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甘谷大像山景區怎么樣

大(da)(da)(da)像山因山巔修(xiu)鑿大(da)(da)(da)佛(fo)像而來。甘谷大(da)(da)(da)佛(fo)為釋(shi)迦牟尼佛(fo)。大(da)(da)(da)像山自從以大(da)(da)(da)佛(fo)聞世更(geng)名后，世人一直沿稱(cheng)大(da)(da)(da)像山。大(da)(da)(da)像山因山體呈旗(qi)幟(zhi)狀，又稱(cheng)文(wen)旗(qi)山。大(da)(da)(da)像山現存洞窟22個，面(mian)積(ji)554平方(fang)米(mi)；木構建筑(zhu)15處，面(mian)積(ji)3903平方(fang)米(mi)，有800平方(fang)米(mi)的棧道將各石窟相連。

甘谷大像山景區景區介紹

太昊宮

甘谷大(da)(da)(da)(da)(da)像(xiang)(xiang)(xiang)山第一(yi)(yi)(yi)臺建有(you)(you)(you)伏(fu)(fu)(fu)羲(xi)(xi)(xi)廟(miao)亦即(ji)太昊(hao)(hao)(hao)宮(gong)(gong)，是(shi)(shi)(shi)明(ming)(ming)萬(wan)歷年(nian)間建筑(zhu)。明(ming)(ming)代(dai)葉應甲編纂的(de)《伏(fu)(fu)(fu)羌縣志》說：“邑人以(yi)本吧乃伏(fu)(fu)(fu)羲(xi)(xi)(xi)篤生故地，于(yu)(yu)(yu)萬(wan)歷四(si)十(shi)八年(nian)重(zhong)(zhong)(zhong)建于(yu)(yu)(yu)大(da)(da)(da)(da)(da)像(xiang)(xiang)(xiang)山之(zhi)(zhi)西”。原(yuan)廟(miao)于(yu)(yu)(yu)同治(zhi)二年(nian)（1863年(nian)）毀于(yu)(yu)(yu)兵燹，至(zhi)光緒十(shi)年(nian)（1884年(nian)）重(zhong)(zhong)(zhong)建。太昊(hao)(hao)(hao)宮(gong)(gong)宮(gong)(gong)門(men)及正(zheng)殿(dian)(dian)(dian)(dian)坐南(nan)朝(chao)(chao)北，廟(miao)址(zhi)總(zong)占地面積480平方米，殿(dian)(dian)(dian)(dian)宇巍峨，坐負(fu)蒼巖，南(nan)倚(yi)大(da)(da)(da)(da)(da)像(xiang)(xiang)(xiang)山，北瞰渭(wei)河流(liu)水(shui)；雕(diao)(diao)梁畫(hua)棟，飛(fei)檐流(liu)彩，名(ming)(ming)家極傾才思(si)于(yu)(yu)(yu)額(e)匾(bian)(bian)楹(ying)聯(lian)。宮(gong)(gong)門(men)建于(yu)(yu)(yu)重(zhong)(zhong)(zhong)階之(zhi)(zhi)上(shang)(shang)，磚木結(jie)構，牌(pai)樓式，懸(xuan)山頂，斗拱層(ceng)迭(die)，額(e)題(ti)“太昊(hao)(hao)(hao)宮(gong)(gong)”楷書大(da)(da)(da)(da)(da)字，作(zuo)(zuo)者是(shi)(shi)(shi)清代(dai)優(you)貢李維屏(ping)。門(men)左右(you)有(you)(you)(you)夏房及裝(zhuang)飾(shi)性月(yue)窗，門(men)前(qian)(qian)(qian)兩(liang)(liang)(liang)(liang)痤(cuo)石(shi)獅。進入(ru)宮(gong)(gong)門(men)，左甬(yong)道有(you)(you)(you)門(men)呈(cheng)月(yue)形，與(yu)宮(gong)(gong)門(men)相連(lian)，上(shang)(shang)有(you)(you)(you)民國初(chu)擔任京議(yi)員的(de)宋梓題(ti)寫(xie)的(de)“別(bie)開(kai)(kai)壹徑”沿左甬(yong)道可(ke)直通山上(shang)(shang)。正(zheng)殿(dian)(dian)(dian)(dian)與(yu)西廈(sha)(sha)房間有(you)(you)(you)側(ce)門(men)通甬(yong)道，額(e)篆(zhuan)“旁(pang)通”二字，正(zheng)殿(dian)(dian)(dian)(dian)與(yu)東(dong)廈(sha)(sha)房，也有(you)(you)(you)道旁(pang)通，曲徑通后(hou)(hou)(hou)院(yuan)(yuan)。宮(gong)(gong)門(men)內外(wai)有(you)(you)(you)古(gu)(gu)柏四(si)株，共八株，院(yuan)(yuan)中(zhong)(zhong)(zhong)(zhong)有(you)(you)(you)八卦(gua)(gua)(gua)(gua)(gua)池，寓(yu)意伏(fu)(fu)(fu)羲(xi)(xi)(xi)演八卦(gua)(gua)(gua)(gua)(gua)，澤及后(hou)(hou)(hou)人。宮(gong)(gong)門(men)兩(liang)(liang)(liang)(liang)廡原(yuan)有(you)(you)(you)趙公明(ming)(ming)、王(wang)(wang)靈(ling)官兩(liang)(liang)(liang)(liang)尊(zun)塑(su)像(xiang)(xiang)(xiang)；正(zheng)殿(dian)(dian)(dian)(dian)原(yuan)塑(su)伏(fu)(fu)(fu)羲(xi)(xi)(xi)，身披(pi)桑(sang)衣(yi)，右(you)手托八卦(gua)(gua)(gua)(gua)(gua)盤，端(duan)坐于(yu)(yu)(yu)殿(dian)(dian)(dian)(dian)中(zhong)(zhong)(zhong)(zhong)木龕內。殿(dian)(dian)(dian)(dian)上(shang)(shang)匾(bian)(bian)額(e)層(ceng)列(lie)，外(wai)為“一(yi)(yi)(yi)畫(hua)開(kai)(kai)天(tian)(tian)(tian)”，內如“人文(wen)(wen)(wen)初(chu)祖(zu)”之(zhi)(zhi)類，今只在(zai)清光緒間邑人楊耀南(nan)書“產極萬(wan)世(shi)”匾(bian)(bian)尚懸(xuan)殿(dian)(dian)(dian)(dian)內。伏(fu)(fu)(fu)羲(xi)(xi)(xi)殿(dian)(dian)(dian)(dian)楹(ying)聯(lian)大(da)(da)(da)(da)(da)多散佚，但清光緒翰林邑人海涵和宣統(tong)時知縣關中(zhong)(zhong)(zhong)(zhong)雷(lei)光甸(dian)寫(xie)的(de)二聯(lian)至(zhi)今尚膾炙人口(kou)，王(wang)(wang)聯(lian)是(shi)(shi)(shi)‘紹皇開(kai)(kai)泰運，劂(jue)后(hou)(hou)(hou)有(you)(you)(you)石(shi)子訪道，伯(bo)約(yue)懷忠(zhong)，問化育根源，發(fa)蒙在(zai)炎黃(huang)顓(zhuan)嚳(ku)而(er)上(shang)(shang)；望古(gu)(gu)動幽情，其下則煙火成(cheng)鄰，桑(sang)榆布蔭，幸邃初(chu)風景，復(fu)睹于(yu)(yu)(yu)金(jin)戈瓦礫之(zhi)(zhi)余“。雷(lei)聯(lian)是(shi)(shi)(shi)：“從(cong)(cong)一(yi)(yi)(yi)畫(hua)開(kai)(kai)天(tian)(tian)(tian)，說什(shen)么蟲(chong)鳥(niao)篆(zhuan)，梵字佛(fo)經，到卦(gua)(gua)(gua)(gua)(gua)臺前(qian)(qian)(qian)齊(qi)俯首；繼三(san)皇立(li)極，看后(hou)(hou)(hou)來商質(zhi)周(zhou)(zhou)文(wen)(wen)(wen)，帝(di)升王(wang)(wang)降，于(yu)(yu)(yu)史冊上(shang)(shang)見(jian)傳(chuan)心(xin)(xin)”。