黃秋園紀(ji)念館(guan)故居位于(yu)南昌(chang)城內、為省市級文物保(bao)護單(dan)位，自1991年開館(guan)以來觀(guan)者不絕 。孺子(zi)路南進系(xi)馬樁街約(yue)百步便至。館(guan)舍(she)有(you)門(men)二，正(zheng)門(men)負(fu)市背郭，四周(zhou)市塵，萬貨(huo)輻輳，塵沸喧雜。側(ce)門(men)位于(yu)小桃花巷(xiang)(xiang)內，平居里巷(xiang)(xiang)，無可具狀，卻忽入幽(you)僻，蕭然靜(jing)寂(ji)。巷(xiang)(xiang)口(kou)幾株雜樹，木葉(xie)盡下(xia)，枝(zhi)如虬(qiu)龍，萎條(tiao)高(gao)寄(ji)。
紀念館由黃秋(qiu)園(yuan)先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)所(suo)居兩間陋室(shi)(shi)(shi)擴建而(er)成，為(wei)一(yi)棟(dong)江南明式建筑，粉墻(qiang)黛(dai)瓦，青磚紅梁(liang)，質樸中(zhong)透出典雅與(yu)靈秀。正門(men)(men)上方(fang)，懸(xuan)一(yi)黑底金字匾額，為(wei)趙樸初先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)手(shou)筆(bi)。側門(men)(men)匾額，乃吳(wu)作(zuo)人(ren)先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)墨(mo)跡。館中(zhong)一(yi)樓四個房間，為(wei)陳(chen)列室(shi)(shi)(shi)、接待室(shi)(shi)(shi)、客廳(ting)、先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)臥(wo)室(shi)(shi)(shi)。陳(chen)列室(shi)(shi)(shi)中(zhong)，展(zhan)出當代畫(hua)壇(tan)巨(ju)擘所(suo)贈之(zhi)(zhi)作(zuo)，劉海粟、吳(wu)作(zuo)人(ren)、李可染、關山(shan)月諸賢(xian)均在此列。周覽之(zhi)(zhi)，皆奇筆(bi)。接待室(shi)(shi)(shi)中(zhong)，陳(chen)列黃秋(qiu)園(yuan)先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)生(sheng)(sheng)(sheng)(sheng)(sheng)前(qian)所(suo)藏古董字畫(hua)與(yu)書籍(ji)。中(zhong)置方(fang)臺，上有一(yi)座先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)的石膏塑像，其目光睿智而(er)堅(jian)毅。客廳(ting)內，列有先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)各時期(qi)之(zhi)(zhi)照相，讓來者得以一(yi)瞻其生(sheng)(sheng)(sheng)(sheng)(sheng)前(qian)之(zhi)(zhi)風神。相紙泛黃，令人(ren)頓生(sheng)(sheng)(sheng)(sheng)(sheng)世事滄桑之(zhi)(zhi)感。所(suo)謂臥(wo)室(shi)(shi)(shi)者，被先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)兼作(zuo)畫(hua)室(shi)(shi)(shi)之(zhi)(zhi)用。室(shi)(shi)(shi)之(zhi)(zhi)門(men)(men)楣，懸(xuan)先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)親(qin)筆(bi)題(ti)寫之(zhi)(zhi)堂名(ming)：三退(tui)軒。先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)視藝(yi)術(shu)為(wei)生(sheng)(sheng)(sheng)(sheng)(sheng)命、利(li)祿若(ruo)浮云(yun)，室(shi)(shi)(shi)名(ming)以明志，意在對(dui)世俗(su)之(zhi)(zhi)誘(you)惑(huo)退(tui)避(bi)之(zhi)(zhi)。佇立(li)門(men)(men)前(qian)，凝(ning)神屏息(xi)，輕推(tui)而(er)入(ru)，仿佛先(xian)(xian)生(sheng)(sheng)(sheng)(sheng)(sheng)尚在室(shi)(shi)(shi)中(zhong)縱筆(bi)，無端相擾，心有愧歉。
