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簡介

山西省重點文物保(bao)護單位。在潞城縣東(dong)南(nan)5千米(mi)處的(de)東(dong)邑鄉(xiang)東(dong)邑村中，東(dong)北(bei)緊依盧(lu)醫山，西南(nan)與農舍毗鄰居，松(song)柏蒼翠(cui)，綠(lv)樹成蔭，景色十分優雅。該廟創建年代(dai)不(bu)詳，金(jin)代(dai)以后多次(ci)重修。 始建年代(dai)不(bu)詳。廟坐北(bei)朝南(nan)，兩進院(yuan)落，存有(you)(you)山門(men)、戲臺、正(zheng)殿，及耳殿、廂房等。正(zheng)殿面闊三間，進深六(liu)椽，單檐(yan)懸山頂；因為后時屢有(you)(you)修繕，所以風格(ge)雜糅，但是殿內梁架保(bao)留(liu)了大叉(cha)手、平梁，基本保(bao)留(liu)了金(jin)代(dai)原(yuan)建時的(de)特點。

綜述

東邑村距(ju)縣城東南約5公里(li)(li),古稱黃邑,舊屬葛(ge)(ge)井(jing)鄉(xiang)。平(ping)順九天圣(sheng)母廟碑《重修九天圣(sheng)母廟記(ji)》中記(ji)載：“古潞子嬰兒之(zhi)國東南數十里(li)(li)有(you)葛(ge)(ge)井(jing)鄉(xiang)，鄉(xiang)之(zhi)東社曰圣(sheng)母谷，谷之(zhi)四面，山(shan)明(ming)水秀，石怪木(mu)(mu)老(lao)，乃太行(xing)左(zuo)也。”因(yin)“相(xiang)傳葛(ge)(ge)洪師(shi)事鮑(bao)元(yuan)，學道于(yu)此”，故又(you)名葛(ge)(ge)井(jing)山(shan)。東峪南山(shan)有(you)“神泉”，“俗傳里(li)(li)人見一白虎入南山(shan)下，覓至山(shan)不(bu)見，止存(cun)一木(mu)(mu)箭，拔(ba)箭得(de)水，故名。”這里(li)(li)寺廟林立(li)，古有(you)葛(ge)(ge)洪祠，即《潞州潞城縣三池(chi)東圣(sheng)母仙鄉(xiang)之(zhi)碑》所謂的(de)“蓋(gai)井(jing)葛(ge)(ge)仙公煉藥之(zhi)宮”，還有(you)圓寂寺，“在(zai)潞城縣東南十里(li)(li)葛(ge)(ge)井(jing)山(shan)下，唐天祐年(nian)建，今廢(fei)。”今存(cun)圣(sheng)母廟、龍王廟，可以(yi)想(xiang)象到(dao)當年(nian)香火繚(liao)繞，云蒸霞蔚的(de)景象。

龍(long)王廟位(wei)于村東(dong)(dong)北，東(dong)(dong)臨(lin)(lin)五道(dao)溝，坐北面(mian)南，俯臨(lin)(lin)村莊，兩(liang)(liang)進(jin)院落。山(shan)(shan)門三(san)間(jian)(jian)，兩(liang)(liang)側(ce)(ce)(ce)連接八字影壁墻，與(yu)兩(liang)(liang)側(ce)(ce)(ce)圍墻貫通。入山(shan)(shan)門靠西(xi)處有一眼水井(jing)，和(he)祈雨有關。山(shan)(shan)門內兩(liang)(liang)側(ce)(ce)(ce)各為(wei)三(san)間(jian)(jian)廂(xiang)房，中間(jian)(jian)甬道(dao)直(zhi)通戲(xi)臺，構(gou)成第一院落，南北進(jin)深12.3米(mi)，東(dong)(dong)西(xi)寬(kuan)16.7米(mi);戲(xi)臺下為(wei)通道(dao)，上為(wei)三(san)間(jian)(jian)倒座戲(xi)臺，正殿(dian)與(yu)戲(xi)臺相對，以甬道(dao)相連，兩(liang)(liang)側(ce)(ce)(ce)為(wei)東(dong)(dong)西(xi)配殿(dian)各五間(jian)(jian)及廂(xiang)房各三(san)間(jian)(jian)，正北為(wei)大殿(dian)三(san)間(jian)(jian)，東(dong)(dong)西(xi)耳殿(dian)各三(san)間(jian)(jian)，構(gou)成第二進(jin)院落。南北進(jin)深26.9米(mi)，東(dong)(dong)西(xi)寬(kuan)16.7米(mi)。龍(long)王廟布局(ju)規整有序，符(fu)合中國傳統建(jian)筑以中軸線為(wei)主(zhu)，左右對稱(cheng)的布局(ju)格式。

山門三間(jian)，單檐硬山頂(ding)(ding)，面(mian)闊8.31米, 進深6.3米，明間(jian)中部設板門兩扇，前檐柱(zhu)頭斗栱四(si)鋪作，單下(xia)昂(琴面(mian))卷云耍頭，補間(jian)斗栱雙下(xia)昂，上(shang)昂后尾挑入(ru)垂蓮柱(zhu)，上(shang)承(cheng)托在中金檁下(xia)皮(pi)，后檐為一(yi)斗三升。梁(liang)架由(you)四(si)栿、平梁(liang)、插手構成，灰(hui)布瓦頂(ding)(ding)，磚木結(jie)構，從建筑形制和(he)藝術構件的(de)特征看，應(ying)是清代遺物。東側(ce)廂房(fang)用(yong)作伙(huo)房(fang)，西側(ce)廂房(fang)用(yong)作宿(su)舍，宿(su)舍門窗開向廟外，均拆改為現代建筑。

戲臺(tai)(tai)三間(jian)，倒座式，即坐(zuo)南朝北(bei)，面向(xiang)正殿(dian)，面闊9.9、進深6.56米(mi)，單檐硬山頂，灰(hui)布瓦頂。上下(xia)兩層，下(xia)層為通道，通道頂部鋪木(mu)板，正面(面向(xiang)山門(men))墻體直(zhi)達檐口(kou)。中間(jian)開方(fang)形(xing)門(men)，上部做拱形(xing)門(men)頭(tou)(tou)(tou)，沙(sha)石材質，雕刻蓮花、龍(long)、蓮瓣圖案，上方(fang)鑲(xiang)“民(min)生潤澤(ze)”石匾(0.75米(mi)×2.46米(mi))一塊。背(bei)面(戲臺(tai)(tai)正面)，明間(jian)下(xia)部為長方(fang)形(xing)門(men)洞，東側石砌(qi)臺(tai)(tai)階，可達上層。戲臺(tai)(tai)前檐斗栱(gong)四(si)鋪作單下(xia)昂，卷(juan)云式昂頭(tou)(tou)(tou)。柱頭(tou)(tou)(tou)斗栱(gong)耍頭(tou)(tou)(tou)為象頭(tou)(tou)(tou)，補間(jian)為龍(long)頭(tou)(tou)(tou)。明間(jian)雀(que)替為龍(long)頭(tou)(tou)(tou)，兩次間(jian)為象頭(tou)(tou)(tou)。梁架由四(si)椽栿(fa)、平(ping)梁構成。梁架殘(can)存部分有彩畫，無壁畫。臺(tai)(tai)口(kou)被門(men)窗壘砌(qi)封閉，兩側東西耳房已(yi)被拆(chai)除，但建筑(zhu)和架檁的痕跡清(qing)晰可辨，應為唱(chang)戲時化(hua)裝、休息的場(chang)所。

