十之最
全國會館之最
煌壯(zhuang)據有關資在全國(guo)(guo)(guo)現存80余座(zuo)會(hui)館(guan)(guan)類古建(jian)(jian)筑(zhu)群中(zhong),社旗(qi)山(shan)(shan)陜(shan)會(hui)館(guan)(guan)以其(qi)建(jian)(jian)筑(zhu)規模最(zui)為(wei)(wei)(wei)宏偉(wei)、保存最(zui)為(wei)(wei)(wei)完(wan)好、建(jian)(jian)筑(zhu)裝(zhuang)飾工藝最(zui)為(wei)(wei)(wei)精(jing)湛,商業(ye)文化(hua)內涵最(zui)為(wei)(wei)(wei)豐富,而于 1988年元月,首(shou)家被(bei)國(guo)(guo)(guo)務院公布為(wei)(wei)(wei)全國(guo)(guo)(guo)第(di)三批重點文物保護單(dan)位(wei)。后相繼被(bei)批準為(wei)(wei)(wei)國(guo)(guo)(guo)保單(dan)位(wei)的四(si)川自貢西秦會(hui)館(guan)(guan)與(yu)山(shan)(shan)東聊城(cheng)山(shan)(shan)陜(shan)會(hui)館(guan)(guan),其(qi)占(zhan)地面積均各為(wei)(wei)(wei) 3000余平方(fang)米(mi),而社旗(qi)山(shan)(shan)陜(shan)會(hui)館(guan)(guan)的占(zhan)地面積達13000平方(fang)米(mi),建(jian)(jian)筑(zhu)面積即達6000余平方(fang)米(mi),遠(yuan)遠(yuan)高出以上(shang)二(er)館(guan)(guan)數倍之多(duo)。國(guo)(guo)(guo)家多(duo)位(wei)權威古建(jian)(jian)筑(zhu)專家均對社旗(qi)山(shan)(shan)陜(shan)會(hui)館(guan)(guan)給予高度(du)贊(zan)譽與(yu)評價,原國(guo)(guo)(guo)家文物局(ju)局(ju)長呂濟民題詞贊(zan)為(wei)(wei)(wei):“藝術輝煌,絕無僅有”,原故宮博物院副院長單(dan)士元題詞贊(zan)為(wei)(wei)(wei)“輝煌壯(zhuang)麗,天下第(di)一”。由此而確立(li)了社旗(qi)山(shan)(shan)陜(shan)會(hui)館(guan)(guan)在全國(guo)(guo)(guo)現存會(hui)館(guan)(guan)類建(jian)(jian)筑(zhu)最(zui)具(ju)代表性的首(shou)屈一指(zhi)之地位(wei),被(bei)全國(guo)(guo)(guo)多(duo)位(wei)著名專家一致公認為(wei)(wei)(wei)“中(zhong)國(guo)(guo)(guo)第(di)一會(hui)館(guan)(guan)”。
琉璃照壁之最
“琉璃照(zhao)壁(bi)(bi)之(zhi)最”不是(shi)指其規模最大,而是(shi)指其裝飾(shi)工藝(yi)最為(wei)獨(du)特。照(zhao)壁(bi)(bi)作為(wei)中(zhong)國(guo)古(gu)建筑(zhu)的(de)(de)(de)特有形(xing)(xing)式(shi),其裝飾(shi)風格主要有兩種:一為(wei)“海(hai)漫(man)式(shi)”,即以(yi)整幅(fu)壁(bi)(bi)面組成(cheng)一幅(fu)完(wan)整的(de)(de)(de)圖案(an),多(duo)以(yi)龍與(yu)海(hai)水圖案(an)為(wei)主,如北京(jing)北海(hai)之(zhi)九(jiu)龍壁(bi)(bi),山(shan)西(xi)大同之(zhi)九(jiu)龍壁(bi)(bi)等(deng);二為(wei)“盒(he)子(zi)式(shi)”,僅(jin)以(yi)磚雕(diao)或(huo)(huo)石雕(diao)裝飾(shi)照(zhao)壁(bi)(bi)壁(bi)(bi)面的(de)(de)(de)中(zhong)心(xin)部位,或(huo)(huo)為(wei)菱形(xing)(xing),或(huo)(huo)為(wei)橢圓形(xing)(xing),稱之(zhi)為(wei)盒(he)子(zi)。