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簡介

山(shan)西省重(zhong)點文(wen)物保(bao)護單(dan)位。在潞城縣(xian)東(dong)南5千米處的東(dong)邑(yi)(yi)鄉東(dong)邑(yi)(yi)村(cun)中，東(dong)北緊依盧醫山(shan)，西南與農舍毗鄰居，松柏蒼翠，綠樹成蔭，景色十分優雅。該廟創建年代不(bu)詳(xiang)(xiang)，金代以后多次重(zhong)修。 始建年代不(bu)詳(xiang)(xiang)。廟坐北朝南，兩進院落，存有(you)山(shan)門、戲臺(tai)、正(zheng)殿，及耳殿、廂房等。正(zheng)殿面闊三間，進深(shen)六(liu)椽(chuan)，單(dan)檐懸(xuan)山(shan)頂(ding)；因(yin)為后時屢有(you)修繕，所以風格(ge)雜糅，但是殿內(nei)梁(liang)架保(bao)留(liu)了(le)大叉(cha)手、平梁(liang)，基(ji)本保(bao)留(liu)了(le)金代原建時的特(te)點。

綜述

東(dong)(dong)(dong)邑(yi)村距(ju)縣城(cheng)東(dong)(dong)(dong)南約5公里,古稱(cheng)黃(huang)邑(yi),舊屬葛(ge)井(jing)鄉(xiang)。平順(shun)九天圣母(mu)廟(miao)碑《重修九天圣母(mu)廟(miao)記(ji)》中記(ji)載：“古潞子嬰兒之國東(dong)(dong)(dong)南數十里有葛(ge)井(jing)鄉(xiang)，鄉(xiang)之東(dong)(dong)(dong)社曰圣母(mu)谷(gu)，谷(gu)之四(si)面，山(shan)明(ming)水秀(xiu)，石怪木老，乃太行左(zuo)也。”因(yin)“相傳葛(ge)洪師事鮑元(yuan)，學道于(yu)此(ci)”，故又名葛(ge)井(jing)山(shan)。東(dong)(dong)(dong)峪南山(shan)有“神泉”，“俗(su)傳里人見(jian)一白虎(hu)入南山(shan)下(xia)，覓至山(shan)不見(jian)，止存一木箭(jian)，拔箭(jian)得水，故名。”這里寺(si)廟(miao)林立，古有葛(ge)洪祠，即《潞州潞城(cheng)縣三池東(dong)(dong)(dong)圣母(mu)仙鄉(xiang)之碑》所謂的“蓋井(jing)葛(ge)仙公煉藥之宮”，還有圓寂寺(si)，“在潞城(cheng)縣東(dong)(dong)(dong)南十里葛(ge)井(jing)山(shan)下(xia)，唐天祐年(nian)建，今(jin)廢(fei)。”今(jin)存圣母(mu)廟(miao)、龍王廟(miao)，可以想象到當年(nian)香火(huo)繚繞(rao)，云蒸霞蔚的景象。

龍王廟位(wei)于(yu)村(cun)東北，東臨五(wu)(wu)道溝(gou)，坐北面南(nan)(nan)，俯臨村(cun)莊，兩(liang)(liang)進(jin)院落(luo)。山(shan)門三(san)間(jian)(jian)，兩(liang)(liang)側(ce)(ce)連接八(ba)字影壁墻，與兩(liang)(liang)側(ce)(ce)圍墻貫通。入山(shan)門靠西處有(you)一眼(yan)水井，和(he)祈雨有(you)關(guan)。山(shan)門內兩(liang)(liang)側(ce)(ce)各(ge)為(wei)三(san)間(jian)(jian)廂房(fang)，中(zhong)間(jian)(jian)甬(yong)道直(zhi)通戲臺(tai)，構成第一院落(luo)，南(nan)(nan)北進(jin)深12.3米(mi)，東西寬16.7米(mi);戲臺(tai)下為(wei)通道，上為(wei)三(san)間(jian)(jian)倒座戲臺(tai)，正殿(dian)與戲臺(tai)相(xiang)對，以(yi)甬(yong)道相(xiang)連，兩(liang)(liang)側(ce)(ce)為(wei)東西配殿(dian)各(ge)五(wu)(wu)間(jian)(jian)及(ji)廂房(fang)各(ge)三(san)間(jian)(jian)，正北為(wei)大(da)殿(dian)三(san)間(jian)(jian)，東西耳殿(dian)各(ge)三(san)間(jian)(jian)，構成第二進(jin)院落(luo)。南(nan)(nan)北進(jin)深26.9米(mi)，東西寬16.7米(mi)。龍王廟布(bu)局規整有(you)序，符合中(zhong)國(guo)傳統建筑以(yi)中(zhong)軸線為(wei)主，左右對稱的布(bu)局格(ge)式(shi)。

山門(men)(men)三間(jian)，單(dan)檐硬山頂，面闊(kuo)8.31米(mi), 進深(shen)6.3米(mi)，明間(jian)中部設板門(men)(men)兩扇，前檐柱頭(tou)斗栱(gong)四(si)鋪作，單(dan)下(xia)昂(ang)(琴面)卷云(yun)耍頭(tou)，補(bu)間(jian)斗栱(gong)雙下(xia)昂(ang)，上(shang)昂(ang)后尾挑入垂(chui)蓮柱，上(shang)承托在(zai)中金檁下(xia)皮，后檐為(wei)(wei)一斗三升(sheng)。梁架由四(si)栿、平梁、插手構成，灰布瓦頂，磚(zhuan)木結構，從(cong)建筑形(xing)制和藝術(shu)構件的特征看，應是清代(dai)遺(yi)物(wu)。東(dong)側(ce)(ce)廂房(fang)用(yong)(yong)作伙房(fang)，西(xi)側(ce)(ce)廂房(fang)用(yong)(yong)作宿(su)舍，宿(su)舍門(men)(men)窗(chuang)開向廟外，均拆(chai)改為(wei)(wei)現代(dai)建筑。

戲(xi)臺(tai)三(san)間(jian)(jian)(jian)，倒座式，即坐南朝(chao)北，面向(xiang)正殿，面闊(kuo)9.9、進深6.56米(mi)，單(dan)(dan)檐硬山頂，灰布(bu)瓦頂。上(shang)下(xia)兩(liang)層，下(xia)層為(wei)(wei)通道，通道頂部(bu)(bu)鋪木板，正面(面向(xiang)山門(men)(men))墻體直(zhi)達檐口。中間(jian)(jian)(jian)開(kai)方形門(men)(men)，上(shang)部(bu)(bu)做拱形門(men)(men)頭(tou)(tou)，沙石材質，雕刻蓮花、龍、蓮瓣圖案，上(shang)方鑲“民生潤澤”石匾(0.75米(mi)×2.46米(mi))一塊。背(bei)面(戲(xi)臺(tai)正面)，明(ming)間(jian)(jian)(jian)下(xia)部(bu)(bu)為(wei)(wei)長方形門(men)(men)洞，東(dong)側(ce)石砌(qi)臺(tai)階，可達上(shang)層。戲(xi)臺(tai)前檐斗栱(gong)四鋪作單(dan)(dan)下(xia)昂，卷云式昂頭(tou)(tou)。柱頭(tou)(tou)斗栱(gong)耍頭(tou)(tou)為(wei)(wei)象(xiang)頭(tou)(tou)，補間(jian)(jian)(jian)為(wei)(wei)龍頭(tou)(tou)。明(ming)間(jian)(jian)(jian)雀替為(wei)(wei)龍頭(tou)(tou)，兩(liang)次(ci)間(jian)(jian)(jian)為(wei)(wei)象(xiang)頭(tou)(tou)。梁架(jia)由四椽(chuan)栿、平梁構成。梁架(jia)殘存部(bu)(bu)分有彩(cai)畫，無壁(bi)畫。臺(tai)口被門(men)(men)窗壘砌(qi)封閉，兩(liang)側(ce)東(dong)西耳房已(yi)被拆除，但(dan)建筑和(he)架(jia)檁的(de)痕跡(ji)清晰可辨，應為(wei)(wei)唱戲(xi)時(shi)化(hua)裝、休息的(de)場所。