正殿(dian)是龍(long)王廟(miao)主(zhu)要的(de)建筑，位于中(zhong)軸線北端，坐落在(zai)長14.76、寬13.5、高(gao)1米的(de)臺(tai)(tai)基之上，臺(tai)(tai)基東、西、南(nan)三(san)面(mian)設臺(tai)(tai)階。正殿(dian)三(san)間，面(mian)闊13.24、進深11.97米，單檐懸山(shan)頂(ding)，灰瓦(wa)，大吻、垂獸、戧獸、套獸均(jun)為琉璃雕花，正脊每面(mian)6條(tiao)(tiao)龍(long)，垂脊雕鳳，均(jun)配(pei)飾牡丹，可惜垂脊只(zhi)留(liu)一條(tiao)(tiao)脊剎，有“嘉慶元(yuan)年五月立”題(ti)記(ji)。明(ming)間設板(ban)門(men)(已毀)，兩次(ci)間為坎墻(qiang)直欞窗，明(ming)間覆盆柱礎，青石淺雕云龍(long)圖案，次(ci)間為方形(xing)石料基座。

砌上露明(ming)造(zao)，舉架(jia)平(ping)緩，減柱造(zao)，方形(xing)抹棱金柱、山柱，檐(yan)柱收殺、側腳，柱頭卷剎(cha)顯著(zhu)，設(she)欄(lan)額(e)普拍枋。用材自然粗放，面(mian)不規整，圓木稍加砍制(zhi)便使(shi)用，采用乳栿(fa)(fa)對四椽(chuan)栿(fa)(fa)，栿(fa)(fa)上兩蜀柱(有(you)方形(xing)、圓形(xing))上有(you)大斗，平(ping)梁座(zuo)于斗內，縱向出栱托替木、承(cheng)金檁，蜀柱間由縱向襻間枋連接(jie)。平(ping)梁上設(she)插(cha)(cha)手，脊瓜(gua)柱下設(she)置合(he)■，上承(cheng)大斗捧接(jie)令(ling)栱、替木承(cheng)托脊檁。侏(zhu)儒(ru)柱下插(cha)(cha)合(he)■，蜀柱下用駝(tuo)峰，合(he)■、駝(tuo)峰兼(jian)而用之的做(zuo)法較為少(shao)見。各縫(feng)梁架(jia)結構處理一致(zhi)，四椽(chuan)栿(fa)(fa)插(cha)(cha)入后(hou)墻(qiang)內設(she)后(hou)檐(yan)柱承(cheng)托，椽(chuan)頭卷剎(cha)明(ming)顯。墻(qiang)體(ti)均為坎磨青(qing)灰磚砌筑，正面(mian)兩次(ci)間設(she)坎墻(qiang)，兩山墻(qiang)及后(hou)墻(qiang)均砌至檐(yan)口(kou)。

柱頭斗栱：五鋪作(zuo)，單抄(chao)單下昂，耍頭昂形，重拱計心造(zao)。里轉四鋪作(zuo)，出華拱一挑，第二跳昂后尾作(zuo)雀替狀承托(tuo)乳(ru)栿。正身耍頭為(wei)真昂與令拱相交上承隨檁(lin)枋(fang)、檁(lin)檐(yan)，后尾由(you)乳(ru)栿駝(tuo)峰承托(tuo)，上座大斗，下承金檁(lin)，在(zai)結構中(zhong)起著重要的作(zuo)用(yong)。

明(ming)間(jian)補(bu)間(jian)斗栱(gong)(gong)：五鋪作，單抄單下(xia)昂，重拱計心(xin)造。櫨斗作圓形(xing)，共12瓣，第(di)一(yi)跳(tiao)(tiao)華栱(gong)(gong)兩(liang)(liang)(liang)側出(chu)45°斜栱(gong)(gong)，第(di)二跳(tiao)(tiao)下(xia)昂兩(liang)(liang)(liang)側出(chu)45°斜栱(gong)(gong)兩(liang)(liang)(liang)縫(feng)，令栱(gong)(gong)加長，正身為(wei)昂，兩(liang)(liang)(liang)側45°出(chu)兩(liang)(liang)(liang)縫(feng)耍頭，上(shang)(shang)承隨(sui)檁(lin)(lin)枋、檐檁(lin)(lin)里(li)轉(zhuan)五鋪作，偷(tou)心(xin)造。華栱(gong)(gong)兩(liang)(liang)(liang)側45°斜出(chu)耍頭，上(shang)(shang)昂后尾插入(ru)垂(chui)連(lian)柱，上(shang)(shang)承金檁(lin)(lin)。它和五臺山佛(fo)光寺文殊(shu)殿明(ming)間(jian)補(bu)間(jian)斗栱(gong)(gong)的(de)形(xing)制如出(chu)一(yi)轍(che)。這種在45°角線上(shang)(shang)出(chu)龐(pang)大的(de)斜栱(gong)(gong)兩(liang)(liang)(liang)縫(feng)，第(di)二跳(tiao)(tiao)加至四縫(feng)，使斗栱(gong)(gong)的(de)形(xing)狀如同怒放的(de)花束，是遼(liao)金兩(liang)(liang)(liang)代(dai)斗栱(gong)(gong)獨有的(de)構造特征，金代(dai)尤(you)為(wei)顯著(zhu)。

次間補間斗(dou)栱：正身與明(ming)間結構(gou)基本一致，唯櫨斗(dou)作(zuo)六瓣，二、三跳45°斜(xie)栱耍頭一縫，三令栱作(zuo)鴛鴦交(jiao)首狀，出斜(xie)栱。

金(jin)(jin)柱斗(dou)栱：四鋪作，設欄額，斗(dou)栱十字相(xiang)交(jiao)，承托(tuo)四椽(chuan)栿與乳栿結(jie)點，縱(zong)向(xiang)有(you)襻(pan)間枋。正(zheng)身栱做(zuo)雀(que)替狀施于(yu)乳栿下。從結(jie)構上看(kan)，正(zheng)殿(dian)主要構件是金(jin)(jin)代物(wu)。

東西耳殿各三(san)間(jian)(jian)，通面(mian)(mian)闊(kuo)7.5米(mi)，前插(cha)廊，單(dan)檐(yan)硬(ying)山頂，縱向磚(zhuan)券窯洞(dong)。面(mian)(mian)為三(san)間(jian)(jian)實為一間(jian)(jian)，明間(jian)(jian)后墻砌拱形神龕，布筒板(ban)瓦(wa)，脊(ji)為雕龍圖案。

東西配殿(dian)及(ji)廂房分設于(yu)大殿(dian)、戲臺與(yu)山門兩側(ce)，均為硬山式建(jian)筑(zhu)，自北而(er)南配殿(dian)五間(jian)(jian)有前(qian)廊，中(zhong)間(jian)(jian)三(san)間(jian)(jian)，南端(duan)三(san)間(jian)(jian)，建(jian)筑(zhu)已被(bei)修改得面目全非，唯東側(ce)中(zhong)間(jian)(jian)三(san)間(jian)(jian)可看出(chu)清代樣式。

正(zheng)殿(dian)前(qian)臺基(ji)上，東西(xi)各(ge)蹲一(yi)石(shi)獅，被移至(zhi)學校門前(qian)。廟中碑刻在“文(wen)革”期(qi)間遺失，現(xian)今(jin)還(huan)沒(mei)有找到其創始年代的文(wen)字記載。

龍王廟布局規整(zheng)(zheng)對稱，保存完整(zheng)(zheng)，“神(shen)殿(dian)與戲(xi)(xi)(xi)臺(tai)結(jie)合構成(cheng)神(shen)廟，是(shi)北宋以(yi)(yi)后中國(guo)本土宗教場(chang)所的(de)顯著特(te)征。”他(ta)們結(jie)合的(de)思想基(ji)礎是(shi)孔子(zi)的(de)“興于禮，成(cheng)于樂(le)(le)”的(de)禮樂(le)(le)觀，神(shen)殿(dian)象征著禮，戲(xi)(xi)(xi)臺(tai)象征著樂(le)(le)，禮樂(le)(le)是(shi)祭(ji)(ji)祀的(de)兩面(mian)。“無戲(xi)(xi)(xi)樓則(ze)廟貌不稱，無戲(xi)(xi)(xi)樓則(ze)觀瞻不雅(ya)”，沒有戲(xi)(xi)(xi)臺(tai)，“不惟戲(xi)(xi)(xi)無以(yi)(yi)演，神(shen)無以(yi)(yi)奉，抑且為一村之羞也，這種思想體現了“禮以(yi)(yi)節人(ren)，樂(le)(le)以(yi)(yi)和人(ren)”的(de)禮樂(le)(le)制度對中國(guo)社(she)會的(de)影響(xiang)。晉東南地區多神(shen)廟，每年的(de)雩祭(ji)(ji)儀式和春祈秋(qiu)報(bao)相(xiang)結(jie)合，造就了當地以(yi)(yi)取水求雨為主旨的(de)獨特(te)的(de)賽社(she)活動。