前(qian)(qian)(qian)者先贊伏(fu)(fu)(fu)羲(xi)(xi)(xi)開(kai)(kai)肇文(wen)(wen)(wen)明(ming)(ming)之(zhi)(zhi)功業遠在(zai)神(shen)農、黃(huang)帝(di)、顓(zhuan)頊、帝(di)嚳(ku)之(zhi)(zhi)前(qian)(qian)(qian)，而(er)其發(fa)祥(xiang)誕生之(zhi)(zhi)地甘谷代(dai)有(you)(you)(you)賢人。石(shi)作(zuo)(zuo)蜀(shu)“跋涉(she)數千(qian)里，求學(xue)于(yu)(yu)(yu)魯”，姜維“以(yi)羈旅之(zhi)(zhi)孤臣，受軍(jun)國之(zhi)(zhi)重(zhong)(zhong)(zhong)寄(ji)，卒能奮忠(zhong)勤、仗膽義，住偏安之(zhi)(zhi)局(ju)，恢張(zhang)薄伐之(zhi)(zhi)勛，”其次，感嘆時下兵戈已平息，慶幸往古(gu)(gu)太平居景象(xiang)(xiang)，復(fu)見(jian)于(yu)(yu)(yu)今日；后(hou)(hou)(hou)者則盛(sheng)贊伏(fu)(fu)(fu)羲(xi)(xi)(xi)兆(zhao)啟(qi)文(wen)(wen)(wen)明(ming)(ming)，即(ji)倉頡(jie)之(zhi)(zhi)造(zao)字，釋迦之(zhi)(zhi)創教，亦遠不(bu)(bu)能比；至(zhi)于(yu)(yu)(yu)為三(san)皇五帝(di)立(li)典則，示(shi)規范，遠及于(yu)(yu)(yu)質(zhi)樸之(zhi)(zhi)商，文(wen)(wen)(wen)雅之(zhi)(zhi)周(zhou)(zhou)，還有(you)(you)(you)以(yi)后(hou)(hou)(hou)的(de)歷代(dai)五朝(chao)(chao)，皆沾被其澤，史冊俱在(zai)，昭(zhao)然(ran)若揭(jie)。1994年(nian)起(qi)(qi)，重(zhong)(zhong)(zhong)修伏(fu)(fu)(fu)羲(xi)(xi)(xi)大(da)(da)(da)(da)(da)殿(dian)(dian)(dian)(dian)，正(zheng)殿(dian)(dian)(dian)(dian)廣124平方米，高(gao)8米，懸(xuan)山頂，雕(diao)(diao)甍鴟飾(shi)。堅(jian)脊(ji)皆是(shi)(shi)(shi)花開(kai)(kai)卉(hui)連(lian)接組成(cheng)，橫脊(ji)中(zhong)(zhong)(zhong)(zhong)央為龍(long)馬(ma)奔騰(teng)，兩(liang)(liang)(liang)(liang)邊由花卉(hui)、龍(long)、麒麟、馬(ma)、鹿(lu)、鳥(niao)、象(xiang)(xiang)、獅組成(cheng)，尤以(yi)花卉(hui)中(zhong)(zhong)(zhong)(zhong)心(xin)(xin)陶(tao)制太極圖(tu)(tu)式樣(yang)別(bie)具特(te)色。不(bu)(bu)論地磚、門(men)窗、供桌(zhuo)、匾(bian)(bian)額(e)至(zhi)大(da)(da)(da)(da)(da)殿(dian)(dian)(dian)(dian)獸吻，無處不(bu)(bu)顯示(shi)出(chu)八卦(gua)(gua)(gua)(gua)(gua)太極圖(tu)(tu)形象(xiang)(xiang)。大(da)(da)(da)(da)(da)殿(dian)(dian)(dian)(dian)正(zheng)中(zhong)(zhong)(zhong)(zhong)座臺高(gao)1米，寬3。33米，深1。93米，上(shang)(shang)坐國家著名(ming)(ming)女雕(diao)(diao)塑(su)家何鄂(e)重(zhong)(zhong)(zhong)塑(su)的(de)伏(fu)(fu)(fu)羲(xi)(xi)(xi)像(xiang)(xiang)(xiang)，高(gao)2。6米，分(fen)(fen)腿端(duan)坐于(yu)(yu)(yu)分(fen)(fen)心(xin)(xin)上(shang)(shang)石(shi)上(shang)(shang)（卦(gua)(gua)(gua)(gua)(gua)臺東(dong)北渭(wei)中(zhong)(zhong)(zhong)(zhong)流(liu)有(you)(you)(you)石(shi)焉，屹然(ran)卓立(li)。郡人曰：‘分(fen)(fen)心(xin)(xin)石(shi)也“。云；”石(shi)當乎(hu)渭(wei)，渭(wei)分(fen)(fen)以(yi)流(liu)’）。似觀天(tian)(tian)(tian)地萬(wan)物之(zhi)(zhi)變(bian)化。上(shang)(shang)身披(pi)桑(sang)衣(yi)，腰圍虎皮，兩(liang)(liang)(liang)(liang)手作(zuo)(zuo)，“天(tian)(tian)(tian)地合一(yi)(yi)(yi)”式托演八卦(gua)(gua)(gua)(gua)(gua)，形成(cheng)扭轉乾(qian)坤之(zhi)(zhi)舉動。盤骨(gu)外(wai)露，氣(qi)質(zhi)渾厚，兩(liang)(liang)(liang)(liang)眼平視，精神(shen)煥發(fa)。右(you)側(ce)塑(su)龍(long)馬(ma)，欲(yu)從(cong)(cong)巨浪頂端(duan)騰(teng)飛(fei)躍起(qi)(qi)之(zhi)(zhi)狀(zhuang)。東(dong)壁畫(hua)有(you)(you)(you)女媧練石(shi)補(bu)天(tian)(tian)(tian)，西壁繪(hui)(hui)有(you)(you)(you)有(you)(you)(you)伏(fu)(fu)(fu)羲(xi)(xi)(xi)畫(hua)演八卦(gua)(gua)(gua)(gua)(gua)圖(tu)(tu)，正(zheng)中(zhong)(zhong)(zhong)(zhong)坐像(xiang)(xiang)(xiang)背光，是(shi)(shi)(shi)伏(fu)(fu)(fu)羲(xi)(xi)(xi)生地古(gu)(gu)風臺的(de)寫(xie)實畫(hua)。頂繪(hui)(hui)六十(shi)四(si)卦(gua)(gua)(gua)(gua)(gua)及河、洛二圖(tu)(tu)。兩(liang)(liang)(liang)(liang)側(ce)有(you)(you)(you)八卦(gua)(gua)(gua)(gua)(gua)要窗各一(yi)(yi)(yi)，周(zhou)(zhou)圍繪(hui)(hui)卦(gua)(gua)(gua)(gua)(gua)爻。西繪(hui)(hui)伏(fu)(fu)(fu)羲(xi)(xi)(xi)八卦(gua)(gua)(gua)(gua)(gua)圖(tu)(tu)，東(dong)繪(hui)(hui)文(wen)(wen)(wen)王(wang)(wang)八卦(gua)(gua)(gua)(gua)(gua)圖(tu)(tu)，即(ji)后(hou)(hou)(hou)天(tian)(tian)(tian)八卦(gua)(gua)(gua)(gua)(gua)圖(tu)(tu)。大(da)(da)(da)(da)(da)殿(dian)(dian)(dian)(dian)前(qian)(qian)(qian)檐懸(xuan)有(you)(you)(you)趙樸初(chu)題(ti)寫(xie)‘人文(wen)(wen)(wen)初(chu)祖(zu)’、啟(qi)動手筆“一(yi)(yi)(yi)畫(hua)開(kai)(kai)天(tian)(tian)(tian)”，舒(shu)同親書“開(kai)(kai)天(tian)(tian)(tian)明(ming)(ming)道”、黎泉書寫(xie)“與(yu)天(tian)(tian)(tian)地準(zhun)”四(si)塊周(zhou)(zhou)邊木雕(diao)(diao)圖(tu)(tu)案的(de)金(jin)字大(da)(da)(da)(da)(da)匾(bian)(bian)。檐前(qian)(qian)(qian)分(fen)(fen)豎八面龍(long)旗，旗面上(shang)(shang)彩繪(hui)(hui)出(chu)新石(shi)器時代(dai)魚(yu)龍(long)形開(kai)(kai)始至(zhi)商周(zhou)(zhou)、戰國、秦漢、兩(liang)(liang)(liang)(liang)晉、隋唐(tang)、宋、元(yuan)、明(ming)(ming)、清不(bu)(bu)同時期(qi)的(de)龍(long)形圖(tu)(tu)案。

