ni)的(de)(de)影子,就(jiu)像詩人(ren)所說,一切愛(ai)(ai)(ai)欲、悲喜(xi),一切傳說與戀(lian)歌歌詞,都(dou)會融合在(zai)你(ni)的(de)(de)愛(ai)(ai)(ai)情里,于是千千萬萬個(ge)“你(ni)我”,連接了古老與新型(xing)的(de)(de)愛(ai)(ai)(ai)情,化作永恒。