寺廟簡介
惠(hui) 濟 寺(si) (第二批(pi)省保(bao))
時代:宋
地址:原(yuan)平市東北15公里練(lian)家崗村
寺坐北朝(chao)南,由山(shan)門、文(wen)殊(shu)殿(dian)、鐘樓、伽藍殿(dian)、大佛(fo)殿(dian)及(ji)東西廊廡等建筑組成(cheng),占地(di)面(mian)積2135平方(fang)米。
文殊殿為康清熙五十三年(nian)(1714年(nian))重(zhong)建,面寬(kuan)、進(jin)深各(ge)三間,平面近方(fang)形,單檐懸山頂(ding)。殿內佛壇上保(bao)存(cun)彩塑18尊,兩(liang)山墻繪壁畫(hua)20余平方(fang)米(mi)。
大(da)佛(fo)(fo)殿為宋(song)(song)代(dai)遺構,面寬五間,進深八椽(chuan),單檐歇山頂(ding),磚建月臺寬大(da)。殿內(nei)使用減柱造,金柱上(shang)用大(da)雀替承(cheng)內(nei)額,其上(shang)四椽(chuan)栿與前后(hou)(hou)乳栿搭(da)交。柱頭斗栱(gong)五鋪(pu)(pu)作雙(shuang)下昂(ang),里轉(zhuan)六鋪(pu)(pu)作出三(san)抄(chao),后(hou)(hou)尾置于順梁下,明間補間鋪(pu)(pu)作出45度斜昂(ang)。殿內(nei)佛(fo)(fo)壇上(shang)塑(su)佛(fo)(fo)、菩薩、脅侍、童子、金剛等(deng),為宋(song)(song)塑(su)佳作。兩壁(bi)千佛(fo)(fo)閣(ge)內(nei)存(cun)有(you)157尊(zun)宋(song)(song)代(dai)木雕(diao),雕(diao)工精(jing)細,刀法(fa)有(you)力。殿內(nei)后(hou)(hou)壁(bi)奉(feng)曹(cao)氏姥(lao)塑(su)像一尊(zun)。
寺廟歷史
始(shi)建(jian)于唐,宋(song)(song)重(zhong)建(jian),金元明(ming)清(qing)屢(lv)有(you)修(xiu)葺(qi)。始(shi)建(jian)于唐,宋(song)(song)重(zhong)建(jian),金元明(ming)清(qing)屢(lv)有(you)修(xiu)葺(qi)。有(you)山門,觀音(yin)殿,鐘樓,伽(jia)藍殿,東西廊廡,大(da)佛(fo)殿等(deng)建(jian)筑(zhu),殿內(nei)塑(su)(su)像俱存。其中大(da)佛(fo)殿歷(li)史最(zui)古,建(jian)筑(zhu)結(jie)構及(ji)其塑(su)(su)像藝術尚保存宋(song)(song)代風格。殿身寬(kuan)五間,深八櫞(yuan),單檐歇山式屋頂,柱(zhu)(zhu)頭(tou)施(shi)五鋪作斗(dou)拱承托(tuo)出檐及(ji)梁(liang)枋。殿內(nei)金柱(zhu)(zhu)四(si)根,分(fen)布兩側,平面小八角,猶存唐宋(song)(song)古制。金柱(zhu)(zhu)上用(yong)大(da)雀替承內(nei)額, 上用(yong)四(si)櫞(yuan)狀(zhuang)與前(qian)后(hou)乳袱(fu)搭交(jiao),突破唐宋(song)(song)結(jie)構舊規,向擴(kuo)大(da)殿內(nei)方向變化。佛(fo)壇上泥(ni)塑(su)(su)佛(fo),菩薩,脅(xie)待,童子,金剛等(deng) 比例適度,線條和諧,面形圓潤(run),衣飾流暢,脅(xie)侍菩薩下肢紗(sha)羅透體,塑(su)(su)工之巧,當為宋(song)(song)金佳作。
建筑分布
寺廟結構