全國(guo)現(xian)存會(hui)(hui)館(guan)(guan)類建筑(zhu)或(huo)(huo)其它民間古(gu)建筑(zhu)中(zhong)之(zhi)照(zhao)壁(bi)(bi)多(duo)為(wei)此種形(xing)(xing)式(shi)。而社旗山(shan)陜會(hui)(hui)館(guan)(guan)的(de)(de)(de)琉璃照(zhao)壁(bi)(bi)則系將海(hai)漫(man)式(shi)與(yu)盒(he)子(zi)式(shi)兩種風格完(wan)美(mei)結合(he)于(yu)一體(ti),將各種琉璃燒制的(de)(de)(de)吉祥植(zhi)物、吉祥動物、神獸(shou),匾額與(yu)楹聯、變形(xing)(xing)“福(fu)”“壽”字等(deng)圖案(an)巧妙(miao)組合(he)成(cheng)一幅(fu)內容豐富、寓意深刻的(de)(de)(de)完(wan)整畫(hua)面,既(ji)有相對獨(du)立的(de)(de)(de)“盒(he)子(zi)”裝飾(shi),又有海(hai)漫(man)式(shi)的(de)(de)(de)畫(hua)面效果;主次分明(ming),銜接自然;既(ji)富麗堂皇,又和(he)諧流暢;既(ji)給(gei)人以(yi)直觀(guan)的(de)(de)(de)美(mei)感享受(shou),又富有厚重的(de)(de)(de)文化(hua)內涵。為(wei)此可稱為(wei)全國(guo)會(hui)(hui)館(guan)(guan)類建筑(zhu)照(zhao)壁(bi)(bi)裝飾(shi)藝(yi)術(shu)之(zhi)最。
鐵旗桿之最
鐵(tie)旗(qi)(qi)桿(gan)(gan)是“武廟”即關(guan)帝(di)廟建(jian)(jian)筑的(de)(de)特有(you)裝飾。社(she)旗(qi)(qi)山(shan)(shan)陜會館(guan)兩(liang)株(zhu)鐵(tie)旗(qi)(qi)桿(gan)(gan)立于(yu)清(qing)嘉(jia)慶二(er)(er)十二(er)(er)年,重五(wu)萬余斤,高(gao)二(er)(er)十余米。據(ju)《南陽(yang)賒旗(qi)(qi)鎮山(shan)(shan)陜會館(guan)鐵(tie)旗(qi)(qi)桿(gan)(gan)記》碑文載(zai):當時(shi)會館(guan)建(jian)(jian)成之(zhi)(zhi)時(shi),“獨贏三千余金(jin)。廟之(zhi)(zhi)壯麗不可有(you)加,又不可折空金(jin)入私。因(yin)鑄鐵(tie)旗(qi)(qi)桿(gan)(gan)二(er)(er)株(zhu)重五(wu)萬余斤,樹于(yu)大門之(zhi)(zhi)左右(you)。……山(shan)(shan)陜會館(guan)遍天下,皆宏敞可觀。第朱仙(xian)(xian)鎮有(you)鐵(tie)桿(gan)(gan)今于(yu)賒旗(qi)(qi)鎮再見。”由此(ci)(ci)可知,在(zai)全國各地眾多的(de)(de)會館(guan)類(lei)建(jian)(jian)筑中,當時(shi)僅(jin)有(you)朱仙(xian)(xian)鎮與賒旗(qi)(qi)鎮山(shan)(shan)陜會館(guan)建(jian)(jian)有(you)此(ci)(ci)類(lei)鐵(tie)旗(qi)(qi)桿(gan)(gan)。今朱仙(xian)(xian)鎮鐵(tie)旗(qi)(qi)桿(gan)(gan)已失,唯社(she)旗(qi)(qi)山(shan)(shan)陜會館(guan)鐵(tie)旗(qi)(qi)桿(gan)(gan)獨存。