建(jian)窯(yao)，宋代名(ming)窯(yao)之一，亦稱(cheng)“建(jian)安窯(yao)”、“烏泥窯(yao)”，分(fen)布在南(nan)平建(jian)陽水(shui)吉窯(yao)、南(nan)平茶洋(yang)窯(yao)、武(wu)夷山遇林亭窯(yao)，三處窯(yao)址(zhi)統稱(cheng)建(jian)窯(yao)系。以燒黑釉(you)瓷(ci)聞名(ming)于世。小碗最多(duo)，胎骨烏泥色，釉(you)面多(duo)條狀結晶(jing)紋(wen)，細如兔(tu)毛，稱(cheng)“兔(tu)毫(hao)盞”。也有燒成(cheng)(cheng)“鷓(zhe)鴣斑”，“銀星斑”的，別(bie)致美觀。釉(you)下(xia)毫(hao)紋(wen)，是利用酸(suan)性(xing)釉(you)料所后(hou)成(cheng)(cheng)的酸(suan)化痕跡作裝(zhuang)飾，因建(jian)窯(yao)瓷(ci)皆仰燒，釉(you)水(shui)下(xia)垂，成(cheng)(cheng)品口(kou)緣釉(you)色淺。由于器壁斜度(du)不同，流(liu)速快，成(cheng)(cheng)纖細毫(hao)紋(wen)，流(liu)速稍慢則(ze)粗，就成(cheng)(cheng)兔(tu)毫(hao)之狀。有的器底，刻有“供御”和“進”琖等(deng)字樣，為貢瓷(ci)。
建(jian)窯所產的黑(hei)釉(you)“建(jian)盞”影響十分廣泛，深受日(ri)、韓、臺等(deng)地(di)區(qu)茶道的重視(shi)。其中，“曜變天目”、“油滴建(jian)盞”等(deng)南宋曠世(shi)珍品(pin)被日(ri)本視(shi)為國寶級(ji)文物(wu)，飲譽四方(fang)。
圖示兔毫(hao)茶碗文獻記載：建(jian)(jian)(jian)盞生產創燒(shao)于(yu)晚(wan)唐五代時期(qi)，興(xing)盛于(yu)兩宋，元代中(zhong)后期(qi)趨于(yu)衰(shuai)落，明代停燒(shao)。數百(bai)年來，“建(jian)(jian)(jian)盞”的恢(hui)復(fu)和(he)研究，一直為陶瓷界所關注、研究者所追(zhui)求。1979年開(kai)始(shi)，離休干(gan)部栗(li)金旺(wang)領著女(nv)婿孫(sun)建(jian)(jian)(jian)興(xing)和(he)女(nv)兒(er)栗(li)云(yun)及外(wai)孫(sun)女(nv)孫(sun)莉，運用(yong)現代科學技(ji)術與傳統技(ji)藝(yi)(yi)(yi)相結合(he)，歷經艱辛(xin)，不(bu)懈探索(suo)，分析(xi)了數千(qian)片建(jian)(jian)(jian)盞殘(can)片的燒(shao)成(cheng)規律，經過(guo)數萬次坯釉配(pei)方調試，以及數千(qian)次燒(shao)成(cheng)工(gong)藝(yi)(yi)(yi)的改進(jin)，來努力提高制(zhi)品成(cheng)功率。試制(zhi)出(chu)兔毫(hao)、油滴、曜變(bian)等系(xi)列建(jian)(jian)(jian)盞，恢(hui)復(fu)了建(jian)(jian)(jian)窯系(xi)列傳統技(ji)藝(yi)(yi)(yi)，終于(yu)使失(shi)傳的“建(jian)(jian)(jian)窯建(jian)(jian)(jian)盞”系(xi)技(ji)藝(yi)(yi)(yi)復(fu)原，重現人間，讓(rang)國(guo)之(zhi)瑰寶重煥光彩。
2008年以來，星(xing)辰(chen)、建(jian)窯兩所向國(guo)(guo)家文(wen)(wen)(wen)化(hua)(hua)部、省文(wen)(wen)(wen)化(hua)(hua)廳申報研(yan)制(zhi)發掘的“建(jian)窯建(jian)盞(zhan)制(zhi)作（燒制(zhi)）技(ji)藝(yi)”，分別(bie)于2009年5月(yue)、被(bei)列(lie)入(ru)第三批(pi)省級非(fei)物質(zhi)文(wen)(wen)(wen)化(hua)(hua)遺(yi)(yi)產(chan)(chan)(chan)(chan)名(ming)錄。栗(li)金旺、孫建(jian)興入(ru)選(xuan)福(fu)建(jian)省第二批(pi)非(fei)物質(zhi)文(wen)(wen)(wen)化(hua)(hua)遺(yi)(yi)產(chan)(chan)(chan)(chan)項目代(dai)表性傳承人名(ming)單福(fu)建(jian)省文(wen)(wen)(wen)化(hua)(hua)廳授予“南平(ping)市星(xing)辰(chen)天目陶瓷研(yan)究所”（建(jian)窯建(jian)盞(zhan)燒制(zhi)技(ji)藝(yi)）為福(fu)建(jian)省第一批(pi)非(fei)物質(zhi)文(wen)(wen)(wen)化(hua)(hua)遺(yi)(yi)產(chan)(chan)(chan)(chan)生產(chan)(chan)(chan)(chan)性保護(hu)示范(fan)基地。