黃秋(qiu)園紀念館(guan)故居位于(yu)南昌城內(nei)、為省市級(ji)文物保護(hu)單位,自1991年開(kai)館(guan)以來(lai)觀(guan)者不(bu)絕 。孺子路南進(jin)系(xi)馬樁街約(yue)百步(bu)便至。館(guan)舍(she)有門二,正門負市背郭,四周(zhou)市塵,萬貨輻(fu)輳,塵沸喧雜。側(ce)門位于(yu)小桃花巷(xiang)(xiang)內(nei),平居里巷(xiang)(xiang),無可具狀,卻(que)忽入幽(you)僻,蕭然(ran)靜寂。巷(xiang)(xiang)口幾株雜樹,木葉盡下,枝(zhi)如虬龍,萎條(tiao)高(gao)寄(ji)。
紀念館由(you)黃(huang)秋(qiu)園先(xian)(xian)生(sheng)(sheng)(sheng)所(suo)(suo)居(ju)兩(liang)間陋室(shi)擴(kuo)建而(er)成,為(wei)一棟江(jiang)南(nan)明(ming)式建筑,粉墻黛瓦(wa),青磚(zhuan)紅梁,質樸中(zhong)(zhong)(zhong)透(tou)出典雅與靈秀。正(zheng)門上方,懸(xuan)(xuan)一黑底金字匾(bian)額,為(wei)趙樸初先(xian)(xian)生(sheng)(sheng)(sheng)手筆(bi)(bi)。側門匾(bian)額,乃吳(wu)作(zuo)(zuo)人先(xian)(xian)生(sheng)(sheng)(sheng)墨跡。館中(zhong)(zhong)(zhong)一樓四個(ge)房間,為(wei)陳(chen)列(lie)室(shi)、接待室(shi)、客廳、先(xian)(xian)生(sheng)(sheng)(sheng)臥室(shi)。陳(chen)列(lie)室(shi)中(zhong)(zhong)(zhong),展出當代畫壇巨擘所(suo)(suo)贈之(zhi)(zhi)(zhi)作(zuo)(zuo),劉海粟、吳(wu)作(zuo)(zuo)人、李(li)可染、關山月諸賢(xian)均在(zai)(zai)此列(lie)。周覽之(zhi)(zhi)(zhi),皆奇筆(bi)(bi)。接待室(shi)中(zhong)(zhong)(zhong),陳(chen)列(lie)黃(huang)秋(qiu)園先(xian)(xian)生(sheng)(sheng)(sheng)生(sheng)(sheng)(sheng)前(qian)(qian)所(suo)(suo)藏古董字畫與書(shu)籍。中(zhong)(zhong)(zhong)置方臺,上有一座(zuo)先(xian)(xian)生(sheng)(sheng)(sheng)的石膏塑像(xiang),其(qi)目光睿智而(er)堅毅。客廳內,列(lie)有先(xian)(xian)生(sheng)(sheng)(sheng)各時期之(zhi)(zhi)(zhi)照相,讓來(lai)者得以(yi)一瞻其(qi)生(sheng)(sheng)(sheng)前(qian)(qian)之(zhi)(zhi)(zhi)風神。相紙泛黃(huang),令人頓生(sheng)(sheng)(sheng)世事滄(cang)桑之(zhi)(zhi)(zhi)感。所(suo)(suo)謂臥室(shi)者,被(bei)先(xian)(xian)生(sheng)(sheng)(sheng)兼作(zuo)(zuo)畫室(shi)之(zhi)(zhi)(zhi)用。室(shi)之(zhi)(zhi)(zhi)門楣,懸(xuan)(xuan)先(xian)(xian)生(sheng)(sheng)(sheng)親筆(bi)(bi)題寫之(zhi)(zhi)(zhi)堂(tang)名:三退軒。先(xian)(xian)生(sheng)(sheng)(sheng)視藝術為(wei)生(sheng)(sheng)(sheng)命(ming)、利祿若(ruo)浮云,室(shi)名以(yi)明(ming)志,意在(zai)(zai)對世俗之(zhi)(zhi)(zhi)誘(you)惑(huo)退避之(zhi)(zhi)(zhi)。佇立門前(qian)(qian),凝神屏息,輕(qing)推而(er)入,仿佛先(xian)(xian)生(sheng)(sheng)(sheng)尚在(zai)(zai)室(shi)中(zhong)(zhong)(zhong)縱筆(bi)(bi),無端相擾,心(xin)有愧(kui)歉。
