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山谷流泉(quan)摩崖石刻,位于潛(qian)山縣(xian)城西(xi)北18里的野寨(zhai)鄉境內。野寨(zhai)，漢代名谷口(kou)，是天柱山的門戶(hu)。

后名野人(ren)(ren)(ren)寨。相(xiang)傳(chuan)有(you)(you)野人(ren)(ren)(ren)居此。南(nan)宋末年(nian)時為(wei)(wei)義兵劉(liu)源抗元的(de)山(shan)(shan)寨。山(shan)(shan)谷流(liu)泉，指的(de)是(shi)位于谷寺西側鳳凰麓(lu)的(de)一(yi)條山(shan)(shan)溪(xi)。它發源于及第庵的(de)左山(shan)(shan)，曲折潛流(liu)六七(qi)里(li)至(zhi)鳳凰山(shan)(shan)下(xia)。這里(li)石(shi)(shi)壁陡(dou)峭，松蘿叢覆，泉流(liu)其間，宛轉激(ji)回，終年(nian)不(bu)絕。上(shang)游(you)(you)因水聲潺(chan)潺(chan)，名曰潺(chan)潺(chan)溪(xi)。中(zhong)(zhong)段(duan)因有(you)(you)巨石(shi)(shi)橫于溪(xi)間，狀似(si)臥牛飲水，人(ren)(ren)(ren)稱石(shi)(shi)牛溪(xi)。下(xia)游(you)(you)名稱山(shan)(shan)谷流(liu)泉，自北而南(nan)逕入潛河，在中(zhong)(zhong)下(xia)游(you)(you)長達1公里(li)的(de)山(shan)(shan)溪(xi)兩岸摩崖(ya)與溪(xi)間巨石(shi)(shi)上(shang)，有(you)(you)唐、宋、元、明(ming)、清、民國歷(li)代游(you)(you)客(ke)游(you)(you)覽山(shan)(shan)溪(xi)景物(wu)時刊刻的(de)眾(zhong)多文字題刻，書(shu)法(fa)紛(fen)呈，內容豐富，琳(lin)瑯滿目，美不(bu)勝收(shou)。經文物(wu)普(pu)查發現(xian)，此地雖迭經自然風化和人(ren)(ren)(ren)為(wei)(wei)的(de)損壞，目前仍尚有(you)(you)314處石(shi)(shi)刻清晰可(ke)見，是(shi)安徽省現(xian)存最集中(zhong)(zhong)、保存也(ye)最為(wei)(wei)完好的(de)摩巖石(shi)(shi)刻之一(yi)。

歷史沿革

山谷流(liu)泉中的3處(chu)(chu)年代(dai)最(zui)早的石(shi)刻都是(shi)唐(tang)代(dai)的，它們均分布在石(shi)牛(niu)古(gu)洞(dong)東壁懸崖上(shang)。其中2處(chu)(chu)是(shi)唐(tang)代(dai)著名(ming)(ming)散文家，哲學家李(li)翱任舒(shu)州(zhou)刺(ci)史時游覽山谷的題名(ming)(ming)。李(li)翱字習之(zhi)，隴西成(cheng)紀（今甘肅秦安）人(ren)。貞元進士，授校書郎(lang)，后(hou)任國事博士。元和十五年以后(hou)任廬州(zhou)刺(ci)史、舒(shu)州(zhou)刺(ci)史，長慶二(er)年（822年）壬寅(yin)游石(shi)牛(niu)古(gu)洞(dong)。所(suo)刻題名(ming)(ming)為“翱炅磷(lin)盤(pan)求(qiu)壬寅(yin)年下(xia)(xia)元日(ri)習之(zhi)書”、“挎儲弘運上(shang)卿盤(pan)長慶二(er)年十月(yue)廿六日(ri)馀奉處(chu)(chu)交口”，均為真書，或橫排，或豎書直排。還有一處(chu)(chu)唐(tang)代(dai)13人(ren)題名(ming)(ming)石(shi)刻，系舒(shu)州(zhou)刺(ci)史李(li)德修(xiu)于寶歷二(er)年（826年）所(suo)刻。此刻楷書15行(xing)，上(shang)下(xia)(xia)豎書成(cheng)行(xing)，字徑7厘(li)米，書法遒勁渾厚。據(ju)《唐(tang)書》載：李(li)德修(xiu)于寶歷時出任舒(shu)州(zhou)，后(hou)任尚(shang)書，為唐(tang)代(dai)著名(ming)(ming)的文學家。