永明寺

位于靈(ling)巖寺(si)(si)之南，師(shi)(shi)(shi)傅溝內(nei)(nei)臺地(di)(di)(di)上(shang)(shang)。座(zuo)東南向(xiang)西北(bei)，雄(xiong)踞山(shan)(shan)間，全(quan)部建(jian)(jian)筑分(fen)布在(zai)(zai)階(jie)(jie)梯式(shi)的(de)(de)(de)(de)(de)臺地(di)(di)(di)上(shang)(shang)，設施(shi)布局以正規寺(si)(si)院(yuan)而設置，由(you)山(shan)(shan)門(men)(men)、天(tian)(tian)王殿(dian)(dian)(dian)(dian)(dian)、齋堂(tang)(tang)(tang)、客(ke)(ke)堂(tang)(tang)(tang)、鐘(zhong)鼓二(er)樓、十(shi)三(san)(san)(san)(san)(san)祖(zu)師(shi)(shi)(shi)殿(dian)(dian)(dian)(dian)(dian)、伽(jia)藍(lan)殿(dian)(dian)(dian)(dian)(dian)、大(da)(da)雄(xiong)寶(bao)殿(dian)(dian)(dian)(dian)(dian)、藏經樓組成(cheng)，總面(mian)積達4，224平(ping)房米(mi)(mi)(mi)(mi)(mi)。寺(si)(si)院(yuan)山(shan)(shan)門(men)(men)為(wei)(wei)(wei)并排連體拱形狀(zhuang)牌樓頂(ding)(ding)。中(zhong)門(men)(men)頂(ding)(ding)額(e)內(nei)(nei)有(you)中(zhong)國(guo)(guo)佛(fo)(fo)(fo)教協(xie)會(hui)會(hui)長(chang)趙樸初(chu)手(shou)(shou)(shou)書“永(yong)明(ming)(ming)寺(si)(si)”三(san)(san)(san)(san)(san)個陽刻字，對(dui)聯(lian)是(shi)(shi)(shi)(shi)中(zhong)國(guo)(guo)佛(fo)(fo)(fo)教協(xie)會(hui)副會(hui)長(chang)明(ming)(ming)揚法(fa)(fa)師(shi)(shi)(shi)敬(jing)書“風月無(wu)邊(bian)一塵不到菩(pu)提地(di)(di)(di)，山(shan)(shan)河環繞(rao)萬善(shan)同(tong)(tong)(tong)歸般若(ruo)天(tian)(tian)”。兩(liang)(liang)(liang)邊(bian)門(men)(men)首摹配民國(guo)(guo)時(shi)當(dang)地(di)(di)(di)名人(ren)何鴻吉題(ti)書的(de)(de)(de)(de)(de)陰(yin)刻“無(wu)上(shang)(shang)法(fa)(fa)讓(rang)、出塵入凈”八個大(da)(da)字。走進山(shan)(shan)門(men)(men)，迎面(mian)所見(jian)天(tian)(tian)王殿(dian)(dian)(dian)(dian)(dian)，高(gao)(gao)9米(mi)(mi)(mi)(mi)(mi)，長(chang)14米(mi)(mi)(mi)(mi)(mi)，寬(kuan)10米(mi)(mi)(mi)(mi)(mi)，頂(ding)(ding)為(wei)(wei)(wei)四(si)(si)面(mian)坡(po)歇山(shan)(shan)造，琉(liu)(liu)璃(li)脊獸飾(shi)裝(zhuang)，結(jie)構(gou)為(wei)(wei)(wei)單挑檐外圍16住回(hui)廊式(shi)，棋(qi)盤讓(rang)窗(chuang)對(dui)開，前后(hou)相通，殿(dian)(dian)(dian)(dian)(dian)內(nei)(nei)正在(zai)(zai)供(gong)奉(feng)大(da)(da)肚彌(mi)(mi)勒(le)佛(fo)(fo)(fo)，身(shen)高(gao)(gao)1.8米(mi)(mi)(mi)(mi)(mi)，踩(cai)餓(e)鬼，神氣威(wei)武，金(jin)(jin)(jin)剛(gang)怒(nu)目。左邊(bian)是(shi)(shi)(shi)(shi)手(shou)(shou)(shou)拿(na)寶(bao)劍的(de)(de)(de)(de)(de)東方天(tian)(tian)王多羅吒和手(shou)(shou)(shou)拿(na)琵(pi)琶的(de)(de)(de)(de)(de)南方天(tian)(tian)王毗琉(liu)(liu)璃(li)，右手(shou)(shou)(shou)是(shi)(shi)(shi)(shi)手(shou)(shou)(shou)拿(na)寶(bao)劍傘的(de)(de)(de)(de)(de)西方天(tian)(tian)王毗留博叉和手(shou)(shou)(shou)抓(zhua)一龍(long)(long)的(de)(de)(de)(de)(de)北(bei)方天(tian)(tian)王毗沙門(men)(men)。他(ta)(ta)們共同(tong)(tong)(tong)負有(you)視(shi)察(cha)眾生(sheng)的(de)(de)(de)(de)(de)善(shan)惡(e)和保(bao)持(chi)內(nei)(nei)佛(fo)(fo)(fo)法(fa)(fa)僧三(san)(san)(san)(san)(san)寶(bao)神圣(sheng)的(de)(de)(de)(de)(de)職責。在(zai)(zai)彌(mi)(mi)勒(le)佛(fo)(fo)(fo)身(shen)后(hou)，讓(rang)立(li)著(zhu)(zhu)全(quan)身(shen)金(jin)(jin)(jin)色(se)的(de)(de)(de)(de)(de)韋馱菩(pu)薩(sa)，高(gao)(gao)2.2米(mi)(mi)(mi)(mi)(mi)，手(shou)(shou)(shou)拿(na)一根(gen)寶(bao)杵(chu)，保(bao)護(hu)著(zhu)(zhu)寺(si)(si)院(yuan)及修(xiu)行著(zhu)(zhu)的(de)(de)(de)(de)(de)安全(quan)。離開天(tian)(tian)王殿(dian)(dian)(dian)(dian)(dian)向(xiang)南行進，兩(liang)(liang)(liang)邊(bian)各(ge)建(jian)(jian)有(you)對(dui)稱的(de)(de)(de)(de)(de)八間硬(ying)冊頂(ding)(ding)磚木(mu)結(jie)構(gou)客(ke)(ke)堂(tang)(tang)(tang)，齋堂(tang)(tang)(tang)及復檐塔頂(ding)(ding)四(si)(si)角(jiao)形鐘(zhong)鼓二(er)樓。在(zai)(zai)客(ke)(ke)、齋二(er)堂(tang)(tang)(tang)院(yuan)中(zhong)間安放一高(gao)(gao)3.9米(mi)(mi)(mi)(mi)(mi)的(de)(de)(de)(de)(de)三(san)(san)(san)(san)(san)足三(san)(san)(san)(san)(san)層寶(bao)鼎(ding)薰爐。再上(shang)(shang)條(tiao)石臺階(jie)(jie)38階(jie)(jie)，右邊(bian)是(shi)(shi)(shi)(shi)十(shi)三(san)(san)(san)(san)(san)祖(zu)師(shi)(shi)(shi)殿(dian)(dian)(dian)(dian)(dian)，內(nei)(nei)塑十(shi)三(san)(san)(san)(san)(san)祖(zu)師(shi)(shi)(shi)泥(ni)塑坐(zuo)(zuo)像(xiang)，齊(qi)高(gao)(gao)1.1米(mi)(mi)(mi)(mi)(mi)。左為(wei)(wei)(wei)伽(jia)藍(lan)殿(dian)(dian)(dian)(dian)(dian)，內(nei)(nei)塑四(si)(si)尊(zun)坐(zuo)(zuo)像(xiang)，齊(qi)高(gao)(gao)1.5米(mi)(mi)(mi)(mi)(mi)。兩(liang)(liang)(liang)殿(dian)(dian)(dian)(dian)(dian)對(dui)峙，各(ge)五間，殿(dian)(dian)(dian)(dian)(dian)頂(ding)(ding)硬(ying)山(shan)(shan)造，橫(heng)堅疹皆用陶制花卉獸吻飾(shi)裝(zhuang)，兩(liang)(liang)(liang)殿(dian)(dian)(dian)(dian)(dian)中(zhong)央也放置著(zhu)(zhu)一個高(gao)(gao)3.9米(mi)(mi)(mi)(mi)(mi)的(de)(de)(de)(de)(de)三(san)(san)(san)(san)(san)足三(san)(san)(san)(san)(san)層寶(bao)鼎(ding)熏爐。