十之最
全國會館之最
煌(huang)壯據有關資在(zai)全(quan)國(guo)(guo)現(xian)存80余(yu)座會(hui)(hui)館(guan)類古建筑群(qun)中,社(she)旗山(shan)(shan)陜會(hui)(hui)館(guan)以其(qi)(qi)建筑規模最(zui)(zui)為(wei)宏(hong)偉、保(bao)存最(zui)(zui)為(wei)完(wan)好、建筑裝飾工藝(yi)最(zui)(zui)為(wei)精(jing)湛,商業文(wen)化內涵最(zui)(zui)為(wei)豐富,而(er)于 1988年元月,首家(jia)被(bei)國(guo)(guo)務院公布(bu)為(wei)全(quan)國(guo)(guo)第(di)三批(pi)(pi)重點(dian)文(wen)物保(bao)護單(dan)(dan)位(wei)(wei)。后(hou)相(xiang)繼被(bei)批(pi)(pi)準為(wei)國(guo)(guo)保(bao)單(dan)(dan)位(wei)(wei)的(de)四(si)川自(zi)貢西秦會(hui)(hui)館(guan)與(yu)山(shan)(shan)東聊城山(shan)(shan)陜會(hui)(hui)館(guan),其(qi)(qi)占(zhan)地面積(ji)均各為(wei) 3000余(yu)平(ping)(ping)方米,而(er)社(she)旗山(shan)(shan)陜會(hui)(hui)館(guan)的(de)占(zhan)地面積(ji)達13000平(ping)(ping)方米,建筑面積(ji)即達6000余(yu)平(ping)(ping)方米,遠(yuan)遠(yuan)高(gao)出(chu)以上二館(guan)數倍(bei)之多。國(guo)(guo)家(jia)多位(wei)(wei)權威古建筑專家(jia)均對(dui)社(she)旗山(shan)(shan)陜會(hui)(hui)館(guan)給(gei)予高(gao)度贊譽與(yu)評價,原(yuan)國(guo)(guo)家(jia)文(wen)物局局長呂濟(ji)民(min)題詞贊為(wei):“藝(yi)術輝煌(huang),絕(jue)無僅有”,原(yuan)故宮(gong)博(bo)物院副(fu)院長單(dan)(dan)士元題詞贊為(wei)“輝煌(huang)壯麗,天下第(di)一(yi)”。由(you)此而(er)確立了(le)社(she)旗山(shan)(shan)陜會(hui)(hui)館(guan)在(zai)全(quan)國(guo)(guo)現(xian)存會(hui)(hui)館(guan)類建筑最(zui)(zui)具代(dai)表性的(de)首屈一(yi)指之地位(wei)(wei),被(bei)全(quan)國(guo)(guo)多位(wei)(wei)著名專家(jia)一(yi)致公認為(wei)“中國(guo)(guo)第(di)一(yi)會(hui)(hui)館(guan)”。
琉璃照壁之最
“琉(liu)璃(li)照(zhao)壁之最”不是(shi)指其(qi)規模最大(da),而(er)是(shi)指其(qi)裝飾(shi)(shi)工藝(yi)最為(wei)(wei)(wei)(wei)(wei)獨特(te)。照(zhao)壁作(zuo)為(wei)(wei)(wei)(wei)(wei)中(zhong)國古(gu)建筑的(de)(de)(de)特(te)有(you)形(xing)式,其(qi)裝飾(shi)(shi)風格主(zhu)要有(you)兩(liang)種(zhong):一為(wei)(wei)(wei)(wei)(wei)“海漫式”,即以(yi)整幅(fu)壁面(mian)(mian)組成(cheng)一幅(fu)完整的(de)(de)(de)圖案(an),多(duo)以(yi)龍與海水圖案(an)為(wei)(wei)(wei)(wei)(wei)主(zhu),如北京北海之九(jiu)龍壁,山西(xi)大(da)同之九(jiu)龍壁等(deng);二為(wei)(wei)(wei)(wei)(wei)“盒(he)(he)子(zi)式”,僅以(yi)磚雕或(huo)石雕裝飾(shi)(shi)照(zhao)壁壁面(mian)(mian)的(de)(de)(de)中(zhong)心部(bu)位,或(huo)為(wei)(wei)(wei)(wei)(wei)菱形(xing),或(huo)為(wei)(wei)(wei)(wei)(wei)橢圓形(xing),稱之為(wei)(wei)(wei)(wei)(wei)盒(he)(he)子(zi)。