建(jian)(jian)窯(yao)(yao)(yao)，宋代(dai)名(ming)窯(yao)(yao)(yao)之一，亦稱(cheng)“建(jian)(jian)安窯(yao)(yao)(yao)”、“烏泥(ni)(ni)窯(yao)(yao)(yao)”，分(fen)布在南平建(jian)(jian)陽水吉窯(yao)(yao)(yao)、南平茶洋窯(yao)(yao)(yao)、武夷山遇林亭(ting)窯(yao)(yao)(yao)，三(san)處窯(yao)(yao)(yao)址統稱(cheng)建(jian)(jian)窯(yao)(yao)(yao)系。以燒(shao)黑釉(you)(you)瓷(ci)聞名(ming)于世。小碗(wan)最多，胎骨烏泥(ni)(ni)色(se)(se)，釉(you)(you)面多條狀(zhuang)(zhuang)結晶紋，細如兔毛(mao)，稱(cheng)“兔毫盞”。也有燒(shao)成(cheng)(cheng)“鷓鴣斑”，“銀星斑”的(de)，別致美觀。釉(you)(you)下毫紋，是(shi)利(li)用(yong)酸性釉(you)(you)料所后成(cheng)(cheng)的(de)酸化痕跡作裝(zhuang)飾，因建(jian)(jian)窯(yao)(yao)(yao)瓷(ci)皆(jie)仰(yang)燒(shao)，釉(you)(you)水下垂，成(cheng)(cheng)品口緣釉(you)(you)色(se)(se)淺。由于器壁斜(xie)度不同，流(liu)速快，成(cheng)(cheng)纖(xian)細毫紋，流(liu)速稍慢則(ze)粗，就成(cheng)(cheng)兔毫之狀(zhuang)(zhuang)。有的(de)器底，刻(ke)有“供御”和(he)“進(jin)”琖等字樣，為(wei)貢瓷(ci)。
建窯所產的(de)黑釉“建盞(zhan)”影響十分廣泛(fan)，深(shen)受日、韓、臺等(deng)地區(qu)茶道的(de)重視(shi)。其(qi)中，“曜變天目”、“油滴建盞(zhan)”等(deng)南宋曠世珍品被日本視(shi)為國寶(bao)級文物，飲譽四方(fang)。
圖示兔毫茶碗(wan)文獻(xian)記載：建(jian)(jian)盞(zhan)生產創燒于(yu)晚唐五代(dai)時期(qi)，興盛于(yu)兩宋(song)，元(yuan)代(dai)中后期(qi)趨(qu)于(yu)衰落(luo)，明代(dai)停燒。數(shu)百年來(lai)，“建(jian)(jian)盞(zhan)”的(de)恢復和(he)研(yan)究，一直(zhi)為陶瓷界所(suo)關注、研(yan)究者所(suo)追求(qiu)。1979年開始(shi)，離休干部栗(li)金旺(wang)領著女(nv)(nv)(nv)婿孫(sun)(sun)建(jian)(jian)興和(he)女(nv)(nv)(nv)兒栗(li)云(yun)及外孫(sun)(sun)女(nv)(nv)(nv)孫(sun)(sun)莉，運(yun)用現代(dai)科學技(ji)術(shu)與傳統技(ji)藝(yi)相(xiang)結合，歷經艱辛(xin)，不懈(xie)探索，分(fen)析了(le)(le)數(shu)千片建(jian)(jian)盞(zhan)殘片的(de)燒成(cheng)(cheng)(cheng)規律(lv)，經過(guo)數(shu)萬次坯(pi)釉配方(fang)調試，以(yi)及數(shu)千次燒成(cheng)(cheng)(cheng)工藝(yi)的(de)改(gai)進，來(lai)努(nu)力提高制品成(cheng)(cheng)(cheng)功率。試制出(chu)兔毫、油滴、曜變等(deng)系列(lie)建(jian)(jian)盞(zhan)，恢復了(le)(le)建(jian)(jian)窯系列(lie)傳統技(ji)藝(yi)，終于(yu)使失傳的(de)“建(jian)(jian)窯建(jian)(jian)盞(zhan)”系技(ji)藝(yi)復原，重現人間(jian)，讓國之瑰寶重煥光彩。