正(zheng)殿(dian)是龍(long)王廟(miao)主要的(de)建筑，位(wei)于中軸線北端，坐落在長(chang)14.76、寬13.5、高1米(mi)的(de)臺(tai)基(ji)之上，臺(tai)基(ji)東、西、南三面設(she)臺(tai)階。正(zheng)殿(dian)三間，面闊(kuo)13.24、進(jin)深11.97米(mi)，單(dan)檐懸山頂，灰瓦，大吻(wen)、垂(chui)獸、戧(chuang)獸、套(tao)獸均為(wei)琉璃雕花，正(zheng)脊每面6條龍(long)，垂(chui)脊雕鳳，均配飾牡丹(dan)，可惜垂(chui)脊只留(liu)一條脊剎，有“嘉慶元年五月立”題記。明(ming)間設(she)板門(men)(已(yi)毀)，兩次間為(wei)坎(kan)墻直(zhi)欞窗，明(ming)間覆盆柱礎，青石淺雕云龍(long)圖(tu)案，次間為(wei)方(fang)形(xing)石料(liao)基(ji)座(zuo)。

砌(qi)(qi)上(shang)露明造，舉(ju)架平(ping)(ping)緩，減柱造，方(fang)形(xing)抹棱金(jin)(jin)柱、山(shan)柱，檐(yan)(yan)柱收殺、側(ce)腳，柱頭(tou)卷剎(cha)顯著(zhu)，設(she)(she)欄額普拍枋(fang)(fang)。用材(cai)自(zi)然(ran)粗(cu)放，面不(bu)規整，圓(yuan)木稍加砍制便使用，采(cai)用乳(ru)栿(fa)對(dui)四椽(chuan)(chuan)栿(fa)，栿(fa)上(shang)兩蜀(shu)柱(有方(fang)形(xing)、圓(yuan)形(xing))上(shang)有大(da)斗(dou)(dou)，平(ping)(ping)梁座于(yu)斗(dou)(dou)內(nei)，縱向出栱(gong)托(tuo)替木、承金(jin)(jin)檁，蜀(shu)柱間由縱向襻間枋(fang)(fang)連接。平(ping)(ping)梁上(shang)設(she)(she)插(cha)手，脊瓜柱下設(she)(she)置合(he)■，上(shang)承大(da)斗(dou)(dou)捧(peng)接令栱(gong)、替木承托(tuo)脊檁。侏儒柱下插(cha)合(he)■，蜀(shu)柱下用駝峰，合(he)■、駝峰兼而用之(zhi)的做法較為(wei)少見。各縫(feng)梁架結構處(chu)理一致(zhi)，四椽(chuan)(chuan)栿(fa)插(cha)入(ru)后墻(qiang)(qiang)內(nei)設(she)(she)后檐(yan)(yan)柱承托(tuo)，椽(chuan)(chuan)頭(tou)卷剎(cha)明顯。墻(qiang)(qiang)體均為(wei)坎磨(mo)青(qing)灰磚砌(qi)(qi)筑，正面兩次間設(she)(she)坎墻(qiang)(qiang)，兩山(shan)墻(qiang)(qiang)及后墻(qiang)(qiang)均砌(qi)(qi)至檐(yan)(yan)口(kou)。

柱頭斗栱：五鋪(pu)作(zuo)，單(dan)(dan)抄單(dan)(dan)下昂(ang)，耍(shua)頭昂(ang)形，重(zhong)拱計心造。里(li)轉四鋪(pu)作(zuo)，出華(hua)拱一(yi)挑，第二跳昂(ang)后尾作(zuo)雀替狀承(cheng)托乳(ru)栿。正身耍(shua)頭為(wei)真(zhen)昂(ang)與令拱相交上承(cheng)隨檁枋(fang)、檁檐，后尾由乳(ru)栿駝峰承(cheng)托，上座大斗，下承(cheng)金檁，在結構中起著重(zhong)要的作(zuo)用。

明間(jian)補間(jian)斗(dou)栱(gong)(gong)(gong)(gong)：五鋪作(zuo)，單(dan)抄單(dan)下(xia)昂(ang)(ang)，重(zhong)拱(gong)計心(xin)(xin)造(zao)(zao)。櫨(lu)斗(dou)作(zuo)圓形(xing)，共12瓣(ban)，第一跳華栱(gong)(gong)(gong)(gong)兩(liang)(liang)側出45°斜(xie)栱(gong)(gong)(gong)(gong)，第二(er)跳下(xia)昂(ang)(ang)兩(liang)(liang)側出45°斜(xie)栱(gong)(gong)(gong)(gong)兩(liang)(liang)縫(feng)，令(ling)栱(gong)(gong)(gong)(gong)加長，正身為(wei)(wei)昂(ang)(ang)，兩(liang)(liang)側45°出兩(liang)(liang)縫(feng)耍頭，上(shang)承隨檁枋、檐(yan)檁里轉(zhuan)五鋪作(zuo)，偷心(xin)(xin)造(zao)(zao)。華栱(gong)(gong)(gong)(gong)兩(liang)(liang)側45°斜(xie)出耍頭，上(shang)昂(ang)(ang)后尾插入垂連柱，上(shang)承金檁。它和五臺山佛光寺文殊殿明間(jian)補間(jian)斗(dou)栱(gong)(gong)(gong)(gong)的(de)形(xing)制如出一轍。這種(zhong)在45°角線上(shang)出龐大的(de)斜(xie)栱(gong)(gong)(gong)(gong)兩(liang)(liang)縫(feng)，第二(er)跳加至四縫(feng)，使斗(dou)栱(gong)(gong)(gong)(gong)的(de)形(xing)狀如同怒放的(de)花束，是(shi)遼金兩(liang)(liang)代斗(dou)栱(gong)(gong)(gong)(gong)獨(du)有的(de)構造(zao)(zao)特(te)征(zheng)，金代尤(you)為(wei)(wei)顯著。

次間補間斗(dou)栱(gong)：正身(shen)與(yu)明間結構基本一致，唯櫨斗(dou)作(zuo)(zuo)六瓣，二、三跳45°斜(xie)栱(gong)耍頭一縫，三令栱(gong)作(zuo)(zuo)鴛鴦交首狀，出斜(xie)栱(gong)。

金(jin)柱斗栱：四(si)鋪作，設(she)欄額，斗栱十字相(xiang)交，承托四(si)椽栿(fa)(fa)與乳栿(fa)(fa)結(jie)點，縱(zong)向有襻間枋(fang)。正身栱做雀(que)替狀施于乳栿(fa)(fa)下。從(cong)結(jie)構上看(kan)，正殿主要構件是金(jin)代物。

東西耳殿各三間(jian)，通面闊(kuo)7.5米，前(qian)插廊，單(dan)檐(yan)硬山頂(ding)，縱向磚券窯洞。面為(wei)(wei)(wei)三間(jian)實為(wei)(wei)(wei)一間(jian)，明(ming)間(jian)后墻(qiang)砌拱形(xing)神龕，布筒板瓦，脊為(wei)(wei)(wei)雕龍圖案。

東(dong)西配殿(dian)及廂(xiang)房分(fen)設于大殿(dian)、戲(xi)臺與山(shan)門兩側，均為(wei)硬山(shan)式(shi)建筑(zhu)，自北而南配殿(dian)五間(jian)(jian)有(you)前廊，中間(jian)(jian)三間(jian)(jian)，南端三間(jian)(jian)，建筑(zhu)已被修改得面目全非，唯東(dong)側中間(jian)(jian)三間(jian)(jian)可看(kan)出清代樣式(shi)。

正殿前臺(tai)基上，東(dong)西各(ge)蹲一石獅(shi)，被(bei)移(yi)至學校門前。廟中碑刻在“文革”期間遺失(shi)，現今(jin)還沒有找到其(qi)創始年代(dai)的文字記載。