十(shi)三(san)(san)(san)(san)(san)祖(zu)師(shi)(shi)(shi)是(shi)(shi)(shi)(shi)凈土宗從晉代初(chu)祖(zu)慧遠大(da)(da)師(shi)(shi)(shi)至清代印光(guang)(guang)大(da)(da)師(shi)(shi)(shi)等(deng)十(shi)三(san)(san)(san)(san)(san)位法(fa)(fa)師(shi)(shi)(shi)。伽(jia)藍(lan)是(shi)(shi)(shi)(shi)印度名稱，在(zai)(zai)中(zhong)國(guo)(guo)叫寺(si)(si)院(yuan)。殿(dian)(dian)(dian)(dian)(dian)內(nei)(nei)供(gong)奉(feng)的(de)(de)(de)(de)(de)四(si)(si)尊(zun)坐(zuo)(zuo)像(xiang)是(shi)(shi)(shi)(shi)給孤(gu)獨者、祗(zhi)陀太子(zi)、波斯尼(ni)王、關羽（中(zhong)國(guo)(guo)的(de)(de)(de)(de)(de)伽(jia)藍(lan)護(hu)法(fa)(fa)），他(ta)(ta)們均(jun)(jun)為(wei)(wei)(wei)寺(si)(si)院(yuan)護(hu)法(fa)(fa)，也體現了中(zhong)西方佛(fo)(fo)(fo)教融合的(de)(de)(de)(de)(de)事(shi)實。迎面(mian)為(wei)(wei)(wei)大(da)(da)雄(xiong)寶(bao)殿(dian)(dian)(dian)(dian)(dian)，正座(zuo)東南，巍峨雄(xiong)壯，殿(dian)(dian)(dian)(dian)(dian)高(gao)(gao)12米(mi)(mi)(mi)(mi)(mi)，寬(kuan)19.8米(mi)(mi)(mi)(mi)(mi)，進深16米(mi)(mi)(mi)(mi)(mi)，頂(ding)(ding)為(wei)(wei)(wei)懸山(shan)(shan)造，鋪瓦琉(liu)(liu)璃(li)脊，耀眼奪目。脊吻為(wei)(wei)(wei)雙面(mian)雕飾(shi)，橫(heng)脊是(shi)(shi)(shi)(shi)兩(liang)(liang)(liang)龍(long)(long)兩(liang)(liang)(liang)鹿(lu)戲寶(bao)珠，豎(shu)脊為(wei)(wei)(wei)荷花連枝。殿(dian)(dian)(dian)(dian)(dian)內(nei)(nei)正中(zhong)供(gong)奉(feng)三(san)(san)(san)(san)(san)佛(fo)(fo)(fo)二(er)弟(di)子(zi)泥(ni)塑金(jin)(jin)(jin)裝(zhuang)像(xiang)，妙相莊嚴，慈祥可敬(jing)。三(san)(san)(san)(san)(san)佛(fo)(fo)(fo)均(jun)(jun)結(jie)跏(jia)跌坐(zuo)(zuo)于金(jin)(jin)(jin)剛(gang)座(zuo)上(shang)(shang)，同(tong)(tong)(tong)高(gao)(gao)2.7米(mi)(mi)(mi)(mi)(mi)，寬(kuan)1.7米(mi)(mi)(mi)(mi)(mi)，座(zuo)高(gao)(gao)1.45米(mi)(mi)(mi)(mi)(mi)，寬(kuan)2.2米(mi)(mi)(mi)(mi)(mi)，北(bei)光(guang)(guang)同(tong)(tong)(tong)為(wei)(wei)(wei)木(mu)雕縷孔火焰紋，高(gao)(gao)3.7米(mi)(mi)(mi)(mi)(mi)，寬(kuan)2.9米(mi)(mi)(mi)(mi)(mi)。中(zhong)為(wei)(wei)(wei)釋(shi)迦牟(mou)尼(ni)佛(fo)(fo)(fo)，手(shou)(shou)(shou)托金(jin)(jin)(jin)缽，左為(wei)(wei)(wei)藥師(shi)(shi)(shi)琉(liu)(liu)璃(li)光(guang)(guang)佛(fo)(fo)(fo)，手(shou)(shou)(shou)掛(gua)充璃(li)寶(bao)，右為(wei)(wei)(wei)阿(a)彌(mi)(mi)彌(mi)(mi)佛(fo)(fo)(fo)，雙手(shou)(shou)(shou)捧金(jin)(jin)(jin)臺，二(er)弟(di)子(zi)兩(liang)(liang)(liang)手(shou)(shou)(shou)合十(shi)，站于釋(shi)迦牟(mou)尼(ni)佛(fo)(fo)(fo)兩(liang)(liang)(liang)邊(bian)，高(gao)(gao)2.7米(mi)(mi)(mi)(mi)(mi)，年(nian)(nian)長(chang)者為(wei)(wei)(wei)迦葉尊(zun)者，年(nian)(nian)輕的(de)(de)(de)(de)(de)為(wei)(wei)(wei)阿(a)難尊(zun)者。殿(dian)(dian)(dian)(dian)(dian)內(nei)(nei)東西壁各(ge)供(gong)奉(feng)九尊(zun)泥(ni)塑羅漢(han)像(xiang)，同(tong)(tong)(tong)高(gao)(gao)1.75米(mi)(mi)(mi)(mi)(mi)，姿態各(ge)異，栩(xu)栩(xu)如生(sheng)。他(ta)(ta)們是(shi)(shi)(shi)(shi)釋(shi)迦牟(mou)尼(ni)佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)優秀(xiu)大(da)(da)弟(di)子(zi)，均(jun)(jun)有(you)拿(na)手(shou)(shou)(shou)看家(jia)本領，修(xiu)習善(shan)行。殿(dian)(dian)(dian)(dian)(dian)后(hou)兩(liang)(liang)(liang)側須彌(mi)(mi)座(zuo)上(shang)(shang)有(you)文殊菩(pu)薩(sa)坐(zuo)(zuo)雄(xiong)獅(shi)和普賢菩(pu)薩(sa)白(bai)(bai)角(jiao)之泥(ni)塑像(xiang)，菩(pu)薩(sa)高(gao)(gao)2米(mi)(mi)(mi)(mi)(mi)，雄(xiong)獅(shi)、白(bai)(bai)象各(ge)長(chang)1.95米(mi)(mi)(mi)(mi)(mi)。在(zai)(zai)三(san)(san)(san)(san)(san)佛(fo)(fo)(fo)背(bei)后(hou)站立(li)著(zhu)(zhu)觀音菩(pu)薩(sa)，高(gao)(gao)2.4米(mi)(mi)(mi)(mi)(mi)，由(you)緬(mian)甸漢(han)白(bai)(bai)玉(yu)雕成(cheng)。善(shan)財童子(zi)和龍(long)(long)女為(wei)(wei)(wei)泥(ni)塑，高(gao)(gao)21米(mi)(mi)(mi)(mi)(mi)，底層寬(kuan)16.6米(mi)(mi)(mi)(mi)(mi)，進深20米(mi)(mi)(mi)(mi)(mi)。除藏有(you)大(da)(da)量經書外，還分(fen)層安置由(you)緬(mian)甸贈送的(de)(de)(de)(de)(de)漢(han)白(bai)(bai)玉(yu)佛(fo)(fo)(fo)、菩(pu)薩(sa)像(xiang)。大(da)(da)像(xiang)山(shan)(shan)永(yong)明(ming)(ming)寺(si)(si)創建(jian)(jian)于何時(shi)，沒有(you)確切歷史記載(zai)，1992年(nian)(nian)重(zhong)建(jian)(jian)，是(shi)(shi)(shi)(shi)佛(fo)(fo)(fo)、法(fa)(fa)、僧三(san)(san)(san)(san)(san)寶(bao)的(de)(de)(de)(de)(de)常住處，又是(shi)(shi)(shi)(shi)甘谷一帶佛(fo)(fo)(fo)教徒修(xiu)行的(de)(de)(de)(de)(de)地(di)(di)(di)方，也是(shi)(shi)(shi)(shi)游(you)覽勝地(di)(di)(di)。