2008年以來，星辰(chen)、建(jian)窯(yao)(yao)兩所向(xiang)國家(jia)文(wen)化(hua)(hua)(hua)(hua)部、省文(wen)化(hua)(hua)(hua)(hua)廳(ting)申報研制發(fa)掘的“建(jian)窯(yao)(yao)建(jian)盞制作(zuo)（燒(shao)制）技藝(yi)”，分別(bie)于(yu)2009年5月(yue)(yue)、被(bei)列入第三批省級非(fei)(fei)物(wu)(wu)質文(wen)化(hua)(hua)(hua)(hua)遺產名(ming)(ming)錄。栗金旺(wang)、孫建(jian)興(xing)入選福(fu)建(jian)省第二(er)批非(fei)(fei)物(wu)(wu)質文(wen)化(hua)(hua)(hua)(hua)遺產項目(mu)代表性傳承(cheng)人名(ming)(ming)單(dan)福(fu)建(jian)省文(wen)化(hua)(hua)(hua)(hua)廳(ting)授予“南平市星辰(chen)天目(mu)陶瓷研究所”（建(jian)窯(yao)(yao)建(jian)盞燒(shao)制技藝(yi)）為(wei)福(fu)建(jian)省第一批非(fei)(fei)物(wu)(wu)質文(wen)化(hua)(hua)(hua)(hua)遺產生產性保護示(shi)范基(ji)地。2011年5月(yue)(yue)被(bei)列入國家(jia)級非(fei)(fei)物(wu)(wu)質文(wen)化(hua)(hua)(hua)(hua)遺產名(ming)(ming)錄，孫建(jian)興(xing)入選國家(jia)級第四批非(fei)(fei)物(wu)(wu)質文(wen)化(hua)(hua)(hua)(hua)遺產項目(mu)代表性傳承(cheng)人名(ming)(ming)單(dan)。
在(zai)(zai)歷史上，建(jian)(jian)(jian)窯(yao)以黑(hei)釉(you)(you)瓷(ci)(ci)器(qi)著(zhu)稱(cheng)(cheng)。依據釉(you)(you)面紋理的不同，建(jian)(jian)(jian)窯(yao)黑(hei)瓷(ci)(ci)大(da)致可分為烏金、兔毫、油(you)滴、鷓鴣斑(ban)、曜變和(he)雜(za)色六大(da)類(lei)。建(jian)(jian)(jian)窯(yao)黑(hei)瓷(ci)(ci)中碗類(lei)占絕大(da)多數，宋代文獻稱(cheng)(cheng)之為“甌(ou)”或(huo)“盞(zhan)(zhan)”，俗稱(cheng)(cheng)建(jian)(jian)(jian)盞(zhan)(zhan)。其胎質厚(hou)(hou)實堅(jian)硬(ying)，截面呈黑(hei)色或(huo)灰黑(hei)、黑(hei)褐色，叩擊可聞(wen)金屬之聲。建(jian)(jian)(jian)盞(zhan)(zhan)大(da)多口(kou)(kou)(kou)大(da)底(di)小、形(xing)如漏斗，多為淺圈足，足根多見修(xiu)刀(dao)。其造型古樸渾(hun)厚(hou)(hou)，手(shou)(shou)感壓(ya)沉，從形(xing)態上可以分為敞口(kou)(kou)(kou)、撇口(kou)(kou)(kou)、斂口(kou)(kou)(kou)和(he)束口(kou)(kou)(kou)四類(lei)。建(jian)(jian)(jian)盞(zhan)(zhan)都用(yong)(yong)正燒(shao)，因(yin)建(jian)(jian)(jian)窯(yao)黑(hei)釉(you)(you)普遍釉(you)(you)汁肥厚(hou)(hou)，為避(bi)免在(zai)(zai)燒(shao)制(zhi)(zhi)過程中底(di)部發生粘連，其外壁(bi)多施(shi)半釉(you)(you)，且口(kou)(kou)(kou)沿釉(you)(you)層較(jiao)薄(bo)，而(er)器(qi)內(nei)底(di)聚釉(you)(you)較(jiao)厚(hou)(hou)。建(jian)(jian)(jian)盞(zhan)(zhan)對土壤(rang)有(you)(you)著(zhu)嚴(yan)格要求。建(jian)(jian)(jian)窯(yao)之所以會(hui)誕生在(zai)(zai)閩北，是因(yin)為閩北有(you)(you)著(zhu)得天獨厚(hou)(hou)的資(zi)源，建(jian)(jian)(jian)窯(yao)所產(chan)的黑(hei)釉(you)(you)“建(jian)(jian)(jian)盞(zhan)(zhan)”，就是采用(yong)(yong)閩北地(di)產(chan)含(han)鐵質較(jiao)多的紅、黃壤(rang)土等粉(fen)(fen)碎(sui)加工(gong)后(hou)制(zhi)(zhi)成(cheng)(cheng)。