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簡介

山(shan)西(xi)(xi)省重(zhong)點文物保護單(dan)位(wei)。在(zai)潞城(cheng)縣東(dong)(dong)(dong)南(nan)5千米處的(de)東(dong)(dong)(dong)邑(yi)鄉(xiang)東(dong)(dong)(dong)邑(yi)村中(zhong)，東(dong)(dong)(dong)北(bei)緊依盧醫(yi)山(shan)，西(xi)(xi)南(nan)與農舍毗鄰居(ju)，松柏蒼翠(cui)，綠樹成蔭，景色十分優雅。該廟創建年(nian)代不(bu)詳，金代以后多次重(zhong)修。 始建年(nian)代不(bu)詳。廟坐北(bei)朝南(nan)，兩進(jin)院落，存有山(shan)門、戲臺、正(zheng)殿(dian)，及(ji)耳殿(dian)、廂(xiang)房等。正(zheng)殿(dian)面闊三間(jian)，進(jin)深六椽，單(dan)檐懸(xuan)山(shan)頂；因為(wei)后時屢(lv)有修繕，所以風格雜糅，但是殿(dian)內梁架保留(liu)了大叉手、平(ping)梁，基本保留(liu)了金代原建時的(de)特點。

綜述

東(dong)(dong)邑村(cun)距(ju)縣城(cheng)東(dong)(dong)南約5公(gong)里,古(gu)稱黃(huang)邑,舊屬(shu)葛(ge)井鄉(xiang)。平順九天(tian)圣(sheng)母(mu)廟碑(bei)《重(zhong)修九天(tian)圣(sheng)母(mu)廟記》中(zhong)記載(zai)：“古(gu)潞(lu)(lu)子嬰兒之國(guo)東(dong)(dong)南數十里有(you)葛(ge)井鄉(xiang)，鄉(xiang)之東(dong)(dong)社(she)曰圣(sheng)母(mu)谷，谷之四面，山明水秀，石怪木老，乃太行左(zuo)也。”因“相傳葛(ge)洪師(shi)事(shi)鮑元(yuan)，學道于此”，故又(you)名(ming)葛(ge)井山。東(dong)(dong)峪南山有(you)“神(shen)泉(quan)”，“俗傳里人(ren)見(jian)一(yi)白虎(hu)入南山下(xia)，覓至山不見(jian)，止存(cun)一(yi)木箭，拔箭得水，故名(ming)。”這里寺廟林(lin)立，古(gu)有(you)葛(ge)洪祠，即《潞(lu)(lu)州潞(lu)(lu)城(cheng)縣三池東(dong)(dong)圣(sheng)母(mu)仙(xian)鄉(xiang)之碑(bei)》所謂的(de)“蓋井葛(ge)仙(xian)公(gong)煉藥之宮”，還有(you)圓寂寺，“在潞(lu)(lu)城(cheng)縣東(dong)(dong)南十里葛(ge)井山下(xia)，唐天(tian)祐年建(jian)，今(jin)廢。”今(jin)存(cun)圣(sheng)母(mu)廟、龍(long)王廟，可(ke)以想(xiang)象(xiang)到當年香火繚繞，云蒸霞蔚的(de)景(jing)象(xiang)。

龍(long)王廟位于(yu)村(cun)東(dong)北(bei)，東(dong)臨(lin)(lin)五(wu)道(dao)溝(gou)，坐北(bei)面南(nan)，俯臨(lin)(lin)村(cun)莊，兩進(jin)院落。山門三(san)(san)間(jian)(jian)，兩側連接(jie)八字影壁墻，與兩側圍墻貫通。入山門靠西(xi)處有(you)一(yi)眼水井，和祈雨有(you)關。山門內兩側各為三(san)(san)間(jian)(jian)廂房，中(zhong)(zhong)間(jian)(jian)甬道(dao)直通戲(xi)臺，構成第一(yi)院落，南(nan)北(bei)進(jin)深(shen)12.3米(mi)(mi)，東(dong)西(xi)寬16.7米(mi)(mi);戲(xi)臺下(xia)為通道(dao)，上為三(san)(san)間(jian)(jian)倒座(zuo)戲(xi)臺，正殿與戲(xi)臺相對，以甬道(dao)相連，兩側為東(dong)西(xi)配殿各五(wu)間(jian)(jian)及廂房各三(san)(san)間(jian)(jian)，正北(bei)為大殿三(san)(san)間(jian)(jian)，東(dong)西(xi)耳殿各三(san)(san)間(jian)(jian)，構成第二(er)進(jin)院落。南(nan)北(bei)進(jin)深(shen)26.9米(mi)(mi)，東(dong)西(xi)寬16.7米(mi)(mi)。龍(long)王廟布局(ju)規整有(you)序(xu)，符合中(zhong)(zhong)國傳統建筑以中(zhong)(zhong)軸線為主，左右對稱(cheng)的布局(ju)格(ge)式。

山(shan)門三(san)間(jian)，單(dan)(dan)檐(yan)硬山(shan)頂，面闊8.31米(mi), 進深6.3米(mi)，明間(jian)中(zhong)部設板門兩扇，前檐(yan)柱(zhu)(zhu)頭斗栱(gong)四鋪作(zuo)，單(dan)(dan)下昂(ang)(琴面)卷(juan)云耍頭，補間(jian)斗栱(gong)雙下昂(ang)，上昂(ang)后尾挑入(ru)垂蓮柱(zhu)(zhu)，上承托在中(zhong)金檁下皮，后檐(yan)為(wei)(wei)一(yi)斗三(san)升。梁架(jia)由四栿、平(ping)梁、插手構(gou)成，灰布瓦頂，磚木結構(gou)，從建筑(zhu)形(xing)制和(he)藝(yi)術構(gou)件的特征看，應(ying)是清(qing)代遺物。東側廂房用作(zuo)伙房，西(xi)側廂房用作(zuo)宿舍，宿舍門窗開(kai)向廟外(wai)，均拆改為(wei)(wei)現代建筑(zhu)。

戲臺三(san)間(jian)，倒座(zuo)式，即坐南朝(chao)北(bei)，面(mian)向(xiang)正(zheng)殿，面(mian)闊9.9、進深(shen)6.56米(mi)，單檐硬山(shan)頂(ding)，灰(hui)布瓦(wa)頂(ding)。上(shang)下(xia)兩層，下(xia)層為通道(dao)，通道(dao)頂(ding)部鋪(pu)木板，正(zheng)面(mian)(面(mian)向(xiang)山(shan)門(men)(men))墻體直(zhi)達檐口。中間(jian)開方形(xing)(xing)門(men)(men)，上(shang)部做拱(gong)形(xing)(xing)門(men)(men)頭，沙石材質，雕刻蓮花、龍、蓮瓣(ban)圖案，上(shang)方鑲“民生潤澤”石匾(0.75米(mi)×2.46米(mi))一塊。背面(mian)(戲臺正(zheng)面(mian))，明間(jian)下(xia)部為長(chang)方形(xing)(xing)門(men)(men)洞，東(dong)側石砌臺階，可(ke)達上(shang)層。戲臺前檐斗(dou)栱(gong)四鋪(pu)作單下(xia)昂，卷云式昂頭。柱頭斗(dou)栱(gong)耍頭為象(xiang)頭，補間(jian)為龍頭。明間(jian)雀替為龍頭，兩次間(jian)為象(xiang)頭。梁架由(you)四椽栿、平梁構成(cheng)。梁架殘(can)存部分有彩畫，無壁畫。臺口被門(men)(men)窗壘砌封閉(bi)，兩側東(dong)西耳房已(yi)被拆除，但(dan)建筑和(he)架檁的痕跡清晰(xi)可(ke)辨，應為唱(chang)戲時(shi)化裝、休(xiu)息的場所(suo)。