山(shan)谷流(liu)泉(quan)(quan)有(you)兩(liang)宋題刻(ke)(ke)(ke)100多處，內(nei)容也極(ji)為(wei)豐(feng)富。這里不(bu)僅有(you)安徽現存北宋最早的一(yi)塊(kuai)端拱(gong)二年(nian)（989年(nian)）趙孚、舒雅、黃夢錫題名(ming)(ming)；還有(you)著名(ming)(ming)政治家王安石(shi)的詩刻(ke)(ke)(ke)，書法家黃庭堅的題名(ming)(ming)，李師中的記事題刻(ke)(ke)(ke)，南宋張(zhang)同之(zhi)的詩刻(ke)(ke)(ke)等等。有(you)宋一(yi)代，慕名(ming)(ming)到山(shan)谷流(liu)泉(quan)(quan)來(lai)觀攬勝的游客一(yi)直絡繹不(bu)絕，形成空前的刻(ke)(ke)(ke)石(shi)紀游之(zhi)風。

北宋皇?三(san)年(nian)（1051年(nian)），時任舒州(zhou)通判的(de)王(wang)(wang)安(an)(an)石(shi)(shi)與弟王(wang)(wang)安(an)(an)國游覽山谷(gu)(gu)，坐(zuo)石(shi)(shi)聽泉(quan)(quan)，寫(xie)詩以詠其勝(sheng)。現存題(ti)(ti)名(ming)刻(ke)石(shi)(shi)文(wen)字為(wei)(wei)“皇?三(san)年(nian)九月十六(liu)日(ri)自泉(quan)(quan)州(zhou)之(zhi)太湖過(guo)寺宿(su)，與道人文(wen)銑、弟安(an)(an)國擁火(huo)游見李(li)翱習之(zhi)書，坐(zuo)石(shi)(shi)聽泉(quan)(quan)久之(zhi)，復游，刻(ke)習之(zhi)書后(hou)，臨(lin)川王(wang)(wang)安(an)(an)石(shi)(shi)。”所賦六(liu)言(yan)詩為(wei)(wei)：“水無(wu)心而宛轉，山有(you)色而環圍，窮幽深而不盡，坐(zuo)石(shi)(shi)上(shang)以忘歸(gui)”。這(zhe)位被(bei)譽為(wei)(wei)中國11世紀的(de)改革家(jia)的(de)王(wang)(wang)安(an)(an)石(shi)(shi)，在(zai)掀(xian)起神宗變法(fa)大潮之(zhi)前，居然(ran)有(you)閑情逸致，于(yu)此寧(ning)靜聽泉(quan)(quan)。這(zhe)上(shang)物證的(de)發現，當有(you)助于(yu)人們研究他的(de)思(si)想變化的(de)歷程。北宋無(wu)豐三(san)年(nian)（1080年(nian)），著(zhu)名(ming)書法(fa)家(jia)黃(huang)庭堅也(ye)曾(ceng)至山谷(gu)(gu)攬(lan)勝(sheng)。他在(zai)游覽了山谷(gu)(gu)寺、石(shi)(shi)牛(niu)(niu)洞(dong)之(zhi)后(hou)，一連寫(xie)了《青(qing)(qing)牛(niu)(niu)篇(pian)(pian)》、《書石(shi)(shi)牛(niu)(niu)溪(xi)大石(shi)(shi)上(shang)》、《題(ti)(ti)靈(ling)龜泉(quan)(quan)石(shi)(shi)上(shang)》、《題(ti)(ti)山谷(gu)(gu)大石(shi)(shi)》等詩文(wen)。他酷(ku)愛(ai)此地山水，因此自稱山谷(gu)(gu)道人。以曾(ceng)坐(zuo)在(zai)山溪(xi)石(shi)(shi)牛(niu)(niu)上(shang)，讓(rang)大畫(hua)家(jia)李(li)公麟為(wei)(wei)之(zhi)畫(hua)像(xiang)。在(zai)石(shi)(shi)牛(niu)(niu)洞(dong)東(dong)側懸崖頂端(duan)，尚存一處由黃(huang)庭堅手書的(de)楷書題(ti)(ti)名(ming)：“李(li)參、李(li)秉夷、秉文(wen)、吳擇賓、丘揖觀余書青(qing)(qing)牛(niu)(niu)篇(pian)(pian)，黃(huang)庭堅庚(geng)中小寒”，書法(fa)工(gong)整穩健，筆鋒堅勁，波磔分(fen)明，是傳世稀少(shao)的(de)黃(huang)氏真跡，彌中珍貴。

