《泰(tai)(tai)山(shan)刻(ke)(ke)(ke)石(shi)》是刊刻(ke)(ke)(ke)于(yu)秦代的(de)一方摩崖(ya)石(shi)刻(ke)(ke)(ke)，分為兩部(bu)分，前(qian)半(ban)部(bu)分（“始(shi)皇刻(ke)(ke)(ke)辭”）刻(ke)(ke)(ke)于(yu)秦始(shi)皇二十八年(nian)（前(qian)219年(nian)），后半(ban)部(bu)分（“二世詔(zhao)書(shu)”）刻(ke)(ke)(ke)于(yu)秦二世元年(nian)（前(qian)209年(nian)），傳為李(li)斯(si)撰文(wen)并書(shu)丹，又稱“李(li)斯(si)碑”等(deng)，屬小篆書(shu)法作品(pin)，與《嶧山(shan)刻(ke)(ke)(ke)石(shi)》《瑯琊刻(ke)(ke)(ke)石(shi)》《會稽刻(ke)(ke)(ke)石(shi)》合稱“秦四山(shan)刻(ke)(ke)(ke)石(shi)”。刻(ke)(ke)(ke)石(shi)原立(li)于(yu)山(shan)東泰(tai)(tai)安市泰(tai)(tai)山(shan)山(shan)頂，殘(can)石(shi)現(xian)存山(shan)東泰(tai)(tai)安市泰(tai)(tai)山(shan)岱廟東御座院內。
《泰山刻石》的(de)前半部(bu)(bu)分敘述秦始(shi)皇在(zai)(zai)全國范圍內申明法令，充(chong)分利用(yong)法律來保護剛剛建(jian)立(li)(li)起(qi)來的(de)中央集權(quan)制(zhi)封建(jian)國家的(de)各項(xiang)制(zhi)度(du)(du)，要求臣民遵循法制(zhi)，并(bing)告誡后(hou)(hou)代要堅持(chi)法家路線(xian)，永不(bu)改(gai)變；后(hou)(hou)半部(bu)(bu)分則記錄(lu)了李斯隨(sui)同(tong)秦二世出巡時上書(shu)請求在(zai)(zai)秦始(shi)皇所(suo)立(li)(li)刻石旁刻詔書(shu)的(de)情況。書(shu)法上，其用(yong)筆(bi)都是逆鋒起(qi)筆(bi)回鋒收筆(bi)，行(xing)筆(bi)不(bu)緊不(bu)慢、不(bu)偏不(bu)倚，粗細始(shi)終如一(yi)，圓轉中裹挾的(de)沉著與(yu)遒勁；結體上出現上緊下松的(de)態勢，點畫(hua)間相對(dui)(dui)均衡，有的(de)甚至均衡到近乎一(yi)種原始(shi)的(de)“拙”的(de)程度(du)(du)，幾(ji)乎絕對(dui)(dui)對(dui)(dui)稱，秩序井然，相拱(gong)相揖。
西(xi)面 第二行 皇(huang)帝(di)臨立，作制明〔法〕，〔臣下修飭〕。
第三行 廿〔有〕六年，初(chu)并〔天下〕，〔罔(wang)〕不〔賓服〕。
第四行 寴
第(di)五行 從臣思跡，本原(yuan)〔事業〕，〔祗誦(song)功(gong)〕德。
第(di)六行(xing)(xing) 治(zhi)道(dao)運行(xing)(xing)，者產得宜，〔皆有法式〕。
北面 第一行 大(da)義(yi)箸明，陲于后(hou)嗣(si)，〔順承勿〕革。
第(di)二行 皇帝躬聽，既平天下，不〔懈(xie)于治〕。
第三行 夙興夜寐(mei)，建設(she)長利，〔專(zhuan)隆教誨〕。
東面 第(di)一行 訓經宣達，遠近(jin)畢理，咸〔承(cheng)圣志〕。
第二行 貴賤分明，男(nan)女(nv)體(ti)順(shun)，慎〔遵職事(shi)〕。
第三行 昭隔(ge)內外，靡不(bu)清凈，〔施于〕昆〔嗣(si)〕。
第四行 化及無窮(qiong)，遵奉(feng)遺詔，〔永承垂戒〕。
東面 第(di)五(wu)行(xing) 皇(huang)帝曰：“金石刻，盡
第六行 始(shi)皇帝〔所為也〕。〔今(jin)襲號〕，〔而〕金石
南面 第一行 刻辭不稱
第二行 始(shi)皇帝，其(qi)于久遠(yuan)也，如后嗣為
第三行(xing) 之者，不稱成功〔盛德(de)〕。”
第(di)四行 丞相臣(chen)斯(si)、臣(chen)去疾、御史夫=臣(chen)〔德〕
第五行(xing) 昧死言：
第六(liu)行 “臣請(qing)具刻詔書金石刻，因明(ming)白(bai)
第(di)七(qi)行 矣。臣昧(mei)死請。”
西面 第一行 制曰：“可。”
（說明：朝(chao)向(xiang)、分行據(ju)《金石索·石索一》；文字(zi)(zi)據(ju)明代(dai)安(an)國所(suo)藏一百六(liu)十五(wu)字(zi)(zi)拓本(ben)；〔〕表(biao)(biao)示據(ju)歷代(dai)著錄所(suo)補的缺字(zi)(zi)；加粗表(biao)(biao)示現存(cun)文字(zi)(zi)；=表(biao)(biao)示合(he)文。）