千佛洞

千佛(fo)洞開鑿(zao)在(zai)(zai)峻險崖壁上(shang)，僅有(you)一(yi)(yi)(yi)個小巧洞窟供人(ren)出入。入洞，迎面一(yi)(yi)(yi)尊笑容可掬的(de)彌勒大(da)佛(fo)安(an)坐(zuo)。游(you)經此(ci)處(chu)的(de)人(ren)，必先叩(kou)拜，然(ran)后伸(shen)手在(zai)(zai)彌勒佛(fo)渾圓的(de)肚皮上(shang)摸(mo)一(yi)(yi)(yi)摸(mo)，以(yi)求(qiu)笑口常開。往里(li)走是一(yi)(yi)(yi)大(da)石殿。正(zheng)中有(you)眾佛(fo)。有(you)安(an)坐(zuo)如磐石，有(you)長(chang)臥如橫(heng)云，有(you)默立，有(you)輕身(shen)飛度，有(you)訴，有(you)誦(song)，有(you)含笑不露，皆為慈眉善(shan)目，姿(zi)態迥異，氣(qi)象(xiang)萬(wan)千。四壁多(duo)繪佛(fo)傳、因緣和本(ben)生故(gu)事。佛(fo)龕(kan)前(qian)香火極盛(sheng)。每有(you)游(you)人(ren)香客跪于蒲團上(shang)膜(mo)拜時，一(yi)(yi)(yi)旁年長(chang)的(de)僧(seng)人(ren)就敲出清越的(de)缽聲來，使人(ren)不禁(jin)心安(an)神(shen)寧。再往里(li)走，拐過幾個石鑿(zao)甬道，閃現在(zai)(zai)眼前(qian)的(de)又是另一(yi)(yi)(yi)番景(jing)象(xiang)。此(ci)處(chu)正(zheng)是十殿閻王的(de)閻羅殿。順著(zhu)洞門兩側，分別站立著(zhu)牛(niu)頭(tou)、馬面、黑白、無(wu)常四位兇神(shen)惡煞(sha)的(de)鬼卒(zu)，叫人(ren)不寒而栗。洞窟的(de)四壁上(shang)彩繪著(zhu)冥界地府的(de)各種刑法，殘忍之極。

伏羲廟

大(da)(da)(da)像(xiang)(xiang)(xiang)山(shan)(shan)(shan)伏(fu)羲(xi)(xi)廟(miao)，明萬歷時建，處大(da)(da)(da)像(xiang)(xiang)(xiang)山(shan)(shan)(shan)山(shan)(shan)(shan)麓。清(qing)葉芝等乾隆(long)《伏(fu)羌(qiang)縣志(zhi)·建置》云：伏(fu)羲(xi)(xi)廟(miao)，前(qian)萬歷年(nian)建。在大(da)(da)(da)像(xiang)(xiang)(xiang)山(shan)(shan)(shan)足(zu)。民國《甘肅(su)鄉土志(zhi)稿·甘肅(su)省之重要都市名勝古(gu)跡(ji)》大(da)(da)(da)假山(shan)(shan)(shan)伏(fu)羲(xi)(xi) 廟(miao)條云：山(shan)(shan)(shan)在甘谷西南五(wu)里(li)，峭壁如(ru)削，危然挺立。高(gao)約二百(bai)尺、相(xiang)傳伏(fu)羲(xi)(xi)為甘谷人。生(sheng)長于(yu)此山(shan)(shan)(shan)溝之內，明萬歷年(nian)間建廟(miao)于(yu)山(shan)(shan)(shan)麓以祀之。清(qing)代(dai)，廟(miao)移上大(da)(da)(da)像(xiang)(xiang)(xiang)山(shan)(shan)(shan)，在大(da)(da)(da)佛窟側建太昊(hao)宮(gong)，專祀伏(fu)羲(xi)(xi)。而原(yuan)處縣西五(wu)里(li)鋪(pu)的“羲(xi)(xi)皇故里(li)”石(shi)碑現今(jin)也(ye)被移上大(da)(da)(da)像(xiang)(xiang)(xiang)山(shan)(shan)(shan)。

文昌閣

甘谷(gu)縣(xian)內文昌(chang)(chang)閣(ge)(ge)(ge)(ge)有(you)(you)(you)(you)(you)(you)多處(chu)，但大(da)像(xiang)山(shan)(shan)文昌(chang)(chang)閣(ge)(ge)(ge)(ge)規模(mo)最(zui)大(da)。沿(yan)大(da)像(xiang)山(shan)(shan)寺小(xiao)道(dao)拾(shi)級慢步而止，約三(san)百余步，即為(wei)(wei)文昌(chang)(chang)閣(ge)(ge)(ge)(ge)。文昌(chang)(chang)閣(ge)(ge)(ge)(ge)建筑(zhu)面積為(wei)(wei)182.9平(ping)方(fang)米(mi)，總面積為(wei)(wei)260.9平(ping)方(fang)米(mi)。閣(ge)(ge)(ge)(ge)門(men)前有(you)(you)(you)(you)(you)(you)石(shi)階二(er)十(shi)(shi)四臺，門(men)首有(you)(you)(you)(you)(you)(you)磚(zhuan)(zhuan)雕陽刻(ke)篆(zhuan)字(zi)“孝友門(men)”三(san)字(zi)，兩(liang)邊(bian)“閣(ge)(ge)(ge)(ge)凌(ling)碧字(zi)迎朝爽，門(men)對朱(zhu)山(shan)(shan)映晚霞”磚(zhuan)(zhuan)刻(ke)隸書楹聯(lian)，系清(qing)末(mo)(mo)民(min)(min)國初本(ben)縣(xian)名(ming)(ming)(ming)(ming)士宋(song)(song)延楨手(shou)筆(bi).門(men)右側立(li)有(you)(you)(you)(you)(you)(you)虎皮(pi)照壁(bi)(bi)，南向(xiang)，壁(bi)(bi)上(shang)(shang)嵌(qian)有(you)(you)(you)(you)(you)(you)今人(ren)魏學文（筆(bi)名(ming)(ming)(ming)(ming)雨庵）隸書“落霞巖(yan)”三(san)字(zi)，字(zi)體清(qing)秀柔(rou)和。文昌(chang)(chang)樓(lou)(lou)樓(lou)(lou)矗于院(yuan)(yuan)內，為(wei)(wei)重(zhong)檐門(men)柱六角亭(ting)式閣(ge)(ge)(ge)(ge)樓(lou)(lou)，分(fen)上(shang)(shang)下(xia)(xia)兩(liang)層(ceng)，磚(zhuan)(zhuan)木(mu)結構。上(shang)(shang)層(ceng)檐下(xia)(xia)繪棟畫(hua)壁(bi)(bi)，其(qi)(qi)圖案(an)富于寫實。下(xia)(xia)層(ceng)檐前回(hui)廊壁(bi)(bi)間(jian)有(you)(you)(you)(you)(you)(you)書畫(hua)五(wu)幅(fu)。其(qi)(qi)中(zhong)竹與蘭(lan)草為(wei)(wei)天水名(ming)(ming)(ming)(ming)字(zi)何曉峰所(suo)(suo)畫(hua)；別(bie)有(you)(you)(you)(you)(you)(you)本(ben)縣(xian)書法家(jia)武克(ke)雄草書：“山(shan)(shan)頭禪室(shi)掛僧(seng)衣(yi)，窗外無缺溪水鳥飛。黃昏半在下(xia)(xia)山(shan)(shan)路，卻聽泉聲戀翠微”。魏學文隸書《蘭(lan)亭(ting)序》；另一幅(fu)“喜鵲(que)鬧梅”為(wei)(wei)禮縣(xian)文化(hua)館干部馬(ma) 所(suo)(suo)畫(hua)。樓(lou)(lou)頂作六脊攢尖式，有(you)(you)(you)(you)(you)(you)鴟甍。閣(ge)(ge)(ge)(ge)樓(lou)(lou)高10.米(mi)，占地(di)33.5平(ping)方(fang)米(mi)，樓(lou)(lou)座為(wei)(wei)磚(zhuan)(zhuan)砌筑(zhu)的須彌座。樓(lou)(lou)上(shang)(shang)舊有(you)(you)(you)(you)(you)(you)泥塑(su)(su)文昌(chang)(chang)帝君(jun)像(xiang)和清(qing)代邑人(ren)王權(quan)(quan)寫的長聯(lian)：“帝坐面三(san)峰，恰在此(ci)時鄂騫石(shi)鼓，鴻(hong)翥(zhu)緹群(qun)，檐前便是重(zhong)霄(xiao)路，星(xing)池涵萬象(xiang)，看氣潤珠躔，渾聯(lian)壁(bi)(bi)府(fu)，榜下(xia)(xia)頻出五(wu)色云(yun)”。樓(lou)(lou)下(xia)(xia)有(you)(you)(you)(you)(you)(you)1944年(nian)(nian)新塑(su)(su)的文昌(chang)(chang)帝。文昌(chang)(chang)閣(ge)(ge)(ge)(ge)始(shi)建于是末(mo)(mo)，早期僅(jin)有(you)(you)(you)(you)(you)(you)樓(lou)(lou)、東(dong)(dong)亭(ting)、從(cong)北至西(xi)南的走廊和院(yuan)(yuan)中(zhong)兩(liang)棵古柏。清(qing)同治二(er)年(nian)(nian)節(jie)（1863）回(hui)民(min)(min)反(fan)清(qing)時，樓(lou)(lou)閣(ge)(ge)(ge)(ge)一時盡毀。現閣(ge)(ge)(ge)(ge)院(yuan)(yuan)東(dong)(dong)南角的一棵古柏為(wei)(wei)當(dang)年(nian)(nian)被燒去(qu)半面皮(pi)而幸存下(xia)(xia)來的。清(qing)代光(guang)(guang)緒年(nian)(nian)間(jian)重(zhong)建樓(lou)(lou)閣(ge)(ge)(ge)(ge)和東(dong)(dong)南廈(sha)房(fang)(fang)，其(qi)(qi)內墻壁(bi)(bi)嵌(qian)有(you)(you)(you)(you)(you)(you)光(guang)(guang)緒二(er)十(shi)(shi)八年(nian)(nian)（1902）邑人(ren)王權(quan)(quan)撰《大(da)像(xiang)山(shan)(shan)文昌(chang)(chang)閣(ge)(ge)(ge)(ge)創立(li)文社碑記》。民(min)(min)國十(shi)(shi)五(wu)年(nian)(nian)（1926）又增(zeng)修南廂房(fang)(fang)，為(wei)(wei)卷棚頂，磚(zhuan)(zhuan)木(mu)結構，分(fen)上(shang)(shang)下(xia)(xia)兩(liang)層(ceng)，底(di)層(ceng)為(wei)(wei)地(di)藏室(shi)，上(shang)(shang)層(ceng)為(wei)(wei)僧(seng)房(fang)(fang)，后(hou)墻左右皆有(you)(you)(you)(you)(you)(you)望窗。門(men)兩(liang)邊(bian)有(you)(you)(you)(you)(you)(you)木(mu)刻(ke)聯(lian)，為(wei)(wei)民(min)(min)國時縣(xian)內名(ming)(ming)(ming)(ming)人(ren)宋(song)(song)延楨題，其(qi)(qi)子宋(song)(song)梓(zi)篆(zhuan)聯(lian)：“樓(lou)(lou)構數椽(chuan)竄膝(xi)易，窗開(kai)三(san)面會心多”。內耳房(fang)(fang)門(men)額有(you)(you)(you)(you)(you)(you)籀字(zi)“共(gong)星(xing)軒”、“通帝座”，中(zhong)央佛(fo)閣(ge)(ge)(ge)(ge)中(zhong)所(suo)(suo)奉木(mu)雕“西(xi)方(fang)三(san)圣”（中(zhong)為(wei)(wei)阿(a)彌陀佛(fo)、左為(wei)(wei)觀世音(yin)菩薩、右為(wei)(wei)大(da)勢至菩薩立(li)像(xiang)）。文昌(chang)(chang)閣(ge)(ge)(ge)(ge)整個建筑(zhu)以四合式封閉院(yuan)(yuan)落為(wei)(wei)布局(ju)，東(dong)(dong)亭(ting)、北廊、西(xi)宇皆有(you)(you)(you)(you)(you)(you)望窗，可任意瞰視渭川風光(guang)(guang)。出后(hou)門(men)額首籀“積上(shang)(shang)臺”三(san)字(zi)，并通甬(yong)道(dao)。

