設計理念:隨(sui)著當(dang)下的(de)國(guo)(guo)(guo)學熱，國(guo)(guo)(guo)內(nei)已出(chu)現了—股中(zhong)(zhong)(zhong)(zhong)(zhong)國(guo)(guo)(guo)風(feng)，中(zhong)(zhong)(zhong)(zhong)(zhong)式(shi)裝(zhuang)飾(shi)風(feng)格的(de)也會隨(sui)之(zhi)復興。中(zhong)(zhong)(zhong)(zhong)(zhong)國(guo)(guo)(guo)風(feng)并非完全意義上(shang)的(de)復古明(ming)清，而是通過中(zhong)(zhong)(zhong)(zhong)(zhong)式(shi)風(feng)格的(de)特征，表達對清雅(ya)含蓄、端莊豐華的(de)東方式(shi)精神境界的(de)追求(qiu)。中(zhong)(zhong)(zhong)(zhong)(zhong)式(shi)風(feng)格空間中(zhong)(zhong)(zhong)(zhong)(zhong)的(de)主(zhu)體裝(zhuang)飾(shi)物還是以(yi)中(zhong)(zhong)(zhong)(zhong)(zhong)國(guo)(guo)(guo)畫(hua)(hua)(hua)、宮燈(deng)和紫砂陶等傳統飾(shi)物為(wei)主(zhu)。這些裝(zhuang)飾(shi)物數量需要太多(duo)，在空間中(zhong)(zhong)(zhong)(zhong)(zhong)卻能起(qi)到畫(hua)(hua)(hua)龍點(dian)睛的(de)作用(yong)。國(guo)(guo)(guo)畫(hua)(hua)(hua)、書(shu)畫(hua)(hua)(hua)及明(ming)清家(jia)具構成中(zhong)(zhong)(zhong)(zhong)(zhong)式(shi)設計的(de)最主(zhu)要元素(su)。但這些家(jia)具的(de)價格不菲，成為(wei)愛好者的(de)一大(da)障礙(ai)。