農業社會(hui)(hui)，人們(men)大的(de)企(qi)盼就(jiu)是風(feng)調雨順，來年能(neng)有(you)(you)(you)好收(shou)成(cheng)。龍(long)(long)王(wang)(wang)(wang)作為(wei)司雨水之(zhi)神(shen)(shen)(shen)(shen)(shen)，便格外受到(dao)人們(men)的(de)尊崇。早在(zai)秦始皇時，就(jiu)有(you)(you)(you)“黃(huang)帝(di)得土德，黃(huang)龍(long)(long)地(di)寅見。夏得木德，青(qing)龍(long)(long)止于郊……今(jin)秦變(bian)周,水德之(zhi)時。昔秦文公出獵，獲黑龍(long)(long)，此(ci)(ci)(ci)其水德之(zhi)瑞”的(de)記載。到(dao)漢代，民間出現(xian)了以五(wu)(wu)(wu)色龍(long)(long)祈雨的(de)習俗。《唐志》：“上黨有(you)(you)(you)五(wu)(wu)(wu)龍(long)(long)山。”《十(shi)六國春秋(qiu)》：“西燕慕(mu)容(rong)永時有(you)(you)(you)五(wu)(wu)(wu)色云見于此(ci)(ci)(ci)，遇旱禱雨輒應(ying)，因(yin)置祠以祀五(wu)(wu)(wu)方之(zhi)神(shen)(shen)(shen)(shen)(shen)。”據《宋會(hui)(hui)要輯稿》記載：“國朝緣唐祭五(wu)(wu)(wu)龍(long)(long)之(zhi)制,春秋(qiu)常(chang)行(xing)其祀。先是熙寧十(shi)年八月信州有(you)(you)(you)五(wu)(wu)(wu)龍(long)(long)廟,禱雨有(you)(you)(you)應(ying),賜額曰：‘會(hui)(hui)應(ying)’。自是五(wu)(wu)(wu)龍(long)(long)廟皆以此(ci)(ci)(ci)名(ming)額云。徽宗大觀二(er)年十(shi)月,詔(zhao)天下五(wu)(wu)(wu)龍(long)(long)廟皆封王(wang)(wang)(wang)爵。青(qing)龍(long)(long)神(shen)(shen)(shen)(shen)(shen)封廣仁王(wang)(wang)(wang),赤龍(long)(long)神(shen)(shen)(shen)(shen)(shen)封嘉澤王(wang)(wang)(wang),黃(huang)龍(long)(long)神(shen)(shen)(shen)(shen)(shen)封孚(fu)應(ying)王(wang)(wang)(wang),白龍(long)(long)神(shen)(shen)(shen)(shen)(shen)封義濟(ji)王(wang)(wang)(wang),黑龍(long)(long)神(shen)(shen)(shen)(shen)(shen)封靈(ling)澤王(wang)(wang)(wang)。”龍(long)(long)王(wang)(wang)(wang)由民俗之(zhi)神(shen)(shen)(shen)(shen)(shen)上升為(wei)祀典之(zhi)神(shen)(shen)(shen)(shen)(shen)，為(wei)龍(long)(long)王(wang)(wang)(wang)修(xiu)建廟宇成(cheng)為(wei)理所當然(ran)的(de)事情，龍(long)(long)王(wang)(wang)(wang)廟往(wang)往(wang)建在(zai)有(you)(you)(you)泉、池(chi)、井的(de)地(di)方，因(yin)為(wei)這里(li)能(neng)“禱雨而(er)(er)應(ying)”。晉(jin)東南的(de)府州縣(xian)志及(ji)現(xian)存石刻，到(dao)處都(dou)有(you)(you)(you)禱取“神(shen)(shen)(shen)(shen)(shen)水”而(er)(er)“靈(ling)應(ying)”降雨的(de)記錄。潞城東邑龍(long)(long)王(wang)(wang)(wang)廟山門西側(ce)有(you)(you)(you)井，應(ying)為(wei)禱雨取水之(zhi)池(chi)。

雩(yu)祭作為一種祈雨(yu)的(de)儀式，分為官辦(ban)和(he)民辦(ban)兩(liang)類(lei)。

從商(shang)周開始，祭祀(si)便(bian)和(he)禮(li)樂相伴，是國家的(de)(de)重要(yao)行為(wei)。官方(fang)主(zhu)持的(de)(de)祭祀(si)活動正(zheng)式(shi)莊重、規范(fan)高雅。而這(zhe)種帶有宗教色彩的(de)(de)禮(li)樂祭祀(si)在(zai)(zai)轉變為(wei)民間集(ji)體行為(wei)時，往往帶有了娛樂游戲的(de)(de)成(cheng)分。“祭禮(li)”漸(jian)漸(jian)演(yan)變成(cheng)“戲禮(li)”(蘇東坡(po)語(yu))。學(xue)者王(wang)國維在(zai)(zai)論及上古(gu)戲劇時說(shuo)：“巫之事神，必(bi)用歌(ge)舞(wu)”，“歌(ge)舞(wu)之興(xing)，其始于(yu)古(gu)之巫乎?”在(zai)(zai)雩(yu)祭儀(yi)式(shi)中(zhong)，女巫擔任(ren)主(zhu)角。廖奔先生認為(wei)“雩(yu)祭的(de)(de)目的(de)(de)在(zai)(zai)于(yu)‘以舞(wu)降神’以祈雨，其中(zhong)歌(ge)舞(wu)媚(mei)神的(de)(de)成(cheng)分比(bi)(bi)較(jiao)大，它出現在(zai)(zai)農業(ye)文(wen)明興(xing)起之后。”歷史的(de)(de)積淀和(he)文(wen)化的(de)(de)過濾，“歌(ge)舞(wu)媚(mei)神”已(yi)演(yan)變為(wei)歌(ge)舞(wu)娛人，民間的(de)(de)迎神賽社卻呈現出公(gong)眾性的(de)(de)狂歡。人們在(zai)(zai)這(zhe)種周期性的(de)(de)儀(yi)式(shi)中(zhong)舒展(zhan)著(zhu)疲憊的(de)(de)身心，釋放著(zhu)壓抑的(de)(de)情感。和(he)官辦雩(yu)祭枯(ku)燥乏味相比(bi)(bi)，民間的(de)(de)雩(yu)祭儀(yi)式(shi)要(yao)熱鬧得多。