正殿(dian)是龍(long)王(wang)廟(miao)主要的建筑(zhu)，位(wei)于中軸線(xian)北端，坐落(luo)在(zai)長14.76、寬13.5、高1米的臺基之上，臺基東、西、南三面設(she)臺階。正殿(dian)三間(jian)，面闊(kuo)13.24、進深11.97米，單檐懸山頂，灰(hui)瓦，大吻、垂(chui)獸、戧(chuang)獸、套獸均為(wei)(wei)琉璃雕(diao)花，正脊(ji)(ji)每面6條龍(long)，垂(chui)脊(ji)(ji)雕(diao)鳳，均配飾牡(mu)丹，可(ke)惜垂(chui)脊(ji)(ji)只留(liu)一條脊(ji)(ji)剎，有“嘉慶元年五月立(li)”題記。明間(jian)設(she)板門(已毀)，兩次間(jian)為(wei)(wei)坎墻直欞(ling)窗，明間(jian)覆盆柱(zhu)礎，青石淺雕(diao)云龍(long)圖案(an)，次間(jian)為(wei)(wei)方形石料基座。

砌(qi)上(shang)(shang)露明造，舉架平(ping)緩，減柱(zhu)(zhu)(zhu)(zhu)造，方形抹(mo)棱金柱(zhu)(zhu)(zhu)(zhu)、山柱(zhu)(zhu)(zhu)(zhu)，檐柱(zhu)(zhu)(zhu)(zhu)收殺、側腳，柱(zhu)(zhu)(zhu)(zhu)頭卷剎顯著，設(she)欄額(e)普拍枋。用材自(zi)然粗放(fang)，面不(bu)規整，圓木(mu)(mu)稍加砍(kan)制便使用，采(cai)用乳(ru)栿對四椽(chuan)(chuan)(chuan)栿，栿上(shang)(shang)兩蜀柱(zhu)(zhu)(zhu)(zhu)(有(you)(you)方形、圓形)上(shang)(shang)有(you)(you)大斗(dou)，平(ping)梁座于斗(dou)內(nei)，縱向(xiang)出栱(gong)托(tuo)替木(mu)(mu)、承(cheng)金檁，蜀柱(zhu)(zhu)(zhu)(zhu)間由縱向(xiang)襻間枋連接。平(ping)梁上(shang)(shang)設(she)插手，脊瓜(gua)柱(zhu)(zhu)(zhu)(zhu)下設(she)置合(he)■，上(shang)(shang)承(cheng)大斗(dou)捧(peng)接令栱(gong)、替木(mu)(mu)承(cheng)托(tuo)脊檁。侏儒(ru)柱(zhu)(zhu)(zhu)(zhu)下插合(he)■，蜀柱(zhu)(zhu)(zhu)(zhu)下用駝峰，合(he)■、駝峰兼而用之的做法較為少見。各(ge)縫梁架結(jie)構處理一(yi)致，四椽(chuan)(chuan)(chuan)栿插入后(hou)墻(qiang)內(nei)設(she)后(hou)檐柱(zhu)(zhu)(zhu)(zhu)承(cheng)托(tuo)，椽(chuan)(chuan)(chuan)頭卷剎明顯。墻(qiang)體均(jun)為坎磨(mo)青灰磚砌(qi)筑(zhu)，正面兩次間設(she)坎墻(qiang)，兩山墻(qiang)及后(hou)墻(qiang)均(jun)砌(qi)至(zhi)檐口。

柱(zhu)頭斗栱(gong)：五鋪作(zuo)，單(dan)抄(chao)單(dan)下(xia)昂(ang)，耍頭昂(ang)形，重(zhong)拱計心造。里轉四鋪作(zuo)，出華(hua)拱一挑，第(di)二(er)跳昂(ang)后尾作(zuo)雀替狀承托乳(ru)栿。正身耍頭為真昂(ang)與令拱相交(jiao)上承隨檁(lin)(lin)枋、檁(lin)(lin)檐，后尾由乳(ru)栿駝峰承托，上座大斗，下(xia)承金檁(lin)(lin)，在(zai)結構中(zhong)起(qi)著重(zhong)要的作(zuo)用(yong)。

明間(jian)補(bu)間(jian)斗(dou)(dou)(dou)栱(gong)(gong)(gong)：五(wu)(wu)鋪(pu)作，單抄單下昂(ang)(ang)，重(zhong)拱(gong)計心造(zao)(zao)。櫨斗(dou)(dou)(dou)作圓形，共(gong)12瓣，第(di)一跳(tiao)(tiao)華(hua)栱(gong)(gong)(gong)兩(liang)側(ce)出(chu)45°斜栱(gong)(gong)(gong)，第(di)二(er)跳(tiao)(tiao)下昂(ang)(ang)兩(liang)側(ce)出(chu)45°斜栱(gong)(gong)(gong)兩(liang)縫(feng)，令栱(gong)(gong)(gong)加長，正身為昂(ang)(ang)，兩(liang)側(ce)45°出(chu)兩(liang)縫(feng)耍頭，上(shang)承(cheng)隨檁(lin)枋(fang)、檐檁(lin)里轉五(wu)(wu)鋪(pu)作，偷心造(zao)(zao)。華(hua)栱(gong)(gong)(gong)兩(liang)側(ce)45°斜出(chu)耍頭，上(shang)昂(ang)(ang)后尾插入垂連(lian)柱，上(shang)承(cheng)金(jin)檁(lin)。它(ta)和五(wu)(wu)臺山佛光寺文殊殿(dian)明間(jian)補(bu)間(jian)斗(dou)(dou)(dou)栱(gong)(gong)(gong)的形制如(ru)出(chu)一轍。這種在(zai)45°角線上(shang)出(chu)龐大的斜栱(gong)(gong)(gong)兩(liang)縫(feng)，第(di)二(er)跳(tiao)(tiao)加至四縫(feng)，使斗(dou)(dou)(dou)栱(gong)(gong)(gong)的形狀如(ru)同怒(nu)放的花束，是遼金(jin)兩(liang)代斗(dou)(dou)(dou)栱(gong)(gong)(gong)獨有的構(gou)造(zao)(zao)特征，金(jin)代尤為顯著。

次間(jian)(jian)補間(jian)(jian)斗(dou)栱(gong)(gong)：正身與明間(jian)(jian)結構基本一(yi)致，唯櫨斗(dou)作六瓣，二(er)、三(san)跳45°斜栱(gong)(gong)耍頭一(yi)縫(feng)，三(san)令(ling)栱(gong)(gong)作鴛(yuan)鴦交(jiao)首狀，出斜栱(gong)(gong)。

金柱斗栱(gong)(gong)：四鋪作，設欄(lan)額，斗栱(gong)(gong)十字(zi)相交，承(cheng)托(tuo)四椽栿(fa)與乳栿(fa)結點(dian)，縱向有襻(pan)間枋。正(zheng)身栱(gong)(gong)做雀替狀(zhuang)施于乳栿(fa)下。從結構(gou)上(shang)看，正(zheng)殿(dian)主要構(gou)件是(shi)金代物。

東西耳殿(dian)各三間，通面闊7.5米，前(qian)插廊，單檐硬山頂(ding)，縱向磚(zhuan)券窯洞。面為(wei)三間實為(wei)一間，明間后墻砌拱(gong)形(xing)神龕，布筒板瓦(wa)，脊為(wei)雕龍圖案(an)。

東(dong)西配(pei)殿(dian)及(ji)廂房分設(she)于大殿(dian)、戲臺與(yu)山門兩側，均為硬(ying)山式建(jian)筑，自北而(er)南(nan)配(pei)殿(dian)五間(jian)(jian)有(you)前廊，中間(jian)(jian)三(san)間(jian)(jian)，南(nan)端(duan)三(san)間(jian)(jian)，建(jian)筑已被修(xiu)改(gai)得(de)面目全非，唯(wei)東(dong)側中間(jian)(jian)三(san)間(jian)(jian)可(ke)看出清代樣式。

正殿前臺基上，東西各蹲一(yi)石獅，被移至(zhi)學校(xiao)門前。廟中碑刻在“文革”期(qi)間遺失，現今(jin)還沒(mei)有找到其創始年代的(de)文字記(ji)載(zai)。