據(ju)有(you)關(guan)古建(jian)(jian)筑專(zhuan)家稱(cheng):就其重量、高(gao)度(du),形(xing)制(zhi)之(zhi)(zhi)完(wan)整,內容之(zhi)(zhi)豐富,工藝之(zhi)(zhi)精湛,造(zao)型之(zhi)(zhi)完(wan)美而言(yan),全國同類(lei)建(jian)(jian)筑無出(chu)之(zhi)(zhi)右(you)者。由此(ci)(ci)可知:社(she)旗(qi)(qi)山(shan)(shan)陜會館(guan)鐵(tie)旗(qi)(qi)桿(gan)(gan)堪(kan)稱(cheng)全國現存古建(jian)(jian)筑鐵(tie)旗(qi)(qi)桿(gan)(gan)之(zhi)(zhi)最(zui)。
戲樓之最
全國(guo)(guo)現存古(gu)戲樓(lou)(lou)很多,建筑各有(you)(you)特色。但若論(lun)其(qi)建筑之(zhi)(zhi)(zhi)(zhi)(zhi)宏(hong)偉、裝(zhuang)飾(shi)之(zhi)(zhi)(zhi)(zhi)(zhi)精美(mei),首屈(qu)一(yi)指當推社旗山陜會(hui)(hui)館懸鑒(jian)樓(lou)(lou)。懸鑒(jian)樓(lou)(lou)興(xing)建于清(qing)嘉慶年間,高24米,為(wei)(wei)(wei)三重檐(yan)(yan)歇(xie)山頂建筑,面(mian)南為(wei)(wei)(wei)山門,檐(yan)(yan)廊寬敞,面(mian)北(bei)為(wei)(wei)(wei)戲臺(tai),這種勾(gou)連搭結構(gou)獨具(ju)匠心,極富特色。戲臺(tai)上方懸匾之(zhi)(zhi)(zhi)(zhi)(zhi)上又出一(yi)飛(fei)檐(yan)(yan),形成(cheng)八角高挑、飄飄欲(yu)飛(fei)之(zhi)(zhi)(zhi)(zhi)(zhi)勢。樓(lou)(lou)之(zhi)(zhi)(zhi)(zhi)(zhi)上下左(zuo)右以(yi)技藝(yi)高超(chao)的(de)木、石(shi)雕刻及(ji)風格(ge)獨特的(de)彩畫藝(yi)術(shu)裝(zhuang)飾(shi)得(de)美(mei)輪美(mei)奐。而且左(zuo)右輔之(zhi)(zhi)(zhi)(zhi)(zhi)以(yi)敞開(kai)式的(de)鐘、鼓二樓(lou)(lou),一(yi)反它處古(gu)建筑多將封閉式的(de)鐘、鼓樓(lou)(lou)置于神殿兩側(ce)之(zhi)(zhi)(zhi)(zhi)(zhi)常規(gui),使之(zhi)(zhi)(zhi)(zhi)(zhi)形成(cheng)風格(ge)別具(ju)的(de)樂樓(lou)(lou)組群,三樓(lou)(lou)翼(yi)角交錯,似分似連,相映相襯,形成(cheng)一(yi)個完美(mei)的(de)藝(yi)術(shu)整體(ti)。已(yi)故中(zhong)國(guo)(guo)古(gu)建筑學會(hui)(hui)會(hui)(hui)長(chang)、南京大(da)學校(xiao)長(chang)楊(yang)廷寶先(xian)生(中(zhong)國(guo)(guo)古(gu)建筑界兩大(da)世界著名(ming)的(de)學術(shu)泰斗之(zhi)(zhi)(zhi)(zhi)(zhi)一(yi),被稱為(wei)(wei)(wei)“南楊(yang)北(bei)梁(liang)(liang)”,梁(liang)(liang)為(wei)(wei)(wei)梁(liang)(liang)啟超(chao)之(zhi)(zhi)(zhi)(zhi)(zhi)子(zi)、北(bei)京大(da)學教授梁(liang)(liang)思成(cheng))對此樓(lou)(lou)情(qing)有(you)(you)獨鐘,親(qin)帶研究(jiu)生對該樓(lou)(lou)進行(xing)詳細(xi)測(ce)繪、拍照,稱贊(zan)懸鑒(jian)樓(lou)(lou)為(wei)(wei)(wei)“華(hua)夏(xia)古(gu)戲樓(lou)(lou)的(de)典范之(zhi)(zhi)(zhi)(zhi)(zhi)作(zuo)”。