洪頂(ding)山摩(mo)崖位于山東(dong)省東(dong)平縣。洪頂(ding)山摩(mo)崖又稱洪頂(ding)山摩(mo)崖刻(ke)(ke)(ke)經(jing)。因它(ta)解開了史學界名(ming)僧“安道一”的隸楷書體(ti)轉變之謎而聞(wen)名(ming)國內外。因書法家僧安道一的佛教(jiao)觀(guan)念是(shi)“般(ban)若(ruo)性空”觀(guan),故他在此書刻(ke)(ke)(ke)的主(zhu)要是(shi)“文(wen)殊若(ruo)”“摩(mo)訶若(ruo)”經(jing)等。洪頂(ding)山摩(mo)崖刻(ke)(ke)(ke)經(jing)東(dong)邊是(shi)“僧安道一”的“文(wen)殊若(ruo)”刻(ke)(ke)(ke)經(jing),全文(wen)98字,闡釋(shi)佛家“性空”思想。書寫風格隸中帶楷,楷中帶隸。是(shi)我國文(wen)字進化從隸到楷重要見證(zheng)。
東邊(bian)是(shi)(shi)(shi)屬名“僧(seng)(seng)安(an)道一(yi)”的《文(wen)殊(shu)般若》刻經。經文(wen)出自(zi)梁曼(man)陀羅(luo)仙和(he)僧(seng)(seng)伽(jia)婆羅(luo)譯本中(zhong)(zhong)。全(quan)文(wen)共98字,文(wen)中(zhong)(zhong)以(yi)佛主如來與文(wen)殊(shu)菩薩(sa)對話的形(xing)式,禪釋出僧(seng)(seng)眾如何修成大智能到(dao)彼(bi)岸的“性(xing)空”思想(xiang),在佛經中(zhong)(zhong)具有代表性(xing)。書寫風(feng)格是(shi)(shi)(shi)隸中(zhong)(zhong)帶(dai)楷(kai),楷(kai)中(zhong)(zhong)帶(dai)隸,這是(shi)(shi)(shi)中(zhong)(zhong)國文(wen)字進化(hua)從(cong)隸到(dao)楷(kai)的重(zhong)要特(te)征,其中(zhong)(zhong)“亦”字是(shi)(shi)(shi)草書,而“道”字則(ze)帶(dai)行書韻味,“數(shu)”字還有罕見(jian)的飛(fei)白體(ti)。兩邊(bian)便是(shi)(shi)(shi)用篆體(ti)書有《安(an)公之(zhi)碑(bei)》的風(feng)門口(kou)碑(bei)字謎(mi)。還刻有“藥師琉璃光(guang)佛主”與“大佛”題(ti)名,字體(ti)之(zhi)大更是(shi)(shi)(shi)無與倫比(bi)。碑(bei)西是(shi)(shi)(shi)“僧(seng)(seng)安(an)道一(yi)”題(ti)名,刻于高(gao)2米(mi)、寬1.3米(mi)的圭首碑(bei)內,書體(ti)隸中(zhong)(zhong)帶(dai)楷(kai),并(bing)有行書韻味,瀟灑流暢,其中(zhong)(zhong)“一(yi)”字為大寫“壹”。北山崖西是(shi)(shi)(shi)安(an)道一(yi)所書《文(wen)殊(shu)般若經》摘(zhai)錄。
因“安道(dao)(dao)一佛教”觀念是(shi)“涅 若(ruo)性空”觀,他在(zai)此處(chu)書刻的(de)(de)(de)(de)(de)是(shi)“文(wen)(wen)(wen)殊(shu) 若(ruo)”,“摩訶若(ruo)”經(jing)(jing)等。東邊是(shi)屬名“僧(seng)安道(dao)(dao)一”的(de)(de)(de)(de)(de)“文(wen)(wen)(wen)殊(shu) 若(ruo)”刻經(jing)(jing)。經(jing)(jing)文(wen)(wen)(wen)出(chu)自(zi)梁曼陀(tuo)羅仙和僧(seng)伽(jia)婆羅譯(yi)本中(zhong)。