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基本介紹

潮(chao)劇(ju)(ju)曲(qu)目《張(zhang)春郎(lang)削發》，主要(yao)演員有(you)陳(chen)學希飾(shi)(shi)張(zhang)春郎(lang)，孫(sun)少華飾(shi)(shi)雙(shuang)嬌公(gong)(gong)主，方(fang)展榮飾(shi)(shi)半空(kong)，李(li)有(you)存飾(shi)(shi)魯(lu)國公(gong)(gong)，張(zhang)長城飾(shi)(shi)張(zhang)崇(chong)禮。此劇(ju)(ju)于1982年12月(yue)由廣(guang)東潮(chao)劇(ju)(ju)院(yuan)一團首演。劇(ju)(ju)本整(zheng)理李(li)志浦，導演吳(wu)峰、黃瑞英，作曲(qu)李(li)廷波，舞美設計黃精(jing)秋。

內容介紹

書生張春(chun)(chun)(chun)郎是(shi)老相國(guo)張崇禮的(de)(de)(de)獨(du)生嬌子。由于他(ta)才華橫溢(yi)，品貌(mao)不凡，受到皇(huang)家的(de)(de)(de)寵(chong)愛(ai)，更惹得皇(huang)帝(di)的(de)(de)(de)獨(du)生女(nv)兒――雙(shuang)(shuang)(shuang)嬌公(gong)(gong)(gong)(gong)主(zhu)(zhu)的(de)(de)(de)傾心愛(ai)慕，又有開國(guo)元勛魯國(guo)公(gong)(gong)(gong)(gong)全力(li)推(tui)薦，被(bei)(bei)招為(wei)駙馬(ma)。在(zai)他(ta)暫(zan)輟洛(luo)陽游學，準備(bei)回京與公(gong)(gong)(gong)(gong)主(zhu)(zhu)完婚(hun)，途經青云寺探望童(tong)年好(hao)友(you)半(ban)空和(he)尚的(de)(de)(de)時候，恰逢雙(shuang)(shuang)(shuang)嬌公(gong)(gong)(gong)(gong)主(zhu)(zhu)到青云寺燒香。由于好(hao)奇，張春(chun)(chun)(chun)郎扮做(zuo)獻茶的(de)(de)(de)小和(he)尚，一睹公(gong)(gong)(gong)(gong)主(zhu)(zhu)的(de)(de)(de)嬌容(rong)，不料竟(jing)被(bei)(bei)發覺(jue)，險為(wei)公(gong)(gong)(gong)(gong)主(zhu)(zhu)所斬，幸(xing)經長(chang)老法(fa)(fa)聰求保，被(bei)(bei)迫(po)削發為(wei)僧，這就使得即(ji)將進行(xing)的(de)(de)(de)皇(huang)婚(hun)大典無法(fa)(fa)舉行(xing)。因此(ci)，唯(wei)禮是(shi)崇的(de)(de)(de)春(chun)(chun)(chun)郎之父憂心忡(chong)忡(chong)；熱(re)情的(de)(de)(de)小書童(tong)奔波(bo)報(bao)(bao)信。在(zai)宮內，雙(shuang)(shuang)(shuang)嬌公(gong)(gong)(gong)(gong)主(zhu)(zhu)怨天(tian)尤人，大鬧不休；慈(ci)愛(ai)的(de)(de)(de)皇(huang)后(hou)慌亂(luan)、煩惱(nao)；皇(huang)帝(di)對此(ci)卻不以為(wei)然。熱(re)情風(feng)趣(qu)的(de)(de)(de)魯國(guo)公(gong)(gong)(gong)(gong)出(chu)(chu)面斡旋，使公(gong)(gong)(gong)(gong)主(zhu)(zhu)親自出(chu)(chu)馬(ma)解圍(wei)。但是(shi)，張春(chun)(chun)(chun)郎書生傲氣和(he)雙(shuang)(shuang)(shuang)嬌公(gong)(gong)(gong)(gong)主(zhu)(zhu)皇(huang)家威嚴的(de)(de)(de)沖(chong)突，仍使好(hao)事多磨，幾成(cheng)僵局。通過(guo)進一步接觸(chu)，雙(shuang)(shuang)(shuang)方互相了解，最(zui)后(hou)雙(shuang)(shuang)(shuang)嬌公(gong)(gong)(gong)(gong)主(zhu)(zhu)剪下(xia)青絲，向(xiang)春(chun)(chun)(chun)郎賠(pei)禮，兩人才成(cheng)“結(jie)發”夫妻(qi)。此(ci)劇(ju)是(shi)根據廣東潮劇(ju)的(de)(de)(de)優(you)秀傳統(tong)劇(ju)目《張春(chun)(chun)(chun)蘭(lan)舍發》整理(li)改(gai)編的(de)(de)(de)，由廣東省潮劇(ju)院演(yan)(yan)出(chu)(chu)，全劇(ju)分(fen)為(wei)削發、報(bao)(bao)發、鬧發、寺會、追殿(dian)、結(jie)發等六個場次，詼諧風(feng)趣(qu)，主(zhu)(zhu)演(yan)(yan)陳學希(xi)、孫少華的(de)(de)(de)表演(yan)(yan)細膩生動。