先(xian)(xian)(xian)生素(su)性簡樸,室中(zhong)陳設(she)目眥可(ke)羅(luo)。一(yi)(yi)床一(yi)(yi)櫥迎門而(er)放,一(yi)(yi)桌一(yi)(yi)椅依窗而(er)置,四只明式花架擺于(yu)南墻,兩件古玩(wan)木什設(she)在北壁。十數平米斗室雖狹小逼(bi)仄,卻隱(yin)現出先(xian)(xian)(xian)生之人格與(yu)趣尚。先(xian)(xian)(xian)生曾言:“畫格高(gao)寒不(bu)入時(shi)(shi),難換人間半文錢。”一(yi)(yi)名業余畫家,身系于(yu)公(gong),而(er)心(xin)中(zhong)未嘗(chang)-日忘(wang)于(yu)藝,是非榮辱不(bu)接于(yu)心(xin),焚膏油以(yi)繼(ji)晷,恒(heng)兀兀以(yi)窮年,終(zhong)入圣(sheng)域(yu),卓(zhuo)犖為(wei)杰。然,天不(bu)患無特立之士,而(er)患無知己之人,是故(gu)藝雖奇而(er)不(bu)濟于(yu)用(yong),行雖修而(er)不(bu)顯于(yu)眾(zhong),以(yi)至于(yu)與(yu)時(shi)(shi)不(bu)遇,湮(yin)沒無聞。
嗚(wu)呼!覽其四尺畫桌,斑(ban)斑(ban)墨跡(ji),對而凝神(shen),乃為先(xian)生之(zhi)汗(han)、之(zhi)淚、之(zhi)血。不禁感極(ji)而悲(bei),悵然而太息(xi)。
紀(ji)念館二(er)樓為(wei)一面積(ji)近80平米之(zhi)(zhi)展廳,內列(lie)黃(huang)秋園先生(sheng)30余件(jian)遺作。無(wu)論鴻篇巨構(gou)或尺幅小制。皆絕類(lei)離倫,墨(mo)(mo)彩(cai)生(sheng)輝,令人(ren)(ren)留(liu)連忘(wang)返。先生(sheng)山(shan)水畫(hua)藝(yi)(yi)術之(zhi)(zhi)博大精深,得(de)(de)力(li)于其(qi)對藝(yi)(yi)術傳(chuan)統(tong)獨到之(zhi)(zhi)領悟與(yu)(yu)學養之(zhi)(zhi)深厚,他曾詩言:“作畫(hua)須得(de)(de)山(shan)水情(qing),山(shan)若有(you)骨水有(you)聲。師(shi)(shi)人(ren)(ren)不知師(shi)(shi)造(zao)(zao)化(hua),何論范(fan)寬與(yu)(yu)李成(cheng)(cheng)。俗子師(shi)(shi)法(fa)泥于古(gu)(gu),披麻斧劈真虛名。墨(mo)(mo)汁揮灑任君(jun)意(yi),濃皴大點紛縱橫(heng)。傾(qing)崖倒石(shi)鬼神(shen)悸,驅江(jiang)走海(hai)蛟龍驚。是中(zhong)有(you)法(fa)亦(yi)無(wu)法(fa),無(wu)拘無(wu)束超神(shen)明。是為(wei)其(qi)數十(shi)載藝(yi)(yi)術實踐之(zhi)(zhi)概括總結。先生(sheng)由(you)撫古(gu)(gu)人(ren)(ren)之(zhi)(zhi)跡,精心(xin)研究臨習傳(chuan)統(tong)技(ji)法(fa),進而(er)得(de)(de)古(gu)(gu)人(ren)(ren)之(zhi)(zhi)心(xin),南北諸派兼而(er)蓄(xu)之(zhi)(zhi),再而(er)得(de)(de)造(zao)(zao)化(hua)之(zhi)(zhi)真,二(er)上井岡,20余次赴廬山(shan)寫生(sheng)采風(feng)。他由(you)師(shi)(shi)古(gu)(gu)人(ren)(ren)步人(ren)(ren)得(de)(de)心(xin)源(yuan)、師(shi)(shi)造(zao)(zao)化(hua)之(zhi)(zhi)中(zhong),終達心(xin)與(yu)(yu)道契(qi)之(zhi)(zhi)至(zhi)境。他作出構(gou)圖飽滿充實,筆墨(mo)(mo)繁而(er)有(you)序,皴法(fa)玲瓏別(bie)致,意(yi)蘊深幽、境界開(kai)闊之(zhi)(zhi)山(shan)水佳(jia)構(gou),構(gou)建成(cheng)(cheng)既(ji)包容傳(chuan)統(tong)精華又具現(xian)代(dai)審美(mei)意(yi)趣(qu)之(zhi)(zhi)藝(yi)(yi)術風(feng)范(fan)!他被奇(qi)跡般發現(xian),為(wei)美(mei)術界所(suo)震撼、嘆服,乃歷史之(zhi)(zhi)必然。他傾(qing)其(qi)畢(bi)生(sheng)精力(li)所(suo)創(chuang)造(zao)(zao)之(zhi)(zhi)山(shan)水世界,已在中(zhong)國畫(hua)史上留(liu)下了濃重之(zhi)(zhi)一筆。
黃秋園紀念館(guan)側門,有一小巧庭院,先生手(shou)植的一株丹桂至今勃然留香,幾棵嫩(nen)竹黃綠可人。可謂:山不在(zai)高、有仙則名;水(shui)不在(zai)深、有龍則靈。斯是陋窒,唯吾德馨……