高羅佩《秘戲圖(tu)考》中(zhong)(zhong)(zhong)(zhong)文(wen)自(zi)序曰:十(shi)八,十(shi)九世紀,訪華西(xi)(xi)人考察(cha)風俗,書(shu)(shu)籍(ji)(ji)既(ji)不易入手,詢人又諱莫如(ru)深,遂以為中(zhong)(zhong)(zhong)(zhong)國(guo)房(fang)(fang)內(nei)必淫(yin)污不堪,不可(ke)(ke)告(gao)人,妄說誤解因之(zhi)(zhi)而(er)(er)生.甚(shen)至近世西(xi)(xi)人所傳中(zhong)(zhong)(zhong)(zhong)國(guo)房(fang)(fang)室奇習,大抵荒唐無(wu)稽(ji).書(shu)(shu)籍(ji)(ji)雜志所載,茶余(yu)酒后所譚,此(ci)類侮(wu)辱中(zhong)(zhong)(zhong)(zhong)華文(wen)明(ming)之(zhi)(zhi)例,已不勝(sheng)枚(mei)舉.一(yi)則(ze)徒事匿藏(zang),一(yi)則(ze)肆(si)口(kou)誣(wu)蔑,果誰之(zhi)(zhi)罪(zui)歟?此(ci)種誤謬(miu),余(yu)久所痛感,但以無(wu)證可(ke)(ke)據,訂正莫由.客年于(yu)日(ri)本,搜羅佚書(shu)(shu),偶得(de)明(ming)刊房(fang)(fang)中(zhong)(zhong)(zhong)(zhong)術書(shu)(shu)數(shu)種,并明(ming)末繡梓春宮若干冊.康,乾(qian)間(jian),此(ci)類圖(tu)書(shu)(shu)多(duo)流(liu)(liu)入日(ri)本,為彼土文(wen)士(shi)畫(hua)家(jia)所珍(zhen).浮世繪(hui)版(ban)畫(hua)實(shi)多(duo)取材于(yu)此(ci),而(er)(er)德(de)川幕府亦(yi)未嚴禁,故 得(de)保存至.,余(yu)于(yu)西(xi)(xi)京(jing)舊(jiu)家(jia)購得(de)萬歷雕《花(hua)營錦(jin)陣》春冊版(ban)木,尤為難能可(ke)(ke)貴,至是而(er)(er)資料略備矣.余(yu)所搜集各書(shu)(shu),除(chu)《修真(zhen)》,《既(ji)濟(ji)》二種外,殆可(ke)(ke)謂有(you)睦家(jia)之(zhi)(zhi)實(shi),無(wu)敗德(de)之(zhi)(zhi)譏者.可(ke)(ke)知古代房(fang)(fang)中(zhong)(zhong)(zhong)(zhong)書(shu)(shu)籍(ji)(ji),不啻不涉放蕩,抑亦(yi)符合衛(wei)生,且無(wu)暴虐之(zhi)(zhi)狂,詭(gui)異之(zhi)(zhi)行.故中(zhong)(zhong)(zhong)(zhong)國(guo)房(fang)(fang)室之(zhi)(zhi)私,初無(wu)用(yong)隱匿,而(er)(er)可(ke)(ke)謂中(zhong)(zhong)(zhong)(zhong)華文(wen)明(ming)之(zhi)(zhi)榮譽也(ye).至于(yu)《花(hua)營錦(jin)陣》,《風流(liu)(liu)絕暢》等(deng)圖(tu),雖是軒皇,素女圖(tu)勢之(zhi)(zhi)末流(liu)(liu),實(shi)為明(ming)代套版(ban)之(zhi)(zhi)精粹,勝(sheng)《十(shi)竹齋》等(deng)畫(hua)譜強半,存六如(ru),十(shi)洲之(zhi)(zhi)筆意,與清代坊間(jian)流(liu)(liu)傳之(zhi)(zhi)穢跡,不可(ke)(ke)同(tong)日(ri)而(er)(er)語。外國(guo)鑒賞家(jia)多(duo)謂中(zhong)(zhong)(zhong)(zhong)國(guo)歷代畫(hua)人不嫻描寫肉體,據此(ci)冊可(ke)(ke)知其(qi)謬(miu)也(ye)。
六詞
【其一如夢令】
桃園主人
一夜雨狂云哄,濃興(xing)不知宵(xiao)永。露滴(di)牡(mu)丹心,骨節(jie)酥熔難動。情(qing)重情(qing)重,都向華(hua)胥一夢。
【其二夜行船】
風月平章