此劇(ju)(ju)于(yu)1982年(nian)12月(yue)由(you)廣東(dong)(dong)(dong)潮劇(ju)(ju)院(yuan)一團(tuan)(tuan)首演。劇(ju)(ju)本(ben)(ben)(ben)整理李志浦，導演吳峰、黃瑞英，作(zuo)(zuo)曲(qu)李廷波(bo)，舞美(mei)設(she)計(ji)黃精秋。主要演員有(you)陳學希飾張(zhang)春郎，孫少華飾雙嬌公主，方展榮飾半空(kong)，李有(you)存飾魯國公，張(zhang)長(chang)城飾張(zhang)崇禮(li)。1982年(nian)12月(yue)參加(jia)廣東(dong)(dong)(dong)省(sheng)(sheng)直屬(shu)劇(ju)(ju)院(yuan)（團(tuan)(tuan)）創(chuang)(chuang)作(zuo)(zuo)劇(ju)(ju)目會演，劇(ju)(ju)本(ben)(ben)(ben)獲(huo)廣東(dong)(dong)(dong)省(sheng)(sheng)1982—1983年(nian)專業劇(ju)(ju)本(ben)(ben)(ben)創(chuang)(chuang)作(zuo)(zuo)二等獎；省(sheng)(sheng)內外不少劇(ju)(ju)種（團(tuan)(tuan)）及泰(tai)國的(de)泰(tai)中劇(ju)(ju)團(tuan)(tuan)曾先后移植(zhi)上演。劇(ju)(ju)本(ben)(ben)(ben)存廣東(dong)(dong)(dong)潮劇(ju)(ju)院(yuan)。劇(ju)(ju)本(ben)(ben)(ben)于(yu)1985年(nian)獲(huo)廣東(dong)(dong)(dong)省(sheng)(sheng)魯迅文藝獎。1984年(nian)拍成彩(cai)色寬銀(yin)幕影片，發行海(hai)內外。

其他信息

潮劇傳承

一、學(xue)好繼承第一課(ke)，舊(jiu)本中(zhong)挑(tiao)出“戲膽(dan)”

潮(chao)劇(ju)《張(zhang)(zhang)(zhang)(zhang)春(chun)(chun)(chun)(chun)郎削發(fa)》的(de)(de)(de)(de)舊(jiu)本(ben)(ben)《張(zhang)(zhang)(zhang)(zhang)春(chun)(chun)(chun)(chun)蘭(lan)舍(she)發(fa)》未挖(wa)掘出(chu)(chu)來之前，只有(you)(you)廣東潮(chao)劇(ju)院副(fu)院長鄭(zheng)文(wen)風看(kan)過(guo)(guo)海(hai)豐(feng)(feng)正字戲(xi)(xi)(xi)(xi)(xi)老藝人陳(chen)(chen)(chen)寶(bao)(bao)壽(shou)(shou)先(xian)(xian)生(sheng)演(yan)(yan)(yan)(yan)(yan)過(guo)(guo)同(tong)名的(de)(de)(de)(de)提綱(gang)戲(xi)(xi)(xi)(xi)(xi)（沒(mei)有(you)(you)唱腔(qiang)和(he)音樂，只有(you)(you)道白和(he)鑼(luo)鼓），并曾(ceng)經為(wei)(wei)我(wo)們(men)(men)講述(shu)戲(xi)(xi)(xi)(xi)(xi)中(zhong)(zhong)的(de)(de)(de)(de)表(biao)(biao)演(yan)(yan)(yan)(yan)(yan)藝術，引(yin)起(qi)我(wo)們(men)(men)的(de)(de)(de)(de)興(xing)趣和(he)羨慕。