2011年5月(yue)被(bei)列(lie)入(ru)國(guo)(guo)家級非(fei)物質(zhi)文(wen)(wen)(wen)化(hua)(hua)遺(yi)(yi)產(chan)(chan)(chan)(chan)名(ming)錄，孫建(jian)興入(ru)選(xuan)國(guo)(guo)家級第四批(pi)非(fei)物質(zhi)文(wen)(wen)(wen)化(hua)(hua)遺(yi)(yi)產(chan)(chan)(chan)(chan)項目代(dai)表性傳承人名(ming)單。
在(zai)歷史上(shang)，建(jian)(jian)(jian)(jian)窯(yao)以黑釉(you)瓷器(qi)著稱。依(yi)據釉(you)面(mian)紋理的(de)不同(tong)，建(jian)(jian)(jian)(jian)窯(yao)黑瓷大(da)致可分(fen)為烏金(jin)、兔(tu)毫、油(you)滴、鷓鴣斑、曜變和(he)雜色六大(da)類。建(jian)(jian)(jian)(jian)窯(yao)黑瓷中碗(wan)類占(zhan)絕大(da)多(duo)(duo)(duo)數，宋(song)代(dai)文獻稱之為“甌(ou)”或“盞(zhan)(zhan)”，俗(su)稱建(jian)(jian)(jian)(jian)盞(zhan)(zhan)。其胎質厚實堅硬，截面(mian)呈黑色或灰(hui)黑、黑褐色，叩擊可聞金(jin)屬之聲。建(jian)(jian)(jian)(jian)盞(zhan)(zhan)大(da)多(duo)(duo)(duo)口(kou)(kou)大(da)底小、形(xing)如漏(lou)斗，多(duo)(duo)(duo)為淺圈(quan)足(zu)，足(zu)根多(duo)(duo)(duo)見修刀。其造型(xing)古樸渾(hun)厚，手(shou)感(gan)壓沉(chen)，從(cong)形(xing)態(tai)上(shang)可以分(fen)為敞口(kou)(kou)、撇口(kou)(kou)、斂(lian)口(kou)(kou)和(he)束口(kou)(kou)四類。建(jian)(jian)(jian)(jian)盞(zhan)(zhan)都用(yong)正(zheng)燒(shao)(shao)，因建(jian)(jian)(jian)(jian)窯(yao)黑釉(you)普遍(bian)釉(you)汁肥厚，為避(bi)免在(zai)燒(shao)(shao)制(zhi)(zhi)過(guo)程中底部發生粘連，其外壁多(duo)(duo)(duo)施半釉(you)，且口(kou)(kou)沿釉(you)層較(jiao)薄(bo)，而器(qi)內底聚(ju)釉(you)較(jiao)厚。建(jian)(jian)(jian)(jian)盞(zhan)(zhan)對土壤(rang)有著嚴格要求(qiu)。建(jian)(jian)(jian)(jian)窯(yao)之所(suo)以會誕生在(zai)閩(min)(min)北(bei)，是因為閩(min)(min)北(bei)有著得(de)天獨厚的(de)資源，建(jian)(jian)(jian)(jian)窯(yao)所(suo)產的(de)黑釉(you)“建(jian)(jian)(jian)(jian)盞(zhan)(zhan)”，就是采(cai)用(yong)閩(min)(min)北(bei)地產含鐵(tie)質較(jiao)多(duo)(duo)(duo)的(de)紅、黃壤(rang)土等粉碎(sui)加工(gong)(gong)后制(zhi)(zhi)成。建(jian)(jian)(jian)(jian)盞(zhan)(zhan)的(de)傳(chuan)統手(shou)工(gong)(gong)制(zhi)(zhi)作技藝(yi)流程，要經過(guo)選瓷礦、瓷礦粉碎(sui)、淘洗(xi)、配料、陳腐(fu)、練泥、揉泥、拉(la)坯(pi)(pi)、修坯(pi)(pi)、素燒(shao)(shao)、上(shang)釉(you)、裝(zhuang)窯(yao)、焙燒(shao)(shao)等13道工(gong)(gong)序(xu)。“建(jian)(jian)(jian)(jian)窯(yao)建(jian)(jian)(jian)(jian)盞(zhan)(zhan)”的(de)制(zhi)(zhi)坯(pi)(pi)成型(xing)，是采(cai)用(yong)手(shou)工(gong)(gong)拉(la)坯(pi)(pi)成型(xing)的(de)。將雙(shuang)手(shou)將泥拉(la)成器(qi)坯(pi)(pi)，要成足(zu)在(zai)胸，一氣呵成。靈活運用(yong)，推、拉(la)、收、放等手(shou)法(fa)，在(zai)準(zhun)確(que)適度(du)的(de)內外兩個力(li)的(de)調合中，找到器(qi)壁最佳形(xing)式成型(xing)。