龍王廟(miao)布局規整對(dui)稱，保存完整，“神(shen)殿(dian)與戲臺結(jie)合(he)(he)構成(cheng)神(shen)廟(miao)，是(shi)北(bei)宋以(yi)后中國本土宗教場所的(de)顯著(zhu)(zhu)特征(zheng)。”他(ta)們結(jie)合(he)(he)的(de)思想(xiang)基礎是(shi)孔子的(de)“興于(yu)禮，成(cheng)于(yu)樂(le)(le)”的(de)禮樂(le)(le)觀(guan)，神(shen)殿(dian)象(xiang)征(zheng)著(zhu)(zhu)禮，戲臺象(xiang)征(zheng)著(zhu)(zhu)樂(le)(le)，禮樂(le)(le)是(shi)祭(ji)祀(si)的(de)兩(liang)面。“無(wu)(wu)(wu)戲樓(lou)則廟(miao)貌不(bu)稱，無(wu)(wu)(wu)戲樓(lou)則觀(guan)瞻(zhan)不(bu)雅(ya)”，沒有戲臺，“不(bu)惟戲無(wu)(wu)(wu)以(yi)演，神(shen)無(wu)(wu)(wu)以(yi)奉，抑(yi)且為一村之羞也(ye)，這種思想(xiang)體現了(le)“禮以(yi)節(jie)人，樂(le)(le)以(yi)和人”的(de)禮樂(le)(le)制度對(dui)中國社(she)會的(de)影響。晉(jin)東南地區(qu)多神(shen)廟(miao)，每年的(de)雩(yu)祭(ji)儀(yi)式和春祈秋報相結(jie)合(he)(he)，造就了(le)當地以(yi)取水求雨為主(zhu)旨的(de)獨特的(de)賽社(she)活動(dong)。

農業社會(hui)，人們(men)大的(de)(de)企(qi)盼(pan)就(jiu)是(shi)風調雨(yu)(yu)(yu)順，來年能有(you)(you)好收成。龍(long)(long)(long)王(wang)(wang)(wang)(wang)(wang)作為(wei)司雨(yu)(yu)(yu)水(shui)(shui)之(zhi)(zhi)神，便(bian)格外受到人們(men)的(de)(de)尊(zun)崇。早在秦始皇(huang)時(shi)，就(jiu)有(you)(you)“黃帝得土德(de)(de)(de)，黃龍(long)(long)(long)地(di)寅見。夏得木德(de)(de)(de)，青(qing)龍(long)(long)(long)止(zhi)于郊……今(jin)秦變周,水(shui)(shui)德(de)(de)(de)之(zhi)(zhi)時(shi)。昔秦文(wen)公出(chu)獵(lie)，獲(huo)黑(hei)(hei)龍(long)(long)(long)，此(ci)其水(shui)(shui)德(de)(de)(de)之(zhi)(zhi)瑞(rui)”的(de)(de)記載(zai)。到漢代，民間出(chu)現了以(yi)五(wu)(wu)色龍(long)(long)(long)祈雨(yu)(yu)(yu)的(de)(de)習俗。《唐志(zhi)》：“上黨有(you)(you)五(wu)(wu)龍(long)(long)(long)山。”《十(shi)六國(guo)春秋》：“西燕慕容永時(shi)有(you)(you)五(wu)(wu)色云見于此(ci)，遇旱(han)禱(dao)(dao)雨(yu)(yu)(yu)輒應，因置祠以(yi)祀五(wu)(wu)方之(zhi)(zhi)神。”據(ju)《宋會(hui)要輯(ji)稿》記載(zai)：“國(guo)朝(chao)緣唐祭五(wu)(wu)龍(long)(long)(long)之(zhi)(zhi)制,春秋常行(xing)其祀。先是(shi)熙寧(ning)十(shi)年八月(yue)信州(zhou)有(you)(you)五(wu)(wu)龍(long)(long)(long)廟(miao)(miao),禱(dao)(dao)雨(yu)(yu)(yu)有(you)(you)應,賜額曰：‘會(hui)應’。自是(shi)五(wu)(wu)龍(long)(long)(long)廟(miao)(miao)皆以(yi)此(ci)名額云。徽宗(zong)大觀二年十(shi)月(yue),詔天下五(wu)(wu)龍(long)(long)(long)廟(miao)(miao)皆封(feng)王(wang)(wang)(wang)(wang)(wang)爵(jue)。青(qing)龍(long)(long)(long)神封(feng)廣(guang)仁王(wang)(wang)(wang)(wang)(wang),赤龍(long)(long)(long)神封(feng)嘉澤(ze)王(wang)(wang)(wang)(wang)(wang),黃龍(long)(long)(long)神封(feng)孚應王(wang)(wang)(wang)(wang)(wang),白龍(long)(long)(long)神封(feng)義濟王(wang)(wang)(wang)(wang)(wang),黑(hei)(hei)龍(long)(long)(long)神封(feng)靈澤(ze)王(wang)(wang)(wang)(wang)(wang)。”龍(long)(long)(long)王(wang)(wang)(wang)(wang)(wang)由民俗之(zhi)(zhi)神上升為(wei)祀典之(zhi)(zhi)神，為(wei)龍(long)(long)(long)王(wang)(wang)(wang)(wang)(wang)修(xiu)建廟(miao)(miao)宇成為(wei)理(li)所(suo)當(dang)然(ran)的(de)(de)事情，龍(long)(long)(long)王(wang)(wang)(wang)(wang)(wang)廟(miao)(miao)往往建在有(you)(you)泉、池、井的(de)(de)地(di)方，因為(wei)這里能“禱(dao)(dao)雨(yu)(yu)(yu)而應”。晉東南的(de)(de)府州(zhou)縣志(zhi)及現存石刻，到處都有(you)(you)禱(dao)(dao)取(qu)“神水(shui)(shui)”而“靈應”降雨(yu)(yu)(yu)的(de)(de)記錄。潞(lu)城東邑龍(long)(long)(long)王(wang)(wang)(wang)(wang)(wang)廟(miao)(miao)山門西側有(you)(you)井，應為(wei)禱(dao)(dao)雨(yu)(yu)(yu)取(qu)水(shui)(shui)之(zhi)(zhi)池。

雩祭作為一種祈雨的儀式(shi)，分(fen)為官辦(ban)和民辦(ban)兩類(lei)。

從商周開始(shi)，祭(ji)(ji)祀(si)便和(he)禮樂(le)相(xiang)伴，是國家的(de)(de)重(zhong)要行(xing)為(wei)。官(guan)方(fang)主(zhu)持(chi)的(de)(de)祭(ji)(ji)祀(si)活動正式莊重(zhong)、規范高(gao)雅。而這(zhe)種帶(dai)有(you)宗教色彩的(de)(de)禮樂(le)祭(ji)(ji)祀(si)在轉(zhuan)變為(wei)民(min)間(jian)集體行(xing)為(wei)時，往往帶(dai)有(you)了娛樂(le)游戲的(de)(de)成(cheng)(cheng)分(fen)。“祭(ji)(ji)禮”漸(jian)漸(jian)演變成(cheng)(cheng)“戲禮”(蘇東坡(po)語)。學者王(wang)國維在論及上古戲劇時說：“巫之(zhi)事神，必用歌舞(wu)(wu)”，“歌舞(wu)(wu)之(zhi)興(xing)，其始(shi)于(yu)古之(zhi)巫乎(hu)?”在雩(yu)祭(ji)(ji)儀式中，女巫擔任主(zhu)角。廖奔先(xian)生(sheng)認為(wei)“雩(yu)祭(ji)(ji)的(de)(de)目的(de)(de)在于(yu)‘以舞(wu)(wu)降神’以祈雨，其中歌舞(wu)(wu)媚(mei)神的(de)(de)成(cheng)(cheng)分(fen)比較大，它出現在農業文明興(xing)起之(zhi)后。”歷(li)史的(de)(de)積淀和(he)文化的(de)(de)過濾，“歌舞(wu)(wu)媚(mei)神”已演變為(wei)歌舞(wu)(wu)娛人(ren)，民(min)間(jian)的(de)(de)迎神賽社卻(que)呈現出公眾性(xing)的(de)(de)狂歡。人(ren)們在這(zhe)種周期性(xing)的(de)(de)儀式中舒展著疲憊的(de)(de)身(shen)心，釋放著壓抑的(de)(de)情感。和(he)官(guan)辦(ban)雩(yu)祭(ji)(ji)枯燥乏味相(xiang)比，民(min)間(jian)的(de)(de)雩(yu)祭(ji)(ji)儀式要熱鬧得(de)多。