1980年一團在(zai)澄海(hai)新溪演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)，劇(ju)團秘書林淳(chun)鈞同(tong)志(zhi)(zhi)從一位(wei)老藝人手中(zhong)(zhong)得到《張(zhang)(zhang)(zhang)(zhang)春(chun)(chun)(chun)(chun)蘭(lan)舍(she)發(fa)》這個(ge)潮(chao)劇(ju)舊(jiu)本(ben)(ben)，我(wo)們(men)(men)如獲(huo)至寶(bao)(bao)，即(ji)請(qing)人把這個(ge)寫(xie)得密(mi)(mi)密(mi)(mi)麻麻好像老式賬簿(bu)的(de)(de)(de)(de)舊(jiu)本(ben)(ben)按現(xian)(xian)代的(de)(de)(de)(de)排版方式分(fen)行(xing)復寫(xie)出(chu)(chu)來，潮(chao)劇(ju)院也(ye)即(ji)決(jue)定(ding)由我(wo)負責整理，由一團排演(yan)(yan)(yan)(yan)(yan)。于是我(wo)捧此(ci)舊(jiu)本(ben)(ben)，反復仔細研(yan)讀。舊(jiu)本(ben)(ben)人物情(qing)節冗(rong)雜，糟粕甚多，但有(you)(you)兩(liang)個(ge)“關目(mu)”（劇(ju)中(zhong)(zhong)關鍵性情(qing)節）甚為(wei)(wei)奇(qi)特(te)：一是相府(fu)公(gong)(gong)子(zi)張(zhang)(zhang)(zhang)(zhang)春(chun)(chun)(chun)(chun)蘭(lan)在(zai)青(qing)云寺中(zhong)(zhong)化裝為(wei)(wei)小(xiao)和(he)尚借獻茶(cha)之機偷窺公(gong)(gong)主（未婚妻），被發(fa)現(xian)(xian)后勒令當殿削發(fa)；一是公(gong)(gong)主知錯了(le)，到青(qing)云寺要向張(zhang)(zhang)(zhang)(zhang)春(chun)(chun)(chun)(chun)蘭(lan)賠禮，春(chun)(chun)(chun)(chun)蘭(lan)逃避，公(gong)(gong)主緊追。這二折戲(xi)(xi)(xi)(xi)(xi)名叫(jiao)“捧茶(cha)”、“追殿”。也(ye)正是鄭(zheng)文(wen)風同(tong)志(zhi)(zhi)講述(shu)，陳(chen)(chen)(chen)寶(bao)(bao)壽(shou)(shou)先(xian)(xian)生(sheng)表(biao)(biao)演(yan)(yan)(yan)(yan)(yan)最為(wei)(wei)豐(feng)(feng)富的(de)(de)(de)(de)兩(liang)折戲(xi)(xi)(xi)(xi)(xi)。于是我(wo)們(men)(men)信心(xin)十(shi)足地以此(ci)兩(liang)折戲(xi)(xi)(xi)(xi)(xi)作為(wei)(wei)“戲(xi)(xi)(xi)(xi)(xi)膽(dan)”，進行(xing)謀篇。經過(guo)(guo)一段時間的(de)(de)(de)(de)藝術構思，“取(qu)其(qi)精華，棄其(qi)糟粕”，一出(chu)(chu)以“削發(fa)”開場，以“結發(fa)”收場的(de)(de)(de)(de)《張(zhang)(zhang)(zhang)(zhang)春(chun)(chun)(chun)(chun)郎削發(fa)》人物情(qing)節梗概(gai)初步(bu)形成(cheng)之后，負責《張(zhang)(zhang)(zhang)(zhang)》劇(ju)導演(yan)(yan)(yan)(yan)(yan)的(de)(de)(de)(de)吳峰、黃瑞英兩(liang)位(wei)同(tong)志(zhi)(zhi)和(he)我(wo)由劇(ju)院馬一鳴司機專(zhuan)車奔赴海(hai)豐(feng)(feng)梅隴向陳(chen)(chen)(chen)寶(bao)(bao)壽(shou)(shou)先(xian)(xian)生(sheng)求教。寶(bao)(bao)壽(shou)(shou)先(xian)(xian)生(sheng)對潮(chao)劇(ju)關愛之情(qing)，即(ji)付之行(xing)動，他(ta)毫無保留地重(zhong)點把“捧茶(cha)”、“追殿”兩(liang)折戲(xi)(xi)(xi)(xi)(xi)的(de)(de)(de)(de)表(biao)(biao)演(yan)(yan)(yan)(yan)(yan)藝術一招一式傳授(shou)(shou)(shou)給我(wo)們(men)(men)，兩(liang)位(wei)導演(yan)(yan)(yan)(yan)(yan)專(zhuan)心(xin)記錄(lu)下來，回汕后在(zai)排練中(zhong)(zhong)傳授(shou)(shou)(shou)給劇(ju)中(zhong)(zhong)男女(nv)主角陳(chen)(chen)(chen)學希和(he)孫小(xiao)華，《張(zhang)(zhang)(zhang)(zhang)》劇(ju)演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)時，我(wo)們(men)(men)特(te)邀陳(chen)(chen)(chen)寶(bao)(bao)壽(shou)(shou)先(xian)(xian)生(sheng)審(shen)看(kan)，老人家又親(qin)自(zi)為(wei)(wei)陳(chen)(chen)(chen)學希、孫小(xiao)華講戲(xi)(xi)(xi)(xi)(xi)和(he)傳授(shou)(shou)(shou)演(yan)(yan)(yan)(yan)(yan)藝。