惠濟寺(si)(si)面(mian)積為(wei)(wei)八間(jian)(jian)(jian)(jian),進(jin)(jin)深兩間(jian)(jian)(jian)(jian),分(fen)上(shang)下兩層(ceng)(ceng)。主(zhu)殿(dian)三間(jian)(jian)(jian)(jian)居于中部,下層(ceng)(ceng)主(zhu)殿(dian)內有(you)壁畫(hua),內容(rong)為(wei)(wei)釋、道、儒(ru)三教圣像,像前(qian)置(zhi)(zhi)有(you)隔扇,隔扇前(qian)為(wei)(wei)供奉活動之地(di),左右各(ge)為(wei)(wei)一(yi)間(jian)(jian)(jian)(jian)住屋(wu)。右住屋(wu)的(de)石壁上(shang)有(you)一(yi)黑洞,高約一(yi)米,可由此通向寺(si)(si)東絕壁上(shang)的(de)另一(yi)小廟。今小廟已毀(hui),僅留(liu)支(zhi)撐寺(si)(si)廟的(de)懸柱(zhu)(zhu)一(yi)根,稍有(you)風吹動,即左右搖(yao)擺不(bu)定,當(dang)地(di)人(ren)稱(cheng)之為(wei)(wei)“扒拉柱(zhu)(zhu)”。金安寺(si)(si)上(shang)層(ceng)(ceng)主(zhu)進(jin)(jin)深兩間(jian)(jian)(jian)(jian),均(jun)(jun)為(wei)(wei)通天柱(zhu)(zhu)(5.1米)。余間(jian)(jian)(jian)(jian)皆進(jin)(jin)深兩間(jian)(jian)(jian)(jian)。前(qian)有(you)走廊,走廊前(qian)又有(you)木板伸出,為(wei)(wei)棧橋式殿(dian)內有(you)閣,內畫(hua)玉(yu)皇(huang)像。線條流(liu)暢,比例適當(dang),工藝(yi)相當(dang)精細(xi)。下層(ceng)(ceng)面(mian)闊(kuo)(kuo)八間(jian)(jian)(jian)(jian),其中主(zhu)殿(dian)三間(jian)(jian)(jian)(jian)。主(zhu)殿(dian),前(qian)置(zhi)(zhi)望(wang)柱(zhu)(zhu)七(qi)根,裝有(you)木欄板。整個建筑之前(qian)部均(jun)(jun)懸于空中,下用(yong)十余根木柱(zhu)(zhu)支(zhi)撐,結構奇特,十分(fen)險峻。上(shang)層(ceng)(ceng)面(mian)闊(kuo)(kuo)五間(jian)(jian)(jian)(jian),主(zhu)殿(dian)三間(jian)(jian)(jian)(jian),主(zhu)殿(dian)進(jin)(jin)深兩間(jian)(jian)(jian)(jian),余皆進(jin)(jin)深一(yi)間(jian)(jian)(jian)(jian)。前(qian)均(jun)(jun)置(zhi)(zhi)走廊,供人(ren)登(deng)高望(wang)遠。
寺廟布局
中(zhong)國古代寺廟(miao)的(de)布(bu)局大(da)多是(shi)正(zheng)面中(zhong)路(lu)為(wei)(wei)(wei)山(shan)門(men),山(shan)門(men)內左右分別(bie)為(wei)(wei)(wei)鐘樓、鼓樓,正(zheng)面是(shi)天王(wang)殿(dian)(dian)(dian)(dian),殿(dian)(dian)(dian)(dian)內有四(si)大(da)金剛塑像(xiang),后(hou)面依次(ci)為(wei)(wei)(wei)大(da)雄(xiong)(xiong)寶(bao)殿(dian)(dian)(dian)(dian)和(he)藏經(jing)樓,僧房(fang)、齋堂則(ze)分列正(zheng)中(zhong)路(lu)左右兩側。大(da)雄(xiong)(xiong)寶(bao)殿(dian)(dian)(dian)(dian)是(shi)佛寺中(zhong)最重要(yao)、最龐大(da)的(de)建(jian)筑(zhu),“大(da)雄(xiong)(xiong)”即為(wei)(wei)(wei)佛祖釋加牟(mou)尼。