潞城(cheng)東邑村龍(long)王廟的(de)迎神賽社定在每年農歷二(er)(er)月(yue)初(chu)二(er)(er)和(he)六(liu)月(yue)初(chu)六(liu)，二(er)(er)月(yue)二(er)(er)是傳統龍(long)抬頭的(de)日子，因為二(er)(er)月(yue)初(chu)處于驚蟄前后，蟄伏一(yi)冬的(de)各種動物(wu)恢復活力，龍(long)也要蘇醒(xing)過(guo)來(lai)履行(xing)它(ta)降雨(yu)的(de)職責(ze)。從時節(jie)上(shang)來(lai)說，二(er)(er)月(yue)進(jin)入仲春(chun)季節(jie)，這時陽(yang)氣上(shang)升，大(da)地復蘇，春(chun)耕播種非常需要土壤濕(shi)潤(run)，保(bao)有水(shui)分，若是天公降雨(yu)，無疑是農民的(de)一(yi)大(da)福祉(zhi)。六(liu)月(yue)初(chu)六(liu)正值谷物(wu)秀而(er)未實，或(huo)實而(er)未堅，農夫(fu)希望普降甘霖，秋天才(cai)會獲得豐收。另(ling)外，如果禱雨(yu)而(er)應(ying)，祈得甘澤(ze)，也應(ying)演戲酬(chou)報，謝過(guo)龍(long)王。

祈雨(yu)之前，會首要做(zuo)許(xu)多準備工作(zuo)，安排好求雨(yu)、演戲、社(she)火(huo)等各項事宜。主禮(li)通(tong)常由陰陽先生擔任，廚(chu)師負責煮(zhu)花祭(ji)、備供饌(zhuan)，祭(ji)樂(le)樂(le)戶承應，執役(yi)村民(min)分管(guan)，鄉人表演社(she)火(huo)。可(ke)以(yi)說，不(bu)分貧富貴賤(jian)，不(bu)論階層行(xing)業，全民(min)都(dou)參(can)與到(dao)祭(ji)祀(si)與狂歡之中，勞作(zuo)的辛(xin)苦得(de)(de)到(dao)釋放，情感得(de)(de)以(yi)宣泄。

廟會通(tong)常五天。第(di)一天是隆重的祈(qi)雨(yu)儀式和社(she)火表(biao)演。第(di)一項是祭拜(bai)取(qu)水(shui)(shui)。會首(shou)帶領(ling)(ling)男村民，人人頭帶柳圈，手執柳條，依次進(jin)入龍(long)王廟正(zheng)殿(dian)，專人端(duan)上(shang)花(hua)祭、供饌及長頸陶瓶，上(shang)香跪(gui)拜(bai)，三禮九叩，肅穆虔(qian)禱。龍(long)王坐像近一米(mi)高(gao)，木架支成空心，泥塑，涂(tu)以油彩(cai)，黑臉(lian)，雙(shuang)目迥然(ran)。拜(bai)畢(bi)，會首(shou)手捧陶瓶，舉過頭頂，領(ling)(ling)村民走至山門左側井口旁(pang)(pang)，用紅繩系(xi)瓶口，徐(xu)徐(xu)放如井中，俯首(shou)噤聲(sheng)，點燃(ran)香枝，頻(pin)頻(pin)叩首(shou)。禮畢(bi)，將(jiang)紅繩系(xi)到旁(pang)(pang)邊的柳樹上(shang)，等待(dai)龍(long)王賜雨(yu)。曬龍(long)王儀式結束后，恭(gong)恭(gong)敬(jing)敬(jing)地(di)取(qu)回神水(shui)(shui)，供奉在大殿(dian)的供桌上(shang)。井水(shui)(shui)旱不枯，澇不溢(yi)，在民間傳說中被認(ren)為是通(tong)向(xiang)神秘世界東(dong)海(hai)龍(long)王居所的海(hai)眼。

第(di)二項是(shi)(shi)熱鬧的(de)曬龍(long)王(wang)(wang)巡街活動(dong)。幾個年輕力壯的(de)小伙子將龍(long)王(wang)(wang)爺(ye)抬到坐架上，扛(kang)著出(chu)(chu)行，因(yin)為(wei)(wei)是(shi)(shi)為(wei)(wei)民求雨，大家都很樂于出(chu)(chu)力。八音會(hui)細吹細打，在前面(mian)鳴鑼開道，龍(long)王(wang)(wang)爺(ye)緊隨其后(hou)，會(hui)首(shou)帶領(ling)眾鄉親浩(hao)浩(hao)蕩(dang)蕩(dang)從龍(long)王(wang)(wang)廟出(chu)(chu)發(fa)，順(shun)街出(chu)(chu)村(cun)，沿田間地(di)(di)壟到附(fu)近的(de)三(san)(san)(san)皇(huang)(huang)(huang)(huang)腦祭(ji)拜，然后(hou)返(fan)回(hui)，把(ba)龍(long)王(wang)(wang)爺(ye)放回(hui)正(zheng)殿。三(san)(san)(san)皇(huang)(huang)(huang)(huang)腦已無遺跡(ji)可(ke)考，但(dan)當地(di)(di)的(de)百姓認為(wei)(wei)三(san)(san)(san)皇(huang)(huang)(huang)(huang)主(zhu)(zhu)管一(yi)切神(shen)靈，所以龍(long)王(wang)(wang)出(chu)(chu)動(dong)一(yi)次，有必要祭(ji)拜三(san)(san)(san)皇(huang)(huang)(huang)(huang)。三(san)(san)(san)皇(huang)(huang)(huang)(huang)有上三(san)(san)(san)皇(huang)(huang)(huang)(huang)、中(zhong)三(san)(san)(san)皇(huang)(huang)(huang)(huang)、下三(san)(san)(san)皇(huang)(huang)(huang)(huang)的(de)說法(fa)。上三(san)(san)(san)皇(huang)(huang)(huang)(huang)指天皇(huang)(huang)(huang)(huang)、地(di)(di)皇(huang)(huang)(huang)(huang)、人(ren)皇(huang)(huang)(huang)(huang)，他們是(shi)(shi)傳說中(zhong)天、地(di)(di)、人(ren)的(de)祖先，其中(zhong)天皇(huang)(huang)(huang)(huang)主(zhu)(zhu)氣，地(di)(di)皇(huang)(huang)(huang)(huang)主(zhu)(zhu)德，人(ren)皇(huang)(huang)(huang)(huang)主(zhu)(zhu)生。中(zhong)三(san)(san)(san)皇(huang)(huang)(huang)(huang)為(wei)(wei)伏羲、女媧、神(shen)農。下三(san)(san)(san)皇(huang)(huang)(huang)(huang)是(shi)(shi)黃帝、堯(yao)、舜。