實踐證明(ming)，如果當時沒(mei)有(you)(you)從舊(jiu)本(ben)(ben)中(zhong)(zhong)繼承(cheng)“戲(xi)(xi)(xi)(xi)(xi)膽(dan)”和(he)陳(chen)(chen)(chen)寶(bao)(bao)壽(shou)(shou)先(xian)(xian)生(sheng)身上(shang)的(de)(de)(de)(de)表(biao)(biao)演(yan)(yan)(yan)(yan)(yan)藝術，就沒(mei)有(you)(you)后來的(de)(de)(de)(de)《張(zhang)(zhang)(zhang)(zhang)》劇(ju)如《三國演(yan)(yan)(yan)(yan)(yan)義》中(zhong)(zhong)勇(yong)將趙(zhao)子(zi)龍一樣“渾身是膽(dan)”。

二、邁開發展第一步，著眼(yan)手(shou)于新(xin)一代(dai)

著(zhu)眼手于(yu)新(xin)一(yi)代，包括(kuo)對內對外(wai)兩個方(fang)(fang)面，對內是(shi)培養新(xin)一(yi)代藝(yi)術(shu)人(ren)才(cai)，使(shi)潮(chao)劇(ju)事業接班(ban)有(you)(you)(you)人(ren)，而以(yi)《張(zhang)春(chun)郎(lang)(lang)削發(fa)》為(wei)契機，實(shi)屬(shu)兩便(bian)，因為(wei)劇(ju)中人(ren)物(wu)(wu)有(you)(you)(you)老(lao)(lao)(lao)(lao)中青(qing)(qing)(qing)(qing)相結(jie)合(he)；對外(wai)方(fang)(fang)面是(shi)對廣大(da)(da)觀眾(zhong)而言，也(ye)應著(zhu)重培養新(xin)一(yi)代的(de)(de)(de)觀眾(zhong)。潮(chao)劇(ju)院(yuan)一(yi)團(tuan)(tuan)是(shi)藝(yi)術(shu)人(ren)才(cai)較為(wei)集中的(de)(de)(de)團(tuan)(tuan)體，老(lao)(lao)(lao)(lao)一(yi)輩藝(yi)人(ren)有(you)(you)(you)李有(you)(you)(you)存扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)劇(ju)中三朝(chao)元老(lao)(lao)(lao)(lao)魯國(guo)公(gong)，張(zhang)長城扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)張(zhang)春(chun)郎(lang)(lang)之(zhi)父(fu)相國(guo)張(zhang)崇禮，首(shou)演(yan)(yan)(yan)(yan)時是(shi)朱楚珍拍電影時是(shi)洪妙扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)乳娘，黃(huang)盛(sheng)典扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)皇帝(di)，林舜卿(qing)、吳麗君(jun)扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)皇后(hou)，吳木泉扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)法聰(cong)長老(lao)(lao)(lao)(lao)，還有(you)(you)(you)一(yi)位(wei)現(xian)(xian)在可(ke)算(suan)中年(nian)(nian)、1982年(nian)(nian)首(shou)演(yan)(yan)(yan)(yan)時應算(suan)是(shi)青(qing)(qing)(qing)(qing)年(nian)(nian)的(de)(de)(de)丑行(xing)新(xin)秀(