為(wei)(wei)(wei)此,社旗山陜會(hui)(hui)館懸鑒(jian)樓(lou)(lou)當之(zhi)(zhi)(zhi)(zhi)(zhi)無愧(kui)地被稱為(wei)(wei)(wei)“中(zhong)國(guo)(guo)古(gu)戲樓(lou)(lou)之(zhi)(zhi)(zhi)(zhi)(zhi)最”。
石雕藝術之最
以石(shi)(shi)牌坊及各殿柱礎(chu)為代表的(de)(de)社(she)旗山陜會館石(shi)(shi)雕(diao)(diao)(diao)(diao)(diao)藝(yi)術(shu)集中國古(gu)建筑全(quan)部石(shi)(shi)雕(diao)(diao)(diao)(diao)(diao)技(ji)法于一體,其圓雕(diao)(diao)(diao)(diao)(diao)、透雕(diao)(diao)(diao)(diao)(diao)、浮雕(diao)(diao)(diao)(diao)(diao)、平(ping)(ping)雕(diao)(diao)(diao)(diao)(diao)、線雕(diao)(diao)(diao)(diao)(diao),浮雕(diao)(diao)(diao)(diao)(diao)之(zhi)素平(ping)(ping)、減(jian)地(di)平(ping)(ping)級、壓地(di)穩起(qi)、剔(ti)地(di)起(qi)突等技(ji)法,均得(de)到(dao)恰到(dao)好處的(de)(de)運用,反(fan)復充分(fen)的(de)(de)展示。其雕(diao)(diao)(diao)(diao)(diao)刻(ke)形式和內(nei)容(rong)包(bao)括圓雕(diao)(diao)(diao)(diao)(diao)獅、虎、麒麟(lin)、英召等動物(wu)和神獸造型(xing),圓雕(diao)(diao)(diao)(diao)(diao)石(shi)(shi)榴、仙(xian)桃等瓜果造型(xing),透雕(diao)(diao)(diao)(diao)(diao)、高浮雕(diao)(diao)(diao)(diao)(diao)人物(wu)故(gu)事造型(xing),浮雕(diao)(diao)(diao)(diao)(diao)、平(ping)(ping)雕(diao)(diao)(diao)(diao)(diao)各類花鳥(niao)、植(zhi)物(wu)及吉祥(xiang)裝飾(shi)圖案等。特(te)別是其人物(wu)故(gu)事雕(diao)(diao)(diao)(diao)(diao)圖盡得(de)我國歷代繪畫與雕(diao)(diao)(diao)(diao)(diao)刻(ke)藝(yi)術(shu)之(zhi)神韻,充分(fen)發揮(hui)繪畫與雕(diao)(diao)(diao)(diao)(diao)刻(ke)藝(yi)術(shu)之(zhi)象征(zheng)性(xing)、假定(ding)性(xing)、類型(xing)化之(zhi)特(te)征(zheng),情景交(jiao)融(rong),形神兼備,給人以藝(yi)術(shu)美的(de)(de)享受,為眾多國內(nei)古(gu)建筑專家交(jiao)口(kou)贊(zan)“絕”,當之(zhi)無愧的(de)(de)被稱為中國古(gu)建筑“石(shi)(shi)雕(diao)(diao)(diao)(diao)(diao)藝(yi)術(shu)之(zhi)最”。
木雕藝術之最