宋時建窯產出(chu)的(de)(de)(de)黑釉(you)(you)瓷(ci)(ci)產品，主(zhu)要以(yi)(yi)(yi)曜變、金兔毫、銀兔毫、油滴(di)、鷓鴣斑紋為主(zhu)。“建盞”是在(zai)窯內高溫(wen)焙(bei)燒(shao)的(de)(de)(de)過程中(zhong)，通過火的(de)(de)(de)藝術(shu)，使釉(you)(you)面(mian)產生各種(zhong)自然(ran)奇特的(de)(de)(de)斑紋。在(zai)古時，這些斑紋人工難(nan)以(yi)(yi)(yi)控制(zhi)，形成的(de)(de)(de)各種(zhong)變幻莫測的(de)(de)(de)釉(you)(you)色(se)，讓(rang)人感覺(jue)象宇宙星(xing)空(kong)的(de)(de)(de)景色(se)，精(jing)美(mei)絕倫，給人以(yi)(yi)(yi)質樸、典雅的(de)(de)(de)美(mei)感。屬(shu)于我國古代結(jie)晶藝術(shu)釉(you)(you)，是宋時建窯的(de)(de)(de)杰出(chu)成就。有(you)關專家認為，南平市星(xing)辰(chen)天目陶瓷(ci)(ci)研(yan)究所(suo)燒(shao)制(zhi)出(chu)以(yi)(yi)(yi)往所(suo)沒有(you)的(de)(de)(de)天目瓷(ci)(ci)，其(qi)制(zhi)作的(de)(de)(de)建盞，在(zai)器形、釉(you)(you)色(se)和本質結(jie)構上均達到“形似、神似 、質似”的(de)(de)(de)藝術(shu)水平。
由(you)于(yu)這(zhe)類結晶釉在(zai)(zai)窯爐(lu)高(gao)溫中易變(bian)，難(nan)以控制(zhi)，加(jia)上(shang)氧化鐵含量高(gao)的(de)(de)(de)(de)坯體(ti)難(nan)以承(cheng)受(shou)高(gao)溫變(bian)化，要燒(shao)制(zhi)一件(jian)(jian)(jian)外觀沒有缺陷的(de)(de)(de)(de)，又具有美(mei)麗斑(ban)紋的(de)(de)(de)(de)建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)是(shi)很困難(nan)的(de)(de)(de)(de)，即使運用現(xian)代科技手段(duan)所產(chan)出(chu)(chu)的(de)(de)(de)(de)建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)，成品(pin)幾(ji)率低，優秀的(de)(de)(de)(de)建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)在(zai)(zai)市面上(shang)更(geng)少。其(qi)中曜(yao)(yao)變(bian)盞(zhan)(zhan)(zhan)(zhan)斑(ban)紋光(guang)彩奪目(mu)(mu)，異(yi)常(chang)絢麗，在(zai)(zai)建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)中最為(wei)珍貴。在(zai)(zai)當時人工傳統燒(shao)制(zhi)幾(ji)千萬(wan)件(jian)(jian)(jian)中，才能偶然得(de)到一兩(liang)(liang)件(jian)(jian)(jian)曜(yao)(yao)變(bian)斑(ban)盞(zhan)(zhan)(zhan)(zhan)。燒(shao)制(zhi)上(shang)百萬(wan)件(jian)(jian)(jian)中，得(de)到一兩(liang)(liang)件(jian)(jian)(jian)油滴斑(ban)盞(zhan)(zhan)(zhan)(zhan)，“目(mu)(mu)前世界上(shang)僅存的(de)(de)(de)(de)三(san)件(jian)(jian)(jian)曜(yao)(yao)變(bian)斑(ban)建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)，分別珍藏在(zai)(zai)日本靜嘉(jia)堂文庫、藤田美(mei)術館和(he)龍(long)光(guang)院，被該國視為(wei)國寶。據公元(yuan)1511年(nian)出(chu)(chu)版的(de)(de)(de)(de)日本《君臺觀左右賬記》史(shi)冊里(li)記載：曜(yao)(yao)變(bian)斑(ban)建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)乃無上(shang)神品(pin)，值(zhi)(zhi)萬(wan)匹絹(juan)；油滴斑(ban)建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)是(shi)第二重寶，值(zhi)(zhi)五千匹絹(juan)；兔毫盞(zhan)(zhan)(zhan)(zhan)值(zhi)(zhi)三(san)千匹絹(juan)。