xiu)方(fang)(fang)展(zhan)榮扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)半空(kong)和(he)尚等，有(you)(you)(you)了(le)這批身經百戰，經驗豐富的(de)(de)(de)藝(yi)術(shu)家們在壓陣，使(shi)我們敢(gan)于(yu)大(da)(da)膽放韁，讓(rang)這批駿馬般的(de)(de)(de)青(qing)(qing)(qing)(qing)年(nian)(nian)新(xin)秀(xiu)陳(chen)學希扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)男主(zhu)(zhu)角(jiao)張(zhang)春(chun)郎(lang)(lang)，孫小(xiao)華(hua)扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)女主(zhu)(zhu)角(jiao)雙嬌(jiao)公(gong)主(zhu)(zhu)，花(hua)旦(dan)行(xing)新(xin)秀(xiu)蔡明暉扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)貼身宮女小(xiao)紅，丑行(xing)新(xin)秀(xiu)陳(chen)幸(xing)熹扮(ban)(ban)(ban)演(yan)(yan)(yan)(yan)張(zhang)春(chun)郎(lang)(lang)的(de)(de)(de)書僮等，他(ta)們充分(fen)繼(ji)承(cheng)老(lao)(lao)(lao)(lao)一(yi)輩傳統的(de)(de)(de)表演(yan)(yan)(yan)(yan)藝(yi)術(shu)，在紅氍毹(shu)上縱橫馳(chi)騁，發(fa)展(zhan)成(cheng)為(wei)現(xian)(xian)代廣大(da)(da)觀眾(zhong)所“雅俗共賞”的(de)(de)(de)優美新(xin)姿。“工夫不負有(you)(you)(you)心(xin)人(ren)”，全(quan)《張(zhang)》劇(ju)中十(shi)(shi)個有(you)(you)(you)名(ming)(ming)有(you)(you)(you)姓(xing)的(de)(de)(de)人(ren)物(wu)(wu)也(ye)即是(shi)一(yi)團(tuan)(tuan)十(shi)(shi)位(wei)老(lao)(lao)(lao)(lao)中青(qing)(qing)(qing)(qing)演(yan)(yan)(yan)(yan)員以(yi)及一(yi)大(da)(da)批“無名(ming)(ming)英雄(xiong)”緊密(mi)投契，加上導演(yan)(yan)(yan)(yan)、作曲(qu)、舞美各個藝(yi)術(shu)部門的(de)(de)(de)綜合(he)裝(zhuang)扮(ban)(ban)(ban)，尤其是(shi)肩負重任的(de)(de)(de)男女主(zhu)(zhu)角(jiao)陳(chen)學希、孫小(xiao)華(hua)不負眾(zhong)望，在排練(lian)時“面青(qing)(qing)(qing)(qing)青(qing)(qing)(qing)(qing)”（這是(shi)劇(ju)團(tuan)(tuan)文書鄭永民(min)先(xian)生的(de)(de)(de)預言，他(ta)說：現(xian)(xian)在排練(lian)“面青(qing)(qing)(qing)(qing)青(qing)(qing)(qing)(qing)”，將來出(chu)臺“通身紅紅”。意(yi)即現(xian)(xian)在花(hua)力氣，流汗水，演(yan)(yan)(yan)(yan)出(chu)后(hou)必然會揚名(ming)(ming)走紅。）終于(yu)使(shi)《張(zhang)》劇(ju)在1982年(nian)(nian)2月8日晚于(yu)揭陽(yang)地都戲(xi)院(yuan)彩排之(zhi)夜，似一(yi)個活潑可(ke)愛的(de)(de)(de)嬰兒(er)一(yi)樣，哇哇墜地之(zhi)時即受到(dao)伯叔娘姨兄姐(jie)們的(de)(de)(de)關愛呵(he)護，喂以(yi)乳汁，錦以(yi)襁褓，獲得迅速成(cheng)長，一(yi)路春(chun)風(feng)。