龍(long)王廟(miao)布局規(gui)整(zheng)對稱(cheng)，保存完整(zheng)，“神殿(dian)與戲(xi)(xi)臺(tai)(tai)結(jie)合構成(cheng)神廟(miao)，是(shi)北宋(song)以(yi)后(hou)中國本土宗教(jiao)場所的(de)顯(xian)著(zhu)特征。”他們(men)結(jie)合的(de)思想(xiang)基礎是(shi)孔子(zi)的(de)“興于禮(li)，成(cheng)于樂(le)(le)(le)(le)”的(de)禮(li)樂(le)(le)(le)(le)觀(guan)，神殿(dian)象征著(zhu)禮(li)，戲(xi)(xi)臺(tai)(tai)象征著(zhu)樂(le)(le)(le)(le)，禮(li)樂(le)(le)(le)(le)是(shi)祭祀的(de)兩面。“無(wu)戲(xi)(xi)樓(lou)則廟(miao)貌(mao)不稱(cheng)，無(wu)戲(xi)(xi)樓(lou)則觀(guan)瞻不雅(ya)”，沒(mei)有戲(xi)(xi)臺(tai)(tai)，“不惟(wei)戲(xi)(xi)無(wu)以(yi)演，神無(wu)以(yi)奉，抑且為一(yi)村之羞(xiu)也，這種思想(xiang)體現了(le)“禮(li)以(yi)節人，樂(le)(le)(le)(le)以(yi)和人”的(de)禮(li)樂(le)(le)(le)(le)制度對中國社會的(de)影響。晉東南(nan)地區(qu)多神廟(miao)，每年的(de)雩祭儀式和春祈秋(qiu)報(bao)相(xiang)結(jie)合，造就了(le)當(dang)地以(yi)取水(shui)求雨為主旨(zhi)的(de)獨特的(de)賽社活動。

農業(ye)社會，人們大的(de)(de)企(qi)盼就是風調(diao)雨(yu)順(shun)，來(lai)年能(neng)有(you)好收成(cheng)。龍(long)(long)(long)(long)(long)(long)王(wang)(wang)(wang)(wang)作為(wei)司雨(yu)水(shui)之(zhi)神(shen)(shen)，便(bian)格外受到人們的(de)(de)尊崇(chong)。早在(zai)秦始皇時(shi)，就有(you)“黃(huang)帝得(de)(de)土德，黃(huang)龍(long)(long)(long)(long)(long)(long)地(di)寅見。夏(xia)得(de)(de)木(mu)德，青龍(long)(long)(long)(long)(long)(long)止于郊……今秦變周,水(shui)德之(zhi)時(shi)。昔秦文公出獵，獲(huo)黑龍(long)(long)(long)(long)(long)(long)，此其水(shui)德之(zhi)瑞”的(de)(de)記(ji)(ji)載。到漢(han)代(dai)，民間出現了以五(wu)色龍(long)(long)(long)(long)(long)(long)祈(qi)雨(yu)的(de)(de)習俗(su)。《唐志》：“上黨有(you)五(wu)龍(long)(long)(long)(long)(long)(long)山(shan)。”《十六(liu)國(guo)春秋》：“西燕慕容(rong)永時(shi)有(you)五(wu)色云見于此，遇旱禱(dao)(dao)雨(yu)輒(zhe)應(ying)(ying)(ying)，因(yin)置祠以祀五(wu)方之(zhi)神(shen)(shen)。”據《宋(song)會要(yao)輯(ji)稿(gao)》記(ji)(ji)載：“國(guo)朝緣唐祭五(wu)龍(long)(long)(long)(long)(long)(long)之(zhi)制,春秋常行其祀。先是熙寧十年八月(yue)信州(zhou)有(you)五(wu)龍(long)(long)(long)(long)(long)(long)廟(miao)(miao),禱(dao)(dao)雨(yu)有(you)應(ying)(ying)(ying),賜額曰：‘會應(ying)(ying)(ying)’。自是五(wu)龍(long)(long)(long)(long)(long)(long)廟(miao)(miao)皆(jie)以此名額云。徽宗大觀二年十月(yue),詔天下(xia)五(wu)龍(long)(long)(long)(long)(long)(long)廟(miao)(miao)皆(jie)封王(wang)(wang)(wang)(wang)爵。青龍(long)(long)(long)(long)(long)(long)神(shen)(shen)封廣仁王(wang)(wang)(wang)(wang),赤龍(long)(long)(long)(long)(long)(long)神(shen)(shen)封嘉(jia)澤王(wang)(wang)(wang)(wang),黃(huang)龍(long)(long)(long)(long)(long)(long)神(shen)(shen)封孚應(ying)(ying)(ying)王(wang)(wang)(wang)(wang),白龍(long)(long)(long)(long)(long)(long)神(shen)(shen)封義濟王(wang)(wang)(wang)(wang),黑龍(long)(long)(long)(long)(long)(long)神(shen)(shen)封靈澤王(wang)(wang)(wang)(wang)。”龍(long)(long)(long)(long)(long)(long)王(wang)(wang)(wang)(wang)由(you)民俗(su)之(zhi)神(shen)(shen)上升為(wei)祀典(dian)之(zhi)神(shen)(shen)，為(wei)龍(long)(long)(long)(long)(long)(long)王(wang)(wang)(wang)(wang)修建(jian)廟(miao)(miao)宇成(cheng)為(wei)理所當(dang)然的(de)(de)事情，龍(long)(long)(long)(long)(long)(long)王(wang)(wang)(wang)(wang)廟(miao)(miao)往往建(jian)在(zai)有(you)泉、池(chi)、井的(de)(de)地(di)方，因(yin)為(wei)這里能(neng)“禱(dao)(dao)雨(yu)而(er)應(ying)(ying)(ying)”。晉東(dong)南(nan)的(de)(de)府州(zhou)縣志及現存石刻，到處(chu)都有(you)禱(dao)(dao)取“神(shen)(shen)水(shui)”而(er)“靈應(ying)(ying)(ying)”降雨(yu)的(de)(de)記(ji)(ji)錄。潞城東(dong)邑龍(long)(long)(long)(long)(long)(long)王(wang)(wang)(wang)(wang)廟(miao)(miao)山(shan)門西側有(you)井，應(ying)(ying)(ying)為(wei)禱(dao)(dao)雨(yu)取水(shui)之(zhi)池(chi)。

雩祭作(zuo)為一(yi)種祈雨(yu)的儀式，分為官辦(ban)和民辦(ban)兩類。

從商周(zhou)開始，祭(ji)祀便和禮(li)樂相(xiang)伴，是國家的(de)(de)重(zhong)(zhong)要行為(wei)(wei)。官方主(zhu)持的(de)(de)祭(ji)祀活動正式(shi)(shi)莊重(zhong)(zhong)、規范(fan)高雅。而這種帶(dai)有宗教(jiao)色彩的(de)(de)禮(li)樂祭(ji)祀在(zai)(zai)(zai)轉變為(wei)(wei)民(min)(min)間集體行為(wei)(wei)時，往往帶(dai)有了娛(yu)樂游戲(xi)的(de)(de)成分(fen)。“祭(ji)禮(li)”漸漸演變成“戲(xi)禮(li)”(蘇東坡(po)語)。學者王(wang)國維在(zai)(zai)(zai)論及上(shang)古戲(xi)劇時說(shuo)：“巫之(zhi)(zhi)(zhi)事神，必用(yong)歌(ge)舞”，“歌(ge)舞之(zhi)(zhi)(zhi)興，其(qi)(qi)始于古之(zhi)(zhi)(zhi)巫乎?”在(zai)(zai)(zai)雩(yu)祭(ji)儀(yi)式(shi)(shi)中(zhong)，女巫擔(dan)任主(zhu)角。廖奔(ben)先生(sheng)認為(wei)(wei)“雩(yu)祭(ji)的(de)(de)目的(de)(de)在(zai)(zai)(zai)于‘以舞降神’以祈雨，其(qi)(qi)中(zhong)歌(ge)舞媚神的(de)(de)成分(fen)比(bi)較大，它出現(xian)(xian)在(zai)(zai)(zai)農業文明興起之(zhi)(zhi)(zhi)后。”歷史的(de)(de)積淀和文化的(de)(de)過濾，“歌(ge)舞媚神”已演變為(wei)(wei)歌(ge)舞娛(yu)人(ren)，民(min)(min)間的(de)(de)迎神賽社卻呈現(xian)(xian)出公眾性(xing)的(de)(de)狂歡。人(ren)們在(zai)(zai)(zai)這種周(zhou)期性(xing)的(de)(de)儀(yi)式(shi)(shi)中(zhong)舒展著疲憊的(de)(de)身心，釋放著壓抑(yi)的(de)(de)情(qing)感。和官辦雩(yu)祭(ji)枯燥乏味相(xiang)比(bi)，民(min)(min)間的(de)(de)雩(yu)祭(ji)儀(yi)式(shi)(shi)要熱鬧得多。

