《鄭燮(xie)雙松圖》是清代(dai)畫(hua)家鄭燮(xie)作(zuo)于乾隆二十三年(nian)(1758年(nian))的畫(hua)作(zuo)。
鄭(zheng)燮(xie)雙(shuang)(shuang)松(song)(song)(song)圖(tu),清畫家鄭(zheng)燮(xie)作于(yu)乾隆(long)二(er)(er)(er)十三(san)年(nian)(1758年(nian))。紙本,墨(mo)筆,縱(zong)201厘(li)米,橫101厘(li)米。此(ci)圖(tu)繪水墨(mo)雙(shuang)(shuang)松(song)(song)(song),一(yi)主一(yi)輔,一(yi)濃(nong)一(yi)淡。濃(nong)者(zhe)以(yi)干筆寫(xie)樹干,濕(shi)筆寫(xie)松(song)(song)(song)針(zhen);淡者(zhe)樹干干濕(shi)并用,松(song)(song)(song)針(zhen)用濕(shi)筆。松(song)(song)(song)針(zhen)均無暈染。雙(shuang)(shuang)松(song)(song)(song)周圍有(you)小竹(zhu)三(san)五成(cheng)叢,另有(you)新(xin)篁數(shu)竿與(yu)雙(shuang)(shuang)松(song)(song)(song)錯落(luo)為鄰。作者(zhe)賦予雙(shuang)(shuang)松(song)(song)(song)樸(pu)茂(mao)的人(ren)格,借以(yi)抒發情懷。作者(zhe)題(ti)記云:“乾隆(long)二(er)(er)(er)年(nian)丁巳(si),始得(de)接交于(yu)肅翁同(tong)學(xue)老長兄,見(jian)其(qi)樸(pu)茂(mao)忠實,綽有(you)古意,如松(song)(song)(song)柏(bo)之(zhi)(zhi)在巖阿,眾(zhong)芳不(bu)及也。后十余年(nian)再會,如故。又三(san)年(nian)復合(he),亦如故。豈非松(song)(song)(song)柏(bo)之(zhi)(zhi)質本于(yu)性生,春夏無所爭榮,秋冬亦不(bu)見(jian)其(qi)搖(yao)落(luo)耶?因畫雙(shuang)(shuang)松(song)(song)(song)圖(tu)奉贈。弟至不(bu)材(cai),亦竊附(fu)松(song)(song)(song)之(zhi)(zhi)列,以(yi)為二(er)(er)(er)老人(ren)者(zhe)相好相倚之(zhi)(zhi)一(yi)證也。又畫小竹(zhu)襯貼其(qi)間,作竹(zhu)苞(bao)松(song)(song)(song)茂(mao)之(zhi)(zhi)意,以(yi)見(jian)公子(zi)孫承承繩(sheng)繩(sheng),皆(jie)賢人(ren)哲(zhe)士(shi),蓋樸(pu)茂(mao)忠實之(zhi)(zhi)報有(you)必(bi)然者(zhe)。乾隆(long)二(er)(er)(er)十三(san)年(nian)歲在戊寅三(san)月二(er)(er)(er)日,板橋弟鄭(zheng)燮(xie)畫并題(ti)。夾(jia)敘夾(jia)議,內寓哲(zhe)理(li),是一(yi)則文(wen)(wen)筆頗好的小品文(wen)(wen)。題(ti)記后鈐“鄭(zheng)燮(xie)之(zhi)(zhi)印”(白文(wen)(wen))、“二(er)(er)(er)十年(nian)前舊板橋”(朱文(wen)(wen))。右下押(ya)角章:“七品官耳”(白文(wen)(wen))、“丙(bing)辰(chen)進士(shi)”(朱文(wen)(wen))。鄭(zheng)燮(xie)素以(yi)寫(xie)意蘭竹(zhu)著(zhu)名(ming),以(yi)松(song)(song)(song)為題(ti)材(cai)者(zhe)實不(bu)多見(jian)。此(ci)圖(tu)中墨(mo)竹(zhu)亦與(yu)習見(jian)風格不(bu)同(tong)。整(zheng)個畫幅樸(pu)茂(mao)凝重,剛勁雅潔,實屬鄭(zheng)氏(shi)平生精心之(zhi)(zhi)作,得(de)意之(zhi)(zhi)作。藏山東省博物(wu)館。