《張(zhang)》劇(ju)(ju)(ju)于1982年(nian)底(di)參加在(zai)汕(shan)頭(tou)舉行的(de)(de)廣東省(sheng)(sheng)戲劇(ju)(ju)(ju)調(diao)演(yan)(yan)(yan)(yan)之(zhi)后(hou)，便于1983年(nian)3月(yue)(yue)赴上(shang)(shang)海、杭州(zhou)(zhou)、漳州(zhou)(zhou)等地(di)(di)(di)作(zuo)交流演(yan)(yan)(yan)(yan)出(chu)(chu)(chu)，7月(yue)(yue)便由中(zhong)(zhong)國新聞社和(he)香(xiang)港志佳電(dian)影公(gong)司合(he)拍成電(dian)影，1985年(nian)春節(jie)前(qian)后(hou)在(zai)汕(shan)頭(tou)地(di)(di)(di)區城(cheng)鄉(xiang)全(quan)面放映(ying)，歷時(shi)(shi)兩個(ge)多月(yue)(yue)，據悉有(you)(you)(you)一(yi)百(bai)多個(ge)電(dian)影隊，每日上(shang)(shang)映(ying)八場以上(shang)(shang)；1985年(nian)7月(yue)(yue)文(wen)(wen)化部戲劇(ju)(ju)(ju)專員(yuan)(yuan)(yuan)葉鋒帶領“中(zhong)(zhong)南(nan)戲劇(ju)(ju)(ju)選拔組(zu)”到(dao)汕(shan)看(kan)《張(zhang)》劇(ju)(ju)(ju)，全(quan)組(zu)一(yi)致(zhi)通過列為(wei)(wei)可(ke)(ke)獲“金(jin)牌”的(de)(de)優(you)秀劇(ju)(ju)(ju)目；1986年(nian)3月(yue)(yue)，《張(zhang)》劇(ju)(ju)(ju)初次訪港，緊(jin)接(jie)著便多次到(dao)香(xiang)港、泰國、新加坡等地(di)(di)(di)訪演(yan)(yan)(yan)(yan)；1987年(nian)可(ke)(ke)謂是(shi)(shi)(shi)《張(zhang)》劇(ju)(ju)(ju)最繁忙的(de)(de)一(yi)年(nian)：一(yi)月(yue)(yue)份(fen)(fen)以“優(you)秀劇(ju)(ju)(ju)目”身(shen)(shen)份(fen)(fen)參加廣東省(sheng)(sheng)第二屆(jie)藝術(shu)(shu)節(jie)作(zuo)為(wei)(wei)“觀摩劇(ju)(ju)(ju)目”演(yan)(yan)(yan)(yan)出(chu)(chu)(chu)；二月(yue)(yue)份(fen)(fen)文(wen)(wen)化部藝術(shu)(shu)局長(chang)(chang)李剛來汕(shan)觀摩后(hou)向(xiang)文(wen)(wen)化部大力推(tui)薦；三(san)月(yue)(yue)份(fen)(fen)文(wen)(wen)化部副(fu)部長(chang)(chang)英若誠專程(cheng)趕到(dao)潮(chao)陽谷饒戲院(yuan)審(shen)評，前(qian)后(hou)這(zhe)三(san)場演(yan)(yan)(yan)(yan)出(chu)(chu)(chu)都是(shi)(shi)(shi)由新一(yi)輪(lun)培養出(chu)(chu)(chu)來的(de)(de)優(you)秀演(yan)(yan)(yan)(yan)員(yuan)(yuan)(yuan)詹少君(jun)演(yan)(yan)(yan)(yan)雙(shuang)嬌(jiao)公(gong)主(zhu)。《張(zhang)》劇(ju)(ju)(ju)出(chu)(chu)(chu)臺后(hou)，陳(chen)學希因磨(mo)累過甚而(er)一(yi)度身(shen)(shen)體(ti)不好，劇(ju)(ju)(ju)院(yuan)、團領導和(he)藝術(shu)(shu)骨(gu)干吳峰等面對現實(shi)(shi)，為(wei)(wei)了潮(chao)劇(ju)(ju)(ju)事業(ye)的(de)(de)發(fa)(fa)展(zhan)，先后(hou)共安(an)排有(you)(you)(you)四個(ge)演(yan)(yan)(yan)(yan)員(yuan)(yuan)(yuan)扮(ban)張(zhang)春郎(lang)（陳(chen)學希、林舜卿(qing)、林潮(chao)光(guang)、何麗芳），三(san)個(ge)演(yan)(yan)(yan)(yan)員(yuan)(yuan)(yuan)扮(ban)雙(shuang)嬌(jiao)公(gong)主(zhu)（孫小華、吳玲兒、詹少君(jun)），讓他(ta)(ta)們(men)共同(tong)為(wei)(wei)事業(ye)作(zuo)貢(gong)獻；五、六月(yue)(yue)份(fen)(fen)先后(hou)有(you)(you)(you)文(wen)(wen)化部戲劇(ju)(ju)(ju)專員(yuan)(yuan)(yuan)肖(xiao)(xiao)甲(jia)和(he)張(zhang)邁同(tong)志蒞(li)潮(chao)劇(ju)(ju)(ju)院(yuan)幫助(zhu)《張(zhang)》劇(ju)(ju)(ju)提(ti)高，9月(yue)(yue)7日正式在(zai)北京(jing)人民劇(ju)(ju)(ju)場參加首(shou)屆(jie)中(zhong)(zhong)國藝術(shu)(shu)節(jie)首(shou)輪(lun)演(yan)(yan)(yan)(yan)出(chu)(chu)(chu)。