《鄭燮(xie)雙(shuang)松圖》是清代畫家鄭燮(xie)作于(yu)乾隆二十(shi)三(san)年(1758年)的畫作。
鄭燮(xie)雙(shuang)松(song)(song)(song)圖(tu),清畫(hua)(hua)家鄭燮(xie)作(zuo)于乾隆(long)二(er)(er)十三(san)年(1758年)。紙本,墨(mo)筆(bi),縱(zong)201厘米,橫101厘米。此圖(tu)繪水墨(mo)雙(shuang)松(song)(song)(song),一(yi)主一(yi)輔,一(yi)濃(nong)一(yi)淡。濃(nong)者以(yi)干(gan)筆(bi)寫樹(shu)干(gan),濕(shi)筆(bi)寫松(song)(song)(song)針(zhen);淡者樹(shu)干(gan)干(gan)濕(shi)并用,松(song)(song)(song)針(zhen)用濕(shi)筆(bi)。松(song)(song)(song)針(zhen)均無暈染。雙(shuang)松(song)(song)(song)周圍有(you)小竹(zhu)(zhu)三(san)五成叢,另有(you)新篁(huang)數(shu)竿與(yu)雙(shuang)松(song)(song)(song)錯落為鄰。作(zuo)者賦(fu)予雙(shuang)松(song)(song)(song)樸(pu)茂(mao)的人(ren)格,借(jie)以(yi)抒發(fa)情(qing)懷。作(zuo)者題記(ji)云:“乾隆(long)二(er)(er)年丁巳(si),始得(de)接交(jiao)于肅翁同學老(lao)長(chang)兄,見(jian)(jian)其(qi)樸(pu)茂(mao)忠(zhong)實,綽(chuo)有(you)古意(yi),如松(song)(song)(song)柏(bo)之(zhi)(zhi)在巖阿,眾芳不(bu)及也。后十余年再(zai)會,如故。又(you)三(san)年復(fu)合(he),亦(yi)如故。豈非松(song)(song)(song)柏(bo)之(zhi)(zhi)質本于性生(sheng),春(chun)夏無所(suo)爭(zheng)榮,秋冬亦(yi)不(bu)見(jian)(jian)其(qi)搖落耶?因畫(hua)(hua)雙(shuang)松(song)(song)(song)圖(tu)奉贈。弟(di)(di)至不(bu)材(cai),亦(yi)竊附松(song)(song)(song)之(zhi)(zhi)列,以(yi)為二(er)(er)老(lao)人(ren)者相好相倚之(zhi)(zhi)一(yi)證也。又(you)畫(hua)(hua)小竹(zhu)(zhu)襯貼其(qi)間,作(zuo)竹(zhu)(zhu)苞松(song)(song)(song)茂(mao)之(zhi)(zhi)意(yi),以(yi)見(jian)(jian)公子孫承承繩繩,皆(jie)賢人(ren)哲(zhe)士,蓋樸(pu)茂(mao)忠(zhong)實之(zhi)(zhi)報有(you)必然者。乾隆(long)二(er)(er)十三(san)年歲在戊寅三(san)月二(er)(er)日,板(ban)橋弟(di)(di)鄭燮(xie)畫(hua)(hua)并題。夾敘夾議,內寓哲(zhe)理,是(shi)一(yi)則文(wen)筆(bi)頗好的小品文(wen)。題記(ji)后鈐(qian)“鄭燮(xie)之(zhi)(zhi)印(yin)”(白文(wen))、“二(er)(er)十年前舊(jiu)板(ban)橋”(朱文(wen))。右下押(ya)角章:“七(qi)品官耳”(白文(wen))、“丙(bing)辰(chen)進(jin)士”(朱文(wen))。鄭燮(xie)素以(yi)寫意(yi)蘭(lan)竹(zhu)(zhu)著名,以(yi)松(song)(song)(song)為題材(cai)者實不(bu)多(duo)見(jian)(jian)。此圖(tu)中墨(mo)竹(zhu)(zhu)亦(yi)與(yu)習見(jian)(jian)風格不(bu)同。整個畫(hua)(hua)幅樸(pu)茂(mao)凝重,剛勁雅潔,實屬鄭氏平(ping)生(sheng)精(jing)心之(zhi)(zhi)作(zuo),得(de)意(yi)之(zhi)(zhi)作(zuo)。藏山東省博物館。