潞城東邑(yi)村(cun)龍(long)王廟(miao)的(de)迎神賽社定在每年農(nong)(nong)歷二(er)(er)(er)月(yue)初二(er)(er)(er)和(he)六(liu)月(yue)初六(liu)，二(er)(er)(er)月(yue)二(er)(er)(er)是(shi)(shi)傳統龍(long)抬頭的(de)日子，因為(wei)二(er)(er)(er)月(yue)初處于驚(jing)蟄(zhe)(zhe)前(qian)后，蟄(zhe)(zhe)伏一冬的(de)各種(zhong)動物恢(hui)復(fu)活力，龍(long)也要(yao)蘇(su)醒(xing)過來履行它降雨的(de)職(zhi)責(ze)。從時(shi)節(jie)上(shang)來說(shuo)，二(er)(er)(er)月(yue)進入(ru)仲春季節(jie)，這(zhe)時(shi)陽(yang)氣上(shang)升，大地復(fu)蘇(su)，春耕播種(zhong)非(fei)常需要(yao)土壤(rang)濕潤(run)，保有(you)水分，若是(shi)(shi)天公降雨，無疑是(shi)(shi)農(nong)(nong)民的(de)一大福祉(zhi)。六(liu)月(yue)初六(liu)正值谷物秀(xiu)而未(wei)(wei)實(shi)，或實(shi)而未(wei)(wei)堅，農(nong)(nong)夫希望普降甘(gan)霖，秋天才會獲得(de)豐收。另外(wai)，如果禱雨而應，祈得(de)甘(gan)澤，也應演(yan)戲酬報，謝過龍(long)王。

祈雨之前，會首要做許多準備(bei)工作(zuo)，安(an)排好求(qiu)雨、演戲、社(she)火等各項(xiang)事宜。主禮通常(chang)由陰(yin)陽先生(sheng)擔任(ren)，廚師負責(ze)煮花祭(ji)(ji)、備(bei)供(gong)饌，祭(ji)(ji)樂樂戶承應，執役村(cun)民分(fen)管(guan)，鄉人表演社(she)火。可(ke)以(yi)說，不分(fen)貧富貴賤，不論階層行業，全民都(dou)參與到(dao)祭(ji)(ji)祀與狂歡之中(zhong)，勞作(zuo)的(de)辛苦得到(dao)釋放，情感得以(yi)宣泄。

廟會(hui)(hui)通常(chang)五(wu)天。第一天是(shi)隆重的祈雨儀式和社火表演。第一項是(shi)祭拜(bai)取水(shui)。會(hui)(hui)首(shou)帶(dai)領男村(cun)(cun)民，人人頭帶(dai)柳(liu)(liu)圈，手執柳(liu)(liu)條(tiao)，依(yi)次進入龍(long)(long)王廟正殿，專人端(duan)上(shang)花祭、供饌及長頸陶瓶，上(shang)香(xiang)跪(gui)拜(bai)，三禮九叩，肅(su)穆虔禱。龍(long)(long)王坐像近一米高(gao)，木架支(zhi)成空心，泥(ni)塑，涂以油彩，黑臉，雙目迥(jiong)然。拜(bai)畢，會(hui)(hui)首(shou)手捧(peng)陶瓶，舉(ju)過(guo)頭頂，領村(cun)(cun)民走至(zhi)山門左側井(jing)(jing)口旁(pang)，用紅繩系瓶口，徐(xu)徐(xu)放如井(jing)(jing)中，俯(fu)首(shou)噤聲，點燃香(xiang)枝(zhi)，頻頻叩首(shou)。禮畢，將紅繩系到旁(pang)邊的柳(liu)(liu)樹上(shang)，等待龍(long)(long)王賜雨。曬(shai)龍(long)(long)王儀式結束(shu)后，恭(gong)恭(gong)敬敬地(di)取回(hui)神(shen)水(shui)，供奉在大殿的供桌(zhuo)上(shang)。井(jing)(jing)水(shui)旱不枯，澇(lao)不溢，在民間傳說中被認為(wei)是(shi)通向(xiang)神(shen)秘世界東海龍(long)(long)王居所的海眼。

第二項是熱鬧的(de)(de)(de)曬龍王巡街活動。幾個(ge)年輕(qing)力壯(zhuang)的(de)(de)(de)小伙子(zi)將龍王爺抬到坐架(jia)上，扛著出(chu)(chu)行，因為(wei)是為(wei)民求雨，大(da)家(jia)都很樂于出(chu)(chu)力。八音會細吹細打，在(zai)前面鳴鑼(luo)開道，龍王爺緊隨其(qi)后(hou)，會首帶領(ling)眾鄉親浩浩蕩(dang)蕩(dang)從龍王廟出(chu)(chu)發，順街出(chu)(chu)村(cun)，沿田間地壟到附近的(de)(de)(de)三(san)(san)皇(huang)(huang)(huang)(huang)(huang)腦(nao)祭拜，然后(hou)返回，把龍王爺放(fang)回正殿。三(san)(san)皇(huang)(huang)(huang)(huang)(huang)腦(nao)已(yi)無(wu)遺跡可考，但當地的(de)(de)(de)百(bai)姓(xing)認為(wei)三(san)(san)皇(huang)(huang)(huang)(huang)(huang)主(zhu)管一切神(shen)靈，所以龍王出(chu)(chu)動一次，有必要祭拜三(san)(san)皇(huang)(huang)(huang)(huang)(huang)。三(san)(san)皇(huang)(huang)(huang)(huang)(huang)有上三(san)(san)皇(huang)(huang)(huang)(huang)(huang)、中三(san)(san)皇(huang)(huang)(huang)(huang)(huang)、下(xia)三(san)(san)皇(huang)(huang)(huang)(huang)(huang)的(de)(de)(de)說法。上三(san)(san)皇(huang)(huang)(huang)(huang)(huang)指(zhi)天皇(huang)(huang)(huang)(huang)(huang)、地皇(huang)(huang)(huang)(huang)(huang)、人(ren)皇(huang)(huang)(huang)(huang)(huang)，他(ta)們(men)是傳(chuan)說中天、地、人(ren)的(de)(de)(de)祖先，其(qi)中天皇(huang)(huang)(huang)(huang)(huang)主(zhu)氣，地皇(huang)(huang)(huang)(huang)(huang)主(zhu)德，人(ren)皇(huang)(huang)(huang)(huang)(huang)主(zhu)生。中三(san)(san)皇(huang)(huang)(huang)(huang)(huang)為(wei)伏(fu)羲、女媧(wa)、神(shen)農(nong)。下(xia)三(san)(san)皇(huang)(huang)(huang)(huang)(huang)是黃帝、堯、舜。

曬(shai)龍(long)(long)(long)王(wang)這(zhe)種儀(yi)式，大概源于(yu)幾種想法：第(di)一(yi)，龍(long)(long)(long)是(shi)喜(xi)靜(jing)不喜(xi)動(dong)的(de)動(dong)物(wu)，平時潛居幽深的(de)龍(long)(long)(long)洞、龍(long)(long)(long)泉、龍(long)(long)(long)井(jing)之中，現(xian)在(zai)敲鑼打鼓這(zhe)么一(yi)鬧騰，便會興風作(zuo)浪，布雨(yu)降(jiang)霖(lin)。第(di)二，龍(long)(long)(long)王(wang)作(zuo)為司雨(yu)之神，應(ying)該讓(rang)它及時了(le)(le)解(jie)民間(jian)旱情，不能褻守瀆職，不管老百(bai)姓疾苦。第(di)三，龍(long)(long)(long)王(wang)爺怕熱，被(bei)放(fang)在(zai)太陽下暴曬(shai)，曬(shai)出汗了(le)(le)，流到(dao)人間(jian)便是(shi)甘(gan)露。考究曬(shai)龍(long)(long)(long)王(wang)這(zhe)一(yi)習俗(su)的(de)由來(lai)，龔維英(ying)先生(sheng)認為讓(rang)龍(long)(long)(long)王(wang)受(shou)(shou)苦源于(yu)讓(rang)巫覡受(shou)(shou)苦。他(ta)說：“本世50年代初期(qi)，農民抗(kang)旱，尚‘烤(kao)龍(long)(long)(long)王(wang)’求雨(yu)，即曝巫之遺存。”但(dan)把龍(long)(long)(long)當作(zuo)巫覡，似乎有點勉強。苑利先生(sheng)認為：“曬(shai)龍(long)(long)(long)王(wang)實際上源于(yu)上古(gu)另(ling)一(yi)種更古(gu)老的(de)習俗(su)——造(zao)(zao)(zao)土(tu)(tu)龍(long)(long)(long)。”但(dan)為什(shen)么造(zao)(zao)(zao)土(tu)(tu)龍(long)(long)(long)會致(zhi)雨(yu)，不得(de)而(er)知(zhi)。《淮南子·墜形訓》云：“土(tu)(tu)龍(long)(long)(long)致(zhi)雨(yu)。”高誘注曰：“湯遭旱，作(zuo)土(tu)(tu)龍(long)(long)(long)以象龍(long)(long)(long)，云從龍(long)(long)(long)，故致(zhi)雨(yu)也。”《山海經·大荒(huang)東(dong)經》曰：“旱而(er)為應(ying)龍(long)(long)(long)之狀(zhuang)，乃得(de)大雨(yu)。”說得(de)就是(shi)造(zao)(zao)(zao)土(tu)(tu)龍(long)(long)(long)求雨(yu)。宋真宗咸(xian)平元(yuan)年(998年)，“內出李祈雨(yu)法，以甲乙日擇東(dong)方地(di)作(zuo)壇(tan)，取土(tu)(tu)造(zao)(zao)(zao)青龍(long)(long)(long)，詣龍(long)(long)(long)所(suo)汲流水(shui)。”有可能是(shi)因為土(tu)(tu)龍(long)(long)(long)是(shi)用泥(ni)做的(de)，需要在(zai)太陽下暴曬(shai)才(cai)可定形，所(suo)以有了(le)(le)曬(shai)龍(long)(long)(long)王(wang)這(zhe)一(yi)風俗(su)。