曬(shai)(shai)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)這種儀式，大概源(yuan)于(yu)幾(ji)種想法(fa)：第一(yi)，龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)是喜(xi)靜不喜(xi)動(dong)的(de)(de)(de)動(dong)物(wu)，平時潛(qian)居幽深(shen)的(de)(de)(de)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)洞、龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)泉、龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)井之(zhi)中，現在(zai)敲鑼(luo)打鼓這么一(yi)鬧騰，便會興風作(zuo)浪，布雨(yu)(yu)降霖。第二，龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)作(zuo)為司雨(yu)(yu)之(zhi)神(shen)，應(ying)(ying)該讓它及時了解民間旱情，不能褻(xie)守瀆職(zhi)，不管老百姓(xing)疾苦(ku)。第三，龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)爺怕熱(re)，被放在(zai)太陽(yang)(yang)下暴曬(shai)(shai)，曬(shai)(shai)出(chu)汗了，流到(dao)人間便是甘露(lu)。考究曬(shai)(shai)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)這一(yi)習俗(su)的(de)(de)(de)由(you)來(lai)，龔維英先生認為讓龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)受苦(ku)源(yuan)于(yu)讓巫(wu)覡(xi)受苦(ku)。他說(shuo)(shuo)：“本世50年代(dai)初期，農民抗旱，尚‘烤(kao)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)’求(qiu)雨(yu)(yu)，即曝巫(wu)之(zhi)遺存(cun)。”但把龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)當作(zuo)巫(wu)覡(xi)，似乎有點勉強。苑利先生認為：“曬(shai)(shai)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)實(shi)際上源(yuan)于(yu)上古另一(yi)種更(geng)古老的(de)(de)(de)習俗(su)——造(zao)土(tu)(tu)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)。”但為什么造(zao)土(tu)(tu)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)會致(zhi)雨(yu)(yu)，不得而知(zhi)。《淮南子·墜形(xing)訓》云：“土(tu)(tu)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)致(zhi)雨(yu)(yu)。”高誘注曰：“湯遭旱，作(zuo)土(tu)(tu)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)以(yi)象龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)，云從龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)，故致(zhi)雨(yu)(yu)也。”《山(shan)海經(jing)·大荒東經(jing)》曰：“旱而為應(ying)(ying)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)之(zhi)狀，乃得大雨(yu)(yu)。”說(shuo)(shuo)得就是造(zao)土(tu)(tu)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)求(qiu)雨(yu)(yu)。宋真宗(zong)咸平元(yuan)年(998年)，“內出(chu)李祈(qi)雨(yu)(yu)法(fa)，以(yi)甲乙日擇東方地作(zuo)壇，取(qu)土(tu)(tu)造(zao)青龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)，詣(yi)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)所(suo)汲流水。”有可能是因為土(tu)(tu)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)是用泥(ni)做的(de)(de)(de)，需要在(zai)太陽(yang)(yang)下暴曬(shai)(shai)才可定形(xing)，所(suo)以(yi)有了曬(shai)(shai)龍(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)(long)王(wang)(wang)這一(yi)風俗(su)。

接下來(lai)是比較刺激的(de)(de)(de)(de)斬旱(han)魃(ba)(ba)(ba)儀式。旱(han)魃(ba)(ba)(ba)是中國神話(hua)中干旱(han)的(de)(de)(de)(de)制造者，《詩經·云漢(han)》有語“旱(han)魃(ba)(ba)(ba)為虐，如(ru)焱如(ru)焚”。旱(han)魃(ba)(ba)(ba)的(de)(de)(de)(de)制作(zuo)方法很簡(jian)單，用(yong)樹枝做個身子(zi)骨(gu)架(jia)，外面(mian)用(yong)彩(cai)紙糊裱，菜(cai)瓜做頭(tou)，掏空瓜瓤，注進紅水，封嚴。把(ba)旱(han)魃(ba)(ba)(ba)放到(dao)平板車上，沿街游行，回到(dao)龍(long)王(wang)廟后，主禮歷數旱(han)魃(ba)(ba)(ba)的(de)(de)(de)(de)種種罪(zui)狀，然后一聲喝令(ling)，旁(pang)邊手執利刃的(de)(de)(de)(de)小伙子(zi)一刀砍下旱(han)魃(ba)(ba)(ba)的(de)(de)(de)(de)頭(tou)，“鮮血”淋漓(li)。不過現在旱(han)魃(ba)(ba)(ba)的(de)(de)(de)(de)制作(zuo)多了(le)幾分(fen)游戲的(de)(de)(de)(de)心態(tai)，紙糊的(de)(de)(de)(de)旱(han)魃(ba)(ba)(ba)身子(zi)里填滿鞭炮，頭(tou)應(ying)聲倒地之后，身子(zi)也(ye)噼里啪啦(la)燃燒起來(lai)，頗為刺激。百姓認為除掉(diao)旱(han)魃(ba)(ba)(ba)，才會(hui)風調(diao)雨順(shun)，五谷(gu)豐登。

最后(hou)進行的(de)是紅火熱鬧(nao)的(de)社火表演，“扛裝”、“晃杠”、“踩蹺(qiao)”是傳統的(de)表演項目，下面(mian)逐一介紹。

扛裝(zhuang)(zhuang)：一成年男(nan)子肩負鐵(tie)架，架上(shang)安(an)一根1米多(duo)長(chang)的(de)(de)鐵(tie)棍(gun)，棍(gun)端(duan)(duan)橫懸一圓形支架，支架的(de)(de)下端(duan)(duan)是用布做成的(de)(de)卡通動物，一位五六歲的(de)(de)兒(er)童(tong)輕坐(zuo)于(yu)上(shang)，臉部化(hua)裝(zhuang)(zhuang)成戲劇角色(se)，頭(tou)戴花冠，花冠左右插(cha)兩翎(ling)，身披斗(dou)篷，腰系裙子，腳穿繡花鞋(xie)，手拿扇(shan)子、花束(shu)，隨(sui)著八音會的(de)(de)伴奏，男(nan)子和兒(er)童(tong)有韻律地擺(bai)動。

晃杠(gang)：最下端(duan)是一(yi)(yi)木箱(xiang)(xiang)，內裝石塊或鐵等沉重物，外飾(shi)彩繪。木箱(xiang)(xiang)正中豎插(cha)(cha)木桿，木桿上豎著(zhu)(zhu)固定三(san)面(mian)大(da)鏡子(zi)(zi)(zi)(zi)，每面(mian)大(da)鏡子(zi)(zi)(zi)(zi)的左右(you)橫(heng)著(zhu)(zhu)固定兩面(mian)小鏡子(zi)(zi)(zi)(zi)，鏡子(zi)(zi)(zi)(zi)周(zhou)圍用彩綢花束裝飾(shi)，鏡子(zi)(zi)(zi)(zi)之間書寫“國泰民安”、“風調雨順”、“祈福報功”等字樣，最上端(duan)插(cha)(cha)雞毛撣子(zi)(zi)(zi)(zi)。木箱(xiang)(xiang)前后橫(heng)插(cha)(cha)一(yi)(yi)杠(gang)，由(you)兩青年(nian)面(mian)對面(mian)抬(tai)著(zhu)(zhu)，前后左右(you)四人拽著(zhu)(zhu)木桿上端(duan)垂下來的繩子(zi)(zi)(zi)(zi)保持平(ping)衡。

踩蹺：潞城境內(nei)廣(guang)泛流行，演員腳(jiao)踩蹺棍，裝扮成戲(xi)曲人(ren)物，在八(ba)音會伴奏(zou)下邊(bian)唱邊(bian)舞(wu)。踩的木棍在三(san)尺以下的叫(jiao)小蹺，三(san)尺以上的叫(jiao)高(gao)蹺，有(you)的高(gao)蹺演員能在空中表演各種動作。