在唐代李德修的(de)題名(ming)下方，有(you)一(yi)(yi)處(chu)記得于北宋熙寧四(si)(si)年（1701年）的(de)“李師(shi)中(zhong)(zhong)紀事石刻(ke)”。此刻(ke)作者李師(shi)中(zhong)(zhong)，為(wei)李德修的(de)八世孫(sun)。似(si)此祖、孫(sun)相(xiang)(xiang)距(ju)數(shu)百(bai)年同游一(yi)(yi)地(di)，同刻(ke)一(yi)(yi)塊巖(yan)石的(de)石刻(ke)極為(wei)罕見。“師(shi)中(zhong)(zhong)十(shi)一(yi)(yi)世祖御史(shi)大夫諱(hui)棲筠，生丞相(xiang)(xiang)諱(hui)吉雨。丞相(xiang)(xiang)生尚(shang)書(shu)諱(hui)德修。丞相(xiang)(xiang)諱(hui)德裕(yu)，尚(shang)書(shu)實師(shi)中(zhong)(zhong)八世祖也。歷(li)舒、湘(xiang)、楚(chu)三州刺史(shi)，題名(ming)在此巖(yan)谷。師(shi)中(zhong)(zhong)不肖，忝(tian)備侍(shi)從(cong)。坐沮(ju)邊議，左遷(qian)來守茲土。永惟世業，未墜于地(di)。后世子孫(sun)，尚(shang)有(you)來者。敢廢篆(zhuan)刻(ke)，式昭前人(ren)。熙寧四(si)(si)年十(shi)月二十(shi)四(si)(si)日，孫(sun)尚(shang)書(shu)右司(si)郎(lang)中(zhong)(zhong)師(shi)中(zhong)(zhong)記，弟純中(zhong)(zhong)從(cong)。”這篇文字經與(yu)《宋史(shi)·李師(shi)中(zhong)(zhong)傳》對照，所述(shu)家世、祖先完全吻合，是研(yan)究李氏家譜與(yu)有(you)關歷(li)史(shi)人(ren)物的(de)珍貴史(shi)料(liao)。

元(yuan)代(dai)以后，眾多游客蜂(feng)擁山(shan)谷，也(ye)留(liu)下大(da)(da)量的(de)(de)文(wen)字(zi)(zi)石(shi)刻(ke)(ke)(ke)。除了(le)式(shi)照唐宋(song)時(shi)的(de)(de)題名(ming)、題詩以外(wai)，在(zai)石(shi)刻(ke)(ke)(ke)文(wen)字(zi)(zi)的(de)(de)內容方面出(chu)現一些(xie)新的(de)(de)變(bian)(bian)化，比如(ru)出(chu)現了(le)大(da)(da)量的(de)(de)用簡(jian)短詞語贊嘆山(shan)、洞、泉、石(shi)景色(se)的(de)(de)特點(dian)。同時(shi)，石(shi)刻(ke)(ke)(ke)文(wen)字(zi)(zi)的(de)(de)體積(ji)增(zeng)大(da)(da)，字(zi)(zi)徑(jing)往(wang)(wang)往(wang)(wang)有(you)(you)一、二尺之多，這(zhe)都是(shi)過(guo)去所少見的(de)(de)。明代(dai)詩人、安慶(qing)(qing)知府胡纘(zuan)宗在(zai)石(shi)牛(niu)上大(da)(da)書(shu)(shu)(shu)“石(shi)牛(niu)”2字(zi)(zi)，并刊刻(ke)(ke)(ke)了(le)《山(shan)谷寺》詩：“摩(mo)詩坐山(shan)谷，谷水身邊流(liu)(liu)，篆(zhuan)密龍蛇(she)動(dong)，潭空牛(niu)女游”，此詩十(shi)分形象地(di)描繪了(le)石(shi)牛(niu)臨澗的(de)(de)景色(se)，令(ling)人涌不(bu)絕(jue)口。胡纘(zuan)宗還有(you)(you)“山(shan)谷”大(da)(da)字(zi)(zi)題刻(ke)(ke)(ke)，字(zi)(zi)徑(jing)2尺。其(qi)它像嘉靖時(shi)御史大(da)(da)夫(fu)李元(yuan)陽、成(cheng)化時(shi)書(shu)(shu)(shu)法(fa)家袁慶(qing)(qing)祥等(deng)(deng)人的(de)(de)題名(ming)以及(ji)大(da)(da)量的(de)(de)“涪(fu)涪(fu)山(shan)谷”、“流(liu)(liu)云上流(liu)(liu)”、“天(tian)下奇觀(guan)”、“水光天(tian)色(se)”、“龍門”、“獨醒處”、“安慶(qing)(qing)名(ming)山(shan)”、“幽思”等(deng)(deng)，都有(you)(you)一定的(de)(de)歷史研(yan)究與欣賞價值。