從這(zhe)里(li)不難(nan)看(kan)出(chu)(chu)，建(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)燒(shao)制(zhi)出(chu)(chu)的(de)(de)(de)(de)黑釉碗(wan)盞(zhan)(zhan)(zhan)(zhan)，其(qi)價值(zhi)(zhi)高(gao)得(de)令(ling)人瞠目(mu)(mu)。”
建(jian)盞的(de)工藝特(te)點表(biao)明，燒(shao)成一(yi)件完美(mei)作品(pin)，必然伴隨(sui)著大量的(de)廢品(pin)和次品(pin)，從(cong)我們走(zou)進(jin)古窯(yao)遺(yi)址(zhi)，就會看(kan)到那漫山(shan)遍野地瓷片，說明了宋(song)(song)代建(jian)窯(yao)藝人，要燒(shao)制(zhi)難度(du)大，成功率低的(de)茶(cha)碗，是(shi)因流行于宋(song)(song)代的(de)斗(dou)茶(cha)文化(hua)藝術，也充(chong)分說明了建(jian)窯(yao)的(de)歷史與斗(dou)茶(cha)歷史息(xi)息(xi)相關。
作(zuo)(zuo)(zuo)為(wei)(wei)(wei)(wei)我(wo)國(guo)(guo)(guo)瓷(ci)壇明珠的(de)(de)(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)，自(zi)(zi)元代(dai)初(chu)中(zhong)期(qi)(qi)以(yi)后卻逐(zhu)漸(jian)被歷史的(de)(de)(de)塵土所掩埋，一度陷入沉寂。為(wei)(wei)(wei)(wei)使失傳的(de)(de)(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯茶盞(zhan)(zhan)(zhan)(zhan)重(zhong)見人(ren)間，栗(li)金(jin)旺(wang)、孫(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)和(he)栗(li)云及孫(sun)莉(li)一家三代(dai)人(ren)，歷經三十多年(nian)(nian)(nian)(nian)的(de)(de)(de)努力，在(zai)原有(you)(you)研(yan)(yan)發建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯黑釉(you)(you)、金(jin)（銀(yin)(yin)）兔毫(hao)制(zhi)品(pin)傳統風格的(de)(de)(de)基礎上(shang)，不斷創(chuang)(chuang)新和(he)發展。陸(lu)續挖掘(jue)(jue)研(yan)(yan)發出(chu)(chu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯黃（紅(hong)、藍、虹(hong)彩）兔毫(hao)、金(jin)（銀(yin)(yin)、紅(hong)、藍、虹(hong)彩）油(you)(you)(you)滴(di)、國(guo)(guo)(guo)寶油(you)(you)(you)滴(di)（星）建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)、白點（藍點、黑點、銀(yin)(yin)點、虹(hong)彩）鷓鴣斑、曜(yao)變(bian)、異毫(hao)、毫(hao)變(bian)、窯變(bian)、黃天目(mu)、蓼(liao)冷(leng)汁、灰被、金(jin)（銀(yin)(yin)）彩文字天目(mu)、鐵繡斑、木葉、玳瑁、柿紅(hong)釉(you)(you)等三十種系列(lie)“建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)”制(zhi)品(pin)，經國(guo)(guo)(guo)家、省(sheng)級專家組(zu)織(zhi)(zhi)評(ping)審檢測分(fen)析和(he)鑒(jian)定，主(zhu)要(yao)性能指標均達到(dao)國(guo)(guo)(guo)際(ji)國(guo)(guo)(guo)內領(ling)先和(he)國(guo)(guo)(guo)際(ji)先進水平(ping)(ping)(ping)。