雩祭(ji)儀式肅穆隆重，百戲社火熱(re)烈(lie)歡(huan)騰，廟(miao)外廣(guang)場和街道人(ren)山人(ren)海(hai)。

第二天(tian)(tian)正(zheng)式(shi)演(yan)(yan)(yan)(yan)(yan)戲(xi)(xi)，同(tong)時(shi)廟會進行，為(wei)期三(san)天(tian)(tian)。馮俊杰先生(sheng)考(kao)證(zheng)：“晉東南‘謝雨(yu)(yu)’演(yan)(yan)(yan)(yan)(yan)戲(xi)(xi)，也有自(zi)己的(de)(de)風(feng)俗(su)習慣(guan)。首先是由值年總社首‘寫戲(xi)(xi)’，即聘請(qing)戲(xi)(xi)班(ban)，點劃劇(ju)目(mu)，并與戲(xi)(xi)班(ban)科頭簽訂演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)(chu)合(he)同(tong);然(ran)后(hou)(hou)再(zai)對戲(xi)(xi)班(ban)提出(chu)(chu)(chu)許多戒條，張(zhang)榜公布;戲(xi)(xi)班(ban)也要張(zhang)貼告白榜文(wen)，以(yi)聲明自(zi)己的(de)(de)演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)(chu)符合(he)祀典(dian)。”現在儀(yi)式(shi)有所簡化(hua)，但演(yan)(yan)(yan)(yan)(yan)戲(xi)(xi)的(de)(de)熱情(qing)卻很高漲。在唱(chang)戲(xi)(xi)之前，有專人拿扎了紅(hong)綢的(de)(de)竹掃(sao)帚到村的(de)(de)四角打掃(sao)，掃(sao)除(chu)旱(han)役和災難。然(ran)后(hou)(hou)樂(le)班(ban)鳴鑼響鞭，正(zheng)式(shi)開演(yan)(yan)(yan)(yan)(yan)，先演(yan)(yan)(yan)(yan)(yan)賽(sai)戲(xi)(xi)再(zai)演(yan)(yan)(yan)(yan)(yan)大(da)戲(xi)(xi)。賽(sai)戲(xi)(xi)演(yan)(yan)(yan)(yan)(yan)給龍王，大(da)戲(xi)(xi)唱(chang)給百(bai)姓(xing)。賽(sai)戲(xi)(xi)是一(yi)種頭戴假面(mian)，綜(zong)合(he)儺儀(yi)和春社祭祀的(de)(de)戲(xi)(xi)劇(ju)演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)(chu)。大(da)戲(xi)(xi)指的(de)(de)是當地流行的(de)(de)上(shang)黨梆(bang)子(zi)。賽(sai)戲(xi)(xi)唱(chang)腔(qiang)(qiang)很簡單，只是念白朗(lang)誦(song)向(xiang)歌唱(chang)過渡的(de)(de)原始形(xing)態，有固定的(de)(de)演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)(chu)劇(ju)目(mu)《調(diao)(diao)鬼》和《斬旱(han)魃》。《調(diao)(diao)鬼》是開臺(tai)(tai)戲(xi)(xi)，演(yan)(yan)(yan)(yan)(yan)員(yuan)頭戴面(mian)具，扮七鬼，先在臺(tai)(tai)下后(hou)(hou)在臺(tai)(tai)上(shang)跳躍，聽候調(diao)(diao)鬼師(城隍)訓(xun)誡。城隍奉玉帝旨意，下得天(tian)(tian)庭，調(diao)(diao)來諸鬼神，逐一(yi)囑咐(fu)，要他(ta)們各保一(yi)方，風(feng)調(diao)(diao)雨(yu)(yu)順(shun)(shun)。《斬旱(han)魃》劇(ju)情(qing)簡單，演(yan)(yan)(yan)(yan)(yan)趙萬年忤逆不孝事，不久變成旱(han)魃，穿短褲，束紅(hong)腰帶，光膀(bang)子(zi)，頭戴鮮羊(yang)肚(du)，手(shou)端一(yi)碗羊(yang)血，被四大(da)天(tian)(tian)神趕(gan)下臺(tai)(tai)來，直奔觀眾(zhong)，觀眾(zhong)立即吶喊、圍追，并以(yi)土塊拋(pao)打。旱(han)魃以(yi)手(shou)灑羊(yang)血開道(dao)，并可任意抓取、拋(pao)灑商販(fan)貨(huo)攤上(shang)的(de)(de)食物。最后(hou)(hou)，旱(han)魃又被四大(da)天(tian)(tian)王追回舞臺(tai)(tai)斬首。其實(shi)這出(chu)(chu)(chu)戲(xi)(xi)是社火(huo)中的(de)(de)斬旱(han)魃的(de)(de)戲(xi)(xi)劇(ju)樣式(shi)，現在風(feng)調(diao)(diao)雨(yu)(yu)順(shun)(shun)，五谷(gu)豐登，有時(shi)也被其他(ta)傳統劇(ju)目(mu)代替，如《華容道(dao)》、《單刀會》、《二仙傳道(dao)》、《叢臺(tai)(tai)設(she)宴》等。接下來便是唱(chang)大(da)戲(xi)(xi)，當地百(bai)姓(xing)稱上(shang)黨梆(bang)子(zi)為(wei)大(da)戲(xi)(xi)，上(shang)黨梆(bang)子(zi)形(xing)成于澤州，以(yi)演(yan)(yan)(yan)(yan)(yan)唱(chang)梆(bang)子(zi)腔(qiang)(qiang)為(wei)主，兼唱(chang)昆曲、皮(pi)黃、羅羅腔(qiang)(qiang)、卷戲(xi)(xi)，俗(su)稱昆梆(bang)羅卷黃。唱(chang)腔(qiang)(qiang)高亢明朗(lang)、粗獷樸實(shi)、直出(chu)(chu)(chu)直入、強烈激越(yue)。當地人愛聽的(de)(de)是楊家(jia)將、岳(yue)家(jia)將等武戲(xi)(xi)，如《三(san)關(guan)(guan)排宴》、《天(tian)(tian)波樓》、《雁門關(guan)(guan)》、《闖(chuang)幽(you)州》等，趙樹(shu)理曾說：“從(cong)家(jia)里到野地，到處唱(chang)起干梆(bang)戲(xi)(xi)。”可見梆(bang)子(zi)腔(qiang)(qiang)在當地很受歡迎。

潞城東邑龍王(wang)廟廟會涵(han)蓋了(le)晉東南地區迎神(shen)(shen)賽社(she)(she)(she)諸多儀式，如取(qu)水、曬(shai)龍王(wang)、斬旱魃、百戲社(she)(she)(she)火、迎神(shen)(shen)演劇等(deng)。農業社(she)(she)(she)會，人(ren)們(men)(men)把(ba)希(xi)望求助于神(shen)(shen)靈，雩(yu)祭和(he)春(chun)祈(qi)秋報無論對國家(jia)還是(shi)(shi)百姓都(dou)是(shi)(shi)重要的(de)(de)事宜，在這(zhe)種(zhong)祭祀儀式中(zhong)，祭祀禮(li)儀、百戲雜陳、戲劇演出都(dou)是(shi)(shi)奉(feng)獻給神(shen)(shen)靈的(de)(de)藝術供(gong)品。民間把(ba)所有這(zhe)些娛(yu)(yu)神(shen)(shen)又娛(yu)(yu)人(ren)的(de)(de)活動統稱為“社(she)(she)(she)火”。宋(song)代(dai)范成大(da)《上元紀吳中(zhong)節物俳諧體三十二(er)韻》：“輕薄行歌(ge)過，癲狂(kuang)社(she)(she)(she)舞狂(kuang)。”自注：“民間鼓(gu)樂謂(wei)之社(she)(she)(she)火，不(bu)可悉記，大(da)抵(di)以(yi)滑稽取(qu)笑。”上黨(dang)地區的(de)(de)迎神(shen)(shen)賽社(she)(she)(she)能夠生生不(bu)息，繁衍千(qian)年而不(bu)衰(shuai)，是(shi)(shi)因為人(ren)們(men)(men)在宗教祭祀和(he)官方禮(li)儀中(zhong)找到(dao)了(le)緩解(jie)疲勞舒展身心的(de)(de)通道，他們(men)(men)等(deng)待著(zhu)這(zhe)種(zhong)周期性(xing)的(de)(de)、年復(fu)一年的(de)(de)盛宴到(dao)來，呈現著(zhu)真實的(de)(de)民眾狂(kuang)歡和(he)世(shi)俗娛(yu)(yu)樂。