潞城(cheng)東邑村龍王廟的(de)(de)迎神賽社定在每(mei)年農歷二(er)(er)月(yue)(yue)初(chu)(chu)二(er)(er)和六(liu)月(yue)(yue)初(chu)(chu)六(liu)，二(er)(er)月(yue)(yue)二(er)(er)是傳統(tong)龍抬頭的(de)(de)日(ri)子，因為(wei)二(er)(er)月(yue)(yue)初(chu)(chu)處于驚蟄前(qian)后，蟄伏一冬的(de)(de)各種(zhong)動(dong)物(wu)恢復(fu)活力，龍也(ye)要(yao)蘇(su)醒(xing)過(guo)來履行它降雨(yu)的(de)(de)職(zhi)責(ze)。從時(shi)節上來說，二(er)(er)月(yue)(yue)進(jin)入仲春(chun)季節，這時(shi)陽氣上升，大(da)地復(fu)蘇(su)，春(chun)耕播種(zhong)非常需要(yao)土壤濕潤，保(bao)有水分，若(ruo)是天(tian)(tian)公(gong)降雨(yu)，無疑是農民(min)的(de)(de)一大(da)福祉。六(liu)月(yue)(yue)初(chu)(chu)六(liu)正值谷物(wu)秀而(er)未(wei)實(shi)，或(huo)實(shi)而(er)未(wei)堅(jian)，農夫希望普降甘(gan)霖，秋天(tian)(tian)才會獲得豐(feng)收。另外，如果禱(dao)雨(yu)而(er)應(ying)，祈得甘(gan)澤(ze)，也(ye)應(ying)演戲酬報，謝(xie)過(guo)龍王。

祈雨(yu)之(zhi)前，會(hui)首要(yao)做許多準備(bei)工作，安排(pai)好求雨(yu)、演(yan)戲、社火等(deng)各項事宜。主禮通常由(you)陰陽先(xian)生擔任，廚師(shi)負責煮(zhu)花祭、備(bei)供饌，祭樂樂戶承應，執役村民(min)分管，鄉人表演(yan)社火。可以說，不分貧富貴(gui)賤(jian)，不論階層行業，全民(min)都(dou)參與到祭祀(si)與狂歡之(zhi)中，勞作的辛苦得到釋(shi)放，情(qing)感得以宣泄。

廟(miao)會通常五(wu)天。第(di)一天是(shi)隆(long)重的(de)祈雨(yu)儀式和社(she)火表演。第(di)一項是(shi)祭拜(bai)取(qu)水(shui)。會首帶領男(nan)村民，人人頭帶柳(liu)圈，手(shou)執柳(liu)條，依次進入龍(long)(long)王廟(miao)正殿，專人端上(shang)花祭、供(gong)饌及長頸陶瓶(ping)，上(shang)香跪拜(bai)，三禮九叩(kou)，肅穆虔禱。龍(long)(long)王坐(zuo)像近(jin)一米高，木架支成空心，泥塑，涂以油彩，黑臉，雙目迥然(ran)。拜(bai)畢(bi)，會首手(shou)捧陶瓶(ping)，舉過頭頂，領村民走至山門左側井(jing)(jing)口旁(pang)，用紅(hong)繩(sheng)系(xi)瓶(ping)口，徐徐放(fang)如(ru)井(jing)(jing)中，俯首噤聲，點(dian)燃香枝，頻頻叩(kou)首。禮畢(bi)，將紅(hong)繩(sheng)系(xi)到(dao)旁(pang)邊(bian)的(de)柳(liu)樹(shu)上(shang)，等待龍(long)(long)王賜(si)雨(yu)。曬龍(long)(long)王儀式結束(shu)后，恭(gong)恭(gong)敬(jing)敬(jing)地取(qu)回神水(shui)，供(gong)奉在(zai)大殿的(de)供(gong)桌上(shang)。井(jing)(jing)水(shui)旱不枯，澇不溢，在(zai)民間(jian)傳說中被認為是(shi)通向神秘世(shi)界(jie)東海龍(long)(long)王居(ju)所的(de)海眼。

第二(er)項是(shi)熱鬧(nao)的(de)(de)曬龍(long)王(wang)(wang)巡街(jie)活(huo)動。幾個年(nian)輕力壯的(de)(de)小伙子(zi)將龍(long)王(wang)(wang)爺(ye)抬到坐架上(shang)，扛(kang)著出行，因為(wei)是(shi)為(wei)民求雨，大(da)家都很樂于出力。八(ba)音會細吹細打，在前面(mian)鳴鑼開道，龍(long)王(wang)(wang)爺(ye)緊隨其后(hou)，會首帶領眾(zhong)鄉(xiang)親浩(hao)浩(hao)蕩(dang)蕩(dang)從龍(long)王(wang)(wang)廟(miao)出發(fa)，順街(jie)出村，沿田(tian)間(jian)地(di)壟到附(fu)近的(de)(de)三(san)(san)(san)皇(huang)(huang)腦祭(ji)拜，然后(hou)返回(hui)，把龍(long)王(wang)(wang)爺(ye)放回(hui)正殿。三(san)(san)(san)皇(huang)(huang)腦已無遺跡(ji)可考，但當地(di)的(de)(de)百姓認為(wei)三(san)(san)(san)皇(huang)(huang)主(zhu)(zhu)管一(yi)切神靈，所以龍(long)王(wang)(wang)出動一(yi)次，有(you)必要祭(ji)拜三(san)(san)(san)皇(huang)(huang)。三(san)(san)(san)皇(huang)(huang)有(you)上(shang)三(san)(san)(san)皇(huang)(huang)、中(zhong)三(san)(san)(san)皇(huang)(huang)、下(xia)三(san)(san)(san)皇(huang)(huang)的(de)(de)說(shuo)法。上(shang)三(san)(san)(san)皇(huang)(huang)指天皇(huang)(huang)、地(di)皇(huang)(huang)、人(ren)皇(huang)(huang)，他們是(shi)傳說(shuo)中(zhong)天、地(di)、人(ren)的(de)(de)祖先，其中(zhong)天皇(huang)(huang)主(zhu)(zhu)氣，地(di)皇(huang)(huang)主(zhu)(zhu)德(de)，人(ren)皇(huang)(huang)主(zhu)(zhu)生。中(zhong)三(san)(san)(san)皇(huang)(huang)為(wei)伏羲、女媧、神農。下(xia)三(san)(san)(san)皇(huang)(huang)是(shi)黃帝、堯、舜。