《泰(tai)山(shan)刻(ke)(ke)石》分(fen)(fen)為(wei)兩部(bu)分(fen)(fen)，前(qian)半(ban)部(bu)分(fen)(fen)是(shi)秦(qin)(qin)(qin)始皇(huang)二(er)十八年（前(qian)219年）所刻(ke)(ke)，后半(ban)部(bu)分(fen)(fen)是(shi)秦(qin)(qin)(qin)二(er)世(shi)元(yuan)年（前(qian)209年）所刻(ke)(ke)。秦(qin)(qin)(qin)始皇(huang)二(er)十八年（前(qian)219年），秦(qin)(qin)(qin)始皇(huang)登(deng)臨(lin)泰(tai)山(shan)，丞(cheng)相李(li)斯等為(wei)歌頌始皇(huang)統一中國的功績(ji)而(er)刊刻(ke)(ke)《泰(tai)山(shan)刻(ke)(ke)石》（前(qian)半(ban)部(bu)分(fen)(fen)）。秦(qin)(qin)(qin)二(er)世(shi)元(yuan)年（前(qian)209年）春季，秦(qin)(qin)(qin)二(er)世(shi)為(wei)威服海內而(er)效法秦(qin)(qin)(qin)始皇(huang)巡(xun)視郡縣(xian)，東(dong)巡(xun)碣石、會稽等地。李(li)斯同行，奏(zou)請秦(qin)(qin)(qin)二(er)世(shi)在秦(qin)(qin)(qin)始皇(huang)所立刻(ke)(ke)石旁上(shang)刻(ke)(ke)詔書以(yi)彰顯先帝成(cheng)功盛德，于是(shi)在《泰(tai)山(shan)刻(ke)(ke)石》等刻(ke)(ke)石上(shang)補刻(ke)(ke)詔書并著隨(sui)從大(da)臣的姓名（后半(ban)部(bu)分(fen)(fen)）。
《泰山刻石》用筆精美(mei)，平穩(wen)流(liu)(liu)轉，骨肉勻稱，含蓄委婉(wan)，氣(qi)(qi)(qi)魄宏大，簡捷明快(kuai)。與先秦書(shu)法(fa)相(xiang)比，秦小篆(zhuan)行筆粗細大體相(xiang)同(tong)，橫(heng)平豎(shu)直，轉折(zhe)處極(ji)為流(liu)(liu)利飄逸(yi)，無(wu)生硬之(zhi)(zhi)筆。藏頭護(hu)尾，筆筆精細，一絲不(bu)茍，如錐畫(hua)沙，委婉(wan)含蓄中(zhong)自有(you)(you)骨力(li)豐(feng)沛之(zhi)(zhi)氣(qi)(qi)(qi)。橫(heng)勢穩(wen)健(jian)，縱勢豪逸(yi)，簡練明快(kuai)，宏偉(wei)壯(zhuang)觀。雖法(fa)度嚴(yan)謹(jin)，但不(bu)失威嚴(yan)雄(xiong)奇之(zhi)(zhi)神采，山岳廟堂之(zhi)(zhi)氣(qi)(qi)(qi)象(xiang)。以強勁平穩(wen)之(zhi)(zhi)骨力(li)，時出飛(fei)動流(liu)(liu)走之(zhi)(zhi)生機，恰(qia)如唐代張懷瓘在《書(shu)斷》中(zhong)所(suo)說的“畫(hua)如鐵石，字(zi)若飛(fei)動”，“其(qi)(qi)勢飛(fei)騰(teng)，其(qi)(qi)形(xing)(xing)端儼”，“作(zuo)楷(kai)書(shu)之(zhi)(zhi)祖，為不(bu)易之(zhi)(zhi)法(fa)”。同(tong)時結體整齊劃一，力(li)求(qiu)平正對(dui)(dui)稱，橫(heng)密縱疏，端莊雄(xiong)偉(wei)，隱隱然又有(you)(you)秀(xiu)麗之(zhi)(zhi)氣(qi)(qi)(qi)。書(shu)體上(shang)，比以前的甲(jia)骨文、金文以至《石鼓(gu)文》更為簡煉，規(gui)(gui)范化。其(qi)(qi)一，保(bao)留(liu)著(zhu)象(xiang)形(xing)(xing)文字(zi)的某(mou)些(xie)特(te)點，著(zhu)重突出圓(yuan)筆曲線(xian)(xian)之(zhi)(zhi)美(mei)。其(qi)(qi)二，充(chong)分(fen)地發揮了漢字(zi)特(te)有(you)(you)的美(mei)，具有(you)(you)裝飾(shi)美(mei)的意味。線(xian)(xian)條整潔(jie)協調(diao)，改變了以前繁(fan)雜交錯的形(xing)(xing)式(shi)，書(shu)寫形(xing)(xing)式(shi)走向規(gui)(gui)律化。