建筑

現存主要殿(dian)(dian)宇屬于(yu)明(ming)(ming)(ming)(ming)(ming)(ming)(ming)清時期的建(jian)(jian)(jian)筑(zhu)風(feng)格(ge)。廟(miao)(miao)坐(zuo)北(bei)向南，共(gong)(gong)為(wei)(wei)兩(liang)進(jin)院(yuan)落，中(zhong)(zhong)軸線(xian)上(shang)(shang)有(you)山(shan)門(men)(men)，戲(xi)(xi)(xi)樓(lou)、正殿(dian)(dian)，兩(liang)側(ce)有(you)耳殿(dian)(dian)、廂房等，共(gong)(gong)有(you)殿(dian)(dian)宇33間(jian)(jian)(jian)(jian)(jian)。山(shan)門(men)(men)位居(ju)(ju)廟(miao)(miao)前(qian)、面(mian)(mian)(mian)闊三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進(jin)深(shen)(shen)三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，單(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。琉璃(li)脊獸(shou)，筒板瓦(wa)(wa)(wa)作(zuo)(zuo)。琉璃(li)以(yi)(yi)黃綠紅(hong)(hong)三(san)(san)(san)色(se)為(wei)(wei)主，色(se)彩艷麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)三(san)(san)(san)踩(cai)斗(dou)拱(gong)(gong)單(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)(ang)呈(cheng)琴(qin)面(mian)(mian)(mian)式(shi)，耍(shua)(shua)頭(tou)(tou)(tou)(tou)同(tong)(tong)(tong)(tong)昂(ang)(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)(ming)(ming)(ming)(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)(jian)各(ge)(ge)施(shi)(shi)補(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)，斗(dou)拱(gong)(gong)同(tong)(tong)(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)。明(ming)(ming)(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)門(men)(men)， 以(yi)(yi)作(zuo)(zuo)通(tong)(tong)(tong)道(dao)。倒(dao)座(zuo)戲(xi)(xi)(xi)樓(lou)位居(ju)(ju)山(shan)門(men)(men)之(zhi)后(hou)，面(mian)(mian)(mian)闊三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進(jin)深(shen)(shen)三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，上(shang)(shang)下(xia)(xia)(xia)兩(liang)層(ceng)，下(xia)(xia)(xia)面(mian)(mian)(mian)明(ming)(ming)(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)通(tong)(tong)(tong)道(dao)，上(shang)(shang)建(jian)(jian)(jian)戲(xi)(xi)(xi)樓(lou)，硬山(shan)頂(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)五(wu)(wu)踩(cai)斗(dou)拱(gong)(gong)雙(shuang)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)(ang)呈(cheng)琴(qin)面(mian)(mian)(mian)式(shi)，明(ming)(ming)(ming)(ming)(ming)(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)(jian)各(ge)(ge)施(shi)(shi)補(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)兩(liang)朵(duo)，斗(dou)拱(gong)(gong)形制(zhi)同(tong)(tong)(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)。前(qian)后(hou)檐(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額，結(jie)(jie)構(gou)精巧(qiao)(qiao)。屋(wu)頂(ding)(ding)琉璃(li)脊獸(shou)，筒板布瓦(wa)(wa)(wa)裝修，古(gu)樸(pu)雅致(zhi)(zhi)。正殿(dian)(dian)系廟(miao)(miao)內的一(yi)(yi)(yi)個(ge)主體建(jian)(jian)(jian)筑(zhu)，建(jian)(jian)(jian)于(yu)高(gao)臺之(zhi)上(shang)(shang)，廣深(shen)(shen)三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，六(liu)架(jia)椽屋(wu)，四(si)(si)椽栿(fa)(fa)對(dui)前(qian)乳栿(fa)(fa)，通(tong)(tong)(tong)檐(yan)(yan)(yan)用三(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。斗(dou)拱(gong)(gong)為(wei)(wei)柱(zhu)(zhu)(zhu)(zhu)高(gao)四(si)(si)分(fen)之(zhi)一(yi)(yi)(yi)，柱(zhu)(zhu)(zhu)(zhu)升起與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)角(jiao)明(ming)(ming)(ming)(ming)(ming)(ming)(ming)顯(xian)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)斗(dou)拱(gong)(gong)五(wu)(wu)鋪(pu)作(zuo)(zuo)單(dan)抄單(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)(ang)為(wei)(wei)琴(qin)面(mian)(mian)(mian)式(shi)，耍(shua)(shua)頭(tou)(tou)(tou)(tou)同(tong)(tong)(tong)(tong)昂(ang)(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)(ming)(ming)(ming)(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)(jian)各(ge)(ge)施(shi)(shi)補(bu)間(jian)(jian)(jian)(jian)(jian)鋪(pu)作(zuo)(zuo)一(yi)(yi)(yi)朵(duo)，出四(si)(si)十(shi)(shi)(shi)五(wu)(wu)度斜(xie)拱(gong)(gong)。殿(dian)(dian)內四(si)(si)椽栿(fa)(fa)上(shang)(shang)置平梁，用脊瓜柱(zhu)(zhu)(zhu)(zhu)，大叉手，梁架(jia)規(gui)整(zheng)，結(jie)(jie)構(gou)簡(jian)練(lian)，雖經后(hou)人(ren)多(duo)次(ci)(ci)重修，仍保留(liu)金代建(jian)(jian)(jian)筑(zhu)風(feng)格(ge)。殿(dian)(dian)頂(ding)(ding)琉璃(li)脊獸(shou)，筒板布瓦(wa)(wa)(wa)裝修，舉折平緩，出檐(yan)(yan)(yan)深(shen)(shen)遠(yuan)(yuan)。前(qian)檐(yan)(yan)(yan)破子(zi)欞窗，隔(ge)扇門(men)(men)裝修。殿(dian)(dian)內三(san)(san)(san)壁(bi)殘存人(ren)物故(gu)事(shi)，壁(bi)畫依(yi)稀可見。整(zheng)個(ge)殿(dian)(dian)堂(tang)(tang)氣勢雄(xiong)偉，古(gu)樸(pu)壯(zhuang)觀。 山(shan)西省重點文(wen)物保護單(dan)位。在(zai)潞城縣(xian)東(dong)(dong)南5千米處的東(dong)(dong)邑(yi)鄉(xiang)東(dong)(dong)邑(yi)村中(zhong)(zhong)，東(dong)(dong)北(bei)緊依(yi)盧醫山(shan)，西南與(yu)農舍毗鄰居(ju)(ju)，松柏蒼(cang)翠，綠樹(shu)成(cheng)蔭，景色(se)十(shi)(shi)(shi)分(fen)優雅。該廟(miao)(miao)創(chuang)建(jian)(jian)(jian)年代不詳，金代以(yi)(yi)后(hou)多(duo)次(ci)(ci)重修。現存主要殿(dian)(dian)宇屬于(yu)明(ming)(ming)(ming)(ming)(ming)(ming)(ming)清時期的建(jian)(jian)(jian)筑(zhu)風(feng)格(ge)。廟(miao)(miao)坐(zuo)北(bei)向南，共(gong)(gong)為(wei)(wei)兩(liang)進(jin)院(yuan)落，中(zhong)(zhong)軸線(xian)上(shang)(shang)有(you)山(shan)門(men)(men)，戲(xi)(xi)(xi)樓(lou)、正殿(dian)(dian)，兩(liang)側(ce)有(you)耳殿(dian)(dian)、廂房等，共(gong)(gong)有(you)殿(dian)(dian)宇33間(jian)(jian)(jian)(jian)(jian)。山(shan)門(men)(men)位居(ju)(ju)廟(miao)(miao)前(qian)、面(mian)(mian)(mian)闊三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進(jin)深(shen)(shen)三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，單(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。琉璃(li)脊獸(shou)，筒板瓦(wa)(wa)(wa)作(zuo)(zuo)。琉璃(li)以(yi)(yi)黃綠紅(hong)(hong)三(san)(san)(san)色(se)為(wei)(wei)主，色(se)彩艷麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)三(san)(san)(san)踩(cai)斗(dou)拱(gong)(gong)單(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)(ang)呈(cheng)琴(qin)面(mian)(mian)(mian)式(shi)，耍(shua)(shua)頭(tou)(tou)(tou)(tou)同(tong)(tong)(tong)(tong)昂(ang)(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)(ming)(ming)(ming)(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)(jian)各(ge)(ge)施(shi)(shi)補(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)，斗(dou)拱(gong)(gong)同(tong)(tong)(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)。明(ming)(ming)(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)門(men)(men)，以(yi)(yi)作(zuo)(zuo)通(tong)(tong)(tong)道(dao)。倒(dao)座(zuo)戲(xi)(xi)(xi)樓(lou)位居(ju)(ju)山(shan)門(men)(men)之(zhi)后(hou)，面(mian)(mian)(mian)闊三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，進(jin)深(shen)(shen)三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，上(shang)(shang)下(xia)(xia)(xia)兩(liang)層(ceng)，下(xia)(xia)(xia)面(mian)(mian)(mian)明(ming)(ming)(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)(jian)辟(pi)通(tong)(tong)(tong)道(dao)，上(shang)(shang)建(jian)(jian)(jian)戲(xi)(xi)(xi)樓(lou)，硬山(shan)頂(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)五(wu)(wu)踩(cai)斗(dou)拱(gong)(gong)雙(shuang)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)(ang)呈(cheng)琴(qin)面(mian)(mian)(mian)式(shi)，明(ming)(ming)(ming)(ming)(ming)(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)(jian)各(ge)(ge)施(shi)(shi)補(bu)間(jian)(jian)(jian)(jian)(jian)科(ke)(ke)(ke)兩(liang)朵(duo)，斗(dou)拱(gong)(gong)形制(zhi)同(tong)(tong)(tong)(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)科(ke)(ke)(ke)。前(qian)后(hou)檐(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額，結(jie)(jie)構(gou)精巧(qiao)(qiao)。屋(wu)頂(ding)(ding)琉璃(li)脊獸(shou)，筒板布瓦(wa)(wa)(wa)裝修，古(gu)樸(pu)雅致(zhi)(zhi)。正殿(dian)(dian)系廟(miao)(miao)內的一(yi)(yi)(yi)個(ge)主體建(jian)(jian)(jian)筑(zhu)，建(jian)(jian)(jian)于(yu)高(gao)臺之(zhi)上(shang)(shang)，廣深(shen)(shen)三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)，六(liu)架(jia)椽屋(wu)，四(si)(si)椽栿(fa)(fa)對(dui)前(qian)乳栿(fa)(fa)，通(tong)(tong)(tong)檐(yan)(yan)(yan)用三(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)檐(yan)(yan)(yan)懸山(shan)頂(ding)(ding)。斗(dou)拱(gong)(gong)為(wei)(wei)柱(zhu)(zhu)(zhu)(zhu)高(gao)四(si)(si)分(fen)之(zhi)一(yi)(yi)(yi)，柱(zhu)(zhu)(zhu)(zhu)升起與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)角(jiao)明(ming)(ming)(ming)(ming)(ming)(ming)(ming)顯(xian)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)(tou)斗(dou)拱(gong)(gong)五(wu)(wu)鋪(pu)作(zuo)(zuo)單(dan)抄單(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)(ang)為(wei)(wei)琴(qin)面(mian)(mian)(mian)式(shi)，耍(shua)(shua)頭(tou)(tou)(tou)(tou)同(tong)(tong)(tong)(tong)昂(ang)(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)(ming)(ming)(ming)(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)(jian)各(ge)(ge)施(shi)(shi)補(bu)間(jian)(jian)(jian)(jian)(jian)鋪(pu)作(zuo)(zuo)一(yi)(yi)(yi)朵(duo)，出四(si)(si)十(shi)(shi)(shi)五(wu)(wu)度斜(xie)拱(gong)(gong)。殿(dian)(dian)內四(si)(si)椽栿(fa)(fa)上(shang)(shang)置平梁，用脊瓜柱(zhu)(zhu)(zhu)(zhu)，大叉手，梁架(jia)規(gui)整(zheng)，結(jie)(jie)構(gou)簡(jian)練(lian)，雖經后(hou)人(ren)多(duo)次(ci)(ci)重修，仍保留(liu)金代建(jian)(jian)(jian)筑(zhu)風(feng)格(ge)。殿(dian)(dian)頂(ding)(ding)琉璃(li)脊獸(shou)，筒板布瓦(wa)(wa)(wa)裝修，舉折平緩，出檐(yan)(yan)(yan)深(shen)(shen)遠(yuan)(yuan)。前(qian)檐(yan)(yan)(yan)破子(zi)欞窗，隔(ge)扇門(men)(men)裝修。殿(dian)(dian)內三(san)(san)(san)壁(bi)殘存人(ren)物故(gu)事(shi)，壁(bi)畫依(yi)稀可見。整(zheng)個(ge)殿(dian)(dian)堂(tang)(tang)氣勢雄(xiong)偉，古(gu)樸(pu)壯(zhuang)觀。東(dong)(dong)邑(yi)村距縣(xian)城東(dong)(dong)南約10里,古(gu)稱黃邑(yi),舊屬葛井(jing)鄉(xiang)。龍王廟(miao)(miao)位于(yu)村東(dong)(dong)北(bei)，坐(zuo)北(bei)面(mian)(mian)(mian)南，兩(liang)進(jin)院(yuan)落。入(ru)山(shan)門(men)(men)靠西處有(you)一(yi)(yi)(yi)眼水(shui)井(jing)，兩(liang)側(ce)各(ge)(ge)為(wei)(wei)三(san)(san)(san)間(jian)(jian)(jian)(jian)(jian)廂房，中(zhong)(zhong)間(jian)(jian)(jian)(jian)(jian)甬道(dao)直(zhi)通(tong)(tong)(tong)戲(xi)(xi)(xi)臺。