這些拙樸雋永、形神兼(jian)備的(de)(de)(de)仿宋建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯產品(pin)，無論胎釉(you)(you)、造(zao)型、花紋(wen)都可與(yu)古(gu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)相媲美，再現了(le)(le)千年(nian)(nian)(nian)(nian)古(gu)窯之盞(zhan)(zhan)(zhan)(zhan)的(de)(de)(de)藝(yi)(yi)術魅力。孫(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)，曾為(wei)(wei)(wei)(wei)德化紅(hong)旗(qi)瓷(ci)廠配方(fang)試(shi)制(zhi)組(zu)技(ji)術員(yuan)，后進入西北(bei)輕工(gong)(gong)業學(xue)院陶(tao)瓷(ci)專業（現為(wei)(wei)(wei)(wei)陜(shan)西科(ke)技(ji)大(da)學(xue)）學(xue)習，為(wei)(wei)(wei)(wei)恢(hui)(hui)復(fu)與(yu)挖掘(jue)(jue)我(wo)國(guo)(guo)(guo)宋代(dai)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯技(ji)藝(yi)(yi)，1979年(nian)(nian)(nian)(nian)，借(jie)調(diao)福建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)省(sheng)輕工(gong)(gong)業研(yan)(yan)究(jiu)(jiu)(jiu)所，參加(jia)由中(zhong)央(yang)工(gong)(gong)藝(yi)(yi)美術學(xue)院、福建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)省(sheng)輕工(gong)(gong)業研(yan)(yan)究(jiu)(jiu)(jiu)所組(zu)織(zhi)(zhi)恢(hui)(hui)復(fu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯（建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)兔毫(hao)釉(you)(you)）科(ke)研(yan)(yan)組(zu)，主(zhu)要(yao)負責(ze)配方(fang)和(he)工(gong)(gong)藝(yi)(yi)，經過(guo)一年(nian)(nian)(nian)(nian)的(de)(de)(de)研(yan)(yan)究(jiu)(jiu)(jiu)試(shi)驗，初(chu)步(bu)試(shi)制(zhi)出(chu)(chu)仿宋建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯兔毫(hao)盞(zhan)(zhan)(zhan)(zhan)。這期(qi)(qi)間，孫(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)認(ren)識了(le)(le)在(zai)福建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)省(sheng)輕工(gong)(gong)業研(yan)(yan)究(jiu)(jiu)(jiu)所工(gong)(gong)作(zuo)(zuo)(zuo)的(de)(de)(de)栗(li)云。為(wei)(wei)(wei)(wei)了(le)(le)全面地(di)恢(hui)(hui)復(fu)失傳的(de)(de)(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)技(ji)藝(yi)(yi)，1981年(nian)(nian)(nian)(nian)，孫(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)栗(li)云夫妻先后從(cong)省(sheng)城調(diao)到(dao)閩(min)北(bei)工(gong)(gong)作(zuo)(zuo)(zuo)。工(gong)(gong)作(zuo)(zuo)(zuo)之余，他們在(zai)幫助建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)陽(yang)燒(shao)制(zhi)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯兔毫(hao)盞(zhan)(zhan)(zhan)(zhan)、油(you)(you)(you)滴(di)的(de)(de)(de)基礎上(shang)，1982年(nian)(nian)(nian)(nian)，幫助南平(ping)(ping)(ping)陶(tao)瓷(ci)廠仿制(zhi)燒(shao)出(chu)(chu)油(you)(you)(you)滴(di)盞(zhan)(zhan)(zhan)(zhan)，該制(zhi)品(pin)經有(you)(you)關專家鑒(jian)定，確認(ren)是成(cheng)(cheng)功的(de)(de)(de)。