其(qi)(qi)三，力(li)求(qiu)嚴(yan)格(ge)的平正對(dui)(dui)稱，工整精致(zhi)，大小相(xiang)仿(fang)，面目十(shi)分(fen)突出。其(qi)(qi)四，橫(heng)密縱疏，充(chong)分(fen)表現了篆(zhuan)書(shu)的形(xing)(xing)體特(te)征，使(shi)其(qi)(qi)在雄(xiong)偉(wei)之(zhi)(zhi)中(zhong)產生一種秀(xiu)麗之(zhi)(zhi)氣(qi)(qi)(qi)，婀(e)娜(na)飄逸(yi)。其(qi)(qi)五，分(fen)布嚴(yan)格(ge)，空(kong)間層次以相(xiang)距的對(dui)(dui)應(ying)關系(xi)，示人以嚴(yan)格(ge)的規(gui)(gui)則(ze)，給(gei)人以美(mei)，又示人以莊嚴(yan)。
唐(tang)代張懷瓘：今《泰山》《嶧山》《秦望》等碑并(bing)其遺跡，亦(yi)謂傳國(guo)之偉寶，百代之法式。（《書斷中·神品(pin)》）
近(jin)代書法家康有為：今(jin)秦(qin)篆(zhuan)猶存(cun)者，有《瑯琊刻(ke)(ke)石(shi)(shi)》《泰(tai)山刻(ke)(ke)石(shi)(shi)》《會(hui)稽刻(ke)(ke)石(shi)(shi)碣(jie)》《石(shi)(shi)門(men)刻(ke)(ke)石(shi)(shi)》，皆李(li)斯(si)所(suo)作(zuo)，以為正體，體并圓長(chang)，而秦(qin)權、秦(qin)量即變方扁。（《廣(guang)藝舟雙楫·卷(juan)二·分變第(di)五》）
近(jin)代文學家、思想家、革(ge)命家魯迅：二十八年，始(shi)(shi)皇始(shi)(shi)東巡郡縣(xian)，群(qun)臣乃相與誦其功德，刻于(yu)金石，以垂(chui)后(hou)世。其辭亦(yi)李斯所為，今(jin)尚(shang)有流傳，質而能壯，實漢晉碑銘所從出也。（《漢文學史綱(gang)要(yao)》）
《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》原立在山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)東泰(tai)(tai)(tai)(tai)(tai)安市泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)頂上，大(da)概在《明(ming)去封號碑》左右。北宋大(da)中(zhong)(zhong)祥符(fu)元年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1008年(nian)(nian)(nian)(nian)(nian)(nian)(nian)），宋真(zhen)宗(zong)東封泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)，兗州太守獻上《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》拓本，計有(you)四(si)(si)十(shi)(shi)(shi)余(yu)字(zi)(zi)(zi)。慶歷(li)(li)八年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1048年(nian)(nian)(nian)(nian)(nian)(nian)(nian)）以(yi)前，宋庠出(chu)鎮(zhen)東平(ping)郡(jun)時(shi)(shi)(shi)(shi)曾(ceng)派人(ren)到(dao)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)模拓《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》，得四(si)(si)十(shi)(shi)(shi)八字(zi)(zi)(zi)。在此前后(hou)，歐陽修好友江(jiang)鄰(lin)幾曾(ceng)在泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)頂上親見(jian)(jian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》，并說(shuo)：“石(shi)(shi)(shi)頑不可(ke)鐫鑿(zao)，不知當時(shi)(shi)(shi)(shi)何以(yi)刻(ke)(ke)(ke)之(zhi)也。”