戲(xi)臺(tai)三間(jian)，倒座式，即坐(zuo)南朝北，面向正殿，單(dan)檐硬山頂(ding)，灰色瓦頂(ding)。上(shang)下兩層，下層為(wei)通道。戲(xi)臺(tai)前檐斗拱四鋪(pu)作(zuo)單(dan)下昂(ang)，卷云式昂(ang)頭。柱頭斗拱耍(shua)頭為(wei)象頭，補(bu)間(jian)為(wei)龍頭。明間(jian)雀替為(wei)龍頭，兩次(ci)間(jian)為(wei)象頭。梁(liang)(liang)架(jia)由四椽、平梁(liang)(liang)構(gou)成(cheng)。梁(liang)(liang)架(jia)殘(can)存部分有(you)彩畫。

正(zheng)(zheng)殿位于(yu)中軸(zhou)線最北端，坐落(luo)在長14.76米、寬13.5米、高(gao)1米的臺(tai)基之上。正(zheng)(zheng)殿三間，面闊13.24米,進深11.97米，單檐懸山(shan)頂，灰瓦，大吻、垂(chui)(chui)獸(shou)、戧(chuang)獸(shou)、套獸(shou)均為琉(liu)璃(li)雕(diao)花，正(zheng)(zheng)脊(ji)(ji)每面6條龍(long)，垂(chui)(chui)脊(ji)(ji)雕(diao)鳳，均配飾牡丹，垂(chui)(chui)脊(ji)(ji)現剩一條脊(ji)(ji)剎，有“嘉慶元年五月立(li)”題記。

龍王廟布局規整(zheng)對稱(cheng)，保存完整(zheng)，“神(shen)殿與戲臺結合構(gou)成神(shen)廟，是北宋以后中國本土宗教(jiao)場所的顯(xian)著特征(zheng)”