關圣殿

關圣殿在(zai)(zai)(zai)半山腰，院(yuan)中有墨綠、粗(cu)壯如蓋的(de)(de)(de)(de)古(gu)柏，煙火繚(liao)(liao)繚(liao)(liao)的(de)(de)(de)(de)塔樓。年(nian)長(chang)的(de)(de)(de)(de)香客(ke)正在(zai)(zai)(zai)大殿神龕前伏(fu)地(di)長(chang)拜，算(suan)卦老漢默然坐在(zai)(zai)(zai)小馬扎上(shang)，曬著暖(nuan)烘烘的(de)(de)(de)(de)太陽。此(ci)刻，時間(jian)像吹過山野的(de)(de)(de)(de)風(feng)一(yi)(yi)樣緩慢柔長(chang)。只(zhi)有白鴿間(jian)歇地(di)停(ting)落在(zai)(zai)(zai)檐角，咕咕悠(you)閑(xian)地(di)叫著，霎(sha)時又縱(zong)身飛(fei)躍，幾個翻飛(fei)已沒入了山澗。站在(zai)(zai)(zai)殿外對著川(chuan)地(di)的(de)(de)(de)(de)柵欄前，遠(yuan)處的(de)(de)(de)(de)甘谷(gu)城(cheng)一(yi)(yi)覽無余。這座隆起(qi)在(zai)(zai)(zai)渭(wei)河(he)谷(gu)地(di)上(shang)的(de)(de)(de)(de)城(cheng)郭，襯在(zai)(zai)(zai)瓦(wa)藍的(de)(de)(de)(de)天野下，被冬日烘烤得無比耀眼。再遠(yuan)處是廣袤的(de)(de)(de)(de)黃土高原(yuan)，那(nei)些橙黃的(de)(de)(de)(de)邊緣像一(yi)(yi)條蠕動(dong)的(de)(de)(de)(de)毛線系住這修長(chang)的(de)(de)(de)(de)川(chuan)地(di)。但渭(wei)河(he)不論(lun)粗(cu)細(xi)，在(zai)(zai)(zai)那(nei)平坦的(de)(de)(de)(de)川(chuan)地(di)上(shang)由著性兒流淌著，日夜不息(xi)。