大(da)觀二(er)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1108年(nian)(nian)(nian)(nian)(nian)(nian)(nian)）春(chun)(chun)季和政和三(san)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1113年(nian)(nian)(nian)(nian)(nian)(nian)(nian)）秋季，劉跂兩次親至(zhi)(zhi)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)，見(jian)(jian)到(dao)的(de)(de)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》已(yi)經埋植土中(zhong)(zhong)，高不過四(si)(si)五尺，形制(zhi)似方而非(fei)方，已(yi)有(you)七十(shi)(shi)(shi)六字(zi)(zi)(zi)毀缺及漫滅不可(ke)見(jian)(jian)。政和四(si)(si)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1114年(nian)(nian)(nian)(nian)(nian)(nian)(nian)），董逌曾(ceng)親至(zhi)(zhi)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)考察，發(fa)現(xian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》的(de)(de)南面為(wei)“二(er)世(shi)詔(zhao)書(shu)”，認為(wei)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》在大(da)中(zhong)(zhong)祥符(fu)元年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1008年(nian)(nian)(nian)(nian)(nian)(nian)(nian)）前應曾(ceng)仆倒過，后(hou)人(ren)于原址(zhi)重(zhong)立時(shi)(shi)(shi)(shi)因三(san)面文字(zi)(zi)(zi)有(you)摩滅而錯誤地調整了刻(ke)(ke)(ke)石(shi)(shi)(shi)的(de)(de)朝向。蒙古憲宗(zong)五年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1255年(nian)(nian)(nian)(nian)(nian)(nian)(nian)）九月，郝經登臨泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)，并撰(zhuan)《太平(ping)頂讀秦碑》，稱：“面陽數字(zi)(zi)(zi)仍可(ke)辨”。元代至(zhi)(zhi)元二(er)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1265年(nian)(nian)(nian)(nian)(nian)(nian)(nian)），杜仁杰在《東平(ping)府路宣(xuan)慰張公登泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)記》中(zhong)(zhong)記錄(lu)了自己登泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)時(shi)(shi)(shi)(shi)所見(jian)(jian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》的(de)(de)狀況：“僅(jin)得數字(zi)(zi)(zi)，其余(yu)漫不可(ke)識。”明(ming)代嘉靖三(san)十(shi)(shi)(shi)七年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1558年(nian)(nian)(nian)(nian)(nian)(nian)(nian)），王世(shi)貞(zhen)游泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)時(shi)(shi)(shi)(shi)，發(fa)現(xian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》已(yi)經被遷(qian)移到(dao)碧霞祠西墻外的(de)(de)西公署后(hou)。