全(quan)國現存會館類(lei)建筑或(huo)其(qi)它(ta)民(min)間(jian)古(gu)建筑中(zhong)之照(zhao)壁多(duo)為(wei)(wei)(wei)(wei)(wei)此(ci)種(zhong)形(xing)式。而(er)社(she)旗山陜(shan)會館的(de)(de)(de)琉(liu)璃(li)照(zhao)壁則系將(jiang)海漫式與盒(he)(he)子(zi)式兩(liang)種(zhong)風格完美結合(he)于一體(ti),將(jiang)各種(zhong)琉(liu)璃(li)燒制的(de)(de)(de)吉祥植物、吉祥動物、神獸,匾額與楹聯、變形(xing)“福(fu)”“壽”字(zi)等(deng)圖案(an)巧妙組合(he)成(cheng)一幅(fu)內(nei)容豐富、寓意深刻(ke)的(de)(de)(de)完整畫面(mian)(mian),既(ji)有(you)相對獨立的(de)(de)(de)“盒(he)(he)子(zi)”裝飾(shi)(shi),又(you)有(you)海漫式的(de)(de)(de)畫面(mian)(mian)效果;主(zhu)次(ci)分明,銜(xian)接自然(ran);既(ji)富麗堂皇,又(you)和諧流(liu)暢(chang);既(ji)給人以(yi)直觀的(de)(de)(de)美感(gan)享受(shou),又(you)富有(you)厚重的(de)(de)(de)文化內(nei)涵。為(wei)(wei)(wei)(wei)(wei)此(ci)可稱為(wei)(wei)(wei)(wei)(wei)全(quan)國會館類(lei)建筑照(zhao)壁裝飾(shi)(shi)藝(yi)術之最。
鐵旗桿之最
鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)是(shi)“武(wu)廟”即關帝廟建(jian)(jian)筑(zhu)(zhu)的(de)特有(you)(you)裝飾。社(she)旗(qi)(qi)(qi)(qi)山陜(shan)會(hui)(hui)(hui)(hui)館(guan)(guan)兩株(zhu)鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)立(li)于(yu)清(qing)嘉慶(qing)二(er)十(shi)二(er)年,重五萬余斤(jin),高二(er)十(shi)余米。據(ju)《南陽(yang)賒旗(qi)(qi)(qi)(qi)鎮(zhen)山陜(shan)會(hui)(hui)(hui)(hui)館(guan)(guan)鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)記(ji)》碑文載:當時(shi)(shi)會(hui)(hui)(hui)(hui)館(guan)(guan)建(jian)(jian)成之時(shi)(shi),“獨贏三千余金(jin)。廟之壯(zhuang)麗不(bu)可有(you)(you)加,又不(bu)可折(zhe)空金(jin)入私。因鑄鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)二(er)株(zhu)重五萬余斤(jin),樹于(yu)大(da)門之左(zuo)右(you)。……山陜(shan)會(hui)(hui)(hui)(hui)館(guan)(guan)遍天下,皆宏敞可觀(guan)。第朱(zhu)仙鎮(zhen)有(you)(you)鐵(tie)(tie)(tie)桿(gan)(gan)今于(yu)賒旗(qi)(qi)(qi)(qi)鎮(zhen)再見。”由(you)此可知(zhi),在全國各地(di)眾(zhong)多(duo)的(de)會(hui)(hui)(hui)(hui)館(guan)(guan)類(lei)(lei)建(jian)(jian)筑(zhu)(zhu)中,當時(shi)(shi)僅有(you)(you)朱(zhu)仙鎮(zhen)與賒旗(qi)(qi)(qi)(qi)鎮(zhen)山陜(shan)會(hui)(hui)(hui)(hui)館(guan)(guan)建(jian)(jian)有(you)(you)此類(lei)(lei)鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)。