社旗山(shan)陜會館(guan)(guan)的(de)木(mu)雕(diao)(diao)裝(zhuang)飾藝(yi)(yi)術與石(shi)雕(diao)(diao)裝(zhuang)飾藝(yi)(yi)術兩(liang)相媲(pi)美,并稱(cheng)“雙絕”。會館(guan)(guan)建(jian)(jian)(jian)筑(zhu)(zhu)的(de)額(e)枋、雀替(ti)、垂(chui)花門樓(lou)、內檐裝(zhuang)修之(zhi)(zhi)(zhi)(zhi)格扇(shan)、檻板(ban)、乃至(zhi)穿插梁板(ban)及(ji)檐下斗(dou)拱昂嘴、耍頭皆(jie)飾以木(mu)雕(diao)(diao),幾(ji)乎(hu)達(da)到了無木(mu)不雕(diao)(diao)的(de)地步。而(er)且(qie)以最(zui)具木(mu)雕(diao)(diao)藝(yi)(yi)術表現力的(de)深透雕(diao)(diao)為主要雕(diao)(diao)作手段(duan),其(qi)主體建(jian)(jian)(jian)筑(zhu)(zhu)懸鑒樓(lou)、大(da)拜殿(dian)(dian)、大(da)座殿(dian)(dian)、藥王(wang)殿(dian)(dian)、馬王(wang)殿(dian)(dian)之(zhi)(zhi)(zhi)(zhi)額(e)枋、雀替(ti)全為透雕(diao)(diao),雕(diao)(diao)鏤(lou)深度(du)達(da)五(wu)層0.15米。其(qi)構圖空間布局均勻,線條優(you)美流(liu)暢,造(zao)型洗練(lian);大(da)量(liang)的(de)人物故事雕(diao)(diao)圖形(xing)象突(tu)出,鮮活生(sheng)動,夸張傳神,人物眉目、山(shan)水草(cao)木(mu),一波(bo)一紋(wen)皆(jie)精雕(diao)(diao)細鏤(lou)。從而(er)使山(shan)陜會館(guan)(guan)的(de)木(mu)雕(diao)(diao)藝(yi)(yi)術以透雕(diao)(diao)藝(yi)(yi)術之(zhi)(zhi)(zhi)(zhi)精而(er)享譽國(guo)(guo)內古建(jian)(jian)(jian)筑(zhu)(zhu)界。國(guo)(guo)家建(jian)(jian)(jian)設部顧問、著名古建(jian)(jian)(jian)筑(zhu)(zhu)專家羅哲文、鄭孝(xiao)燮題(ti)詞贊為:“高樓(lou)杰閣,巧奪天工,精雕(diao)(diao)細琢,錦繡裝(zhuang)成,公(gong)輸匠藝(yi)(yi),壯哉斯館(guan)(guan)”。將其(qi)雕(diao)(diao)刻裝(zhuang)飾藝(yi)(yi)術與建(jian)(jian)(jian)筑(zhu)(zhu)業(ye)之(zhi)(zhi)(zhi)(zhi)祖師魯(lu)班的(de)匠藝(yi)(yi)相比(bi)美,足見(jian)評價之(zhi)(zhi)(zhi)(zhi)高,為此,稱(cheng)其(qi)為 “全國(guo)(guo)木(mu)雕(diao)(diao)之(zhi)(zhi)(zhi)(zhi)最(zui)”當之(zhi)(zhi)(zhi)(zhi)無愧。
慈禧(xi)(xi)太(tai)(tai)后(hou)御(yu)(yu)筆(bi)(bi)親書“龍(long)”“虎(hu)”二字(zi)更可(ke)稱為全(quan)國會館(guan)“之(zhi)(zhi)(zhi)最”社旗山陜會館(guan)主殿大(da)座殿前檐兩山所嵌之(zhi)(zhi)(zhi)慈禧(xi)(xi)皇太(tai)(tai)后(hou)御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)(zhi)寶(bao)“龍(long)”、“虎(hu)”二字(zi)碑。