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地理位置

融寧宮位于堤(di)村(cun)鄉干河村(cun)，因廟宇建筑正對凈(jing)(jing)石(shi)山(shan)，又稱凈(jing)(jing)石(shi)宮。現存建筑為明中后期遺構(gou)，占地約(yue)5畝余，山(shan)門，融寧宮同(tong)在中軸(zhou)線上，左右各有(you)配殿(dian)、耳(er)殿(dian)、建筑結構(gou)疏(shu)密得(de)當，布局精(jing)巧，主(zhu)次(ci)分(fen)明。

建筑結構

山門

建在宮院正南，兩側磚砌起墻，上以(yi)木板平覆，木構(gou)戲臺于其(qi)上，十字歇山式，琉璃瓦覆頂。當地稱(cheng)作“八卦(gua)懸(xuan)頂”。

大殿

進入山門便可(ke)看到雄(xiong)偉的(de)大(da)殿——融寧宮(gong)，大(da)殿建在高(gao)0.3米的(de)磚砌(qi)臺基上(shang)。大(da)殿面(mian)闊(kuo)三間，進深六椽，懸(xuan)山頂，覆以布瓦(wa)。殿額題匾“融寧宮(gong)”，“融”有作久遠解，放映出(chu)人們對平定(ding)安和(he)環境的(de)熱愛與期盼。

殿門

殿門格扇式。

神像

殿內供奉玄(xuan)(xuan)天(tian)(tian)(tian)上(shang)帝(di)，玄(xuan)(xuan)天(tian)(tian)(tian)上(shang)帝(di)，又(you)稱真(zhen)(zhen)武(wu)(wu)大(da)帝(di)，為道教中(zhong)(zhong)主宰(zai)北(bei)方的大(da)神(shen)。神(shen)像披發仗劍(jian)端(duan)坐于須彌座上(shang)。傳說真(zhen)(zhen)武(wu)(wu)大(da)帝(di)曾助周武(wu)(wu)王伐紂有功，玉帝(di)冊封為玄(xuan)(xuan)武(wu)(wu)，加號“太上(shang)紫(zi)皇(huang)天(tian)(tian)(tian)一(yi)真(zhen)(zhen)人”。宋真(zhen)(zhen)宗大(da)中(zhong)(zhong)祥符年間，尊為“鎮(zhen)天(tian)(tian)(tian)真(zhen)(zhen)武(wu)(wu)靈應武(wu)(wu)玄(xuan)(xuan)天(tian)(tian)(tian)上(shang)帝(di)”。明(ming)代張(zhang)三豐創(chuang)立的武(wu)(wu)當派道教崇祀真(zhen)(zhen)武(wu)(wu)，以真(zhen)(zhen)武(wu)(wu)為祖(zu)師，后(hou)人又(you)稱真(zhen)(zhen)武(wu)(wu)大(da)帝(di)為“玄(xuan)(xuan)天(tian)(tian)(tian)祖(zu)師”。

大殿真武像上(shang)懸(xuan)塑(su)(su)天(tian)(tian)(tian)(tian)宮樓閣(ge)，許多姿態(tai)各異(yi)的(de)天(tian)(tian)(tian)(tian)神(shen)出(chu)沒于云(yun)霧間，懸(xuan)塑(su)(su)分做上(shang)下兩(liang)部分，頂(ding)部彩(cai)塑(su)(su)樓閣(ge)三(san)所，正中(zhong)垂檐(yan)(yan)歇山頂(ding)，底層(ceng)出(chu)抱廈，內奉元(yuan)始(shi)天(tian)(tian)(tian)(tian)尊(zun)，左(zuo)右(you)有(you)(you)天(tian)(tian)(tian)(tian)神(shen)持戈怒立(li)。左(zuo)為(wei)(wei)靈(ling)寶天(tian)(tian)(tian)(tian)尊(zun)，右(you)為(wei)(wei)道德(de)天(tian)(tian)(tian)(tian)尊(zun)。道家意(yi)想中(zhong)的(de)神(shen)圣天(tian)(tian)(tian)(tian)堂，在民(min)間匠人(ren)的(de)手下表現得(de)至高無上(shang)。二層(ceng)懸(xuan)塑(su)(su)多為(wei)(wei)神(shen)仙官(guan)吏(li)。玄天(tian)(tian)(tian)(tian)大帝兩(liang)側塑(su)(su)有(you)(you)周公(gong)和桃花(hua)女。傳說周公(gong)、桃花(hua)被玄天(tian)(tian)(tian)(tian)大帝收(shou)服(fu)后(hou)(hou)，封(feng)為(wei)(wei)元(yuan)帥，在帝座前(qian)效力。左(zuo)右(you)檐(yan)(yan)柱(zhu)盤龍怒張。須彌(mi)座前(qian)塑(su)(su)有(you)(you)龜(gui)、蛇二將。神(shen)像背后(hou)(hou)彩(cai)塑(su)(su)龍霧花(hua)卉(hui)，祥云(yun)縈繞，金碧輝煌，彩(cai)塑(su)(su)人(ren)物大約(yue)十幾(ji)公(gong)分，但神(shen)情并(bing)肖，栩(xu)(xu)栩(xu)(xu)如生(sheng)。