雙明洞

俗稱藥(yao)(yao)(yao)(yao)王(wang)洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)，在(zai)(zai)大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)之(zhi)(zhi)西，孫臏洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)之(zhi)(zhi)上(shang)(shang)(shang)。沒階而上(shang)(shang)(shang)有一(yi)(yi)洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)，穿洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)可(ke)達殿(dian)窟(ku)(ku)。洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)長(chang)16襖，門首行書“此山(shan)(shan)中(zhong)”，人(ren)(ren)至此，情景交融(rong)，詩意(yi)、哲理(li)、書法交融(rong)，妙趣橫生(sheng)。書法系(xi)本縣(xian)清代(dai)著名(ming)進土李(li)則廣手(shou)筆。窟(ku)(ku)朝(chao)向東(dong)北，原三(san)壁置佛(fo)像(xiang)(xiang)(xiang)(xiang)(xiang)。洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)前(qian)夸砌堵墻，上(shang)(shang)(shang)有望窗(chuang)(chuang)兩個(ge)，如兩只眼睛，雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)由(you)此得名(ming)。窟(ku)(ku)由(you)自然洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)穴(xue)改建而成，高(gao)(gao)(gao)約8米(mi)(mi)(mi)(mi)(mi)(mi)，深9米(mi)(mi)(mi)(mi)(mi)(mi)，寬17米(mi)(mi)(mi)(mi)(mi)(mi)，總(zong)面積172平方米(mi)(mi)(mi)(mi)(mi)(mi)。清代(dai)鞏建豐(feng)(feng)《伏羌(qiang)縣(xian)志(zhi)》載(zai)：“雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)，在(zai)(zai)大(da)佛(fo)之(zhi)(zhi)西巔，有竊通明，最高(gao)(gao)(gao)險。鄉人(ren)(ren)鑿(zao)(zao)巖為(wei)(wei)(wei)龕，架木為(wei)(wei)(wei)閣(ge)，內(nei)則疏窗(chuang)(chuang)洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)達。游(you)(you)人(ren)(ren)穿穴(xue)登(deng)眺，亦(yi)像(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)勝(sheng)境也(ye)。”又據時(shi)(shi)葉應(ying)甲《優(you)羌(qiang)縣(xian)志(zhi)》載(zai)：“……左(zuo)側有雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)，前(qian)后(hou)(hou)相通……”由(you)此可(ke)見(jian)，早時(shi)(shi)通往(wang)大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)峰，是沿雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)后(hou)(hou)閣(ge)道行往(wang)，雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)并(bing)(bing)為(wei)(wei)(wei)憩息之(zhi)(zhi)洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)窟(ku)(ku)。鑿(zao)(zao)成佛(fo)窟(ku)(ku)的時(shi)(shi)間，亦(yi)應(ying)早于(yu)大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)。現在(zai)(zai)洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)后(hou)(hou)冊腰直至大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)窗(chuang)(chuang)前(qian)，閣(ge)道的痕(hen)跡還隱隱可(ke)見(jian)。洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)下棧道，應(ying)為(wei)(wei)(wei)大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)鑿(zao)(zao)成后(hou)(hou)才始修通。雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)亦(yi)是大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)最早鑿(zao)(zao)建之(zhi)(zhi)洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)窟(ku)(ku)。雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)窟(ku)(ku)內(nei)，原有泥像(xiang)(xiang)(xiang)(xiang)(xiang)17尊，毀于(yu)“文(wen)(wen)化(hua)大(da)革命(ming)”中(zhong)，今存塑(su)像(xiang)(xiang)(xiang)(xiang)(xiang)為(wei)(wei)(wei)1994年(nian)按原樣(yang)重塑(su).正(zheng)龕供(gong)奉華(hua)嚴三(san)圣像(xiang)(xiang)(xiang)(xiang)(xiang).中(zhong)為(wei)(wei)(wei)釋(shi)迦牟尼佛(fo)，結(jie)(jie)跏趺(fu)坐(zuo)(zuo)于(yu)金剛(gang)座(zuo)(zuo)上(shang)(shang)(shang)，手(shou)施(shi)說法印，左(zuo)為(wei)(wei)(wei)文(wen)(wen)殊菩(pu)薩(sa)游(you)(you)戲(xi)坐(zuo)(zuo)于(yu)雄獅背，右(you)為(wei)(wei)(wei)普(pu)賢菩(pu)薩(sa)游(you)(you)戲(xi)坐(zuo)(zuo)于(yu)白像(xiang)(xiang)(xiang)(xiang)(xiang)身，同安置在(zai)(zai)高(gao)(gao)(gao)4.7米(mi)(mi)(mi)(mi)(mi)(mi)，寬7米(mi)(mi)(mi)(mi)(mi)(mi)的佛(fo)閣(ge)內(nei).三(san)圣像(xiang)(xiang)(xiang)(xiang)(xiang)齊高(gao)(gao)(gao)2.53米(mi)(mi)(mi)(mi)(mi)(mi).左(zuo)龕藥(yao)(yao)(yao)(yao)王(wang)殿(dian)外伸磚(zhuan)木結(jie)(jie)構(gou)建筑，硬山(shan)(shan)頂，飾吻(wen)，并(bing)(bing)掛欠匾，上(shang)(shang)(shang)題：甘肅(su)省甘谷縣(xian)大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)藥(yao)(yao)(yao)(yao)王(wang)洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)圣像(xiang)(xiang)(xiang)(xiang)(xiang)揭幕紀念，中(zhong)書“德(de)高(gao)(gao)(gao)術妙潤澤普(pu)天(tian)，行方智圓千古(gu)永傳。”下題：陜西耀縣(xian)藥(yao)(yao)(yao)(yao)王(wang)山(shan)(shan)博物(wu)館、中(zhong)華(hua)約王(wang)山(shan)(shan)孫思(si)邈研(yan)究社，1994年(nian)古(gu)4月28日。殿(dian)正(zheng)中(zhong)供(gong)奉藥(yao)(yao)(yao)(yao)王(wang)孫思(si)邈，像(xiang)(xiang)(xiang)(xiang)(xiang)高(gao)(gao)(gao)1.75米(mi)(mi)(mi)(mi)(mi)(mi)，斜(xie)坐(zuo)(zuo)猛虎身，右(you)手(shou)拿捧(peng)藥(yao)(yao)(yao)(yao)盒。左(zuo)手(shou)掌龍顎(e)，給龍治病欲扎針之(zhi)(zhi)狀(zhuang)。右(you)站(zhan)藥(yao)(yao)(yao)(yao)童(tong)高(gao)(gao)(gao)1.2米(mi)(mi)(mi)(mi)(mi)(mi)，雙(shuang)(shuang)手(shou)捧(peng)藥(yao)(yao)(yao)(yao)盒。左(zuo)右(you)兩側分(fen)塑(su)十大(da)名(ming)醫，倉公、第(di)仲景、皇(huang)甫(fu)謐、陶(tao)弘景，張介(jie)賓(bin)、扁鵲、華(hua)陀、王(wang)淑(shu)和、葛洪、李(li)時(shi)(shi)珍。像(xiang)(xiang)(xiang)(xiang)(xiang)皆坐(zuo)(zuo)式，同高(gao)(gao)(gao)1.3米(mi)(mi)(mi)(mi)(mi)(mi)，窟(ku)(ku)右(you)三(san)小(xiao)龕內(nei)各塑(su)單身像(xiang)(xiang)(xiang)(xiang)(xiang)，從左(zuo)至左(zuo)：靈官坐(zuo)(zuo)于(yu)壇上(shang)(shang)(shang)，環眼下視(shi)，吹須(xu)怒(nu)發，右(you)手(shou)向上(shang)(shang)(shang)高(gao)(gao)(gao)舉一(yi)(yi)鞭(bian)，左(zuo)手(shou)執金磚(zhuan)，像(xiang)(xiang)(xiang)(xiang)(xiang)高(gao)(gao)(gao)1.33米(mi)(mi)(mi)(mi)(mi)(mi)；馬三(san)將軍騎(qi)黑驢，秀骨清相，玲瓏生(sheng)動，通高(gao)(gao)(gao)0.8米(mi)(mi)(mi)(mi)(mi)(mi)，像(xiang)(xiang)(xiang)(xiang)(xiang)塑(su)于(yu)1980年(nian)；護法為(wei)(wei)(wei)立像(xiang)(xiang)(xiang)(xiang)(xiang)，高(gao)(gao)(gao)2米(mi)(mi)(mi)(mi)(mi)(mi)，手(shou)執法棍，雄分(fen)健(jian)威武。窟(ku)(ku)前(qian)平臺外挑1.3米(mi)(mi)(mi)(mi)(mi)(mi)，長(chang)10米(mi)(mi)(mi)(mi)(mi)(mi)，鋼筋混(hun)凝土結(jie)(jie)構(gou)。其上(shang)(shang)(shang)建木構(gou)抱廈一(yi)(yi)座(zuo)(zuo)，為(wei)(wei)(wei)歇(xie)山(shan)(shan)造，斜(xie)外挑角，獸吻(wen)飾頂。雙(shuang)(shuang)明洞(dong)(dong)(dong)(dong)(dong)(dong)(dong)為(wei)(wei)(wei)大(da)像(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)石窟(ku)(ku)早期鑿(zao)(zao)建禪窟(ku)(ku)群豐(feng)(feng)收了創(chuang)先(xian)啟后(hou)(hou)的重要作用。

睡佛窟

睡佛窟位于(yu)三星福、祿、壽洞(dong)東側。北向，平(ping)面長方(fang)形。前壁(bi)緊靠(kao)小禪窟右(you)上角(jiao)辟明窗。清代重塑蓮葉觀(guan)音像(xiang)，以(yi)高度夸張手法，塑造了(le)一(yi)尊寧靜善(shan)良而又悠然自得、半(ban)臥(wo)蓮葉之上的(de)觀(guan)音菩薩。造像(xiang)超越佛教規范，失(shi)履(lv)半(ban)臥(wo)。藝術家(jia)用泥巴(ba)塑造了(le)一(yi)尊栩栩如生的(de)勞動(dong)人民所敬(jing)仰(yang)的(de)神尊。

甘谷大佛特點

從外(wai)觀看，甘谷(gu)大佛既有印度早期(qi)(qi)佛教犍陀羅風格(ge)所特(te)有的(de)蓄(xu)有須發以及笈多王朝時期(qi)(qi)佛教造(zao)(zao)像(xiang)(xiang)的(de)螺型頭發，且兩(liang)眉(mei)之間有白毫相(xiang)等特(te)征，又表現(xian)出(chu)北(bei)周時期(qi)(qi)頸部(bu)較粗、鼻寬短(duan)、面部(bu)神(shen)情溫和(he)韶(shao)秀等特(te)征，還顯(xian)現(xian)出(chu)盛唐(tang)時期(qi)(qi)面容飽(bao)滿、唇潤頤豐、雙眉(mei)彎(wan)曲(qu)、兩(liang)眼明澈而(er)略顯(xian)突(tu)起的(de)審(shen)美要(yao)求。而(er)大佛頭頂的(de)大螺旋式高肉髻則反映了其造(zao)(zao)像(xiang)(xiang)所跨越的(de)北(bei)魏至盛唐(tang)的(de)歷史時空，在后來(lai)宋(song)、明、清各(ge)代(dai)的(de)修(xiu)繕和(he)重妝(zhuang)中同(tong)樣也留下(xia)了時代(dai)的(de)印記。尤(you)其是甘谷(gu)大佛寬厚的(de)上(shang)唇上(shang)的(de)短(duan)須在佛教造(zao)(zao)像(xiang)(xiang)中并(bing)不多見(jian)，中西文化的(de)相(xiang)互融(rong)合于此可(ke)見(jian)一斑。