碑寬0.42米,高(gao)0.80米,上圓下方(fang)(fang),上方(fang)(fang)刻(ke)一(yi)方(fang)(fang)形篆體御(yu)(yu)印章(zhang),內(nei)為“慈禧(xi)(xi)皇太(tai)(tai)后(hou)御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)(zhi)寶(bao)”九字(zi)。左(zuo)額(e)亦(yi)題“慈禧(xi)(xi)皇太(tai)(tai)后(hou)御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)(zhi)寶(bao)”九字(zi),中刻(ke)草書“龍(long)”“虎(hu)”二字(zi)一(yi)揮而就(jiu),字(zi)體瀟灑(sa)剛勁,一(yi)氣(qi)貫(guan)通。大(da)座殿建筑(zhu)于(yu)清同治年間,落成(cheng)于(yu)清光緒十 八年,當(dang)時正(zheng)是慈禧(xi)(xi)威(wei)權(quan)正(zheng)盛之(zhi)(zhi)(zhi)時,任(ren)何人豈敢偽托其御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)(zhi)寶(bao)公開置于(yu)此矚目之(zhi)(zhi)(zhi)處?由此足見此“龍(long)”、“虎(hu)”二字(zi)確系慈禧(xi)(xi)御(yu)(yu)筆(bi)(bi)真跡無疑。作為民間商會建筑(zhu)而能(neng)得慈禧(xi)(xi)皇太(tai)(tai)后(hou)御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)(zhi)寶(bao)作為鎮殿之(zhi)(zhi)(zhi)寶(bao),在全(quan)國的會館(guan)建筑(zhu)中可(ke)說是絕(jue)無僅有,當(dang)然成(cheng)為全(quan)國會館(guan)唯一(yi)之(zhi)(zhi)(zhi)殊(shu)榮。
全國清代民間剌繡珍品之最
社旗山陜會館館藏40余(yu)件清代剌繡珍品(pin),其(qi)中5件被(bei)國(guo)(guo)家文物(wu)局確定(ding)為(wei)國(guo)(guo)保(bao)文物(wu)一(yi)級品(pin),并征調兩件遠赴瑞士、丹麥等國(guo)(guo)作為(wei)國(guo)(guo)保(bao)珍品(pin)文物(wu)展出(chu)。為(wei)此稱之(zhi)謂(wei)“全國(guo)(guo)清代民間剌繡品(pin)之(zhi)最”亦當(dang)之(zhi)無(wu)愧。
會館附屬建筑道坊院亦為全國會館之最
社旗山陜會館(guan)(guan)之(zhi)附屬(shu)建(jian)筑(zhu)道(dao)坊院又名(ming)掖園宮、接(jie)官廳,其建(jian)筑(zhu)風(feng)(feng)格融合北方四(si)合院建(jian)筑(zhu)與(yu)南方民(min)(min)居與(yu)園林建(jian)筑(zhu)風(feng)(feng)格與(yu)一體(ti),系管理會館(guan)(guan)的(de)(de)(de)道(dao)士的(de)(de)(de)平(ping)時居住之(zhi)地(di),亦為(wei)(wei)接(jie)待聯(lian)絡官府(fu)人員的(de)(de)(de)場所,是為(wei)(wei)會館(guan)(guan)作為(wei)(wei)民(min)(min)間商會與(yu)官府(fu)斡(wo)旋功能的(de)(de)(de)實(shi)物見證,具(ju)有重要(yao)的(de)(de)(de)研究(jiu)價(jia)值(zhi),在(zai)全國現(xian)存會館(guan)(guan)類建(jian)筑(zhu)中獨此一家,堪(kan)稱“全國之(zhi)最”。
商業道德規則碑可稱為全國之最