曬龍(long)(long)王(wang)這(zhe)種(zhong)儀式，大概源(yuan)于幾種(zhong)想法(fa)：第一，龍(long)(long)是(shi)喜靜不喜動的動物，平(ping)時潛居幽深的龍(long)(long)洞、龍(long)(long)泉、龍(long)(long)井之(zhi)中(zhong)，現在敲(qiao)鑼打鼓這(zhe)么一鬧(nao)騰，便會興風(feng)作(zuo)浪，布(bu)雨(yu)(yu)降(jiang)霖。第二，龍(long)(long)王(wang)作(zuo)為(wei)司雨(yu)(yu)之(zhi)神(shen)，應(ying)該讓它(ta)及時了解民(min)間旱情，不能(neng)褻守瀆(du)職，不管老百(bai)姓疾(ji)苦。第三，龍(long)(long)王(wang)爺怕熱(re)，被放在太陽下暴曬，曬出汗了，流到人間便是(shi)甘露。考究曬龍(long)(long)王(wang)這(zhe)一習俗的由來，龔(gong)維(wei)英先生(sheng)認為(wei)讓龍(long)(long)王(wang)受苦源(yuan)于讓巫(wu)覡(xi)(xi)受苦。他說：“本世50年(nian)代(dai)初期，農民(min)抗(kang)旱，尚‘烤(kao)龍(long)(long)王(wang)’求雨(yu)(yu)，即曝(pu)巫(wu)之(zhi)遺存。”但把龍(long)(long)當作(zuo)巫(wu)覡(xi)(xi)，似乎有(you)(you)點勉強。苑利先生(sheng)認為(wei)：“曬龍(long)(long)王(wang)實際上(shang)源(yuan)于上(shang)古另一種(zhong)更古老的習俗——造(zao)(zao)土(tu)龍(long)(long)。”但為(wei)什么造(zao)(zao)土(tu)龍(long)(long)會致雨(yu)(yu)，不得(de)而(er)知。《淮南子·墜形訓(xun)》云：“土(tu)龍(long)(long)致雨(yu)(yu)。”高(gao)誘注曰(yue)：“湯遭(zao)旱，作(zuo)土(tu)龍(long)(long)以象龍(long)(long)，云從龍(long)(long)，故(gu)致雨(yu)(yu)也。”《山海(hai)經·大荒東經》曰(yue)：“旱而(er)為(wei)應(ying)龍(long)(long)之(zhi)狀，乃得(de)大雨(yu)(yu)。”說得(de)就是(shi)造(zao)(zao)土(tu)龍(long)(long)求雨(yu)(yu)。宋真(zhen)宗咸平(ping)元年(nian)(998年(nian))，“內出李祈雨(yu)(yu)法(fa)，以甲乙日(ri)擇東方地作(zuo)壇，取(qu)土(tu)造(zao)(zao)青龍(long)(long)，詣龍(long)(long)所汲流水。”有(you)(you)可能(neng)是(shi)因為(wei)土(tu)龍(long)(long)是(shi)用(yong)泥(ni)做的，需要在太陽下暴曬才可定形，所以有(you)(you)了曬龍(long)(long)王(wang)這(zhe)一風(feng)俗。

接(jie)下來是比(bi)較刺激的(de)(de)斬(zhan)旱(han)(han)魃(ba)(ba)(ba)儀式。旱(han)(han)魃(ba)(ba)(ba)是中國(guo)神話中干旱(han)(han)的(de)(de)制(zhi)造者，《詩經·云漢》有語“旱(han)(han)魃(ba)(ba)(ba)為(wei)虐(nve)，如(ru)焱(yan)如(ru)焚”。旱(han)(han)魃(ba)(ba)(ba)的(de)(de)制(zhi)作方法(fa)很簡單，用樹枝做個身子(zi)骨架(jia)，外(wai)面用彩紙糊裱，菜(cai)瓜做頭，掏(tao)空(kong)瓜瓤(rang)，注(zhu)進紅(hong)水，封嚴。把(ba)旱(han)(han)魃(ba)(ba)(ba)放到平板車上，沿街游行，回(hui)到龍王廟后(hou)(hou)，主禮歷數旱(han)(han)魃(ba)(ba)(ba)的(de)(de)種種罪狀，然(ran)后(hou)(hou)一(yi)聲喝令，旁邊(bian)手(shou)執利刃的(de)(de)小伙(huo)子(zi)一(yi)刀砍下旱(han)(han)魃(ba)(ba)(ba)的(de)(de)頭，“鮮血”淋漓。不(bu)過現在(zai)旱(han)(han)魃(ba)(ba)(ba)的(de)(de)制(zhi)作多了(le)幾分游戲的(de)(de)心態，紙糊的(de)(de)旱(han)(han)魃(ba)(ba)(ba)身子(zi)里填滿鞭炮，頭應(ying)聲倒地(di)之后(hou)(hou)，身子(zi)也(ye)噼里啪(pa)啦燃燒起(qi)來，頗為(wei)刺激。百姓認(ren)為(wei)除掉旱(han)(han)魃(ba)(ba)(ba)，才會風調雨順(shun)，五谷豐登。

最后進行的是紅火(huo)熱鬧的社火(huo)表(biao)演，“扛裝”、“晃杠(gang)”、“踩(cai)蹺”是傳統的表(biao)演項目，下面逐一介紹。

扛裝(zhuang)：一成(cheng)年男子肩負鐵架(jia)(jia)，架(jia)(jia)上安一根(gen)1米多長的鐵棍，棍端橫懸(xuan)一圓形(xing)支架(jia)(jia)，支架(jia)(jia)的下端是(shi)用布做成(cheng)的卡(ka)通動物，一位五六(liu)歲的兒童(tong)輕(qing)坐于上，臉(lian)部化(hua)裝(zhuang)成(cheng)戲劇角色(se)，頭戴(dai)花(hua)冠(guan)，花(hua)冠(guan)左右插兩翎，身(shen)披(pi)斗篷，腰系裙子，腳(jiao)穿繡花(hua)鞋(xie)，手拿扇子、花(hua)束，隨(sui)著(zhu)八音會的伴奏(zou)，男子和兒童(tong)有(you)韻律地(di)擺動。

晃杠：最下端是一木(mu)箱(xiang)，內裝(zhuang)石(shi)塊或鐵(tie)等沉重物，外飾(shi)彩繪。木(mu)箱(xiang)正(zheng)中豎插(cha)木(mu)桿(gan)，木(mu)桿(gan)上(shang)豎著(zhu)(zhu)固(gu)定三面(mian)(mian)大(da)鏡(jing)(jing)子(zi)，每面(mian)(mian)大(da)鏡(jing)(jing)子(zi)的左右(you)橫著(zhu)(zhu)固(gu)定兩面(mian)(mian)小(xiao)鏡(jing)(jing)子(zi)，鏡(jing)(jing)子(zi)周圍(wei)用彩綢花束裝(zhuang)飾(shi)，鏡(jing)(jing)子(zi)之(zhi)間(jian)書寫“國泰(tai)民安(an)”、“風調雨(yu)順”、“祈福報功(gong)”等字樣，最上(shang)端插(cha)雞毛撣(dan)子(zi)。木(mu)箱(xiang)前后橫插(cha)一杠，由兩青年面(mian)(mian)對(dui)面(mian)(mian)抬著(zhu)(zhu)，前后左右(you)四人拽(zhuai)著(zhu)(zhu)木(mu)桿(gan)上(shang)端垂下來的繩(sheng)子(zi)保(bao)持平衡。

踩(cai)(cai)蹺(qiao)：潞城境內廣泛(fan)流行，演(yan)(yan)員(yuan)腳(jiao)踩(cai)(cai)蹺(qiao)棍，裝扮成戲(xi)曲人物，在(zai)八音會伴奏下邊(bian)唱邊(bian)舞。踩(cai)(cai)的木棍在(zai)三尺(chi)以下的叫(jiao)(jiao)小蹺(qiao)，三尺(chi)以上的叫(jiao)(jiao)高蹺(qiao)，有(you)的高蹺(qiao)演(yan)(yan)員(yuan)能在(zai)空中表演(yan)(yan)各種(zhong)動(dong)作。