今朱(zhu)仙鎮(zhen)鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)已失,唯(wei)社(she)旗(qi)(qi)(qi)(qi)山陜(shan)會(hui)(hui)(hui)(hui)館(guan)(guan)鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)獨存。據(ju)有(you)(you)關古(gu)(gu)建(jian)(jian)筑(zhu)(zhu)專家稱:就(jiu)其重量、高度,形制之完整,內容之豐富,工藝之精湛,造型之完美而(er)言(yan),全國同類(lei)(lei)建(jian)(jian)筑(zhu)(zhu)無出之右(you)者(zhe)。由(you)此可知(zhi):社(she)旗(qi)(qi)(qi)(qi)山陜(shan)會(hui)(hui)(hui)(hui)館(guan)(guan)鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)堪(kan)稱全國現存古(gu)(gu)建(jian)(jian)筑(zhu)(zhu)鐵(tie)(tie)(tie)旗(qi)(qi)(qi)(qi)桿(gan)(gan)之最。
戲樓之最
全(quan)國現存(cun)古(gu)戲(xi)樓(lou)(lou)很多(duo),建(jian)(jian)筑(zhu)各(ge)有(you)特色(se)。但(dan)若論其(qi)建(jian)(jian)筑(zhu)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)宏偉、裝飾之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)精美(mei)(mei)(mei),首屈(qu)一指當推社旗(qi)山陜會(hui)館懸(xuan)鑒樓(lou)(lou)。懸(xuan)鑒樓(lou)(lou)興建(jian)(jian)于(yu)清嘉慶年間,高24米,為(wei)(wei)三重檐(yan)歇山頂建(jian)(jian)筑(zhu),面南(nan)為(wei)(wei)山門,檐(yan)廊寬敞,面北(bei)(bei)為(wei)(wei)戲(xi)臺(tai)(tai),這種勾連(lian)搭結構獨(du)具匠心,極富(fu)特色(se)。戲(xi)臺(tai)(tai)上方懸(xuan)匾(bian)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)上又出一飛(fei)檐(yan),形(xing)成八角高挑、飄飄欲飛(fei)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)勢。樓(lou)(lou)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)上下左(zuo)右以技藝(yi)高超的(de)木、石雕刻及風(feng)格獨(du)特的(de)彩畫藝(yi)術裝飾得美(mei)(mei)(mei)輪美(mei)(mei)(mei)奐。而且左(zuo)右輔之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)以敞開式的(de)鐘、鼓二(er)樓(lou)(lou),一反它處古(gu)建(jian)(jian)筑(zhu)多(duo)將封閉(bi)式的(de)鐘、鼓樓(lou)(lou)置于(yu)神(shen)殿兩側(ce)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)常規,使(shi)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)形(xing)成風(feng)格別(bie)具的(de)樂樓(lou)(lou)組群(qun),三樓(lou)(lou)翼角交(jiao)錯,似分(fen)似連(lian),相映相襯,形(xing)成一個完美(mei)(mei)(mei)的(de)藝(yi)術整體。