甘谷大佛歷史介紹

甘谷(gu)大(da)佛高(gao)(gao)(gao)(gao)(gao)達20余米(mi)，腳下供人瞻仰的(de)(de)地(di)域原(yuan)來只有(you)一(yi)(yi)(yi)米(mi)余地(di)，但(dan)站在(zai)腳下如(ru)(ru)何變(bian)換位(wei)置(zhi)(zhi)(zhi)從不(bu)同(tong)角(jiao)度(du)觀看，都到合(he)乎比(bi)例(li)，表情和藹可親。這(zhe)是(shi)古代的(de)(de)藝匠們很巧(qiao)妙地(di)解(jie)決(jue)了(le)(le)高(gao)(gao)(gao)(gao)(gao)大(da)造像(xiang)在(zai)有(you)限位(wei)置(zhi)(zhi)(zhi)觀看的(de)(de)視(shi)(shi)覺(jue)(jue)差問題。在(zai)解(jie)決(jue)視(shi)(shi)覺(jue)(jue)差問題的(de)(de)同(tong)時，須解(jie)決(jue)搭架，造型小(xiao)樣(yang)(yang)和安全問題。這(zhe)些(xie)都要用(yong)科學的(de)(de)態度(du)和高(gao)(gao)(gao)(gao)(gao)超(chao)的(de)(de)藝術技巧(qiao)來完成(cheng)。甘谷(gu)大(da)佛，端座于(yu)懸(xuan)崖之(zhi)(zhi)壁，開鑿在(zai)相(xiang)對地(di)面(mian)(mian)高(gao)(gao)(gao)(gao)(gao)度(du)200米(mi)之(zhi)(zhi)上，但(dan)無論從山下或窟內各個角(jiao)度(du)去(qu)觀賞(shang)，都給人一(yi)(yi)(yi)種(zhong)慈祥恬靜的(de)(de)感(gan)覺(jue)(jue)，沒有(you)不(bu)合(he)比(bi)例(li)的(de)(de)地(di)方。1983年(nian)，溫庭(ting)寬先生(sheng)和譚樹桐先生(sheng)專程(cheng)來到甘谷(gu)，當時正值(zhi)大(da)佛窟龕維修之(zhi)(zhi)際(ji)。溫老不(bu)顧年(nian)高(gao)(gao)(gao)(gao)(gao)體弱，登(deng)上腳手(shou)架，攀登(deng)至(zhi)佛頭頂，從上至(zhi)下，前后(hou)左右仔細觀察(cha)之(zhi)(zhi)后(hou)。驚奇地(di)發現了(le)(le)塑(su)造技法上的(de)(de)特(te)(te)殊之(zhi)(zhi)處。他(ta)總(zong)結(jie)到：佛的(de)(de)雙耳(er)(er)，按正常(chang)雕(diao)塑(su)技法，上耳(er)(er)廓緣應與(yu)眉毛(mao)相(xiang)齊。但(dan)大(da)佛的(de)(de)上耳(er)(er)廓緣提高(gao)(gao)(gao)(gao)(gao)到佛的(de)(de)頭頂超(chao)出發際(ji)線。整(zheng)整(zheng)高(gao)(gao)(gao)(gao)(gao)出了(le)(le)正常(chang)比(bi)例(li)的(de)(de)一(yi)(yi)(yi)倍多。人站在(zai)下面(mian)(mian)仰視(shi)(shi)，視(shi)(shi)覺(jue)(jue)上耳(er)(er)的(de)(de)位(wei)置(zhi)(zhi)(zhi)正好是(shi)正常(chang)人比(bi)例(li)。但(dan)如(ru)(ru)果了(le)(le)耳(er)(er)朵按正常(chang)比(bi)例(li)塑(su)造耳(er)(er)就有(you)掉下來的(de)(de)感(gan)覺(jue)(jue)。眉躬骨(gu)，在(zai)正常(chang)塑(su)手(shou)法上都是(shi)高(gao)(gao)(gao)(gao)(gao)高(gao)(gao)(gao)(gao)(gao)的(de)(de)突(tu)起，才(cai)顯得(de)目(mu)光深邃。但(dan)大(da)佛的(de)(de)眉躬的(de)(de)雕(diao)刻(ke)與(yu)此(ci)相(xiang)反，，而是(shi)在(zai)眉躬位(wei)置(zhi)(zhi)(zhi)上陰刻(ke)了(le)(le)深深的(de)(de)凹形(xing)弧(hu)線溝，并用(yong)群(qun)青裝(zhuang)色(se)，反而顯示出了(le)(le)高(gao)(gao)(gao)(gao)(gao)凸(tu)和立體的(de)(de)感(gan)覺(jue)(jue)，是(shi)解(jie)決(jue)了(le)(le)特(te)(te)大(da)雕(diao)像(xiang)用(yong)料容易脫落的(de)(de)問題，又(you)獲得(de)了(le)(le)近乎完美的(de)(de)造型效果；佛的(de)(de)瞳仁(ren)為何炯(jiong)炯(jiong)有(you)神，光彩奪目(mu)千年(nian)不(bu)減神光呢(ni)。原(yuan)來它(ta)是(shi)用(yong)個黑釉大(da)缸(gang)一(yi)(yi)(yi)劈(pi)兩半(ban)鑲嵌在(zai)眼(yan)(yan)(yan)(yan)框(kuang)里，并且大(da)缸(gang)的(de)(de)位(wei)置(zhi)(zhi)(zhi)超(chao)出了(le)(le)下眼(yan)(yan)(yan)(yan)瞼的(de)(de)位(wei)置(zhi)(zhi)(zhi)，從頭頂看上眼(yan)(yan)(yan)(yan)瞼高(gao)(gao)(gao)(gao)(gao)出大(da)缸(gang)做(zuo)成(cheng)的(de)(de)瞳仁(ren)，瞳仁(ren)又(you)突(tu)出于(yu)下眼(yan)(yan)(yan)(yan)瞼，很不(bu)合(he)雕(diao)塑(su)規(gui)律(lv)，但(dan)站在(zai)下面(mian)(mian)的(de)(de)感(gan)覺(jue)(jue)，眼(yan)(yan)(yan)(yan)部的(de)(de)雕(diao)造正好與(yu)正常(chang)人一(yi)(yi)(yi)樣(yang)(yang)，目(mu)光中含有(you)善良慈悲和智慧的(de)(de)光芒。如(ru)(ru)不(bu)用(yong)這(zhe)樣(yang)(yang)的(de)(de)特(te)(te)殊處理，仰視(shi)(shi)將失去(qu)比(bi)例(li)形(xing)成(cheng)眼(yan)(yan)(yan)(yan)珠深陷之(zhi)(zhi)感(gan)，佛的(de)(de)鼻(bi)梁直直下垂，形(xing)成(cheng)碩大(da)的(de)(de)梯形(xing)體積，佛的(de)(de)上嘴唇(chun)高(gao)(gao)(gao)(gao)(gao)出下唇(chun)許多，而下頜骨(gu)卻(que)下陷了(le)(le)進去(qu)。整(zheng)個頭向(xiang)前傾。所有(you)這(zhe)些(xie)技法上，都是(shi)古人在(zai)事先用(yong)小(xiao)樣(yang)(yang)的(de)(de)形(xing)式科學的(de)(de)研究和計算(suan)了(le)(le)其變(bian)化規(gui)律(lv)之(zhi)(zhi)后(hou)，胸有(you)成(cheng)竹地(di)解(jie)決(jue)了(le)(le)由于(yu)高(gao)(gao)(gao)(gao)(gao)大(da)而形(xing)成(cheng)的(de)(de)視(shi)(shi)覺(jue)(jue)誤差。就是(shi)宋(song)明清幾次大(da)的(de)(de)維修，仍是(shi)在(zai)未(wei)改變(bian)原(yuan)樣(yang)(yang)的(de)(de)基(ji)礎(chu)上進行了(le)(le)裝(zhuang)修彩畫，不(bu)失其盛(sheng)唐原(yuan)貌。

歷史沿革

1981年9月10日，甘肅省人(ren)民政府將(jiang)大(da)像山石(shi)窟正(zheng)式(shi)列為省級文(wen)物保護單位，并(bing)撥專款(kuan)進行(xing)維修(xiu)。

2001年，大像山被國(guo)務院(yuan)公布為(wei)國(guo)家級重點文(wen)物保護單位(wei)。

實用信息

交通路線：大象山坐(zuo)落(luo)于天水甘谷縣，距離火(huo)車站(zhan)(zhan)有(you)8公里。在天水火(huo)車站(zhan)(zhan)有(you)直達(da)甘谷的汽車，也可(ke)乘火(huo)車直接從甘谷車站(zhan)(zhan)下車。