當時(shi)(shi)大會沒設獎(jiang)(jiang)，如(ru)有(you)(you)(you)的(de)(de)話，《張(zhang)》劇(ju)(ju)(ju)可(ke)(ke)能分得一(yi)杯(bei)羹。9月(yue)(yue)中(zhong)(zhong)旬回廣州(zhou)(zhou)匯報演(yan)(yan)(yan)(yan)出(chu)(chu)(chu)，受(shou)到(dao)省(sheng)(sheng)人民政府(fu)(fu)表彰獎(jiang)(jiang)勵，省(sheng)(sheng)劇(ju)(ju)(ju)協(xie)重獎(jiang)(jiang)。為(wei)(wei)使法聰(cong)長(chang)(chang)老這(zhe)個(ge)藝術(shu)(shu)形象(xiang)演(yan)(yan)(yan)(yan)得維(wei)妙維(wei)肖(xiao)(xiao)而(er)“天(tian)天(tian)剃(ti)光(guang)頭(tou)”的(de)(de)吳木泉(quan)師(shi)傅，為(wei)(wei)出(chu)(chu)(chu)色完成藝術(shu)(shu)節(jie)任務而(er)真的(de)(de)“削發(fa)(fa)上(shang)(shang)京(jing)華”在(zai)舞臺上(shang)(shang)露光(guang)頭(tou)、日常生活卻要戴(dai)假發(fa)(fa)的(de)(de)男主(zhu)角陳(chen)學希和(he)“為(wei)(wei)嬰(ying)兒斷乳”的(de)(de)女主(zhu)角孫小華、吳玲兒都同(tong)時(shi)(shi)受(shou)到(dao)省(sheng)(sheng)政府(fu)(fu)的(de)(de)表彰獎(jiang)(jiang)勵。在(zai)眾多好人好事中(zhong)(zhong)，吳峰導演(yan)(yan)(yan)(yan)是(shi)(shi)(shi)一(yi)開始(shi)就全(quan)身(shen)(shen)心(xin)投入，對劇(ju)(ju)(ju)本(ben)的(de)(de)幫助(zhu)、修(xiu)改最熱切(qie)、最具體(ti)之(zhi)人，我已有(you)(you)(you)另(ling)文(wen)(wen)《綠葉居中(zhong)(zhong)話吳峰》作(zuo)詳述。此外還應(ying)該提(ti)及的(de)(de)有(you)(you)(you)當時(shi)(shi)身(shen)(shen)為(wei)(wei)副(fu)團長(chang)(chang)，實(shi)(shi)際是(shi)(shi)(shi)負責全(quan)面工(gong)作(zuo)的(de)(de)楊烈明同(tong)志，他(ta)(ta)自始(shi)至終(zhong)是(shi)(shi)(shi)《張(zhang)》劇(ju)(ju)(ju)的(de)(de)愛護(hu)者(zhe)，我特(te)別贊賞他(ta)(ta)那耐(nai)苦耐(nai)勞耐(nai)怨的(de)(de)韌勁(jing)；另(ling)二位(wei)是(shi)(shi)(shi)廣東省(sheng)(sheng)文(wen)(wen)化廳副(fu)廳長(chang)(chang)陳(chen)中(zhong)(zhong)秋和(he)藝術(shu)(shu)處長(chang)(chang)關漢同(tong)志。陳(chen)是(shi)(shi)(shi)劇(ju)(ju)(ju)作(zuo)家出(chu)(chu)(chu)身(shen)(shen)，知道創作(zuo)上(shang)(shang)的(de)(de)甘苦況(kuang)味(wei)，從《張(zhang)》劇(ju)(ju)(ju)上(shang)(shang)演(yan)(yan)(yan)(yan)以至上(shang)(shang)京(jing)前(qian)后(hou)，他(ta)(ta)始(shi)終(zhong)“視如(ru)己(ji)出(chu)(chu)(chu)”，上(shang)(shang)京(jing)前(qian)有(you)(you)(you)一(yi)次來汕(shan)后(hou)特(te)