已故中(zhong)國古(gu)建(jian)(jian)筑(zhu)學(xue)會(hui)會(hui)長、南(nan)京大(da)學(xue)校長楊廷寶先生(中(zhong)國古(gu)建(jian)(jian)筑(zhu)界兩大(da)世界著名的(de)學(xue)術泰斗之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)一,被稱為(wei)(wei)“南(nan)楊北(bei)(bei)梁(liang)”,梁(liang)為(wei)(wei)梁(liang)啟超之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)子、北(bei)(bei)京大(da)學(xue)教授(shou)梁(liang)思成)對此樓(lou)(lou)情有(you)獨(du)鐘,親帶研(yan)究(jiu)生對該樓(lou)(lou)進行詳細測(ce)繪、拍照,稱贊懸(xuan)鑒樓(lou)(lou)為(wei)(wei)“華夏古(gu)戲(xi)樓(lou)(lou)的(de)典范之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)作”。為(wei)(wei)此,社旗(qi)山陜會(hui)館懸(xuan)鑒樓(lou)(lou)當之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)無愧地被稱為(wei)(wei)“中(zhong)國古(gu)戲(xi)樓(lou)(lou)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)最”。
石雕藝術之最
以石牌坊(fang)及各(ge)殿柱礎為代表的(de)(de)社旗山(shan)陜會館石雕(diao)(diao)(diao)(diao)藝術(shu)(shu)集中(zhong)國(guo)(guo)古建(jian)(jian)筑(zhu)全部石雕(diao)(diao)(diao)(diao)技(ji)法(fa)于一體,其圓(yuan)雕(diao)(diao)(diao)(diao)、透雕(diao)(diao)(diao)(diao)、浮(fu)雕(diao)(diao)(diao)(diao)、平(ping)雕(diao)(diao)(diao)(diao)、線雕(diao)(diao)(diao)(diao),浮(fu)雕(diao)(diao)(diao)(diao)之(zhi)素平(ping)、減(jian)地平(ping)級、壓(ya)地穩起、剔地起突等技(ji)法(fa),均得到(dao)(dao)恰(qia)到(dao)(dao)好處的(de)(de)運(yun)用,反復充分(fen)的(de)(de)展(zhan)示(shi)。其雕(diao)(diao)(diao)(diao)刻(ke)形式(shi)和內(nei)(nei)容包(bao)括圓(yuan)雕(diao)(diao)(diao)(diao)獅(shi)、虎、麒麟、英召等動物(wu)和神(shen)獸造(zao)型,圓(yuan)雕(diao)(diao)(diao)(diao)石榴、仙桃等瓜果造(zao)型,透雕(diao)(diao)(diao)(diao)、高(gao)浮(fu)雕(diao)(diao)(diao)(diao)人(ren)物(wu)故事造(zao)型,浮(fu)雕(diao)(diao)(diao)(diao)、平(ping)雕(diao)(diao)(diao)(diao)各(ge)類花鳥(niao)、植物(wu)及吉祥裝(zhuang)飾圖(tu)(tu)案等。特別是其人(ren)物(wu)故事雕(diao)(diao)(diao)(diao)圖(tu)(tu)盡得我國(guo)(guo)歷代繪畫與雕(diao)(diao)(diao)(diao)刻(ke)藝術(shu)(shu)之(zhi)神(shen)韻,充分(fen)發揮繪畫與雕(diao)(diao)(diao)(diao)刻(ke)藝術(shu)(shu)之(zhi)象征(zheng)性、假定性、類型化之(zhi)特征(zheng),情景交(jiao)融,形神(shen)兼備,給(gei)人(ren)以藝術(shu)(shu)美的(de)(de)享受,為眾多國(guo)(guo)內(nei)(nei)古建(jian)(jian)筑(zhu)專家交(jiao)口(kou)贊“絕”,當(dang)之(zhi)無愧(kui)的(de)(de)被稱(cheng)為中(zhong)國(guo)(guo)古建(jian)(jian)筑(zhu)“石雕(diao)(diao)(diao)(diao)藝術(shu)(shu)之(zhi)最”。