建(jian)(jian)(jian)盞(zhan)(zhan)的傳統手(shou)(shou)工(gong)制(zhi)(zhi)作技藝(yi)流程，要經(jing)過選瓷(ci)(ci)礦、瓷(ci)(ci)礦粉(fen)(fen)碎(sui)、淘(tao)洗、配(pei)料(liao)、陳腐、練泥(ni)、揉泥(ni)、拉(la)(la)坯(pi)、修(xiu)坯(pi)、素燒(shao)、上釉(you)(you)、裝窯(yao)、焙燒(shao)等13道工(gong)序(xu)。“建(jian)(jian)(jian)窯(yao)建(jian)(jian)(jian)盞(zhan)(zhan)”的制(zhi)(zhi)坯(pi)成(cheng)(cheng)型，是采用(yong)(yong)手(shou)(shou)工(gong)拉(la)(la)坯(pi)成(cheng)(cheng)型的。將雙(shuang)手(shou)(shou)將泥(ni)拉(la)(la)成(cheng)(cheng)器(qi)坯(pi)，要成(cheng)(cheng)足在(zai)(zai)胸，一氣呵成(cheng)(cheng)。靈活運用(yong)(yong)，推、拉(la)(la)、收、放等手(shou)(shou)法，在(zai)(zai)準(zhun)確適度(du)的內(nei)外兩個力的調合中，找到器(qi)壁(bi)最佳形(xing)式成(cheng)(cheng)型。
宋時建窯(yao)產出的(de)(de)黑(hei)釉瓷(ci)(ci)(ci)產品(pin)，主要以(yi)(yi)曜變(bian)、金兔毫、銀兔毫、油滴、鷓鴣斑紋為主。“建盞”是(shi)(shi)在(zai)窯(yao)內高溫焙燒的(de)(de)過(guo)程(cheng)中(zhong)，通過(guo)火的(de)(de)藝(yi)術，使釉面產生(sheng)各種(zhong)自(zi)然(ran)奇特的(de)(de)斑紋。在(zai)古時，這些斑紋人工難以(yi)(yi)控制，形(xing)(xing)成(cheng)的(de)(de)各種(zhong)變(bian)幻(huan)莫測的(de)(de)釉色(se)，讓(rang)人感覺象(xiang)宇(yu)宙星(xing)空的(de)(de)景色(se)，精(jing)美絕(jue)倫，給(gei)人以(yi)(yi)質(zhi)樸、典(dian)雅的(de)(de)美感。屬于我國古代結晶藝(yi)術釉，是(shi)(shi)宋時建窯(yao)的(de)(de)杰出成(cheng)就。有(you)關專家認(ren)為，南平市(shi)星(xing)辰天目陶瓷(ci)(ci)(ci)研究所燒制出以(yi)(yi)往所沒有(you)的(de)(de)天目瓷(ci)(ci)(ci)，其制作的(de)(de)建盞，在(zai)器形(xing)(xing)、釉色(se)和本質(zhi)結構上均達(da)到“形(xing)(xing)似(si)(si)、神似(si)(si) 、質(zhi)似(si)(si)”的(de)(de)藝(yi)術水平。
由于這(zhe)類結晶釉(you)在(zai)(zai)(zai)窯爐高(gao)溫中易變，難以控制(zhi)，加上(shang)(shang)氧化(hua)鐵(tie)含量高(gao)的(de)(de)(de)坯體難以承受高(gao)溫變化(hua)，要燒(shao)(shao)(shao)制(zhi)一件(jian)(jian)(jian)外(wai)觀沒(mei)有(you)缺陷(xian)的(de)(de)(de)，又具有(you)美麗斑(ban)(ban)紋(wen)的(de)(de)(de)建盞(zhan)(zhan)(zhan)是很困難的(de)(de)(de)，即(ji)使運用現(xian)代科技手段所產(chan)出(chu)(chu)的(de)(de)(de)建盞(zhan)(zhan)(zhan)，成(cheng)品(pin)(pin)幾率低，優秀的(de)(de)(de)建盞(zhan)(zhan)(zhan)在(zai)(zai)(zai)市(shi)面(mian)上(shang)(shang)更少。其(qi)中曜變盞(zhan)(zhan)(zhan)斑(ban)(ban)紋(wen)光彩奪目，異常絢麗，在(zai)(zai)(zai)建盞(zhan)(zhan)(zhan)中最為珍(zhen)貴。