地(di)(di)(di)找(zhao)我，詳細(xi)了解劇(ju)(ju)(ju)本(ben)修(xiu)改過程(cheng)中(zhong)(zhong)存(cun)在(zai)的(de)(de)矛(mao)盾(dun)，細(xi)致(zhi)而(er)耐(nai)心(xin)地(di)(di)(di)做協(xie)調(diao)工(gong)作(zuo)；關漢同(tong)志則有(you)(you)(you)更為(wei)(wei)具體(ti)的(de)(de)幫助(zhu)，有(you)(you)(you)一(yi)次他(ta)(ta)要我借給《張(zhang)》劇(ju)(ju)(ju)的(de)(de)舊本(ben)，反(fan)復(fu)細(xi)看(kan)，連(lian)上(shang)(shang)洗(xi)手間時(shi)(shi)都手不離本(ben)，之(zhi)后(hou)，對我說：“我這(zhe)就放心(xin)了。”他(ta)(ta)們(men)如(ru)此深切(qie)關愛之(zhi)情，我永記(ji)不忘！

截至(zhi)上(shang)京(jing)之前，《張》劇(ju)已曾在(zai)省(sheng)級《南(nan)粵劇(ju)作》和(he)(he)(he)國家級《劇(ju)本》月(yue)刊上(shang)兩次發(fa)(fa)表；已有全(quan)國17個省(sheng)市(shi)的(de)諸多(duo)兄弟劇(ju)種和(he)(he)(he)海外一(yi)些劇(ju)團移植上(shang)演。我也曾于(yu)1987年底在(zai)省(sheng)藝研所(suo)舉行的(de)整理傳統(tong)研討會上(shang)作了(le)(le)介紹，后(hou)來(lai)形成(cheng)(cheng)(cheng)文章，名為《雅俗共賞的(de)一(yi)次探求》。《張》劇(ju)自繼承下來(lai)之后(hou)，亦是(shi)(shi)(shi)幾經(jing)磨煉而(er)(er)逐(zhu)漸趨于(yu)成(cheng)(cheng)(cheng)熟的(de)，尤其(qi)是(shi)(shi)(shi)男女主角陳(chen)學希、孫小華(hua)是(shi)(shi)(shi)每次隨著劇(ju)本的(de)修改(gai)和(he)(he)(he)表演藝術的(de)提煉而(er)(er)吃過不少苦頭(tou)(tou)的(de)。只就拍電影(ying)而(er)(er)言(yan)，因和(he)(he)(he)在(zai)舞臺(tai)上(shang)演出場景(jing)不大(da)相(xiang)同，陳(chen)學希在(zai)鏡頭(tou)(tou)前為了(le)(le)集中(zhong)表現(xian)張春(chun)郎(lang)將(jiang)被(bei)削(xue)發(fa)(fa)時(shi)內心的(de)氣憤和(he)(he)(he)激動，而(er)(er)在(zai)硬地(di)上(shang)（舞臺(tai)是(shi)(shi)(shi)在(zai)地(di)毯上(shang)）“搶背”“甩發(fa)(fa)”等表演，險性更多(duo)，難度更大(da)，陳(chen)學希卻是(shi)(shi)(shi)反復了(le)(le)幾次。鏡頭(tou)(tou)拍攝完成(cheng)(cheng)(cheng)，他已周(zhou)身(shen)是(shi)(shi)(shi)汗(han)，膝蓋(gai)、腰腿疼痛難耐，他還(huan)是(shi)(shi)(shi)刻苦忍(ren)受過去。上(shang)京(jing)前后(hou)，資(zi)料繁多(duo)，1994年9月(yue)廣東(dong)潮劇(ju)院(yuan)把它編成(cheng)(cheng)(cheng)專輯，名為《古樹新花又一(yi)枝———潮劇(ju)張春(chun)郎(lang)削(xue)發(fa)(fa)文匯(hui)》面(mian)世。資(zi)料擺(bai)明，《張春(chun)郎(lang)削(xue)發(fa)(fa)》在(zai)繼承發(fa)(fa)展這條(tiao)道路上(shang)一(yi)步一(yi)個腳(jiao)印(yin)，走得還(huan)是(shi)(shi)(shi)可以的(de)。

歷史的(de)(de)(de)經驗告訴(su)我們，繼(ji)承(cheng)與發(fa)展(zhan)兩者不可(ke)偏廢。我們的(de)(de)(de)潮劇(ju)藝術事業是更(geng)應該緊跟時代的(de)(de)(de)發(fa)展(zhan)而發(fa)展(zhan)，不斷培育出像陳學希、孫小華(hua)等那樣一批(pi)藝術新(xin)人接好班。現(xian)在，我更(geng)為明確(que)：繼(ji)承(cheng)是手段，發(fa)展(zhan)是目(mu)的(de)(de)(de)。