社(she)旗山(shan)陜(shan)(shan)(shan)會(hui)館(guan)現存(cun)碑(bei)(bei)(bei)(bei)(bei)刻共計九塊(kuai),其中有(you)關記述商業道(dao)德(de)規(gui)(gui)則及(ji)(ji)會(hui)館(guan)興(xing)建(jian)(jian)活動的(de)(de)(de)碑(bei)(bei)(bei)(bei)(bei)刻計七塊(kuai),分別(bie)為(wei):初(chu)刻于(yu)(yu)清(qing)(qing)雍正二(er)年(1725年)重刻于(yu)(yu)同(tong)(tong)治元(yuan)年的(de)(de)(de)《同(tong)(tong)行商賈(jia)公(gong)議戥(deng)秤定(ding)規(gui)(gui)矩》碑(bei)(bei)(bei)(bei)(bei);立(li)于(yu)(yu)清(qing)(qing)乾隆五十(shi)年的(de)(de)(de)《公(gong)議雜貨行規(gui)(gui)》碑(bei)(bei)(bei)(bei)(bei)、立(li)于(yu)(yu)清(qing)(qing)道(dao)光二(er)十(shi)三年的(de)(de)(de)《過載行差(cha)務(wu)(wu)(wu)》碑(bei)(bei)(bei)(bei)(bei)、以及(ji)(ji)記述山(shan)陜(shan)(shan)(shan)會(hui)館(guan)創建(jian)(jian)活動及(ji)(ji)捐資及(ji)(ji)開支(zhi)財務(wu)(wu)(wu)公(gong)示(shi)的(de)(de)(de)《創建(jian)(jian)春秋樓碑(bei)(bei)(bei)(bei)(bei)記》、《南陽賒旗鎮(zhen)山(shan)陜(shan)(shan)(shan)會(hui)館(guan)鐵旗桿(gan)碑(bei)(bei)(bei)(bei)(bei)記》、《重興(xing)山(shan)陜(shan)(shan)(shan)會(hui)館(guan)碑(bei)(bei)(bei)(bei)(bei)記》、《重建(jian)(jian)山(shan)陜(shan)(shan)(shan)會(hui)館(guan)碑(bei)(bei)(bei)(bei)(bei)記》。前(qian)三塊(kuai)碑(bei)(bei)(bei)(bei)(bei)石對于(yu)(yu)研究清(qing)(qing)代賒店商業發展的(de)(de)(de)概況及(ji)(ji)商業行為(wei)的(de)(de)(de)規(gui)(gui)范提供了(le)彌足(zu)珍貴(gui)的(de)(de)(de)佐(zuo)證(zheng)。其中《同(tong)(tong)行商賈(jia)公(gong)議戥(deng)秤定(ding)規(gui)(gui)矩》碑(bei)(bei)(bei)(bei)(bei)對規(gui)(gui)范度量(liang)衡作出了(le)嚴(yan)格的(de)(de)(de)規(gui)(gui)定(ding);《公(gong)議雜貨行規(gui)(gui)》碑(bei)(bei)(bei)(bei)(bei)則以倡導(dao)誠(cheng)信精神為(wei)核心,對各種商業行為(wei)做出多達(da)十(shi)八項的(de)(de)(de)嚴(yan)格規(gui)(gui)定(ding);《過載行差(cha)務(wu)(wu)(wu)碑(bei)(bei)(bei)(bei)(bei)》則對支(zhi)應官(guan)府(fu)的(de)(de)(de)席片數量(liang)作出分解公(gong)示(shi)。這三塊(kuai)碑(bei)(bei)(bei)(bei)(bei)石也(ye)是我國(guo)現存(cun)會(hui)館(guan)類(lei)建(jian)(jian)筑中所存(cun)最(zui)早也(ye)最(zui)為(wei)全面的(de)(de)(de)商業道(dao)德(de)規(gui)(gui)則碑(bei)(bei)(bei)(bei)(bei)記,堪稱(cheng)為(wei)全國(guo)之最(zui)。