為(wei)(wei)(wei)(wei)了(le)(le)更全面、系統地(di)挖掘(jue)(jue)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)技(ji)藝(yi)(yi)，1991年(nian)(nian)(nian)(nian)，孫(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)岳(yue)父栗(li)金(jin)旺(wang)領(ling)頭創(chuang)(chuang)辦(ban)了(le)(le)民營(ying)科(ke)研(yan)(yan)機構—福建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)南平(ping)(ping)(ping)星辰(chen)天目(mu)陶(tao)瓷(ci)研(yan)(yan)究(jiu)(jiu)(jiu)所，任(ren)所長(chang)，2008年(nian)(nian)(nian)(nian)，孫(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)與(yu)岳(yue)父栗(li)金(jin)旺(wang)、妻子栗(li)云以(yi)及女(nv)兒(er)孫(sun)莉(li)創(chuang)(chuang)辦(ban)了(le)(le)南平(ping)(ping)(ping)市建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)陽(yang)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯陶(tao)瓷(ci)研(yan)(yan)究(jiu)(jiu)(jiu)所，一家三代(dai)人(ren)投(tou)入到(dao)系列(lie)“建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)”的(de)(de)(de)研(yan)(yan)發中(zhong)，使建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)的(de)(de)(de)技(ji)藝(yi)(yi)得(de)以(yi)完善并(bing)傳承、發展。孫(sun)莉(li)受(shou)家庭環境薫陶(tao)，大(da)學(xue)畢(bi)業后跟著(zhu)外(wai)公和(he)父母癡迷(mi)于(yu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯科(ke)研(yan)(yan)工(gong)(gong)作(zuo)(zuo)(zuo)。用近10年(nian)(nian)(nian)(nian)的(de)(de)(de)青春時光(guang)與(yu)泥相伴，現已掌握了(le)(le)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)技(ji)藝(yi)(yi)，尤其是曜(yao)變(bian)的(de)(de)(de)制(zhi)作(zuo)(zuo)(zuo)成(cheng)(cheng)型及燒(shao)成(cheng)(cheng)技(ji)藝(yi)(yi)，作(zuo)(zuo)(zuo)品(pin)‘油(you)(you)(you)滴(di)天球瓶’入選中(zhong)國(guo)(guo)(guo)第二屆新秀(xiu)陶(tao)藝(yi)(yi)家作(zuo)(zuo)(zuo)品(pin)雙(shuang)年(nian)(nian)(nian)(nian)展。2008年(nian)(nian)(nian)(nian)，孫(sun)莉(li)擔任(ren)了(le)(le)南平(ping)(ping)(ping)市建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)陽(yang)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯陶(tao)瓷(ci)研(yan)(yan)究(jiu)(jiu)(jiu)所所長(chang)。她覺得(de)“通過(guo)努力地(di)去(qu)塑(su)造(zao)著(zhu)自(zi)(zi)己所希望(wang)的(de)(de)(de)完美建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)，不斷地(di)在(zai)實踐中(zhong)，去(qu)提高技(ji)藝(yi)(yi)水平(ping)(ping)(ping)而得(de)到(dao)的(de)(de)(de)那種成(cheng)(cheng)就感，是最快樂的(de)(de)(de)事情了(le)(le)。”