此后(hou)，吳同春(chun)(chun)分別(bie)于萬歷(li)(li)十(shi)(shi)(shi)一(yi)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1583年(nian)(nian)(nian)(nian)(nian)(nian)(nian)）、萬歷(li)(li)十(shi)(shi)(shi)七年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1589年(nian)(nian)(nian)(nian)(nian)(nian)(nian)）兩次登上泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)對《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》進(jin)行考察，為(wei)了徹底(di)弄清刻(ke)(ke)(ke)石(shi)(shi)(shi)的(de)(de)狀況而曾(ceng)專(zhuan)門請(qing)人(ren)將秦刻(ke)(ke)(ke)石(shi)(shi)(shi)從(cong)壁間(jian)取出(chu)，重(zhong)新(xin)遷(qian)移時(shi)(shi)(shi)(shi)為(wei)方便安置而“各加(jia)鑿(zao)削”，刻(ke)(ke)(ke)石(shi)(shi)(shi)遭到(dao)嚴重(zhong)破壞(huai)。萬歷(li)(li)二(er)十(shi)(shi)(shi)七年(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1599年(nian)(nian)(nian)(nian)(nian)(nian)(nian)），謝(xie)肇淛登泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)時(shi)(shi)(shi)(shi)所見(jian)(jian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)石(shi)(shi)(shi)》的(de)(de)狀況為(wei)：“通四(si)(si)行，首二(er)字(zi)(zi)(zi)已(yi)刷毀，僅(jin)得‘臣斯’以(yi)下二(er)十(shi)(shi)(shi)九字(zi)(zi)(zi)耳。”
之后(hou)，《泰(tai)山(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)》被移(yi)(yi)(yi)至碧霞(xia)(xia)祠(ci)(ci)東廡。清代乾(qian)隆(long)五年(nian)(nian)(nian)(nian)(nian)（1740年(nian)(nian)(nian)(nian)(nian)）六月，碧霞(xia)(xia)祠(ci)(ci)毀于(yu)火，《泰(tai)山(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)失蹤。對《泰(tai)山(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)》遷(qian)移(yi)(yi)(yi)至碧霞(xia)(xia)祠(ci)(ci)東廡的(de)時間(jian)(jian)(jian)及遷(qian)移(yi)(yi)(yi)人，有(you)(you)以(yi)下幾種不(bu)同說法：①刊行于(yu)清代乾(qian)隆(long)三十九年(nian)(nian)(nian)(nian)(nian)（1774年(nian)(nian)(nian)(nian)(nian)）的(de)《〔乾(qian)隆(long)〕泰(tai)山(shan)(shan)圖志》載(zai)：石(shi)(shi)(shi)舊在岱(dai)頂(ding)玉(yu)女池上(shang)，雍正八年(nian)(nian)(nian)(nian)(nian)（1730年(nian)(nian)(nian)(nian)(nian)）郎中丁皂保移(yi)(yi)(yi)至碧霞(xia)(xia)祠(ci)(ci)東廡。②《〔道光〕泰(tai)安縣(xian)志》等(deng)清代后(hou)期的(de)志書及碑刻(ke)(ke)(ke)(ke)均(jun)記(ji)載(zai)為明(ming)代嘉靖(jing)年(nian)(nian)(nian)(nian)(nian)間(jian)(jian)(jian)由北平（今北京）許某于(yu)榛莽(mang)中得(de)《泰(tai)山(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)，存二十九字，恐致湮沒而移(yi)(yi)(yi)于(yu)碧霞(xia)(xia)祠(ci)(ci)東廡的(de)。