我(wo)以數(shu)不清的方式(shi)愛(ai)你,
我的癡(chi)心永遠為(wei)你編織(zhi)歌之花環——
親愛的,接受我(wo)的奉獻(xian),
世世代代以各種方式掛(gua)在你的胸(xiong)前。
我聽過的許(xu)多古老愛情的故事,
充滿(man)聚(ju)首的歡樂和離別(bie)的悲郁。
縱觀無始的往昔,
我看見(jian)你像永(yong)世難忘(wang)的北斗(dou)
穿透歲月的黑暗,
姍姍來到我的面前。
從(cong)洪荒時代的(de)心源出發,
你我泛舟順流而下。
你我(wo)在億(yi)萬愛侶中(zhong)間嬉戲,
分離時辛酸的眼淚和(he)團圓時甜(tian)蜜(mi)的羞澀里(li),
古(gu)老的愛情孕(yun)育了新(xin)意。
陳腐的(de)(de)愛情(qing)如今化為(wei)你腳下的(de)(de)灰塵(chen)。
一切心靈的愛欲、悲喜,
一切愛(ai)情傳說,歷史詩(shi)人寫的戀歌(ge)歌(ge)詞,
全部融合在你我新型(xing)的愛情(qing)里(li)。
I seem to have loved you in numberless forms, numberless times,
In life after life, in age after age forever.
My spell-bound heart has made and remade the necklace of songs
That you take as a gift, wear round your neck in your many forms
In life after life, in age after age forever.
Whenever I hear old chronicles of love, its age-old pain,
Its ancient tale of being apart or together,
As I stare on and on into the past, in the end you emerge
Clad in the light of a pole-star piercing the darkness of time:
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount
At the heart of time love of one for another.
We have played alongside millions of lovers, shared in the same
Shy sweetness of meeting, the same distressful tears of farewell -
Old love, but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you,
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life,
The memories of all loves merging with this one love of ours -
And the songs of everypoet both past and forever.
有一(yi)種愛(ai)(ai)情(qing),叫(jiao)“泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)式愛(ai)(ai)情(qing)”。無論是(shi)(shi)“曾(ceng)經,我(wo)夢見我(wo)們竟(jing)是(shi)(shi)陌生(sheng)人(ren),醒來才(cai)發現,原來我(wo)們是(shi)(shi)相親相愛(ai)(ai)的(de)”,或(huo)(huo)是(shi)(shi)“花為(wei)什么謝了(le)呢?我(wo)熱烈(lie)的(de)愛(ai)(ai)把(ba)它緊壓(ya)在(zai)我(wo)的(de)心(xin)上,因(yin)此花謝了(le)”,都戳中心(xin)窩,令人(ren)慨嘆唏噓。還有一(yi)段大家耳熟能詳的(de)“世界上最遙遠(yuan)(yuan)的(de)距離”,網友通常將其歸為(wei)泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)所(suo)作,但事(shi)實上并無確鑿的(de)出處證據。不(bu)(bu)(bu)過,拋(pao)開它的(de)作者不(bu)(bu)(bu)說(shuo),泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)本人(ren)的(de)確是(shi)(shi)上演了(le)一(yi)出“我(wo)站在(zai)你面(mian)前,你卻不(bu)(bu)(bu)知(zhi)道我(wo)愛(ai)(ai)你”的(de)故事(shi)。他的(de)姑娘叫(jiao)安娜,兩人(ren)情(qing)投意合(he),卻因(yin)為(wei)泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)即將遠(yuan)(yuan)赴英(ying)國分(fen)居兩地(di)而沒有勇(yong)氣(qi)面(mian)對,這段感情(qing)歸于沉默。然而,這份愛(ai)(ai)雖(sui)從未開始(shi),但也從未結(jie)束。“安娜”存(cun)在(zai)于泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)年輕(qing)妻子的(de)名字里,存(cun)在(zai)于泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)熱烈(lie)或(huo)(huo)溫婉的(de)詩句里,或(huo)(huo)許(xu)她(ta)不(bu)(bu)(bu)是(shi)(shi)泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)作品中的(de)每一(yi)個主角,但一(yi)定是(shi)(shi)泰(tai)(tai)(tai)戈(ge)(ge)(ge)爾(er)愛(ai)(ai)情(qing)觀(guan)塑(su)造(zao)的(de)繆斯。
當(dang)愛情(qing)(qing)走(zou)向柴米油鹽,我們(men)往往忘記(ji)了曾經的(de)(de)內心(xin)翻涌,但若抽離自(zi)身(shen)來(lai)看同一(yi)個(ge)(ge)時空兩人(ren)的(de)(de)相遇,則不(bu)(bu)得(de)不(bu)(bu)承認其中的(de)(de)神圣。無論(lun)在哪(na)個(ge)(ge)年代哪(na)個(ge)(ge)地域,歡聚與分離,那些數不(bu)(bu)清的(de)(de)愛的(de)(de)方(fang)式,都有著相異(yi)又相似的(de)(de)苦樂悲(bei)喜(xi)。“愛情(qing)(qing)”這個(ge)(ge)千代萬(wan)世(shi)永(yong)不(bu)(bu)褪色(se)的(de)(de)主題總能引起共鳴,正是(shi)(shi)因為你(ni)也(ye)有故事,你(ni)總能找到你(ni)的(de)(de)影子,就像(xiang)詩人(ren)所說(shuo)(shuo),一(yi)切(qie)愛欲(yu)、悲(bei)喜(xi),一(yi)切(qie)傳說(shuo)(shuo)與戀歌歌詞,都會融合在你(ni)的(de)(de)愛情(qing)(qing)里(li),于是(shi)(shi)千千萬(wan)萬(wan)個(ge)(ge)“你(ni)我”,連(lian)接了古(gu)老與新(xin)型的(de)(de)愛情(qing)(qing),化作永(yong)恒。