雩祭(ji)儀式肅穆(mu)隆重，百戲社火(huo)熱烈(lie)歡騰，廟外廣場和街道(dao)人山人海。

第二天(tian)(tian)(tian)正式(shi)(shi)(shi)(shi)演(yan)(yan)戲(xi)(xi)(xi)(xi)，同時廟會進行(xing)，為期三(san)(san)天(tian)(tian)(tian)。馮俊杰先(xian)生(sheng)考證：“晉東(dong)南‘謝雨’演(yan)(yan)戲(xi)(xi)(xi)(xi)，也(ye)(ye)有自己的(de)(de)(de)風俗習(xi)慣(guan)。首先(xian)是(shi)(shi)由值年總社首‘寫戲(xi)(xi)(xi)(xi)’，即(ji)聘請戲(xi)(xi)(xi)(xi)班(ban)(ban)，點劃劇(ju)(ju)(ju)目(mu)，并與戲(xi)(xi)(xi)(xi)班(ban)(ban)科頭(tou)(tou)簽訂演(yan)(yan)出(chu)合同;然后(hou)再(zai)對戲(xi)(xi)(xi)(xi)班(ban)(ban)提出(chu)許(xu)多戒條(tiao)，張(zhang)榜公(gong)布;戲(xi)(xi)(xi)(xi)班(ban)(ban)也(ye)(ye)要張(zhang)貼(tie)告白(bai)榜文(wen)，以聲明(ming)自己的(de)(de)(de)演(yan)(yan)出(chu)符合祀典(dian)。”現(xian)在儀(yi)式(shi)(shi)(shi)(shi)有所簡化，但演(yan)(yan)戲(xi)(xi)(xi)(xi)的(de)(de)(de)熱情卻很(hen)高(gao)漲。在唱(chang)(chang)戲(xi)(xi)(xi)(xi)之前，有專(zhuan)人拿扎(zha)了紅綢的(de)(de)(de)竹掃帚到村的(de)(de)(de)四(si)角打掃，掃除旱(han)(han)役(yi)和災(zai)難。然后(hou)樂班(ban)(ban)鳴鑼(luo)響鞭，正式(shi)(shi)(shi)(shi)開(kai)演(yan)(yan)，先(xian)演(yan)(yan)賽(sai)戲(xi)(xi)(xi)(xi)再(zai)演(yan)(yan)大(da)(da)戲(xi)(xi)(xi)(xi)。賽(sai)戲(xi)(xi)(xi)(xi)演(yan)(yan)給龍王，大(da)(da)戲(xi)(xi)(xi)(xi)唱(chang)(chang)給百(bai)姓。賽(sai)戲(xi)(xi)(xi)(xi)是(shi)(shi)一(yi)種(zhong)頭(tou)(tou)戴(dai)假面(mian)，綜合儺儀(yi)和春(chun)社祭祀的(de)(de)(de)戲(xi)(xi)(xi)(xi)劇(ju)(ju)(ju)演(yan)(yan)出(chu)。大(da)(da)戲(xi)(xi)(xi)(xi)指的(de)(de)(de)是(shi)(shi)當(dang)(dang)地流(liu)行(xing)的(de)(de)(de)上黨(dang)(dang)梆子(zi)(zi)。賽(sai)戲(xi)(xi)(xi)(xi)唱(chang)(chang)腔很(hen)簡單(dan)(dan)，只是(shi)(shi)念白(bai)朗誦向歌唱(chang)(chang)過渡的(de)(de)(de)原始形態，有固定的(de)(de)(de)演(yan)(yan)出(chu)劇(ju)(ju)(ju)目(mu)《調(diao)鬼(gui)(gui)》和《斬(zhan)旱(han)(han)魃(ba)(ba)(ba)》。《調(diao)鬼(gui)(gui)》是(shi)(shi)開(kai)臺戲(xi)(xi)(xi)(xi)，演(yan)(yan)員頭(tou)(tou)戴(dai)面(mian)具，扮七鬼(gui)(gui)，先(xian)在臺下(xia)后(hou)在臺上跳躍，聽(ting)候調(diao)鬼(gui)(gui)師(城(cheng)隍)訓誡。城(cheng)隍奉(feng)玉帝(di)旨意(yi)，下(xia)得天(tian)(tian)(tian)庭，調(diao)來諸鬼(gui)(gui)神，逐一(yi)囑咐，要他們(men)各保一(yi)方，風調(diao)雨順。《斬(zhan)旱(han)(han)魃(ba)(ba)(ba)》劇(ju)(ju)(ju)情簡單(dan)(dan)，演(yan)(yan)趙萬年忤逆不孝事，不久變(bian)成旱(han)(han)魃(ba)(ba)(ba)，穿短褲，束紅腰(yao)帶，光膀子(zi)(zi)，頭(tou)(tou)戴(dai)鮮羊(yang)肚(du)，手端一(yi)碗羊(yang)血，被四(si)大(da)(da)天(tian)(tian)(tian)神趕下(xia)臺來，直(zhi)奔觀(guan)眾(zhong)，觀(guan)眾(zhong)立(li)即(ji)吶喊、圍追，并以土塊(kuai)拋打。旱(han)(han)魃(ba)(ba)(ba)以手灑羊(yang)血開(kai)道(dao)，并可任意(yi)抓取、拋灑商販(fan)貨攤上的(de)(de)(de)食物。最后(hou)，旱(han)(han)魃(ba)(ba)(ba)又被四(si)大(da)(da)天(tian)(tian)(tian)王追回(hui)舞臺斬(zhan)首。其(qi)實這出(chu)戲(xi)(xi)(xi)(xi)是(shi)(shi)社火中的(de)(de)(de)斬(zhan)旱(han)(han)魃(ba)(ba)(ba)的(de)(de)(de)戲(xi)(xi)(xi)(xi)劇(ju)(ju)(ju)樣(yang)式(shi)(shi)(shi)(shi)，現(xian)在風調(diao)雨順，五谷豐登，有時也(ye)(ye)被其(qi)他傳統劇(ju)(ju)(ju)目(mu)代替(ti)，如《華容道(dao)》、《單(dan)(dan)刀會》、《二仙(xian)傳道(dao)》、《叢臺設宴》等。接(jie)下(xia)來便(bian)是(shi)(shi)唱(chang)(chang)大(da)(da)戲(xi)(xi)(xi)(xi)，當(dang)(dang)地百(bai)姓稱上黨(dang)(dang)梆子(zi)(zi)為大(da)(da)戲(xi)(xi)(xi)(xi)，上黨(dang)(dang)梆子(zi)(zi)形成于澤州，以演(yan)(yan)唱(chang)(chang)梆子(zi)(zi)腔為主，兼唱(chang)(chang)昆曲、皮黃、羅(luo)羅(luo)腔、卷戲(xi)(xi)(xi)(xi)，俗稱昆梆羅(luo)卷黃。唱(chang)(chang)腔高(gao)亢(kang)明(ming)朗、粗獷樸實、直(zhi)出(chu)直(zhi)入、強烈激越。當(dang)(dang)地人愛聽(ting)的(de)(de)(de)是(shi)(shi)楊家(jia)將、岳(yue)家(jia)將等武戲(xi)(xi)(xi)(xi)，如《三(san)(san)關排(pai)宴》、《天(tian)(tian)(tian)波樓(lou)》、《雁(yan)門關》、《闖幽州》等，趙樹理曾說：“從(cong)家(jia)里到野(ye)地，到處唱(chang)(chang)起干(gan)梆戲(xi)(xi)(xi)(xi)。”可見梆子(zi)(zi)腔在當(dang)(dang)地很(hen)受歡(huan)迎(ying)。