但(dan)吳同春和謝(xie)肇淛于(yu)萬歷年(nian)(nian)(nian)(nian)(nian)間(jian)(jian)(jian)登泰(tai)山(shan)(shan)時看到的(de)《泰(tai)山(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)》尚在玉(yu)女池，故嘉靖(jing)年(nian)(nian)(nian)(nian)(nian)間(jian)(jian)(jian)《泰(tai)山(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)》移(yi)(yi)(yi)入碧霞(xia)(xia)祠(ci)(ci)的(de)記(ji)載(zai)有(you)(you)誤。③清代嚴可均(jun)則稱(cheng)明(ming)代弘治(zhi)年(nian)(nian)(nian)(nian)(nian)間(jian)(jian)(jian)按察使僉(qian)事(shi)灤河許莊將《泰(tai)山(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)》移(yi)(yi)(yi)置玉(yu)女池上(shang)公所(suo)，否定(ding)了“萬歷中，從玉(yu)女池移(yi)(yi)(yi)置碧霞(xia)(xia)元君廟。乾(qian)隆(long)五年(nian)(nian)(nian)(nian)(nian)廟災，石(shi)(shi)(shi)毀于(yu)火”的(de)說法。
嘉慶十(shi)九(jiu)年(nian)(nian)(nian)（1814年(nian)(nian)(nian)），汪(wang)(wang)汝(ru)弼(bi)(bi)被任命為泰(tai)(tai)安(an)(an)知(zhi)縣(xian)，司理(li)徐(xu)石(shi)(shi)(shi)(shi)(shi)(shi)生告(gao)訴(su)他：泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)(shan)頂(ding)(ding)有一(yi)位九(jiu)十(shi)余(yu)歲的趙(zhao)老人(ren)，數(shu)十(shi)年(nian)(nian)(nian)前(qian)在(zai)泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)(shan)頂(ding)(ding)玉(yu)女池中見(jian)到依稀有字跡的殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)。嘉慶二十(shi)年(nian)(nian)(nian)（1815年(nian)(nian)(nian)），汪(wang)(wang)汝(ru)弼(bi)(bi)委任蔣(jiang)因(yin)培(pei)和柴(chai)蘭(lan)皋到泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)(shan)頂(ding)(ding)玉(yu)女池搜尋(xun)《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻石(shi)(shi)(shi)(shi)(shi)(shi)》，搜得殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)二塊(kuai)，存十(shi)字。于是，汪(wang)(wang)汝(ru)弼(bi)(bi)將所得殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)嵌于山(shan)(shan)(shan)(shan)(shan)頂(ding)(ding)東岳(yue)(yue)廟(miao)西(xi)的寶斯亭內(nei)(nei)。道光十(shi)二年(nian)(nian)(nian)（1832年(nian)(nian)(nian)），東岳(yue)(yue)廟(miao)墻(qiang)坍塌(ta)，寶斯亭被亂石(shi)(shi)(shi)(shi)(shi)(shi)覆(fu)蓋，泰(tai)(tai)安(an)(an)知(zhi)縣(xian)徐(xu)宗(zong)干于瓦(wa)礫中尋(xun)得《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻石(shi)(shi)(shi)(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)，囑咐道人(ren)劉傳業(ye)將殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)移到山(shan)(shan)(shan)(shan)(shan)下，嵌置在(zai)岱廟(miao)道院(yuan)壁間，并(bing)(bing)(bing)作跋記事情的經(jing)過。