在(zai)(zai)(zai)當時人(ren)工傳統燒(shao)(shao)(shao)制(zhi)幾千(qian)(qian)萬件(jian)(jian)(jian)中，才(cai)能偶然得(de)到(dao)一兩(liang)件(jian)(jian)(jian)曜變斑(ban)(ban)盞(zhan)(zhan)(zhan)。燒(shao)(shao)(shao)制(zhi)上(shang)(shang)百萬件(jian)(jian)(jian)中，得(de)到(dao)一兩(liang)件(jian)(jian)(jian)油滴(di)斑(ban)(ban)盞(zhan)(zhan)(zhan)，“目前(qian)世界(jie)上(shang)(shang)僅存的(de)(de)(de)三件(jian)(jian)(jian)曜變斑(ban)(ban)建盞(zhan)(zhan)(zhan)，分別(bie)珍(zhen)藏在(zai)(zai)(zai)日本靜嘉堂文(wen)庫(ku)、藤(teng)田美術館和龍(long)光院，被該國視為國寶。據公元1511年出(chu)(chu)版的(de)(de)(de)日本《君(jun)臺(tai)觀左右賬記(ji)》史冊里(li)記(ji)載：曜變斑(ban)(ban)建盞(zhan)(zhan)(zhan)乃無(wu)上(shang)(shang)神品(pin)(pin)，值萬匹絹；油滴(di)斑(ban)(ban)建盞(zhan)(zhan)(zhan)是第(di)二重寶，值五千(qian)(qian)匹絹；兔毫盞(zhan)(zhan)(zhan)值三千(qian)(qian)匹絹。從這(zhe)里(li)不難看出(chu)(chu)，建盞(zhan)(zhan)(zhan)燒(shao)(shao)(shao)制(zhi)出(chu)(chu)的(de)(de)(de)黑釉(you)碗盞(zhan)(zhan)(zhan)，其(qi)價值高(gao)得(de)令人(ren)瞠目。”
建(jian)盞的(de)工藝特點表明(ming)(ming)，燒成一件完(wan)美作品，必(bi)然伴隨著(zhu)大量(liang)的(de)廢品和次品，從我(wo)們走進古窯遺址，就會(hui)看到(dao)那漫山遍野(ye)地瓷片，說(shuo)(shuo)明(ming)(ming)了(le)宋代建(jian)窯藝人，要(yao)燒制難度大，成功率低(di)的(de)茶碗，是(shi)因流行(xing)于宋代的(de)斗(dou)茶文化藝術，也充分說(shuo)(shuo)明(ming)(ming)了(le)建(jian)窯的(de)歷史與斗(dou)茶歷史息息相關。
作(zuo)(zuo)(zuo)(zuo)(zuo)為(wei)我國(guo)(guo)瓷壇明珠(zhu)的(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)，自元代(dai)(dai)初中期以后(hou)卻逐漸被歷史的(de)塵土(tu)所(suo)(suo)掩埋，一度陷入(ru)沉寂。為(wei)使(shi)(shi)失傳(chuan)(chuan)的(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)茶盞(zhan)(zhan)(zhan)(zhan)(zhan)重見(jian)人(ren)間，栗(li)(li)金(jin)(jin)(jin)(jin)旺、孫(sun)(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)(xing)和(he)栗(li)(li)云(yun)(yun)及(ji)(ji)孫(sun)(sun)莉一家(jia)(jia)三代(dai)(dai)人(ren)，歷經(jing)三十多年(nian)(nian)(nian)(nian)(nian)的(de)努(nu)力，在(zai)原有(you)研(yan)(yan)(yan)(yan)發(fa)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)黑(hei)釉(you)(you)(you)、金(jin)(jin)(jin)(jin)（銀(yin)）兔(tu)毫(hao)(hao)制(zhi)(zhi)(zhi)品(pin)(pin)(pin)傳(chuan)(chuan)統風格的(de)基(ji)礎(chu)上，不(bu)斷(duan)創新和(he)發(fa)展(zhan)。