接下(xia)來是比較刺激的(de)(de)(de)斬旱(han)(han)(han)魃(ba)儀式(shi)。旱(han)(han)(han)魃(ba)是中國神(shen)話中干旱(han)(han)(han)的(de)(de)(de)制(zhi)造者，《詩(shi)經·云漢》有語“旱(han)(han)(han)魃(ba)為虐，如焱如焚”。旱(han)(han)(han)魃(ba)的(de)(de)(de)制(zhi)作(zuo)方法很簡單，用樹枝做個身子(zi)骨架(jia)，外面用彩紙糊裱，菜瓜(gua)做頭，掏(tao)空瓜(gua)瓤，注進紅水，封嚴。把旱(han)(han)(han)魃(ba)放到平(ping)板車上(shang)，沿街游行(xing)，回到龍(long)王廟(miao)后，主禮歷數旱(han)(han)(han)魃(ba)的(de)(de)(de)種(zhong)種(zhong)罪狀，然后一(yi)聲(sheng)(sheng)喝令，旁邊手(shou)執利(li)刃的(de)(de)(de)小伙子(zi)一(yi)刀(dao)砍下(xia)旱(han)(han)(han)魃(ba)的(de)(de)(de)頭，“鮮血(xue)”淋(lin)漓。不過現在旱(han)(han)(han)魃(ba)的(de)(de)(de)制(zhi)作(zuo)多了幾分游戲的(de)(de)(de)心態，紙糊的(de)(de)(de)旱(han)(han)(han)魃(ba)身子(zi)里(li)填滿鞭炮，頭應聲(sheng)(sheng)倒地之后，身子(zi)也噼(pi)里(li)啪啦(la)燃燒起來，頗為刺激。百姓認為除掉旱(han)(han)(han)魃(ba)，才會(hui)風(feng)調(diao)雨順，五谷豐登。

最后進行的是紅火熱鬧的社(she)火表演，“扛裝(zhuang)”、“晃杠”、“踩蹺(qiao)”是傳統(tong)的表演項目，下面逐(zhu)一介紹。

扛裝：一(yi)(yi)成(cheng)年(nian)男子肩負鐵架，架上安一(yi)(yi)根1米多(duo)長的鐵棍(gun)，棍(gun)端(duan)橫懸一(yi)(yi)圓形支(zhi)架，支(zhi)架的下端(duan)是用布(bu)做成(cheng)的卡通動物，一(yi)(yi)位五六歲的兒童輕(qing)坐于上，臉(lian)部化裝成(cheng)戲劇角色，頭戴花(hua)冠(guan)(guan)，花(hua)冠(guan)(guan)左右插兩翎，身披斗篷，腰系(xi)裙子，腳(jiao)穿繡花(hua)鞋，手拿扇子、花(hua)束，隨(sui)著八音會的伴奏，男子和兒童有韻律地擺動。

晃杠：最下端(duan)是一木箱(xiang)，內裝(zhuang)石塊或鐵等(deng)沉(chen)重物，外飾彩繪。木箱(xiang)正中豎(shu)插木桿，木桿上(shang)豎(shu)著(zhu)(zhu)固定三(san)面(mian)大鏡子(zi)(zi)，每面(mian)大鏡子(zi)(zi)的(de)左右(you)橫著(zhu)(zhu)固定兩(liang)面(mian)小(xiao)鏡子(zi)(zi)，鏡子(zi)(zi)周圍(wei)用彩綢花束裝(zhuang)飾，鏡子(zi)(zi)之間書(shu)寫(xie)“國泰(tai)民安”、“風(feng)調雨順(shun)”、“祈(qi)福報(bao)功”等(deng)字樣，最上(shang)端(duan)插雞(ji)毛撣子(zi)(zi)。木箱(xiang)前(qian)后(hou)橫插一杠，由(you)兩(liang)青年面(mian)對(dui)面(mian)抬著(zhu)(zhu)，前(qian)后(hou)左右(you)四人拽著(zhu)(zhu)木桿上(shang)端(duan)垂下來(lai)的(de)繩子(zi)(zi)保持(chi)平(ping)衡(heng)。

踩蹺(qiao)：潞(lu)城境內廣泛流行，演員腳踩蹺(qiao)棍，裝(zhuang)扮成戲曲人物，在八音會伴奏下(xia)(xia)邊(bian)唱邊(bian)舞。踩的(de)木(mu)棍在三(san)尺以(yi)下(xia)(xia)的(de)叫小(xiao)蹺(qiao)，三(san)尺以(yi)上的(de)叫高蹺(qiao)，有的(de)高蹺(qiao)演員能(neng)在空中表演各種動作。