光緒十(shi)六年(nian)(nian)(nian)（1890年(nian)(nian)(nian)），《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻石(shi)(shi)(shi)(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)被盜(dao)，縣(xian)令毛蜀云大力(li)搜索十(shi)日(ri)，得石(shi)(shi)(shi)(shi)(shi)(shi)于城北關(guan)橋下，后(hou)仍置于岱廟(miao)院(yuan)內(nei)(nei)。宣統二年(nian)(nian)(nian)（1910年(nian)(nian)(nian)）五月，泰(tai)(tai)安(an)(an)知(zhi)縣(xian)俞慶瀾在(zai)岱廟(miao)環詠亭建造石(shi)(shi)(shi)(shi)(shi)(shi)屋(wu)一(yi)所，將《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻石(shi)(shi)(shi)(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)、徐(xu)宗(zong)干跋語和自己所寫的《序》共三塊(kuai)刻石(shi)(shi)(shi)(shi)(shi)(shi)嵌入(ru)石(shi)(shi)(shi)(shi)(shi)(shi)屋(wu)內(nei)(nei)，周圍加鐵柵欄保(bao)護。民(min)國十(shi)九(jiu)年(nian)(nian)(nian)（1930年(nian)(nian)(nian)），閻錫山(shan)(shan)(shan)(shan)(shan)帶(dai)領(ling)(ling)的軍(jun)隊進入(ru)泰(tai)(tai)安(an)(an)，與軍(jun)閥馬鴻逵帶(dai)領(ling)(ling)的軍(jun)隊混戰，岱廟(miao)遭(zao)炮(pao)擊(ji)，環詠亭被毀(hui)壞。于是，《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻石(shi)(shi)(shi)(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)(shi)(shi)(shi)被栘至東御(yu)座院(yuan)內(nei)(nei)，并(bing)(bing)(bing)建起了磚石(shi)(shi)(shi)(shi)(shi)(shi)碑亭加以保(bao)護。1979年(nian)(nian)(nian)，泰(tai)(tai)安(an)(an)市人(ren)民(min)政(zheng)府(fu)重(zhong)新修建了碑亭并(bing)(bing)(bing)加上了玻璃框。1987年(nian)(nian)(nian)，泰(tai)(tai)安(an)(an)市博物館復制秦(qin)刻石(shi)(shi)(shi)(shi)(shi)(shi)全文(wen)立于岱廟(miao)后(hou)寢宮(gong)。
《泰(tai)山刻石(shi)》最早著錄(lu)于(yu)《史記》，隨后(hou)著錄(lu)于(yu)宋代歐(ou)陽修(xiu)《集古錄(lu)》、趙(zhao)明誠(cheng)《金石(shi)錄(lu)》、董逌(you)《廣川書跋》等。
精靈世界
】編(bian)輯(ji)上傳提(ti)供(gong)，詞(ci)(ci)條屬于開放詞(ci)(ci)條，當前(qian)頁(ye)面所(suo)展示的(de)(de)詞(ci)(ci)條介紹涉及宣傳內容屬于注冊(ce)用(yong)戶(hu)個人(ren)編(bian)輯(ji)行(xing)為(wei)，與【泰(tai)山刻石(shi)】的(de)(de)所(suo)屬企業(ye)/所(suo)有人(ren)/主體無(wu)關，網站不(bu)完全(quan)保證內容信(xin)息的(de)(de)準確性、真實性，也不(bu)代表本(ben)站立場(chang)。內容僅為(wei)介紹詞(ci)(ci)條基本(ben)情況，本(ben)站不(bu)提(ti)供(gong)觀(guan)看(kan)和下載，請(qing)支持(chi)正版！想要了解(jie)更多請(qing)到(dao)官方平臺。
