白沙是(shi)(shi)麗江(jiang)(jiang)木氏土(tu)司(si)的(de)(de)發祥地、古(gu)時(shi)這里(li)殿(dian)(dian)宇(yu)輝煌林立,蔚為壯(zhuang)觀,這里(li)雖無山林之野趣,卻有(you)宮(gong)(gong)室之瑰麗。 琉璃(li)殿(dian)(dian)與大寶(bao)(bao)積宮(gong)(gong)是(shi)(shi)位(wei)于同(tong)一條中(zhong)軸線上的(de)(de)兩(liang)座寺院,均為麗江(jiang)(jiang)土(tu)官(guan)木氏所建。琉璃(li)殿(dian)(dian)建于明(ming)永樂十(shi)五(wu)年(公元1417年),大寶(bao)(bao)積宮(gong)(gong)建于明(ming)萬歷十(shi)年(公元1582年)。上檐斗拱下殘存(cun)壁畫(hua)16幅。寺宇(yu)朝東而略偏北,外為山門三(san)間,門內小院,周以(yi)回廊;次拜殿(dian)(dian)三(san)間,其后緊(jin)接琉璃(li)殿(dian)(dian);殿(dian)(dian)夠復院,便是(shi)(shi)大寶(bao)(bao)積官(guan)。宮(gong)(gong)內保存(cun)壁畫(hua)12幅,是(shi)(shi)麗江(jiang)(jiang)現(xian)存(cun)壁畫(hua)中(zhong)規(gui)模大,保存(cun)完整的(de)(de)部(bu)分。
琉璃(li)殿(dian)平(ping)(ping)面(mian)正方形(xing)(xing),面(mian)闊兩(liang)(liang)(liang)間(jian),重(zhong)檐歇山屋頂(ding)(ding),營造(zao)作(zuo)法(fa)有(you)其特點,我(wo)國著名(ming)建筑學(xue)專家劉郭禎先生(公元1897~1968年),在《麗(li)江古(gu)建筑考察》文集中(zhong)(zhong)(zhong)(zhong),曾作(zuo)過有(you)關的記述和(he)評價:"……上(shang)(shang)檐七彩(cai)三翹,第一跳施(shi)幅(fu)云(yun),托(tuo)于(yu)(yu)(yu)(yu)(yu)前承(cheng)外(wai)拽(zhuai)枋,另于(yu)(yu)(yu)(yu)(yu)坐斗兩(liang)(liang)(liang)角,各(ge)出科(ke)拱(gong),上(shang)(shang)置(zhi)科(ke)三幅(fu)云(yun),述外(wai)拽(zhuai)枋下(xia)。第二跳僅(jin)施(shi)三幅(fu)云(yun)一具(ju),承(cheng)外(wai)拽(zhuai)枋。第三跳直接承(cheng)于(yu)(yu)(yu)(yu)(yu)挑檐下(xia),無廂(xiang)拱(gong)。就今(jin)日已(yi)知(zhi)資料(liao),國內建筑以三幅(fu)云(yun)瓜(gua)拱(gong)者,僅(jin)見于(yu)(yu)(yu)(yu)(yu)北平(ping)(ping)明長陵(ling)之屏門。其以斜三幅(fu)云(yun)承(cheng)托(tuo)外(wai)拽(zhuai)枋,無有(you)早于(yu)(yu)(yu)(yu)(yu)此(ci)(ci)殿(dian)者"。琉璃(li)殿(dian)內壁(bi)(bi)外(wai)側,殘(can)存壁(bi)(bi)畫(hua)(hua)(hua)十余(yu)幅(fu),其旁題記可(ke)辨(bian),共計(ji)9處,移錄如次: 中(zhong)(zhong)(zhong)(zhong)順(shun)大(da)夫土官木(mu)初造(zao) 太中(zhong)(zhong)(zhong)(zhong)大(da)夫資冶少(shao)尹知(zhi)府木(mu)嵌造(zao) 奉(feng)佛世襲(xi)男木(mu)定(ding)敬(jing)續 奉(feng)佛土官知(zhi)府應(ying)襲(xi)木(mu)旺造(zao) 奉(feng)佛長孫(sun)木(mu)增敬(jing)禮 奉(feng)佛K孫(sun)應(ying)襲(xi)木(mu)靖敬(jing)禮 為孫(sun)男本地敬(jing)造(zao)由此(ci)(ci)可(ke)見,此(ci)(ci)殿(dian)壁(bi)(bi)畫(hua)(hua)(hua),乃木(mu)氏歷代承(cheng)襲(xi)或應(ying)襲(xi)上(shang)(shang)官所供(gong)奉(feng),畫(hua)(hua)(hua)作(zuo)于(yu)(yu)(yu)(yu)(yu)明永樂年間(jian)至清代,歷時三百載,早期(qi)作(zuo)品樸實,晚(wan)期(qi)作(zuo)品線條粗獷(guang)、奔放。太寶(bao)積宮(gong)平(ping)(ping)面(mian)也呈方形(xing)(xing),面(mian)闊三間(jian),重(zhong)檐歇山屋頂(ding)(ding)。宮(gong)內保存壁(bi)(bi)畫(hua)(hua)(hua)12幅(fu),壁(bi)(bi)畫(hua)(hua)(hua)面(mian)積為61.48平(ping)(ping)方米,是麗(li)江現存壁(bi)(bi)畫(hua)(hua)(hua)中(zhong)(zhong)(zhong)(zhong)規模大(da)、保存較完好的,并具(ju)有(you)珍貴(gui)的歷史(shi)價值。如宮(gong)內大(da)的一幅(fu)壁(bi)(bi)畫(hua)(hua)(hua)《如來(lai)講(jiang)經圖》高3.67米,寬(kuan)4.98米。畫(hua)(hua)(hua)中(zhong)(zhong)(zhong)(zhong)如來(lai)佛朱衣(yi)金身端坐正中(zhong)(zhong)(zhong)(zhong),上(shang)(shang)列十八尊者,兩(liang)(liang)(liang)側畫(hua)(hua)(hua)四大(da)天王等諸(zhu)神(shen),人物(wu)(wu)眾多,形(xing)(xing)象(xiang)生動(dong),筆法(fa)細膩……。壁(bi)(bi)畫(hua)(hua)(hua)內容把佛、道、喇嘛三教人物(wu)(wu)道義組合一起(qi),表現技法(fa)融合吸(xi)收(shou)于(yu)(yu)(yu)(yu)(yu)漢、藏、納西、白(bai)等族的優秀(xiu)傳統手(shou)法(fa),是研(yan)究我(wo)國民族學(xue)、藝術學(xue)的一份珍貴(gui)的史(shi)實資料(liao)。