壁畫

殿左右及后山(shan)墻滿繪壁畫，約用傳統(tong)的勾線填色法完成。

東(dong)西(xi)山(shan)(shan)墻形如現代環畫(hua)形式(shi)，采用(yong)傳(chuan)統的散點透視法(fa)繪(hui)有(you)玄天大帝八十二化(hua)。形象地表現了玄天大帝從(cong)“夢(meng)中月(yue)”始到(dao)“天帝賜劍”、“翻山(shan)(shan)裂石(shi)(shi)”、“武當鎮帥”……直到(dao)受封(feng)‘玄天上帝’的整部情節。畫(hua)法(fa)精細工致，用(yong)筆遒勁(jing)，線(xian)條(tiao)簡潔有(you)力(li)，中間襯景有(you)山(shan)(shan)水，古樹(shu)，宮院等(deng)，點染皴(cun)擦(ca)，一(yi)絲不茍，人物(wu)面部、衣襯、樹(shu)干及(ji)葉多以渲染法(fa)分陰陽。增強了畫(hua)面的表現效果，西(xi)壁(bi)頂有(you)墨書題記(ji)，為石(shi)(shi)明(ming)里丹青楊(yang)成廉，攜其弟及(ji)子楊(yang)萃，和學(xue)徒某(mou)完成，時(shi)間為清順治(zhi)五年閏四月(yue)。后墻神(shen)像(xiang)左右壁(bi)上繪(hui)有(you)威風凜凜的天神(shen)征戰圖，人物(wu)均等(deng)如真(zhen)人，線(xian)條(tiao)勾勒(le)粗獷有(you)力(li)，須發怒張間，仿(fang)佛有(you)排山(shan)(shan)倒海(hai)之勢。神(shen)龕(kan)側面繪(hui)有(you)獻花神(shen)像(xiang)，衣紋(wen)流暢生動(dong)。色調(diao)明(ming)快亮麗。

融(rong)寧宮(gong)壁(bi)畫(hua)設色對比明(ming)顯，因多采用礦物顏料，至今仍光(guang)彩(cai)人，傳統武士(shi)的(de)“蜂腰”、“豹肩(jian)”在畫(hua)家筆下表(biao)現得尤為生動，滿壁(bi)流光(guang)溢彩(cai)，直奪天工(gong)。學者把芮城(cheng)永樂宮(gong)、廣(guang)勝寺水(shui)神廟、融(rong)寧宮(gong)的(de)壁(bi)畫(hua)分別定為晉南元、明(ming)、清三個時(shi)期的(de)代表(biao)作(zuo)。足見它(ta)的(de)藝術價值與學術價值百(bai)同凡(fan)響。