因而中(zhong)國佛寺不(bu)論規(gui)(gui)模地點(dian),其建(jian)筑(zhu)布(bu)局是(shi)有一定規(gui)(gui)律(lv)的(de):平面方(fang)形,以山(shan)門(men)殿(dian)(dian)(dian)(dian)——天王(wang)殿(dian)(dian)(dian)(dian)——大(da)雄(xiong)(xiong)寶(bao)殿(dian)(dian)(dian)(dian)——本寺主(zhu)供菩薩(sa)殿(dian)(dian)(dian)(dian)——法堂——藏經(jing)樓這(zhe)條南北縱深軸線來組織空間,對稱穩重且(qie)整飭嚴謹。惠濟寺的(de)全寺布(bu)局則(ze)不(bu)一樣,天王(wang)殿(dian)(dian)(dian)(dian)后(hou)面,大(da)雄(xiong)(xiong)寶(bao)殿(dian)(dian)(dian)(dian)、大(da)悲(bei)殿(dian)(dian)(dian)(dian)、藏經(jing)樓、玉皇殿(dian)(dian)(dian)(dian)、方(fang)丈室(shi)等均在一條平行線上,屬于華北園林建(jian)筑(zhu)風格。這(zhe)也與(yu)它依山(shan)就勢的(de)地理(li)位置有關,無法縱向延伸(shen),只能橫向發展(zhan)。慧(hui)濟寺里有一處龍(long)泉,其意義(yi)頗似觀音凈瓶里的(de)凈水,很多人都希(xi)望能沾上一點(dian)凈水,與(yu)佛結緣。
寺廟景觀
文殊殿(dian)(dian)(dian)為康清熙五十三年(1714年)重建(jian),面(mian)寬、進深(shen)各三間(jian),平面(mian)近方形,單檐懸山頂。殿(dian)(dian)(dian)內(nei)(nei)佛(fo)(fo)壇上保存彩塑(su)18尊(zun),兩山墻繪壁畫20余平方米。 大佛(fo)(fo)殿(dian)(dian)(dian)為宋(song)代遺構,面(mian)寬五間(jian),進深(shen)八(ba)椽,單檐歇山頂,磚建(jian)月臺寬大。殿(dian)(dian)(dian)內(nei)(nei)使用(yong)減柱(zhu)造(zao),金柱(zhu)上用(yong)大雀替承內(nei)(nei)額,其上四椽栿(fa)與前后乳栿(fa)搭(da)交。柱(zhu)頭(tou)斗栱(gong)五鋪(pu)作(zuo)雙下(xia)昂(ang),里轉六鋪(pu)作(zuo)出(chu)三抄,后尾置于順梁下(xia),明間(jian)補間(jian)鋪(pu)作(zuo)出(chu)45度(du)斜昂(ang)。殿(dian)(dian)(dian)內(nei)(nei)佛(fo)(fo)壇上塑(su)佛(fo)(fo)、菩薩、脅侍、童子、金剛等,為宋(song)塑(su)佳(jia)作(zuo)。兩壁千佛(fo)(fo)閣內(nei)(nei)存有157尊(zun)宋(song)代木雕,雕工(gong)精細(xi),刀(dao)法有力。殿(dian)(dian)(dian)內(nei)(nei)后壁奉曹(cao)氏(shi)姥塑(su)像(xiang)一(yi)尊(zun)。寺中(zhong)庵(an),奉曹(cao)氏(shi)姥,相(xiang)傳唐時(shi)建(jian)寺,曹(cao)氏(shi)布施汲水,每日一(yi)缸,供營建(jian)用(yong),工(gong)竣而坐化。后人念其功德,建(jian)庵(an)祀之(zhi)。
寺廟佛殿
大(da)圓(yuan)通(tong)(tong)殿(dian),是惠濟寺的(de)(de)主(zhu)殿(dian),建(jian)于清康(kang)熙年間,“圓(yuan)通(tong)(tong)”是觀(guan)(guan)音(yin)(yin)(yin)的(de)(de)代名(ming)詞,其(qi)意(yi)是“不偏倚(yi),無阻礙”,圓(yuan)滿(man)通(tong)(tong)達。