木雕藝術之最
社(she)旗山(shan)陜會(hui)館的木雕(diao)(diao)(diao)(diao)(diao)裝飾(shi)藝術(shu)(shu)(shu)(shu)與(yu)石雕(diao)(diao)(diao)(diao)(diao)裝飾(shi)藝術(shu)(shu)(shu)(shu)兩相媲美(mei),并稱(cheng)(cheng)“雙(shuang)絕”。會(hui)館建(jian)(jian)筑(zhu)的額(e)枋、雀替(ti)(ti)、垂花門樓(lou)、內檐裝修之(zhi)格扇、檻板、乃至(zhi)穿插梁板及檐下(xia)斗拱昂嘴、耍頭皆飾(shi)以(yi)木雕(diao)(diao)(diao)(diao)(diao),幾乎達到(dao)了(le)無(wu)木不雕(diao)(diao)(diao)(diao)(diao)的地步。而且(qie)以(yi)最具(ju)木雕(diao)(diao)(diao)(diao)(diao)藝術(shu)(shu)(shu)(shu)表現(xian)力的深透雕(diao)(diao)(diao)(diao)(diao)為主要雕(diao)(diao)(diao)(diao)(diao)作手段,其(qi)主體(ti)建(jian)(jian)筑(zhu)懸鑒樓(lou)、大(da)拜(bai)殿、大(da)座殿、藥王殿、馬王殿之(zhi)額(e)枋、雀替(ti)(ti)全(quan)為透雕(diao)(diao)(diao)(diao)(diao),雕(diao)(diao)(diao)(diao)(diao)鏤(lou)深度(du)達五層0.15米(mi)。其(qi)構圖(tu)空間布局均(jun)勻(yun),線條優美(mei)流(liu)暢(chang),造(zao)型洗練;大(da)量的人(ren)物(wu)故事雕(diao)(diao)(diao)(diao)(diao)圖(tu)形象突出(chu),鮮活生動,夸張(zhang)傳神,人(ren)物(wu)眉(mei)目、山(shan)水草木,一(yi)波一(yi)紋皆精雕(diao)(diao)(diao)(diao)(diao)細鏤(lou)。從而使山(shan)陜會(hui)館的木雕(diao)(diao)(diao)(diao)(diao)藝術(shu)(shu)(shu)(shu)以(yi)透雕(diao)(diao)(diao)(diao)(diao)藝術(shu)(shu)(shu)(shu)之(zhi)精而享(xiang)譽國內古(gu)建(jian)(jian)筑(zhu)界。國家(jia)建(jian)(jian)設部顧問、著名古(gu)建(jian)(jian)筑(zhu)專家(jia)羅哲文、鄭孝燮題詞贊為:“高樓(lou)杰閣,巧奪天工(gong),精雕(diao)(diao)(diao)(diao)(diao)細琢,錦繡裝成,公(gong)輸(shu)匠藝,壯哉斯(si)館”。將其(qi)雕(diao)(diao)(diao)(diao)(diao)刻裝飾(shi)藝術(shu)(shu)(shu)(shu)與(yu)建(jian)(jian)筑(zhu)業(ye)之(zhi)祖師魯班的匠藝相比美(mei),足見評價之(zhi)高,為此,稱(cheng)(cheng)其(qi)為 “全(quan)國木雕(diao)(diao)(diao)(diao)(diao)之(zhi)最”當之(zhi)無(wu)愧。