先生素性(xing)簡樸，室(shi)中(zhong)陳(chen)設目眥可羅(luo)。一(yi)床(chuang)一(yi)櫥(chu)迎門而(er)放，一(yi)桌一(yi)椅(yi)依窗而(er)置，四只明(ming)式花(hua)架擺于南墻，兩(liang)件古玩木什設在北壁。十(shi)數平米斗室(shi)雖狹(xia)小逼仄，卻隱現出先生之人(ren)格與趣尚(shang)。先生曾言：“畫格高寒(han)不(bu)(bu)入(ru)時，難換人(ren)間半文錢。”一(yi)名業余畫家(jia)，身系于公，而(er)心中(zhong)未嘗-日忘于藝，是非榮(rong)辱不(bu)(bu)接于心，焚膏油以繼晷(gui)，恒兀兀以窮年(nian)，終入(ru)圣域，卓犖為杰。然，天不(bu)(bu)患無(wu)特立之士，而(er)患無(wu)知己之人(ren)，是故藝雖奇而(er)不(bu)(bu)濟于用，行雖修而(er)不(bu)(bu)顯于眾，以至于與時不(bu)(bu)遇，湮沒(mei)無(wu)聞(wen)。
嗚(wu)呼！覽其(qi)四尺畫桌，斑斑墨跡，對而凝神(shen)，乃為先生之(zhi)(zhi)汗、之(zhi)(zhi)淚、之(zhi)(zhi)血。不禁感(gan)極而悲，悵然而太(tai)息。
紀念館(guan)二樓(lou)為(wei)一面積(ji)近80平(ping)米之(zhi)(zhi)(zhi)展廳，內列黃(huang)秋園(yuan)先(xian)生(sheng)(sheng)30余件(jian)遺作。無(wu)論鴻篇巨(ju)構(gou)(gou)或尺幅(fu)小制。皆絕類離倫(lun)，墨(mo)(mo)彩生(sheng)(sheng)輝，令人留(liu)連忘返。先(xian)生(sheng)(sheng)山(shan)(shan)(shan)水(shui)(shui)畫(hua)(hua)藝(yi)術之(zhi)(zhi)(zhi)博(bo)大(da)精(jing)深，得(de)(de)力(li)于其(qi)對(dui)藝(yi)術傳統(tong)(tong)獨到之(zhi)(zhi)(zhi)領悟與(yu)學養之(zhi)(zhi)(zhi)深厚，他曾詩言：“作畫(hua)(hua)須得(de)(de)山(shan)(shan)(shan)水(shui)(shui)情，山(shan)(shan)(shan)若有(you)骨水(shui)(shui)有(you)聲。師(shi)(shi)人不(bu)知(zhi)師(shi)(shi)造化，何論范寬與(yu)李(li)成。俗子師(shi)(shi)法泥于古(gu)(gu)，披麻斧劈真虛名。墨(mo)(mo)汁揮灑任君意，濃(nong)皴(cun)大(da)點(dian)紛縱(zong)橫。傾崖倒石鬼神悸，驅江走(zou)海(hai)蛟龍(long)驚。是中(zhong)有(you)法亦無(wu)法，無(wu)拘(ju)無(wu)束超神明。是為(wei)其(qi)數十載藝(yi)術實踐之(zhi)(zhi)(zhi)概(gai)括總結。先(xian)生(sheng)(sheng)由撫古(gu)(gu)人之(zhi)(zhi)(zhi)跡，精(jing)心研(yan)究臨習傳統(tong)(tong)技法，進(jin)而(er)得(de)(de)古(gu)(gu)人之(zhi)(zhi)(zhi)心，南北諸派兼(jian)而(er)蓄之(zhi)(zhi)(zhi)，再而(er)得(de)(de)造化之(zhi)(zhi)(zhi)真，二上井岡，20余次赴廬山(shan)(shan)(shan)寫生(sheng)(sheng)采風。他由師(shi)(shi)古(gu)(gu)人步人得(de)(de)心源、師(shi)(shi)造化之(zhi)(zhi)(zhi)中(zhong)，終達心與(yu)道契(qi)之(zhi)(zhi)(zhi)至境(jing)。他作出構(gou)(gou)圖飽滿充(chong)實，筆墨(mo)(mo)繁而(er)有(you)序，皴(cun)法玲瓏(long)別致，意蘊深幽、境(jing)界開(kai)闊之(zhi)(zhi)(zhi)山(shan)(shan)(shan)水(shui)(shui)佳(jia)構(gou)(gou)，構(gou)(gou)建成既包容傳統(tong)(tong)精(jing)華又具現代審(shen)美(mei)意趣之(zhi)(zhi)(zhi)藝(yi)術風范！他被(bei)奇跡般發(fa)現，為(wei)美(mei)術界所震撼、嘆服，乃歷史之(zhi)(zhi)(zhi)必然。他傾其(qi)畢(bi)生(sheng)(sheng)精(jing)力(li)所創造之(zhi)(zhi)(zhi)山(shan)(shan)(shan)水(shui)(shui)世界，已在中(zhong)國畫(hua)(hua)史上留(liu)下(xia)了濃(nong)重(zhong)之(zhi)(zhi)(zhi)一筆。
黃(huang)秋(qiu)園(yuan)紀念館(guan)側(ce)門，有(you)一小巧庭院，先生手(shou)植的一株丹桂至今(jin)勃然留(liu)香，幾棵嫩竹黃(huang)綠可人。可謂：山不在高、有(you)仙則名(ming)；水(shui)不在深、有(you)龍則靈(ling)。斯是陋窒，唯吾德(de)馨(xin)……
給生活一把琴 