東西配殿

融寧(ning)宮(gong)(gong)東(dong)(dong)西(xi)配(pei)(pei)(pei)殿建(jian)(jian)成3間2層(ceng)樓閣式(shi)，2層(ceng)出(chu)(chu)(chu)(chu)檐，圍以(yi)欄桿(gan)，傳(chuan)為(wei)(wei)舊(jiu)時婦(fu)女(nv)(nv)看(kan)戲之(zhi)(zhi)所，底(di)(di)層(ceng)則為(wei)(wei)男(nan)性觀戲場地。在(zai)封建(jian)(jian)社(she)會，男(nan)女(nv)(nv)有別(bie)，社(she)會風(feng)俗嚴厲，在(zai)建(jian)(jian)筑上反(fan)映(ying)得更為(wei)(wei)明顯。配(pei)(pei)(pei)殿北側(ce)(ce)，各建(jian)(jian)耳殿一間，分(fen)別(bie)供奉黑(hei)虎、龍(long)(long)王(wang)二(er)神(shen)。東(dong)(dong)耳殿旁有小便(bian)門通(tong)往(wang)殿東(dong)(dong)過(guo)道(dao)(dao)，傳(chuan)為(wei)(wei)舊(jiu)時婦(fu)女(nv)(nv)進廟之(zhi)(zhi)處(chu)。東(dong)(dong)配(pei)(pei)(pei)殿南(nan)(nan)側(ce)(ce)開一東(dong)(dong)向大(da)門，門額(e)題朝圣門，出(chu)(chu)(chu)(chu)門有南(nan)(nan)北長30余米，寬5米的(de)(de)磚(zhuan)漫通(tong)道(dao)(dao)，由此而(er)北，盡(jin)(jin)頭(tou)有大(da)門可(ke)出(chu)(chu)(chu)(chu)宮(gong)(gong)院，大(da)門額(e)書“凈石(shi)宮(gong)(gong)”，懸山(shan)(shan)(shan)式(shi)建(jian)(jian)筑。附：干(gan)河“凈石(shi)宮(gong)(gong)” 堤村(cun)(cun)干(gan)河村(cun)(cun)，古稱“水(shui)潤里”。地當洪、霍、汾三縣(xian)交通(tong)要(yao)沖，自古以(yi)來，車輛運輸，四(si)通(tong)八(ba)(ba)達。村(cun)(cun)西(xi)“凈石(shi)宮(gong)(gong)”東(dong)(dong)臨汾河，西(xi)倚呂(lv)梁；“碑林”、“藝苑”分(fen)陳(chen)兩廊；殿宇輝煌，古柏參(can)開，雕塑(su)壁畫，馳名(ming)(ming)遐邇(er)。 主殿“融寧(ning)宮(gong)(gong)”，中(zhong)塑(su)“玄天(tian)(tian)大(da)師”，赤臉金身，威風(feng)凜凜；儀表非凡，栩栩如生。兩邊楹聯(lian)為(wei)(wei)：“七世太子不(bu)愿皇宮(gong)(gong)享寶貴，八(ba)(ba)輩狀元但求武當養性心。”宮(gong)(gong)仆峰(feng)(feng)環抱(bao)，懸空(kong)柏出(chu)(chu)(chu)(chu)石(shi)隙；山(shan)(shan)(shan)水(shui)明媚，樹木參(can)差；四(si)時百鳥爭鳴，八(ba)(ba)節(jie)野花不(bu)斷，真乃錦銹江山(shan)(shan)(shan)，畫圖世界，過(guo)往(wang)游(you)人(ren)，無(wu)不(bu)嘆為(wei)(wei)觀止。尤(you)其(qi)游(you)人(ren)注目的(de)(de)是，宮(gong)(gong)門外(wai)通(tong)往(wang)平垣之(zhi)(zhi)東(dong)(dong)西(xi)道(dao)(dao)旁，雙峰(feng)(feng)對(dui)崎，太陽當空(kong)人(ren)無(wu)影；巒(luan)封路心，雷鳴電閃云無(wu)著。似此奇境(jing)，實屬罕見。為(wei)(wei)方便(bian)游(you)人(ren)登(deng)峰(feng)(feng)眺望。免除(chu)往(wang)年(nian)繞(rao)山(shan)(shan)(shan)越嶺之(zhi)(zhi)苦，1993年(nian)經村(cun)(cun)民(min)及外(wai)出(chu)(chu)(chu)(chu)工作(zuo)人(ren)員集資，新(xin)建(jian)(jian)一橋(qiao)上達龍(long)(long)王(wang)峰(feng)(feng)，下(xia)通(tong)“融寧(ning)宮(gong)(gong)”。故(gu)取名(ming)(ming)曰“龍(long)(long)宮(gong)(gong)橋(qiao)”。 “欲窮(qiong)千里目，更上高山(shan)(shan)(shan)峰(feng)(feng)”。沿(yan)(yan)“龍(long)(long)宮(gong)(gong)橋(qiao)”攀(pan)登(deng)六十九個臺階，即(ji)達山(shan)(shan)(shan)腰“龍(long)(long)王(wang)亭”。傳(chuan)言：“龍(long)(long)者能(neng)興云雨(yu)，利萬物”。故(gu)在(zai)若干(gan)年(nian)前(qian)(qian)，我們(men)的(de)(de)祖先，每逢天(tian)(tian)旱之(zhi)(zhi)年(nian)，祈(qi)求“龍(long)(long)王(wang)爺”作(zuo)云下(xia)雨(yu)，霖雨(yu)蒼生，人(ren)壽(shou)年(nian)豐(feng)，曾在(zai)山(shan)(shan)(shan)巔(dian)建(jian)(jian)有“龍(long)(long)王(wang)廟”（因年(nian)久塌毀，現已在(zai)存）稱此山(shan)(shan)(shan)為(wei)(wei)“龍(long)(long)王(wang)峰(feng)(feng)”。 沿(yan)(yan)“龍(long)(long)王(wang)亭”徐徐而(er)上，登(deng)峰(feng)(feng)環繞(rao)，四(si)望無(wu)跡。遠(yuan)近景物，盡(jin)(jin)收(shou)眼(yan)底(di)(di)。仰觀霍山(shan)(shan)(shan)，密木蔥蔥；俯視汾河，流(liu)水(shui)潺(chan)潺(chan)；南(nan)(nan)同蒲與大(da)運公路交錯，車馳如梭；汾河水(shui)同“七一渠”并(bing)流(liu)，縱橫灌(guan)溉，真可(ke)謂“江山(shan)(shan)(shan)如此多嬌”、“風(feng)景這邊獨(du)好”。難怪(guai)游(you)人(ren)至此，無(wu)不(bu)心曠(kuang)神(shen)怡，流(liu)連忘返(fan)。加以(yi)宮(gong)(gong)前(qian)(qian)有廣(guang)場，宮(gong)(gong)后有水(shui)泉。加建(jian)(jian)造園(yuan)林，開旅游(you)勝(sheng)地，實具有得天(tian)(tian)獨(du)厚之(zhi)(zhi)天(tian)(tian)然(ran)優勢。 如果說：“飛虹塔”、“古大(da)槐”、“蘇三監獄”為(wei)(wei)我縣(xian)三大(da)名(ming)(ming)勝(sheng)古跡，則將(jiang)“凈石(shi)宮(gong)(gong)”辟(pi)成旅游(you)區(qu)，不(bu)啻為(wei)(wei)洪洞“又添一絕(jue)”。