眼花臥柳情如(ru)許,一著酥胸(xiong),不覺金蓮舉。云鬢漸(jian)偏嬌(jiao)欲語,囑郎莫便從容(rong)往。
【其三望海潮】
秦樓客
春興將(jiang)闌,芳情欲倦,美人(ren)別(bie)逞風(feng)光(guang)。自顛自倒,自吞(tun)自吐,個中滋味深(shen)長。低首望巫陽(yang),任浮(fu)沉,一似(si)浪動帆張。眼看欲化,魂斷難支,再商(shang)量(liang)。
【其四翰林風】
南國學士
座上香(xiang)盈果(guo)滿車,誰家年少潤無暇(xia),為探薔薇顏色媚(mei),賺來試折后(hou)庭花。半似含羞半推托(tuo),不比(bi)尋(xun)常浪風月。回頭低喚(huan)快(kuai)些兒,叮嚀休與他人說。
【其五法(fa)曲(qu)獻仙音】
探春客
花(hua)(hua)滿(man)雕欄,春坐玉院,樂奏九成(cheng)將(jiang)倦。口品(pin)洞(dong)簫(xiao),手摩(mo)花(hua)(hua)鈸,不數風笙龍管。細(xi)細(xi)吹,輕(qing)輕(qing)點,各風情無限。情無限,畢(bi)竟是雨偏云半,怎療得兩人饑饞渴戀?鷂子翻身,方遂了一天心愿。
【其六鵲踏枝】
萬花谷主
牡丹高架含(han)香(xiang)露,足短難攀,小幾(ji)將來度。宛如秀士步(bu)云梯,疑似老僧敲法鼓。輕(qing)輕(qing)款款情無限,又似秋千(qian),搖曳間庭院。興發(fa)不堪(kan)狂歷亂。一(yi)時樹(shu)倒猢猻散。
經臺灣有關專(zhuan)家(jia)將《花營(ying)錦陣(zhen)》題字與屠隆(long)(long)手跡反復比(bi)勘,證實確實是屠隆(long)(long)的筆跡(屠隆(long)(long)真跡現(xian)藏于寧(ning)波(bo)(bo)天一閣)。屠隆(long)(long),字長卿,又字緯真,號赤水,別(bie)號由(you)拳、屠隆(long)(long)山(shan)人(ren)(ren)、一衲道人(ren)(ren),蓬萊仙客(ke),晚年(nian)(nian)又號鴻苞(bao)居士(shi)(shi)。鄞縣(xian)(今(jin)屬浙(zhe)江(jiang)寧(ning)波(bo)(bo))人(ren)(ren)。1543年(nian)(nian)農歷6月25日申時(shi)出生(sheng)于今(jin)寧(ning)波(bo)(bo)江(jiang)北(bei)區桃渡路(lu)一商人(ren)(ren)之家(jia)。他大器晚成(cheng),35歲才(cai)中(zhong)舉(ju)人(ren)(ren),以(yi)殿試第三甲第110名而被賜予進士(shi)(shi)。先后擔任過(guo)穎上縣(xian)令和(he)(he)青浦縣(xian)令,做過(guo)不少好事,但(dan)因被刑部舉(ju)報有“淫縱(zong)”行為而被皇上削職為民(min),只好回(hui)鄉。在(zai)寧(ning)波(bo)(bo)江(jiang)北(bei)王家(jia)匯三間老(lao)屋中(zhong)安下身來,時(shi)年(nian)(nian)42歲。屠隆(long)(long)是多(duo)才(cai)多(duo)藝的戲曲家(jia)和(he)(he)疏狂放逸的文學(xue)家(jia),因此在(zai)當(dang)地相(xiang)當(dang)有名。上海(hai)和(he)(he)臺北(bei)的學(xue)者經過(guo)考證認(ren)為,《金瓶梅(mei)詞話》的作者“蘭陵(ling)笑(xiao)笑(xiao)生(sheng)”就是屠隆(long)(long)。屠隆(long)(long)“笑(xiao)所笑(xiao)者笑(xiao)笑(xiao)之”,故(gu)被稱(cheng)為“笑(xiao)笑(xiao)先生(sheng)”。他以(yi)此名寫下了很多(duo)著作。《花營(ying)錦陣(zhen)》第22圖“魚游(you)春(chun)水”題詠(yong)的署(shu)名也是“笑(xiao)笑(xiao)生(sheng)”。其辭曰(yue):風(feng)流(liu)原無底,醉(zui)逞歡(huan)情(qing)情(qing)更美。弱體難拘,一任東風(feng)搖曳。翠攢眉黛遠山(shan)顰,紅褪鞋幫(bang)蓬瓣卸。好似江(jiang)心,魚游(you)春(chun)水。