現今，她的(de)(de)(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)作(zuo)(zuo)(zuo)品(pin)，分(fen)別在(zai)國(guo)(guo)(guo)家、省(sheng)級有(you)(you)關會議(yi)及參展上(shang)，獲得(de)金(jin)獎(jiang)，銀(yin)(yin)、銅獎(jiang)和(he)優秀(xiu)獎(jiang)，并(bing)獲國(guo)(guo)(guo)家專利兩(liang)項。 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隨(sui)著人(ren)民生(sheng)活(huo)水平(ping)的(de)不(bu)斷提高，人(ren)們對精神文化(hua)生(sheng)活(huo)的(de)需求越迫切(qie)，建(jian)盞(zhan)(zhan)文化(hua)重新被人(ren)們所(suo)認識。日本(ben)人(ren)把中國的(de)飲茶習俗發展成其獨有的(de)茶道文化(hua)，長期(qi)以來，優(you)秀的(de)建(jian)盞(zhan)(zhan)，是日本(ben)國上層階級所(suo)珍藏和使用的(de)寶物(wu)。如今，武(wu)夷茶正強勁崛起(qi)，建(jian)盞(zhan)(zhan)與茶緊密結合，必將也(ye)隨(sui)之興盛(sheng)。
一(yi)只質(zhi)樸、典(dian)雅的(de)(de)“建(jian)盞”就是充分利用了(le)釉(you)料的(de)(de)材(cai)質(zhi)，把固有(you)的(de)(de)潛在的(de)(de)美(mei)表(biao)現出來，它所(suo)給予(yu)人們(men)的(de)(de)不僅(jin)是大自然和(he)宇宙的(de)(de)壯(zhuang)觀美(mei)，還有(you)視覺(jue)和(he)觸(chu)覺(jue)所(suo)不能(neng)覺(jue)察到(dao)的(de)(de)，一(yi)種靠心(xin)(xin)靈才(cai)能(neng)感(gan)受(shou)到(dao)的(de)(de)美(mei)。建(jian)窯建(jian)盞的(de)(de)制(zhi)作工藝，將流暢、簡煉、實(shi)用的(de)(de)造型、精光內(nei)蘊的(de)(de)釉(you)色(se)和(he)匠心(xin)(xin)獨(du)到(dao)的(de)(de)斑紋和(he)諧(xie)地統一(yi)于建(jian)窯珍(zhen)品中，使之(zhi)無庸(yong)置疑地屹立于中國古代黑(hei)釉(you)瓷(ci)制(zhi)造的(de)(de)巔峰，成為一(yi)朵(duo)富有(you)詩意的(de)(de)瓷(ci)壇奇葩。
“建窯建盞”是我(wo)國(guo)(guo)古代黑(hei)釉瓷的(de)巔(dian)峰之作(zuo)，對(dui)其技藝的(de)保(bao)護、傳(chuan)承(cheng)與發展有著重要的(de)現(xian)實(shi)意義。它對(dui)認識(shi)我(wo)國(guo)(guo)悠久的(de)歷史(shi)文明(ming)，促(cu)進我(wo)國(guo)(guo)對(dui)外交流，弘揚中華民族(zu)傳(chuan)統(tong)文化都有著無(wu)可替(ti)代的(de)重要作(zuo)用(yong)。
2011年3至5月，一家三代(dai)傳承(cheng)人受福建(jian)(jian)省非(fei)(fei)物質(zhi)文(wen)化遺產博覽苑特邀(yao)，舉(ju)辦(ban)了“建(jian)(jian)窯建(jian)(jian)盞(zhan)燒制技藝(yi)成(cheng)果展”。當我們走進非(fei)(fei)遺博覽苑，靜靜品味建(jian)(jian)窯建(jian)(jian)盞(zhan)的(de)(de)科技含(han)量、文(wen)化底蘊和藝(yi)術魅力(li)，將會(hui)為這鳥語花香的(de)(de)光(guang)陰倍添一份春情春趣。
2016年(nian)3月22日(ri)下午，“天(tian)工開(kai)物(wu)——非物(wu)質文化遺產(chan)全國精品邀請展(zhan)”在上海灘大美術(shu)館盛大開(kai)幕（展(zhan)期從3月22日(ri)持續至4月15日(ri)），“不為”建盞(zhan)(zhan)作為建窯建盞(zhan)(zhan)燒制技藝(yi)受(shou)邀參加(jia)本次(ci)展(zhan)覽。此次(ci)展(zhan)覽匯聚五(wu)湖四海著名非遺技藝(yi)及其傳承人，向觀眾展(zhan)現全國非遺精品。
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