從書(shu)(shu)(shu)法(fa)的(de)(de)角度(du)看，這(zhe)里(li)的(de)(de)石(shi)刻(ke)(ke)(ke)包括有(you)(you)隸書(shu)(shu)(shu)、楷書(shu)(shu)(shu)、草書(shu)(shu)(shu)、篆(zhuan)書(shu)(shu)(shu)、行書(shu)(shu)(shu)等(deng)(deng)多種，每種書(shu)(shu)(shu)體中又富于(yu)變(bian)(bian)化，各具特色(se)，基(ji)本上代(dai)表(biao)了(le)唐代(dai)以來我國書(shu)(shu)(shu)法(fa)藝術發展演(yan)變(bian)(bian)的(de)(de)風貌，是(shi)一處珍貴的(de)(de)書(shu)(shu)(shu)法(fa)藝術寶庫。

平度縣天柱山摩崖刻石

天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)摩(mo)(mo)崖(ya)刻(ke)石(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)平(ping)度(du)縣北25公(gong)里處。山(shan)(shan)(shan)中(zhong)除魏碑(bei)(bei)(bei)(bei)外，還(huan)有(you)(you)(you)東(dong)(dong)(dong)漢(han)、東(dong)(dong)(dong)魏、北齊以(yi)及金、元(yuan)等歷(li)代刻(ke)石(shi)(shi)(shi)(shi)(shi)(shi)，極(ji)堪觀賞。立(li)在(zai)(zai)(zai)天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)之(zhi)(zhi)(zhi)(zhi)陽的(de)(de)(de)鄭(zheng)(zheng)(zheng)(zheng)(zheng)文(wen)公(gong)碑(bei)(bei)(bei)(bei)，亦稱鄭(zheng)(zheng)(zheng)(zheng)(zheng)文(wen)公(gong)上碑(bei)(bei)(bei)(bei)，全稱“魏左中(zhong)書(shu)(shu)(shu)(shu)(shu)令秘書(shu)(shu)(shu)(shu)(shu)監鄭(zheng)(zheng)(zheng)(zheng)(zheng)文(wen)公(gong)之(zhi)(zhi)(zhi)(zhi)碑(bei)(bei)(bei)(bei)”。鄭(zheng)(zheng)(zheng)(zheng)(zheng)文(wen)公(gong)乃鄭(zheng)(zheng)(zheng)(zheng)(zheng)羲謚號。該碑(bei)(bei)(bei)(bei)傳為(wei)(wei)(wei)鄭(zheng)(zheng)(zheng)(zheng)(zheng)羲之(zhi)(zhi)(zhi)(zhi)子一(yi)北魏光洲(zhou)(zhou)（洲(zhou)(zhou)志在(zai)(zai)(zai)現掖縣） 刺史鄭(zheng)(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)于水(shui)平(ping)四年(nian)(nian)（公(gong)元(yuan)511年(nian)(nian)）所書(shu)(shu)(shu)(shu)(shu)鐫(juan)。其(qi)(qi)內容系(xi)為(wei)(wei)(wei)鄭(zheng)(zheng)(zheng)(zheng)(zheng)家歌功頌德，并記述(shu)了鄭(zheng)(zheng)(zheng)(zheng)(zheng)羲的(de)(de)(de)生平(ping)和著(zhu)述(shu)。碑(bei)(bei)(bei)(bei)由天(tian)(tian)(tian)(tian)(tian)然(ran)之(zhi)(zhi)(zhi)(zhi)碑(bei)(bei)(bei)(bei)狀石(shi)(shi)(shi)(shi)(shi)(shi)于碑(bei)(bei)(bei)(bei)陽面稍加(jia)琢磨(mo)而(er)(er)成， 碑(bei)(bei)(bei)(bei)高3、20米，寬、5米，文(wen)19行，計880余(yu)字。