雩祭儀式肅穆隆重，百戲社火熱烈歡(huan)騰，廟外廣(guang)場和街道人山人海。

第二(er)天(tian)正式演戲(xi)(xi)(xi)(xi)(xi)，同時廟會進(jin)行(xing)，為(wei)期(qi)三天(tian)。馮俊杰先(xian)生考證：“晉東(dong)南‘謝(xie)雨’演戲(xi)(xi)(xi)(xi)(xi)，也有自(zi)己的(de)(de)(de)(de)風俗習慣。首先(xian)是(shi)由值年總社(she)首‘寫戲(xi)(xi)(xi)(xi)(xi)’，即(ji)(ji)聘(pin)請戲(xi)(xi)(xi)(xi)(xi)班(ban)，點劃劇目，并(bing)(bing)與戲(xi)(xi)(xi)(xi)(xi)班(ban)科(ke)頭(tou)簽訂演出(chu)(chu)(chu)合(he)同;然(ran)后(hou)(hou)再對戲(xi)(xi)(xi)(xi)(xi)班(ban)提(ti)出(chu)(chu)(chu)許多戒條，張榜(bang)公布;戲(xi)(xi)(xi)(xi)(xi)班(ban)也要張貼(tie)告白榜(bang)文，以(yi)(yi)聲明(ming)自(zi)己的(de)(de)(de)(de)演出(chu)(chu)(chu)符合(he)祀典。”現在儀(yi)式有所簡化(hua)，但演戲(xi)(xi)(xi)(xi)(xi)的(de)(de)(de)(de)熱情(qing)卻很高漲。在唱(chang)戲(xi)(xi)(xi)(xi)(xi)之前(qian)，有專人(ren)拿(na)扎了紅(hong)(hong)綢的(de)(de)(de)(de)竹(zhu)掃帚到村的(de)(de)(de)(de)四(si)(si)角(jiao)打(da)掃，掃除(chu)旱(han)役和災難。然(ran)后(hou)(hou)樂班(ban)鳴(ming)鑼響鞭，正式開演，先(xian)演賽(sai)(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)再演大(da)戲(xi)(xi)(xi)(xi)(xi)。賽(sai)(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)演給龍王，大(da)戲(xi)(xi)(xi)(xi)(xi)唱(chang)給百姓。賽(sai)(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)是(shi)一(yi)種頭(tou)戴假面(mian)(mian)，綜合(he)儺(nuo)儀(yi)和春社(she)祭祀的(de)(de)(de)(de)戲(xi)(xi)(xi)(xi)(xi)劇演出(chu)(chu)(chu)。大(da)戲(xi)(xi)(xi)(xi)(xi)指的(de)(de)(de)(de)是(shi)當地流行(xing)的(de)(de)(de)(de)上黨梆子(zi)(zi)。賽(sai)(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)唱(chang)腔很簡單，只是(shi)念白朗誦(song)向(xiang)歌唱(chang)過(guo)渡(du)的(de)(de)(de)(de)原始(shi)形(xing)態，有固定的(de)(de)(de)(de)演出(chu)(chu)(chu)劇目《調(diao)鬼》和《斬(zhan)旱(han)魃(ba)(ba)》。《調(diao)鬼》是(shi)開臺(tai)戲(xi)(xi)(xi)(xi)(xi)，演員(yuan)頭(tou)戴面(mian)(mian)具(ju)，扮七(qi)鬼，先(xian)在臺(tai)下(xia)后(hou)(hou)在臺(tai)上跳躍，聽候調(diao)鬼師(城隍(huang))訓(xun)誡。城隍(huang)奉(feng)玉帝(di)旨(zhi)意(yi)，下(xia)得天(tian)庭(ting)，調(diao)來諸(zhu)鬼神，逐(zhu)一(yi)囑咐，要他們各保(bao)一(yi)方，風調(diao)雨順(shun)。《斬(zhan)旱(han)魃(ba)(ba)》劇情(qing)簡單，演趙(zhao)萬年忤逆不孝事，不久變成(cheng)旱(han)魃(ba)(ba)，穿短褲，束紅(hong)(hong)腰帶，光(guang)膀子(zi)(zi)，頭(tou)戴鮮羊(yang)肚(du)，手(shou)端一(yi)碗羊(yang)血，被(bei)(bei)四(si)(si)大(da)天(tian)神趕(gan)下(xia)臺(tai)來，直(zhi)奔觀眾，觀眾立即(ji)(ji)吶喊、圍(wei)追，并(bing)(bing)以(yi)(yi)土塊拋打(da)。旱(han)魃(ba)(ba)以(yi)(yi)手(shou)灑(sa)(sa)羊(yang)血開道，并(bing)(bing)可(ke)任意(yi)抓取、拋灑(sa)(sa)商販貨攤上的(de)(de)(de)(de)食物。最后(hou)(hou)，旱(han)魃(ba)(ba)又被(bei)(bei)四(si)(si)大(da)天(tian)王追回舞臺(tai)斬(zhan)首。其實這出(chu)(chu)(chu)戲(xi)(xi)(xi)(xi)(xi)是(shi)社(she)火中的(de)(de)(de)(de)斬(zhan)旱(han)魃(ba)(ba)的(de)(de)(de)(de)戲(xi)(xi)(xi)(xi)(xi)劇樣式，現在風調(diao)雨順(shun)，五谷豐登，有時也被(bei)(bei)其他傳統劇目代替，如《華容道》、《單刀會》、《二(er)仙(xian)傳道》、《叢臺(tai)設宴》等(deng)。接下(xia)來便(bian)是(shi)唱(chang)大(da)戲(xi)(xi)(xi)(xi)(xi)，當地百姓稱上黨梆子(zi)(zi)為(wei)大(da)戲(xi)(xi)(xi)(xi)(xi)，上黨梆子(zi)(zi)形(xing)成(cheng)于澤州，以(yi)(yi)演唱(chang)梆子(zi)(zi)腔為(wei)主，兼唱(chang)昆曲(qu)、皮黃(huang)、羅(luo)羅(luo)腔、卷戲(xi)(xi)(xi)(xi)(xi)，俗稱昆梆羅(luo)卷黃(huang)。唱(chang)腔高亢(kang)明(ming)朗、粗獷樸實、直(zhi)出(chu)(chu)(chu)直(zhi)入、強烈激越(yue)。當地人(ren)愛聽的(de)(de)(de)(de)是(shi)楊家將(jiang)、岳家將(jiang)等(deng)武(wu)戲(xi)(xi)(xi)(xi)(xi)，如《三關排宴》、《天(tian)波樓》、《雁門關》、《闖幽州》等(deng)，趙(zhao)樹理(li)曾說：“從家里到野地，到處唱(chang)起(qi)干梆戲(xi)(xi)(xi)(xi)(xi)。”可(ke)見(jian)梆子(zi)(zi)腔在當地很受歡(huan)迎。

潞城東邑龍(long)王廟廟會涵蓋了晉東南地區迎(ying)神(shen)(shen)賽社(she)(she)諸多儀式，如取水、曬(shai)龍(long)王、斬旱(han)魃、百戲(xi)社(she)(she)火(huo)(huo)(huo)、迎(ying)神(shen)(shen)演劇等。農業社(she)(she)會，人(ren)們把(ba)(ba)希望求助于神(shen)(shen)靈，雩(yu)祭(ji)和春祈秋報無論對(dui)國家還(huan)是百姓都是重(zhong)要的(de)事宜，在(zai)這(zhe)種祭(ji)祀(si)儀式中(zhong)，祭(ji)祀(si)禮儀、百戲(xi)雜(za)陳(chen)、戲(xi)劇演出都是奉(feng)獻給神(shen)(shen)靈的(de)藝術供品。民間(jian)把(ba)(ba)所(suo)有這(zhe)些(xie)娛神(shen)(shen)又娛人(ren)的(de)活動統稱為“社(she)(she)火(huo)(huo)(huo)”。宋代范成大(da)《上元紀吳中(zhong)節物(wu)俳諧體三(san)十(shi)二(er)韻》：“輕薄行歌過(guo)，癲狂社(she)(she)舞狂。”自注：“民間(jian)鼓樂謂之社(she)(she)火(huo)(huo)(huo)，不(bu)可(ke)悉(xi)記，大(da)抵以滑稽取笑。”上黨地區的(de)迎(ying)神(shen)(shen)賽社(she)(she)能夠生(sheng)(sheng)生(sheng)(sheng)不(bu)息，繁衍千年(nian)而不(bu)衰，是因(yin)為人(ren)們在(zai)宗教祭(ji)祀(si)和官方禮儀中(zhong)找到(dao)了緩解疲勞舒展身心的(de)通道，他(ta)們等待(dai)著(zhu)這(zhe)種周(zhou)期性的(de)、年(nian)復一年(nian)的(de)盛宴到(dao)來，呈現(xian)著(zhu)真實(shi)的(de)民眾(zhong)狂歡和世俗娛樂。