慈(ci)禧太(tai)后御(yu)(yu)筆(bi)(bi)親書“龍(long)”“虎”二(er)字(zi)更可稱(cheng)為(wei)(wei)(wei)全國會(hui)(hui)館(guan)“之(zhi)(zhi)最”社旗山(shan)(shan)陜會(hui)(hui)館(guan)主殿(dian)大座殿(dian)前檐兩山(shan)(shan)所嵌之(zhi)(zhi)慈(ci)禧皇(huang)太(tai)后御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)寶“龍(long)”、“虎”二(er)字(zi)碑。碑寬0.42米,高0.80米,上圓下方,上方刻一(yi)方形(xing)篆體御(yu)(yu)印(yin)章,內(nei)為(wei)(wei)(wei)“慈(ci)禧皇(huang)太(tai)后御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)寶”九字(zi)。左額亦題“慈(ci)禧皇(huang)太(tai)后御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)寶”九字(zi),中(zhong)刻草(cao)書“龍(long)”“虎”二(er)字(zi)一(yi)揮而(er)(er)就,字(zi)體瀟灑(sa)剛勁(jing),一(yi)氣(qi)貫(guan)通。大座殿(dian)建筑(zhu)于清同治年間(jian),落(luo)成于清光(guang)緒(xu)十(shi) 八年,當時正是慈(ci)禧威權正盛之(zhi)(zhi)時,任何(he)人豈敢偽托(tuo)其御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)寶公開置于此(ci)矚目(mu)之(zhi)(zhi)處?由此(ci)足見(jian)此(ci)“龍(long)”、“虎”二(er)字(zi)確系慈(ci)禧御(yu)(yu)筆(bi)(bi)真跡(ji)無疑。作為(wei)(wei)(wei)民(min)間(jian)商會(hui)(hui)建筑(zhu)而(er)(er)能得慈(ci)禧皇(huang)太(tai)后御(yu)(yu)筆(bi)(bi)之(zhi)(zhi)寶作為(wei)(wei)(wei)鎮殿(dian)之(zhi)(zhi)寶,在全國的會(hui)(hui)館(guan)建筑(zhu)中(zhong)可說是絕無僅有(you),當然成為(wei)(wei)(wei)全國會(hui)(hui)館(guan)唯一(yi)之(zhi)(zhi)殊榮。
全國清代民間剌繡珍品之最
社旗山陜會(hui)館館藏40余(yu)件(jian)(jian)清(qing)代(dai)剌(la)繡珍品(pin)(pin),其中5件(jian)(jian)被國(guo)家文(wen)物(wu)局確定為(wei)(wei)國(guo)保文(wen)物(wu)一級品(pin)(pin),并征(zheng)調兩件(jian)(jian)遠赴瑞士、丹麥等(deng)國(guo)作(zuo)為(wei)(wei)國(guo)保珍品(pin)(pin)文(wen)物(wu)展出。為(wei)(wei)此(ci)稱之謂“全國(guo)清(qing)代(dai)民間剌(la)繡品(pin)(pin)之最”亦當之無愧(kui)。
會館附屬建筑道坊院亦為全國會館之最
社旗山陜(shan)會館之附(fu)屬建(jian)(jian)筑(zhu)(zhu)(zhu)道坊院(yuan)又名掖園宮、接官廳,其建(jian)(jian)筑(zhu)(zhu)(zhu)風格融合北方四(si)合院(yuan)建(jian)(jian)筑(zhu)(zhu)(zhu)與(yu)南方民居(ju)與(yu)園林建(jian)(jian)筑(zhu)(zhu)(zhu)風格與(yu)一(yi)體,系管理(li)會館的道士的平時居(ju)住之地,亦為(wei)接待聯絡官府人員的場所,是為(wei)會館作為(wei)民間商會與(yu)官府斡旋功能的實物見證,具(ju)有重(zhong)要的研究(jiu)價值,在全國(guo)現存會館類建(jian)(jian)筑(zhu)(zhu)(zhu)中(zhong)獨此一(yi)家,堪稱“全國(guo)之最”。
商業道德規則碑可稱為全國之最