潞城東(dong)邑龍王廟廟會(hui)(hui)涵蓋了(le)晉東(dong)南(nan)地區(qu)迎神(shen)(shen)賽社(she)(she)諸多儀(yi)(yi)式(shi)，如取(qu)水、曬龍王、斬旱魃、百戲(xi)(xi)社(she)(she)火、迎神(shen)(shen)演劇等。農(nong)業(ye)社(she)(she)會(hui)(hui)，人們(men)把希望求助于(yu)神(shen)(shen)靈，雩祭(ji)和春祈秋報無論對國家還是(shi)百姓都(dou)是(shi)重要的事宜，在這種祭(ji)祀(si)儀(yi)(yi)式(shi)中(zhong)，祭(ji)祀(si)禮儀(yi)(yi)、百戲(xi)(xi)雜陳(chen)、戲(xi)(xi)劇演出都(dou)是(shi)奉獻給神(shen)(shen)靈的藝(yi)術供品。民(min)間(jian)把所有這些娛神(shen)(shen)又娛人的活動統稱(cheng)為“社(she)(she)火”。宋代范成大《上元(yuan)紀吳中(zhong)節(jie)物(wu)俳諧體三十二(er)韻》：“輕薄行(xing)歌過，癲狂社(she)(she)舞狂。”自注：“民(min)間(jian)鼓樂(le)(le)謂(wei)之社(she)(she)火，不(bu)可悉記，大抵以滑稽取(qu)笑。”上黨地區(qu)的迎神(shen)(shen)賽社(she)(she)能夠生(sheng)生(sheng)不(bu)息，繁衍千年(nian)而不(bu)衰，是(shi)因為人們(men)在宗教(jiao)祭(ji)祀(si)和官方(fang)禮儀(yi)(yi)中(zhong)找(zhao)到了(le)緩解疲(pi)勞舒展身心的通道，他們(men)等待著這種周期性的、年(nian)復一(yi)年(nian)的盛宴(yan)到來(lai)，呈(cheng)現(xian)著真實的民(min)眾狂歡和世俗(su)娛樂(le)(le)。

建筑

現(xian)存主(zhu)要殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)屬(shu)于(yu)明(ming)(ming)清時期的(de)(de)建(jian)筑(zhu)(zhu)風(feng)格(ge)(ge)。廟(miao)(miao)坐北(bei)(bei)向(xiang)南(nan)，共為(wei)(wei)(wei)兩(liang)(liang)進院(yuan)落(luo)，中軸線上(shang)(shang)(shang)有山(shan)門(men)，戲(xi)(xi)(xi)樓、正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)，兩(liang)(liang)側(ce)有耳殿(dian)(dian)(dian)(dian)(dian)(dian)、廂房等，共有殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)33間(jian)(jian)(jian)(jian)(jian)。山(shan)門(men)位(wei)居(ju)廟(miao)(miao)前(qian)(qian)、面(mian)闊(kuo)(kuo)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。琉(liu)(liu)璃(li)脊獸(shou)，筒(tong)板(ban)(ban)(ban)瓦作(zuo)(zuo)。琉(liu)(liu)璃(li)以(yi)黃(huang)綠紅三(san)(san)(san)(san)(san)色為(wei)(wei)(wei)主(zhu)，色彩(cai)艷(yan)麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)三(san)(san)(san)(san)(san)踩(cai)斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)單(dan)(dan)(dan)下(xia)(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈(cheng)琴面(mian)式，耍(shua)頭(tou)(tou)同(tong)(tong)昂(ang)(ang)(ang)(ang)型。明(ming)(ming)次間(jian)(jian)(jian)(jian)(jian)各施補(bu)(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)，斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)同(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)。明(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)門(men)， 以(yi)作(zuo)(zuo)通(tong)道。倒座(zuo)戲(xi)(xi)(xi)樓位(wei)居(ju)山(shan)門(men)之(zhi)(zhi)后，面(mian)闊(kuo)(kuo)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，上(shang)(shang)(shang)下(xia)(xia)(xia)(xia)兩(liang)(liang)層，下(xia)(xia)(xia)(xia)面(mian)明(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)通(tong)道，上(shang)(shang)(shang)建(jian)戲(xi)(xi)(xi)樓，硬山(shan)頂(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)五(wu)踩(cai)斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)雙(shuang)(shuang)下(xia)(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈(cheng)琴面(mian)式，明(ming)(ming)次間(jian)(jian)(jian)(jian)(jian)各施補(bu)(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)兩(liang)(liang)朵，斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)形(xing)制(zhi)同(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)。前(qian)(qian)后檐(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額，結構(gou)(gou)(gou)精巧(qiao)。屋頂(ding)(ding)琉(liu)(liu)璃(li)脊獸(shou)，筒(tong)板(ban)(ban)(ban)布瓦裝(zhuang)修，古樸雅致。正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)系(xi)廟(miao)(miao)內(nei)的(de)(de)一(yi)(yi)個(ge)主(zhu)體建(jian)筑(zhu)(zhu)，建(jian)于(yu)高(gao)臺(tai)之(zhi)(zhi)上(shang)(shang)(shang)，廣深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，六(liu)架(jia)(jia)椽(chuan)屋，四(si)椽(chuan)栿對前(qian)(qian)乳栿，通(tong)檐(yan)(yan)(yan)用(yong)(yong)三(san)(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)為(wei)(wei)(wei)柱(zhu)(zhu)(zhu)(zhu)高(gao)四(si)分之(zhi)(zhi)一(yi)(yi)，柱(zhu)(zhu)(zhu)(zhu)升起(qi)與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)角(jiao)明(ming)(ming)顯(xian)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)五(wu)鋪作(zuo)(zuo)單(dan)(dan)(dan)抄單(dan)(dan)(dan)下(xia)(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)為(wei)(wei)(wei)琴面(mian)式，耍(shua)頭(tou)(tou)同(tong)(tong)昂(ang)(ang)(ang)(ang)型。明(ming)(ming)次間(jian)(jian)(jian)(jian)(jian)各施補(bu)(bu)間(jian)(jian)(jian)(jian)(jian)鋪作(zuo)(zuo)一(yi)(yi)朵，出(chu)四(si)十(shi)(shi)五(wu)度(du)斜(xie)拱(gong)(gong)(gong)(gong)。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)四(si)椽(chuan)栿上(shang)(shang)(shang)置(zhi)平梁(liang)，用(yong)(yong)脊瓜(gua)柱(zhu)(zhu)(zhu)(zhu)，大叉(cha)手(shou)，梁(liang)架(jia)(jia)規整(zheng)，結構(gou)(gou)(gou)簡練，雖經(jing)后人(ren)(ren)多(duo)次重修，仍(reng)保留金(jin)代(dai)(dai)建(jian)筑(zhu)(zhu)風(feng)格(ge)(ge)。殿(dian)(dian)(dian)(dian)(dian)(dian)頂(ding)(ding)琉(liu)(liu)璃(li)脊獸(shou)，筒(tong)板(ban)(ban)(ban)布瓦裝(zhuang)修，舉(ju)折平緩，出(chu)檐(yan)(yan)(yan)深(shen)(shen)(shen)遠(yuan)。前(qian)(qian)檐(yan)(yan)(yan)破子欞窗(chuang)，隔(ge)扇門(men)裝(zhuang)修。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)三(san)(san)(san)(san)(san)壁(bi)殘存人(ren)(ren)物(wu)故(gu)事，壁(bi)畫(hua)(hua)依(yi)稀(xi)可見(jian)。整(zheng)個(ge)殿(dian)(dian)(dian)(dian)(dian)(dian)堂氣勢雄偉，古樸壯觀。 山(shan)西省重點文(wen)物(wu)保護單(dan)(dan)(dan)位(wei)。在潞城縣(xian)東(dong)(dong)(dong)南(nan)5千(qian)米處的(de)(de)東(dong)(dong)(dong)邑鄉東(dong)(dong)(dong)邑村中，東(dong)(dong)(dong)北(bei)(bei)緊依(yi)盧(lu)醫山(shan)，西南(nan)與(yu)農舍(she)毗鄰(lin)居(ju)，松(song)柏蒼翠，綠樹成蔭，景色十(shi)(shi)分優雅。該廟(miao)(miao)創建(jian)年代(dai)(dai)不詳(xiang)，金(jin)代(dai)(dai)以(yi)后多(duo)次重修。現(xian)存主(zhu)要殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)屬(shu)于(yu)明(ming)(ming)清時期的(de)(de)建(jian)筑(zhu)(zhu)風(feng)格(ge)(ge)。廟(miao)(miao)坐北(bei)(bei)向(xiang)南(nan)，共為(wei)(wei)(wei)兩(liang)(liang)進院(yuan)落(luo)，中軸線上(shang)(shang)(shang)有山(shan)門(men)，戲(xi)(xi)(xi)樓、正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)，兩(liang)(liang)側(ce)有耳殿(dian)(dian)(dian)(dian)(dian)(dian)、廂房等，共有殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)33間(jian)(jian)(jian)(jian)(jian)。山(shan)門(men)位(wei)居(ju)廟(miao)(miao)前(qian)(qian)、面(mian)闊(kuo)(kuo)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。琉(liu)(liu)璃(li)脊獸(shou)，筒(tong)板(ban)(ban)(ban)瓦作(zuo)(zuo)。琉(liu)(liu)璃(li)以(yi)黃(huang)綠紅三(san)(san)(san)(san)(san)色為(wei)(wei)(wei)主(zhu)，色彩(cai)艷(yan)麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)三(san)(san)(san)(san)(san)踩(cai)斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)單(dan)(dan)(dan)下(xia)(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈(cheng)琴面(mian)式，耍(shua)頭(tou)(tou)同(tong)(tong)昂(ang)(ang)(ang)(ang)型。明(ming)(ming)次間(jian)(jian)(jian)(jian)(jian)各施補(bu)(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)，斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)同(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)。明(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)門(men)，以(yi)作(zuo)(zuo)通(tong)道。倒座(zuo)戲(xi)(xi)(xi)樓位(wei)居(ju)山(shan)門(men)之(zhi)(zhi)后，面(mian)闊(kuo)(kuo)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，上(shang)(shang)(shang)下(xia)(xia)(xia)(xia)兩(liang)(liang)層，下(xia)(xia)(xia)(xia)面(mian)明(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)通(tong)道，上(shang)(shang)(shang)建(jian)戲(xi)(xi)(xi)樓，硬山(shan)頂(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)五(wu)踩(cai)斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)雙(shuang)(shuang)下(xia)(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈(cheng)琴面(mian)式，明(ming)(ming)次間(jian)(jian)(jian)(jian)(jian)各施補(bu)(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)兩(liang)(liang)朵，斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)形(xing)制(zhi)同(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)。前(qian)(qian)后檐(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額，結構(gou)(gou)(gou)精巧(qiao)。屋頂(ding)(ding)琉(liu)(liu)璃(li)脊獸(shou)，筒(tong)板(ban)(ban)(ban)布瓦裝(zhuang)修，古樸雅致。正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)系(xi)廟(miao)(miao)內(nei)的(de)(de)一(yi)(yi)個(ge)主(zhu)體建(jian)筑(zhu)(zhu)，建(jian)于(yu)高(gao)臺(tai)之(zhi)(zhi)上(shang)(shang)(shang)，廣深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，六(liu)架(jia)(jia)椽(chuan)屋，四(si)椽(chuan)栿對前(qian)(qian)乳栿，通(tong)檐(yan)(yan)(yan)用(yong)(yong)三(san)(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)為(wei)(wei)(wei)柱(zhu)(zhu)(zhu)(zhu)高(gao)四(si)分之(zhi)(zhi)一(yi)(yi)，柱(zhu)(zhu)(zhu)(zhu)升起(qi)與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)角(jiao)明(ming)(ming)顯(xian)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)斗(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)五(wu)鋪作(zuo)(zuo)單(dan)(dan)(dan)抄單(dan)(dan)(dan)下(xia)(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)為(wei)(wei)(wei)琴面(mian)式，耍(shua)頭(tou)(tou)同(tong)(tong)昂(ang)(ang)(ang)(ang)型。明(ming)(ming)次間(jian)(jian)(jian)(jian)(jian)各施補(bu)(bu)間(jian)(jian)(jian)(jian)(jian)鋪作(zuo)(zuo)一(yi)(yi)朵，出(chu)四(si)十(shi)(shi)五(wu)度(du)斜(xie)拱(gong)(gong)(gong)(gong)。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)四(si)椽(chuan)栿上(shang)(shang)(shang)置(zhi)平梁(liang)，用(yong)(yong)脊瓜(gua)柱(zhu)(zhu)(zhu)(zhu)，大叉(cha)手(shou)，梁(liang)架(jia)(jia)規整(zheng)，結構(gou)(gou)(gou)簡練，雖經(jing)后人(ren)(ren)多(duo)次重修，仍(reng)保留金(jin)代(dai)(dai)建(jian)筑(zhu)(zhu)風(feng)格(ge)(ge)。殿(dian)(dian)(dian)(dian)(dian)(dian)頂(ding)(ding)琉(liu)(liu)璃(li)脊獸(shou)，筒(tong)板(ban)(ban)(ban)布瓦裝(zhuang)修，舉(ju)折平緩，出(chu)檐(yan)(yan)(yan)深(shen)(shen)(shen)遠(yuan)。前(qian)(qian)檐(yan)(yan)(yan)破子欞窗(chuang)，隔(ge)扇門(men)裝(zhuang)修。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)三(san)(san)(san)(san)(san)壁(bi)殘存人(ren)(ren)物(wu)故(gu)事，壁(bi)畫(hua)(hua)依(yi)稀(xi)可見(jian)。整(zheng)個(ge)殿(dian)(dian)(dian)(dian)(dian)(dian)堂氣勢雄偉，古樸壯觀。東(dong)(dong)(dong)邑村距縣(xian)城東(dong)(dong)(dong)南(nan)約10里,古稱黃(huang)邑,舊屬(shu)葛(ge)井(jing)鄉。龍王廟(miao)(miao)位(wei)于(yu)村東(dong)(dong)(dong)北(bei)(bei)，坐北(bei)(bei)面(mian)南(nan)，兩(liang)(liang)進院(yuan)落(luo)。入山(shan)門(men)靠西處有一(yi)(yi)眼水井(jing)，兩(liang)(liang)側(ce)各為(wei)(wei)(wei)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)廂房，中間(jian)(jian)(jian)(jian)(jian)甬(yong)道直通(tong)戲(xi)(xi)(xi)臺(tai)。