大(da)圓(yuan)通(tong)(tong)殿(dian)即觀(guan)(guan)音(yin)(yin)(yin)菩薩正(zheng)殿(dian),在佛(fo)教經典中(zhong),觀(guan)(guan)音(yin)(yin)(yin)是耳(er)根(gen)(gen)通(tong)(tong)(一根(gen)(gen)通(tong)(tong))即六根(gen)(gen)(眼、耳(er)、鼻、舌、身(shen)(shen)、意(yi))通(tong)(tong)。觀(guan)(guan)音(yin)(yin)(yin)菩薩能(neng)聽到苦難的(de)(de)呼救聲,便能(neng)眼觀(guan)(guan),故名(ming)觀(guan)(guan)音(yin)(yin)(yin)。大(da)圓(yuan)通(tong)(tong)殿(dian)是單層重(zhong)檐的(de)(de)木結構建(jian)筑,頂蓋黃色琉璃瓦,飛檐翹角,莊重(zhong)典雅,是典型的(de)(de)清初建(jian)筑風格。大(da)圓(yuan)通(tong)(tong)殿(dian)兩旁端坐(zuo)著32座(zuo)觀(guan)(guan)音(yin)(yin)(yin)應身(shen)(shen)像(xiang),展(zhan)示了觀(guan)(guan)音(yin)(yin)(yin)在十方世界(jie)以不同身(shen)(shen)份出現的(de)(de)各(ge)種(zhong)形(xing)象。再加上(shang)中(zhong)間供奉的(de)(de)觀(guan)(guan)音(yin)(yin)(yin)佛(fo)身(shen)(shen),共33身(shen)(shen)。這里還有一座(zuo)白(bai)玉(yu)的(de)(de)觀(guan)(guan)音(yin)(yin)(yin),很多人拜完以后,都會摸一摸玉(yu)觀(guan)(guan)音(yin)(yin)(yin)的(de)(de)腳。
相關資料
現存(cun)(cun)主殿(dian)(dian)是文殊殿(dian)(dian),為宋(song)代重建(jian),殿(dian)(dian)內(nei)(nei)仍保(bao)(bao)留有(you)(you)(you)唐(tang)柱(zhu)(zhu)兩根。前柱(zhu)(zhu)四根呈(cheng)八字形,稍向內(nei)(nei)傾,且保(bao)(bao)留有(you)(you)(you)唐(tang)代建(jian)筑風格。此殿(dian)(dian)面(mian)闊(kuo)五(wu)間,進深三間,前有(you)(you)(you)廊子,并(bing)有(you)(you)(you)磚鋪月臺,殿(dian)(dian)內(nei)(nei)兩柱(zhu)(zhu)上(shang)懸掛對聯(lian)一(yi)副:福殿(dian)(dian)巍峨山接三清法界,天香縹緲如游九府(fu)神(shen)宮(gong)。 殿(dian)(dian)內(nei)(nei)彩塑(su),造型優(you)美,姿態生動,衣紋流(liu)暢,比例勻稱,為目前宋(song)塑(su)中罕見珍品。兩壁千(qian)佛(fo)閣(ge)內(nei)(nei)的(de)宋(song)代木雕(diao),現存(cun)(cun)有(you)(you)(you)157尊,其中有(you)(you)(you)十尊三頭六臂,雕(diao)工(gong)精(jing)細,刀法有(you)(you)(you)力,真可(ke)謂藝術大作。殿(dian)(dian)內(nei)(nei)有(you)(you)(you)壁畫,內(nei)(nei)容(rong)為菩薩救難,色彩以石綠和鐵青色為主,筆工(gong)古樸。
在殿(dian)內(nei)壁角,有(you)一曹(cao)姑(gu)姑(gu)坐化像,其(qi)外(wai)部(bu)泥塑,其(qi)內(nei)確有(you)人體骨骼。據傳在建此廟時,此地有(you)曹(cao)氏(shi)(shi)姥愿以(yi)(yi)汲水為(wei)布施,每清晨汲水一缸,則足夠(gou)工人一日之(zhi)用,竣工后而曹(cao)氏(shi)(shi)姥便坐化。于是,在寺(si)中(zhong)別修一庵(an)塑像祀之(zhi),以(yi)(yi)其(qi)有(you)功于寺(si)