建筑

現存(cun)主(zhu)要(yao)殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)屬于(yu)(yu)明(ming)(ming)(ming)(ming)清(qing)時期的(de)建(jian)(jian)筑風(feng)格(ge)。廟(miao)坐(zuo)(zuo)北(bei)向南，共(gong)為(wei)兩(liang)(liang)進院(yuan)落，中軸線(xian)上(shang)(shang)有(you)山(shan)(shan)門(men)(men)(men)(men)，戲(xi)(xi)樓(lou)(lou)、正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)，兩(liang)(liang)側(ce)(ce)有(you)耳(er)殿(dian)(dian)(dian)(dian)(dian)(dian)、廂房(fang)等，共(gong)有(you)殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)33間(jian)(jian)(jian)(jian)。山(shan)(shan)門(men)(men)(men)(men)位(wei)(wei)(wei)(wei)居(ju)(ju)廟(miao)前(qian)(qian)(qian)(qian)、面(mian)(mian)闊三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，單(dan)(dan)檐(yan)(yan)(yan)(yan)(yan)懸山(shan)(shan)頂(ding)(ding)。琉(liu)(liu)璃(li)脊(ji)(ji)(ji)獸(shou)，筒(tong)(tong)(tong)板(ban)(ban)瓦(wa)作(zuo)。琉(liu)(liu)璃(li)以(yi)黃(huang)(huang)綠(lv)紅三(san)(san)(san)(san)(san)色(se)為(wei)主(zhu)，色(se)彩艷麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)三(san)(san)(san)(san)(san)踩斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)單(dan)(dan)下(xia)(xia)(xia)(xia)(xia)昂，昂呈(cheng)(cheng)琴面(mian)(mian)式(shi)(shi)(shi)，耍(shua)(shua)(shua)頭(tou)(tou)同(tong)昂型。明(ming)(ming)(ming)(ming)次(ci)間(jian)(jian)(jian)(jian)各施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)(ke)，斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)。明(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)(pi)門(men)(men)(men)(men)， 以(yi)作(zuo)通(tong)(tong)道。倒(dao)座戲(xi)(xi)樓(lou)(lou)位(wei)(wei)(wei)(wei)居(ju)(ju)山(shan)(shan)門(men)(men)(men)(men)之(zhi)(zhi)(zhi)后(hou)，面(mian)(mian)闊三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，上(shang)(shang)下(xia)(xia)(xia)(xia)(xia)兩(liang)(liang)層(ceng)(ceng)，下(xia)(xia)(xia)(xia)(xia)面(mian)(mian)明(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)(pi)通(tong)(tong)道，上(shang)(shang)建(jian)(jian)戲(xi)(xi)樓(lou)(lou)，硬山(shan)(shan)頂(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)五(wu)踩斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)雙下(xia)(xia)(xia)(xia)(xia)昂，昂呈(cheng)(cheng)琴面(mian)(mian)式(shi)(shi)(shi)，明(ming)(ming)(ming)(ming)次(ci)間(jian)(jian)(jian)(jian)各施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)(ke)兩(liang)(liang)朵(duo)，斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)形制(zhi)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)。前(qian)(qian)(qian)(qian)后(hou)檐(yan)(yan)(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額，結(jie)構精巧(qiao)。屋(wu)頂(ding)(ding)琉(liu)(liu)璃(li)脊(ji)(ji)(ji)獸(shou)，筒(tong)(tong)(tong)板(ban)(ban)布(bu)瓦(wa)裝修(xiu)，古(gu)樸雅(ya)致。正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)系廟(miao)內(nei)(nei)的(de)一(yi)個(ge)主(zhu)體建(jian)(jian)筑，建(jian)(jian)于(yu)(yu)高臺之(zhi)(zhi)(zhi)上(shang)(shang)，廣深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，六架椽(chuan)(chuan)屋(wu)，四椽(chuan)(chuan)栿(fa)(fa)(fa)對(dui)前(qian)(qian)(qian)(qian)乳栿(fa)(fa)(fa)，通(tong)(tong)檐(yan)(yan)(yan)(yan)(yan)用(yong)三(san)(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)檐(yan)(yan)(yan)(yan)(yan)懸山(shan)(shan)頂(ding)(ding)。斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)為(wei)柱(zhu)(zhu)(zhu)(zhu)高四分之(zhi)(zhi)(zhi)一(yi)，柱(zhu)(zhu)(zhu)(zhu)升起與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)(ce)角明(ming)(ming)(ming)(ming)顯。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)五(wu)鋪作(zuo)單(dan)(dan)抄單(dan)(dan)下(xia)(xia)(xia)(xia)(xia)昂，昂為(wei)琴面(mian)(mian)式(shi)(shi)(shi)，耍(shua)(shua)(shua)頭(tou)(tou)同(tong)昂型。明(ming)(ming)(ming)(ming)次(ci)間(jian)(jian)(jian)(jian)各施補(bu)間(jian)(jian)(jian)(jian)鋪作(zuo)一(yi)朵(duo)，出四十五(wu)度斜拱(gong)(gong)(gong)(gong)(gong)。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)(nei)四椽(chuan)(chuan)栿(fa)(fa)(fa)上(shang)(shang)置(zhi)平梁(liang)(liang)(liang)，用(yong)脊(ji)(ji)(ji)瓜(gua)柱(zhu)(zhu)(zhu)(zhu)，大(da)叉(cha)手，梁(liang)(liang)(liang)架規整，結(jie)構簡(jian)練，雖經后(hou)人多(duo)(duo)次(ci)重(zhong)修(xiu)，仍保留金代(dai)建(jian)(jian)筑風(feng)格(ge)。殿(dian)(dian)(dian)(dian)(dian)(dian)頂(ding)(ding)琉(liu)(liu)璃(li)脊(ji)(ji)(ji)獸(shou)，筒(tong)(tong)(tong)板(ban)(ban)布(bu)瓦(wa)裝修(xiu)，舉折平緩，出檐(yan)(yan)(yan)(yan)(yan)深(shen)(shen)(shen)遠。前(qian)(qian)(qian)(qian)檐(yan)(yan)(yan)(yan)(yan)破子欞窗，隔扇門(men)(men)(men)(men)裝修(xiu)。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)(nei)三(san)(san)(san)(san)(san)壁(bi)殘存(cun)人物故事，壁(bi)畫依稀可見。整個(ge)殿(dian)(dian)(dian)(dian)(dian)(dian)堂氣勢(shi)雄(xiong)偉(wei)，古(gu)樸壯(zhuang)觀(guan)。 山(shan)(shan)西省(sheng)重(zhong)點(dian)文物保護單(dan)(dan)位(wei)(wei)(wei)(wei)。在潞城縣東(dong)南5千(qian)米處(chu)的(de)東(dong)邑鄉東(dong)邑村中，東(dong)北(bei)緊依盧(lu)醫山(shan)(shan)，西南與(yu)農舍毗鄰居(ju)(ju)，松柏蒼翠，綠(lv)樹(shu)成蔭，景色(se)十分優雅(ya)。該廟(miao)創建(jian)(jian)年代(dai)不詳，金代(dai)以(yi)后(hou)多(duo)(duo)次(ci)重(zhong)修(xiu)。現存(cun)主(zhu)要(yao)殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)屬于(yu)(yu)明(ming)(ming)(ming)(ming)清(qing)時期的(de)建(jian)(jian)筑風(feng)格(ge)。廟(miao)坐(zuo)(zuo)北(bei)向南，共(gong)為(wei)兩(liang)(liang)進院(yuan)落，中軸線(xian)上(shang)(shang)有(you)山(shan)(shan)門(men)(men)(men)(men)，戲(xi)(xi)樓(lou)(lou)、正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)，兩(liang)(liang)側(ce)(ce)有(you)耳(er)殿(dian)(dian)(dian)(dian)(dian)(dian)、廂房(fang)等，共(gong)有(you)殿(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)33間(jian)(jian)(jian)(jian)。山(shan)(shan)門(men)(men)(men)(men)位(wei)(wei)(wei)(wei)居(ju)(ju)廟(miao)前(qian)(qian)(qian)(qian)、面(mian)(mian)闊三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，單(dan)(dan)檐(yan)(yan)(yan)(yan)(yan)懸山(shan)(shan)頂(ding)(ding)。琉(liu)(liu)璃(li)脊(ji)(ji)(ji)獸(shou)，筒(tong)(tong)(tong)板(ban)(ban)瓦(wa)作(zuo)。琉(liu)(liu)璃(li)以(yi)黃(huang)(huang)綠(lv)紅三(san)(san)(san)(san)(san)色(se)為(wei)主(zhu)，色(se)彩艷麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)三(san)(san)(san)(san)(san)踩斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)單(dan)(dan)下(xia)(xia)(xia)(xia)(xia)昂，昂呈(cheng)(cheng)琴面(mian)(mian)式(shi)(shi)(shi)，耍(shua)(shua)(shua)頭(tou)(tou)同(tong)昂型。明(ming)(ming)(ming)(ming)次(ci)間(jian)(jian)(jian)(jian)各施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)(ke)，斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)。明(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)(pi)門(men)(men)(men)(men)，以(yi)作(zuo)通(tong)(tong)道。倒(dao)座戲(xi)(xi)樓(lou)(lou)位(wei)(wei)(wei)(wei)居(ju)(ju)山(shan)(shan)門(men)(men)(men)(men)之(zhi)(zhi)(zhi)后(hou)，面(mian)(mian)闊三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，上(shang)(shang)下(xia)(xia)(xia)(xia)(xia)兩(liang)(liang)層(ceng)(ceng)，下(xia)(xia)(xia)(xia)(xia)面(mian)(mian)明(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)(pi)通(tong)(tong)道，上(shang)(shang)建(jian)(jian)戲(xi)(xi)樓(lou)(lou)，硬山(shan)(shan)頂(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)五(wu)踩斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)雙下(xia)(xia)(xia)(xia)(xia)昂，昂呈(cheng)(cheng)琴面(mian)(mian)式(shi)(shi)(shi)，明(ming)(ming)(ming)(ming)次(ci)間(jian)(jian)(jian)(jian)各施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)(ke)兩(liang)(liang)朵(duo)，斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)形制(zhi)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)(ke)(ke)(ke)。前(qian)(qian)(qian)(qian)后(hou)檐(yan)(yan)(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額，結(jie)構精巧(qiao)。屋(wu)頂(ding)(ding)琉(liu)(liu)璃(li)脊(ji)(ji)(ji)獸(shou)，筒(tong)(tong)(tong)板(ban)(ban)布(bu)瓦(wa)裝修(xiu)，古(gu)樸雅(ya)致。正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)系廟(miao)內(nei)(nei)的(de)一(yi)個(ge)主(zhu)體建(jian)(jian)筑，建(jian)(jian)于(yu)(yu)高臺之(zhi)(zhi)(zhi)上(shang)(shang)，廣深(shen)(shen)(shen)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，六架椽(chuan)(chuan)屋(wu)，四椽(chuan)(chuan)栿(fa)(fa)(fa)對(dui)前(qian)(qian)(qian)(qian)乳栿(fa)(fa)(fa)，通(tong)(tong)檐(yan)(yan)(yan)(yan)(yan)用(yong)三(san)(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)檐(yan)(yan)(yan)(yan)(yan)懸山(shan)(shan)頂(ding)(ding)。斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)為(wei)柱(zhu)(zhu)(zhu)(zhu)高四分之(zhi)(zhi)(zhi)一(yi)，柱(zhu)(zhu)(zhu)(zhu)升起與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)(ce)角明(ming)(ming)(ming)(ming)顯。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)斗(dou)(dou)(dou)(dou)拱(gong)(gong)(gong)(gong)(gong)五(wu)鋪作(zuo)單(dan)(dan)抄單(dan)(dan)下(xia)(xia)(xia)(xia)(xia)昂，昂為(wei)琴面(mian)(mian)式(shi)(shi)(shi)，耍(shua)(shua)(shua)頭(tou)(tou)同(tong)昂型。明(ming)(ming)(ming)(ming)次(ci)間(jian)(jian)(jian)(jian)各施補(bu)間(jian)(jian)(jian)(jian)鋪作(zuo)一(yi)朵(duo)，出四十五(wu)度斜拱(gong)(gong)(gong)(gong)(gong)。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)(nei)四椽(chuan)(chuan)栿(fa)(fa)(fa)上(shang)(shang)置(zhi)平梁(liang)(liang)(liang)，用(yong)脊(ji)(ji)(ji)瓜(gua)柱(zhu)(zhu)(zhu)(zhu)，大(da)叉(cha)手，梁(liang)(liang)(liang)架規整，結(jie)構簡(jian)練，雖經后(hou)人多(duo)(duo)次(ci)重(zhong)修(xiu)，仍保留金代(dai)建(jian)(jian)筑風(feng)格(ge)。殿(dian)(dian)(dian)(dian)(dian)(dian)頂(ding)(ding)琉(liu)(liu)璃(li)脊(ji)(ji)(ji)獸(shou)，筒(tong)(tong)(tong)板(ban)(ban)布(bu)瓦(wa)裝修(xiu)，舉折平緩，出檐(yan)(yan)(yan)(yan)(yan)深(shen)(shen)(shen)遠。前(qian)(qian)(qian)(qian)檐(yan)(yan)(yan)(yan)(yan)破子欞窗，隔扇門(men)(men)(men)(men)裝修(xiu)。殿(dian)(dian)(dian)(dian)(dian)(dian)內(nei)(nei)三(san)(san)(san)(san)(san)壁(bi)殘存(cun)人物故事，壁(bi)畫依稀可見。整個(ge)殿(dian)(dian)(dian)(dian)(dian)(dian)堂氣勢(shi)雄(xiong)偉(wei)，古(gu)樸壯(zhuang)觀(guan)。東(dong)邑村距縣城東(dong)南約10里,古(gu)稱黃(huang)(huang)邑,舊屬葛井(jing)鄉。龍(long)王廟(miao)位(wei)(wei)(wei)(wei)于(yu)(yu)村東(dong)北(bei)，坐(zuo)(zuo)北(bei)面(mian)(mian)南，兩(liang)(liang)進院(yuan)落。入(ru)山(shan)(shan)門(men)(men)(men)(men)靠西處(chu)有(you)一(yi)眼水井(jing)，兩(liang)(liang)側(ce)(ce)各為(wei)三(san)(san)(san)(san)(san)間(jian)(jian)(jian)(jian)廂房(fang)，中間(jian)(jian)(jian)(jian)甬道直通(tong)(tong)戲(xi)(xi)臺。