戲臺三間，倒座式，即(ji)坐南朝北，面向正(zheng)殿，單(dan)檐硬山頂，灰色瓦頂。上(shang)下(xia)(xia)兩(liang)(liang)層(ceng)，下(xia)(xia)層(ceng)為(wei)(wei)通(tong)道。戲臺前檐斗拱四鋪作單(dan)下(xia)(xia)昂，卷云式昂頭(tou)。柱頭(tou)斗拱耍頭(tou)為(wei)(wei)象頭(tou)，補間為(wei)(wei)龍頭(tou)。明間雀替為(wei)(wei)龍頭(tou)，兩(liang)(liang)次間為(wei)(wei)象頭(tou)。梁架(jia)由四椽、平梁構成。梁架(jia)殘存部(bu)分有彩畫(hua)。

正殿(dian)位于(yu)中(zhong)軸線最北端，坐落在長14.76米(mi)(mi)、寬13.5米(mi)(mi)、高1米(mi)(mi)的臺(tai)基之上。正殿(dian)三間，面闊(kuo)13.24米(mi)(mi),進深11.97米(mi)(mi)，單檐懸山(shan)頂(ding)，灰瓦，大吻、垂(chui)獸(shou)、戧獸(shou)、套獸(shou)均(jun)為琉璃雕花，正脊(ji)每面6條(tiao)龍，垂(chui)脊(ji)雕鳳，均(jun)配(pei)飾牡丹，垂(chui)脊(ji)現剩一(yi)條(tiao)脊(ji)剎(cha)，有“嘉慶元年五月立”題記。

龍王廟布局規(gui)整對稱，保(bao)存完(wan)整，“神殿與戲(xi)臺結合構成神廟，是北(bei)宋(song)以后中國本土宗教場所(suo)的(de)顯(xian)著(zhu)特征”