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《鄭燮(xie)雙松圖》是(shi)清(qing)代畫家鄭燮(xie)作(zuo)于乾隆二十三年(nian)（1758年(nian)）的畫作(zuo)。

鄭(zheng)燮(xie)雙松(song)(song)(song)圖，清畫(hua)(hua)家鄭(zheng)燮(xie)作于(yu)乾(qian)隆二(er)十(shi)三年(nian)(1758年(nian))。紙本(ben)，墨(mo)筆(bi)，縱201厘(li)米，橫101厘(li)米。此圖繪(hui)水墨(mo)雙松(song)(song)(song)，一(yi)主一(yi)輔，一(yi)濃一(yi)淡。濃者(zhe)(zhe)以(yi)(yi)干筆(bi)寫樹(shu)干，濕(shi)筆(bi)寫松(song)(song)(song)針；淡者(zhe)(zhe)樹(shu)干干濕(shi)并用，松(song)(song)(song)針用濕(shi)筆(bi)。松(song)(song)(song)針均無暈染。雙松(song)(song)(song)周(zhou)圍有(you)(you)小竹三五成叢，另(ling)有(you)(you)新篁數竿與(yu)雙松(song)(song)(song)錯(cuo)落為(wei)鄰。作者(zhe)(zhe)賦予雙松(song)(song)(song)樸茂的人(ren)(ren)格(ge)，借以(yi)(yi)抒發情懷。作者(zhe)(zhe)題(ti)(ti)記(ji)云：“乾(qian)隆二(er)年(nian)丁巳，始(shi)得接交于(yu)肅翁同學(xue)老長兄，見(jian)其(qi)(qi)樸茂忠(zhong)(zhong)實，綽有(you)(you)古意，如(ru)(ru)松(song)(song)(song)柏之(zhi)在巖(yan)阿，眾芳不(bu)(bu)及也。后十(shi)余年(nian)再會(hui)，如(ru)(ru)故(gu)。又(you)三年(nian)復合，亦如(ru)(ru)故(gu)。豈非松(song)(song)(song)柏之(zhi)質本(ben)于(yu)性生(sheng)，春夏無所爭榮，秋冬(dong)亦不(bu)(bu)見(jian)其(qi)(qi)搖落耶?因畫(hua)(hua)雙松(song)(song)(song)圖奉贈。弟(di)至不(bu)(bu)材(cai)，亦竊附松(song)(song)(song)之(zhi)列，以(yi)(yi)為(wei)二(er)老人(ren)(ren)者(zhe)(zhe)相(xiang)好(hao)相(xiang)倚之(zhi)一(yi)證也。又(you)畫(hua)(hua)小竹襯貼其(qi)(qi)間(jian)，作竹苞松(song)(song)(song)茂之(zhi)意，以(yi)(yi)見(jian)公子孫(sun)承承繩繩，皆賢(xian)人(ren)(ren)哲士，蓋(gai)樸茂忠(zhong)(zhong)實之(zhi)報有(you)(you)必然者(zhe)(zhe)。乾(qian)隆二(er)十(shi)三年(nian)歲在戊寅(yin)三月二(er)日，板橋弟(di)鄭(zheng)燮(xie)畫(hua)(hua)并題(ti)(ti)。夾(jia)敘夾(jia)議，內寓哲理，是一(yi)則(ze)文(wen)筆(bi)頗(po)好(hao)的小品(pin)(pin)文(wen)。題(ti)(ti)記(ji)后鈐“鄭(zheng)燮(xie)之(zhi)印”(白文(wen))、“二(er)十(shi)年(nian)前舊板橋”(朱文(wen))。右下押(ya)角章(zhang)：“七品(pin)(pin)官耳”(白文(wen))、“丙辰(chen)進士”(朱文(wen))。鄭(zheng)燮(xie)素以(yi)(yi)寫意蘭(lan)竹著名，以(yi)(yi)松(song)(song)(song)為(wei)題(ti)(ti)材(cai)者(zhe)(zhe)實不(bu)(bu)多見(jian)。此圖中墨(mo)竹亦與(yu)習見(jian)風格(ge)不(bu)(bu)同。整個畫(hua)(hua)幅(fu)樸茂凝重，剛(gang)勁雅潔，實屬鄭(zheng)氏平(ping)生(sheng)精心之(zhi)作，得意之(zhi)作。藏山東(dong)省博物館。