戲臺(tai)(tai)三(san)間(jian)(jian)，倒座式，即坐南朝北，面向正(zheng)殿，單檐硬山頂，灰色瓦頂。上下兩層(ceng)，下層(ceng)為(wei)通道(dao)。戲臺(tai)(tai)前檐斗拱(gong)(gong)四鋪作單下昂(ang)，卷(juan)云式昂(ang)頭(tou)(tou)。柱頭(tou)(tou)斗拱(gong)(gong)耍頭(tou)(tou)為(wei)象頭(tou)(tou)，補間(jian)(jian)為(wei)龍頭(tou)(tou)。明間(jian)(jian)雀替為(wei)龍頭(tou)(tou)，兩次間(jian)(jian)為(wei)象頭(tou)(tou)。梁架(jia)由四椽、平梁構成。梁架(jia)殘存部分有彩(cai)畫。

正殿位于中軸線(xian)最北端，坐落在長(chang)14.76米(mi)、寬13.5米(mi)、高1米(mi)的臺基(ji)之上。正殿三間，面闊13.24米(mi),進深11.97米(mi)，單檐(yan)懸(xuan)山頂，灰瓦(wa)，大吻(wen)、垂獸(shou)、戧獸(shou)、套獸(shou)均為琉璃雕(diao)花(hua)，正脊(ji)每面6條(tiao)龍，垂脊(ji)雕(diao)鳳，均配飾牡丹，垂脊(ji)現剩一條(tiao)脊(ji)剎(cha)，有“嘉慶元年五月立”題記。

龍王廟布(bu)局(ju)規整(zheng)對稱，保存完整(zheng)，“神殿與戲臺結合構成(cheng)神廟，是北(bei)宋以后(hou)中國本土(tu)宗教場(chang)所的顯著特征”