其(qi)(qi)碑(bei)(bei)(bei)(bei)之(zhi)(zhi)(zhi)(zhi)書(shu)(shu)(shu)(shu)(shu)法，結字寬情(qing)，筆力(li)雄健(jian)，具篆分(fen)(fen)遺意，清包世臣贊其(qi)(qi)“有(you)(you)(you)海鷗云鶴(he)之(zhi)(zhi)(zhi)(zhi)致”，并說：“北碑(bei)(bei)(bei)(bei)體(ti)(ti)多(duo)榜出，〈〈鄭(zheng)(zheng)(zheng)(zheng)(zheng)文(wen)公(gong)碑(bei)(bei)(bei)(bei)〉〉字獨真(zhen)正，而(er)(er)篆勢(shi)、分(fen)(fen)韻、草情(qing)畢具......真(zhen)文(wen)苑奇珍(zhen)也(ye)”葉昌(chang)熾則贊其(qi)(qi)“唐初(chu)歐、虞、褚(chu)、薛楮家皆在(zai)(zai)(zai)籠罩(zhao)之(zhi)(zhi)(zhi)(zhi)內，不獨北朝書(shu)(shu)(shu)(shu)(shu)第一(yi)，自有(you)(you)(you)真(zhen)書(shu)(shu)(shu)(shu)(shu)以(yi)來一(yi)人而(er)(er)已”。山(shan)(shan)(shan)之(zhi)(zhi)(zhi)(zhi)東(dong)(dong)(dong)北，有(you)(you)(you)一(yi)自然(ran)形(xing)成的(de)(de)(de)高大石(shi)(shi)(shi)(shi)(shi)(shi)孔，俗稱“石(shi)(shi)(shi)(shi)(shi)(shi)室(shi)”，北宋北壁(bi)亦鐫(juan)有(you)(you)(you)鄭(zheng)(zheng)(zheng)(zheng)(zheng)道照(zhao)所撰書(shu)(shu)(shu)(shu)(shu)之(zhi)(zhi)(zhi)(zhi)〈〈石(shi)(shi)(shi)(shi)(shi)(shi)室(shi)銘(ming)〉 〉，計150字，此(ci)銘(ming)既(ji)大有(you)(you)(you)風采，又書(shu)(shu)(shu)(shu)(shu)寫得 婉麗飛動，饒有(you)(you)(you)天(tian)(tian)(tian)(tian)(tian)趣，寥(liao)寥(liao)數(shu)語，把天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)“石(shi)(shi)(shi)(shi)(shi)(shi)室(shi)”描繪得絢麗斑爛，令人神往。 由石(shi)(shi)(shi)(shi)(shi)(shi)室(shi)西(xi)(xi)行， 經鄭(zheng)(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)“此(ci)天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)之(zhi)(zhi)(zhi)(zhi)山(shan)(shan)(shan)”5個大字的(de)(de)(de)又一(yi)題刻(ke)處，爬上主峰(feng)，只見天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)、西(xi)(xi)云峰(feng)兩山(shan)(shan)(shan)東(dong)(dong)(dong)西(xi)(xi)對峙(zhi)的(de)(de)(de)峽(xia)口西(xi)(xi)壁(bi)，亦有(you)(you)(you)鄭(zheng)(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)之(zhi)(zhi)(zhi)(zhi)提刻(ke)，文(wen)為(wei)(wei)(wei)“滎(ying)陽鄭(zheng)(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)上游(you)天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)下息云峰(feng)” ，字體(ti)(ti)較大，石(shi)(shi)(shi)(shi)(shi)(shi)質(zhi)又好，雖(sui)經1400余(yu)年(nian)(nian)的(de)(de)(de)風雨(yu)剝蝕，依(yi)然(ran)如故；寥(liao)寥(liao)十(shi)余(yu)字，仍可見鄭(zheng)(zheng)(zheng)(zheng)(zheng)書(shu)(shu)(shu)(shu)(shu)健(jian)之(zhi)(zhi)(zhi)(zhi)筆意。 