全文(wen)(wen)(wen)共98字(zi),文(wen)(wen)(wen)中(zhong)以佛主如來與(yu)文(wen)(wen)(wen)殊(shu)菩(pu)薩對話(hua)的(de)(de)(de)(de)(de)形式,禪釋出(chu)僧(seng)眾如何修成(cheng)大(da)智慧到(dao)彼岸(an)的(de)(de)(de)(de)(de)“性空”思想,在(zai)佛經(jing)(jing)中(zhong)占(zhan)重要(yao)地(di)位。更珍貴(gui)的(de)(de)(de)(de)(de)是(shi)該經(jing)(jing)的(de)(de)(de)(de)(de)書法價(jia)值,在(zai)整個刻經(jing)(jing)中(zhong)具有(you)代表(biao)性。書寫風格是(shi)隸中(zhong)帶(dai)楷,楷中(zhong)帶(dai)隸,這是(shi)我(wo)國(guo)文(wen)(wen)(wen)字(zi)進化從隸到(dao)楷的(de)(de)(de)(de)(de)重要(yao)特(te)征,起(qi)斷代作(zuo)用。難(nan)得可貴(gui)的(de)(de)(de)(de)(de)是(shi)其中(zhong)的(de)(de)(de)(de)(de)“亦(yi)”字(zi)是(shi)草書,而“道(dao)(dao)”字(zi)則(ze)帶(dai)行書韻味,“數(shu)”字(zi)還有(you)書法上(shang)罕見的(de)(de)(de)(de)(de)飛白狀體。在(zai)北(bei)齊時(shi)期的(de)(de)(de)(de)(de)刻經(jing)(jing)中(zhong)出(chu)現幾種(zhong)書體在(zai)中(zhong)國(guo)是(shi)早的(de)(de)(de)(de)(de)。
兩邊(bian)便是(shi)(shi)用篆體屬(shu)有“安(an)(an)(an)(an)(an)公之(zhi)碑”的(de)(de)風門口(kou)碑碑文(wen)。意思是(shi)(shi)在(zai)“風門口(kou)”書刻的(de)(de)碑文(wen),看似文(wen)字(zi)游戲,實是(shi)(shi)“安(an)(an)(an)(an)(an)道(dao)(dao)(dao)一(yi)”用“安(an)(an)(an)(an)(an)”與(yu)“不安(an)(an)(an)(an)(an)”,“一(yi)”與(yu)“不一(yi)”的(de)(de)關(guan)系禪(chan)(chan)述(shu)自己(ji)的(de)(de)佛教主張(zhang),“一(yi)”是(shi)(shi)指禪(chan)(chan)定中(zhong)心(xin)境專(zhuan)一(yi)境界,這(zhe)與(yu)中(zhong)國道(dao)(dao)(dao)教把(ba)“道(dao)(dao)(dao)”解釋(shi)為(wei)“虛一(yi)而(er)靜(jing)”是(shi)(shi)同(tong)樣意思,“安(an)(an)(an)(an)(an)”是(shi)(shi)指佛教中(zhong)超世(shi)脫俗,元煩惱的(de)(de)身心(xin)狀態,“不安(an)(an)(an)(an)(an)”是(shi)(shi)指俗的(de)(de)煩惱,所以僧眾們稱西方凈(jing)土(tu)為(wei)“安(an)(an)(an)(an)(an)養國”,提倡“安(an)(an)(an)(an)(an)樂行”。刻文(wen)中(zhong)“安(an)(an)(an)(an)(an)故能(neng)一(yi),一(yi)故能(neng)安(an)(an)(an)(an)(an)”即是(shi)(shi)全部意思的(de)(de)概括。也是(shi)(shi)安(an)(an)(an)(an)(an)道(dao)(dao)(dao)一(yi)對(dui)禪(chan)(chan)宗始祖達摩祖師提倡的(de)(de)“安(an)(an)(an)(an)(an)心(xin)禪(chan)(chan)”的(de)(de)領悟與(yu)發展。