社旗(qi)山陜(shan)(shan)會(hui)(hui)館(guan)現(xian)存(cun)碑(bei)(bei)(bei)(bei)(bei)刻共(gong)計九塊(kuai)(kuai),其(qi)中有(you)關記(ji)(ji)(ji)(ji)述商(shang)業道(dao)(dao)德規(gui)(gui)則及(ji)會(hui)(hui)館(guan)興建活動(dong)的(de)(de)(de)(de)碑(bei)(bei)(bei)(bei)(bei)刻計七塊(kuai)(kuai),分(fen)別為:初刻于(yu)清(qing)雍(yong)正(zheng)二(er)年(nian)(1725年(nian))重刻于(yu)同治元年(nian)的(de)(de)(de)(de)《同行(xing)商(shang)賈公(gong)(gong)議戥秤定(ding)(ding)規(gui)(gui)矩(ju)》碑(bei)(bei)(bei)(bei)(bei);立于(yu)清(qing)乾隆五十年(nian)的(de)(de)(de)(de)《公(gong)(gong)議雜貨(huo)行(xing)規(gui)(gui)》碑(bei)(bei)(bei)(bei)(bei)、立于(yu)清(qing)道(dao)(dao)光(guang)二(er)十三(san)年(nian)的(de)(de)(de)(de)《過載行(xing)差務(wu)(wu)》碑(bei)(bei)(bei)(bei)(bei)、以(yi)及(ji)記(ji)(ji)(ji)(ji)述山陜(shan)(shan)會(hui)(hui)館(guan)創建活動(dong)及(ji)捐(juan)資及(ji)開支財務(wu)(wu)公(gong)(gong)示(shi)的(de)(de)(de)(de)《創建春(chun)秋樓(lou)碑(bei)(bei)(bei)(bei)(bei)記(ji)(ji)(ji)(ji)》、《南陽賒旗(qi)鎮(zhen)山陜(shan)(shan)會(hui)(hui)館(guan)鐵旗(qi)桿碑(bei)(bei)(bei)(bei)(bei)記(ji)(ji)(ji)(ji)》、《重興山陜(shan)(shan)會(hui)(hui)館(guan)碑(bei)(bei)(bei)(bei)(bei)記(ji)(ji)(ji)(ji)》、《重建山陜(shan)(shan)會(hui)(hui)館(guan)碑(bei)(bei)(bei)(bei)(bei)記(ji)(ji)(ji)(ji)》。前(qian)三(san)塊(kuai)(kuai)碑(bei)(bei)(bei)(bei)(bei)石對(dui)(dui)于(yu)研究(jiu)清(qing)代賒店商(shang)業發展的(de)(de)(de)(de)概況及(ji)商(shang)業行(xing)為的(de)(de)(de)(de)規(gui)(gui)范提供了彌足珍貴的(de)(de)(de)(de)佐證。其(qi)中《同行(xing)商(shang)賈公(gong)(gong)議戥秤定(ding)(ding)規(gui)(gui)矩(ju)》碑(bei)(bei)(bei)(bei)(bei)對(dui)(dui)規(gui)(gui)范度量衡作(zuo)出(chu)了嚴格的(de)(de)(de)(de)規(gui)(gui)定(ding)(ding);《公(gong)(gong)議雜貨(huo)行(xing)規(gui)(gui)》碑(bei)(bei)(bei)(bei)(bei)則以(yi)倡(chang)導誠信(xin)精神為核心,對(dui)(dui)各種(zhong)商(shang)業行(xing)為做出(chu)多(duo)達十八項的(de)(de)(de)(de)嚴格規(gui)(gui)定(ding)(ding);《過載行(xing)差務(wu)(wu)碑(bei)(bei)(bei)(bei)(bei)》則對(dui)(dui)支應官府的(de)(de)(de)(de)席片(pian)數量作(zuo)出(chu)分(fen)解公(gong)(gong)示(shi)。這三(san)塊(kuai)(kuai)碑(bei)(bei)(bei)(bei)(bei)石也(ye)是我國現(xian)存(cun)會(hui)(hui)館(guan)類(lei)建筑(zhu)中所(suo)存(cun)最(zui)早也(ye)最(zui)為全(quan)(quan)面的(de)(de)(de)(de)商(shang)業道(dao)(dao)德規(gui)(gui)則碑(bei)(bei)(bei)(bei)(bei)記(ji)(ji)(ji)(ji),堪稱為全(quan)(quan)國之最(zui)。