《天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)石(shi)(shi)(shi)(shi)(shi)(shi)殘刻(ke)》以(yi)及座(zuo)落在(zai)(zai)(zai)天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)西(xi)(xi)麓劈石(shi)(shi)(shi)(shi)(shi)(shi)門(men)處的(de)(de)(de)《天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)銘(ming)》，均(jun)系(xi)隸(li)(li)書(shu)(shu)(shu)(shu)(shu)，傳為(wei)(wei)(wei)鄭(zheng)(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)之(zhi)(zhi)(zhi)(zhi)子------北齊光州刺史鄭(zheng)(zheng)(zheng)(zheng)(zheng)述(shu)祖于天(tian)(tian)(tian)(tian)(tian)統元(yuan)年(nian)(nian)（公(gong)元(yuan)565年(nian)(nian)） 所書(shu)(shu)(shu)(shu)(shu)鐫(juan)《殘刻(ke)》書(shu)(shu)(shu)(shu)(shu)法工(gong)整精(jing)細(xi)，端正而(er)(er)不板滯；《天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)銘(ming)》字體(ti)(ti)厚重(zhong)古樸(pu)，有(you)(you)(you)漢(han)魏規(gui)范。 《天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)銘(ming)》之(zhi)(zhi)(zhi)(zhi)東(dong)(dong)(dong)，有(you)(you)(you)一(yi)東(dong)(dong)(dong)魏石(shi)(shi)(shi)(shi)(shi)(shi)窟。窟內壁(bi)除有(you)(you)(you)東(dong)(dong)(dong)魏《姚保顯造石(shi)(shi)(shi)(shi)(shi)(shi)塔(ta)記》外，還(huan)有(you)(you)(you)數(shu)十(shi)尊浮屠造像， 因(yin)年(nian)(nian)久(jiu)磨(mo)損， 浮屠還(huan)算清晰，《造石(shi)(shi)(shi)(shi)(shi)(shi)塔(ta)記》已多(duo)模(mo)糊難認，但“武定(ding)六年(nian)(nian)”（公(gong)元(yuan)548年(nian)(nian)）等字，尚(shang)清晰可辯。 新近(jin)發現的(de)(de)(de)東(dong)(dong)(dong)漢(han)《中(zhong)平(ping)三(san)年(nian)(nian)刻(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》，為(wei)(wei)(wei)漢(han)隸(li)(li)之(zhi)(zhi)(zhi)(zhi)精(jing)品，漢(han)隸(li)(li)摩(mo)(mo)崖(ya)者，為(wei)(wei)(wei)之(zhi)(zhi)(zhi)(zhi)少見，故愈加(jia)珍(zhen)貴，為(wei)(wei)(wei)我國書(shu)(shu)(shu)(shu)(shu)法刻(ke)石(shi)(shi)(shi)(shi)(shi)(shi)藝術(shu)中(zhong)的(de)(de)(de)瑰寶，故天(tian)(tian)(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)(shan)摩(mo)(mo)崖(ya)刻(ke)石(shi)(shi)(shi)(shi)(shi)(shi)被列為(wei)(wei)(wei)國家級重(zhong)點文(wen)物保護單位單位。