陸續挖掘(jue)研(yan)(yan)(yan)(yan)發(fa)出(chu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)黃(huang)（紅、藍(lan)、虹彩(cai)）兔(tu)毫(hao)(hao)、金(jin)(jin)(jin)(jin)（銀(yin)、紅、藍(lan)、虹彩(cai)）油(you)(you)滴(di)、國(guo)(guo)寶油(you)(you)滴(di)（星(xing)）建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)、白點（藍(lan)點、黑(hei)點、銀(yin)點、虹彩(cai)）鷓鴣斑、曜變(bian)(bian)、異毫(hao)(hao)、毫(hao)(hao)變(bian)(bian)、窯(yao)(yao)(yao)(yao)變(bian)(bian)、黃(huang)天(tian)目(mu)(mu)、蓼冷汁、灰被、金(jin)(jin)(jin)(jin)（銀(yin)）彩(cai)文字天(tian)目(mu)(mu)、鐵繡(xiu)斑、木(mu)葉、玳瑁、柿(shi)紅釉(you)(you)(you)等三十種系列“建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)”制(zhi)(zhi)(zhi)品(pin)(pin)(pin)，經(jing)國(guo)(guo)家(jia)(jia)、省級(ji)(ji)專(zhuan)(zhuan)家(jia)(jia)組(zu)織評審檢測分(fen)(fen)析和(he)鑒(jian)定，主(zhu)要(yao)性能(neng)指標均達到(dao)國(guo)(guo)際國(guo)(guo)內領先(xian)(xian)和(he)國(guo)(guo)際先(xian)(xian)進(jin)水平(ping)。這(zhe)些(xie)拙樸雋永(yong)、形(xing)神兼備的(de)仿宋建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)產(chan)品(pin)(pin)(pin)，無論胎釉(you)(you)(you)、造型、花紋都可與(yu)(yu)古建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)相媲(pi)美(mei)，再現了(le)(le)千年(nian)(nian)(nian)(nian)(nian)古窯(yao)(yao)(yao)(yao)之盞(zhan)(zhan)(zhan)(zhan)(zhan)的(de)藝(yi)(yi)(yi)術(shu)魅(mei)力。孫(sun)(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)(xing)，曾為(wei)德化紅旗瓷廠配方試制(zhi)(zhi)(zhi)組(zu)技(ji)術(shu)員，后(hou)進(jin)入(ru)西(xi)(xi)北輕工(gong)(gong)(gong)業學(xue)院(yuan)陶(tao)瓷專(zhuan)(zhuan)業（現為(wei)陜西(xi)(xi)科(ke)技(ji)大學(xue)）學(xue)習，為(wei)恢復(fu)與(yu)(yu)挖掘(jue)我國(guo)(guo)宋代(dai)(dai)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)技(ji)藝(yi)(yi)(yi)，1979年(nian)(nian)(nian)(nian)(nian)，借(jie)調(diao)福(fu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)省輕工(gong)(gong)(gong)業研(yan)(yan)(yan)(yan)究(jiu)(jiu)(jiu)(jiu)所(suo)(suo)，參加(jia)由(you)中央工(gong)(gong)(gong)藝(yi)(yi)(yi)美(mei)術(shu)學(xue)院(yuan)、福(fu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)省輕工(gong)(gong)(gong)業研(yan)(yan)(yan)(yan)究(jiu)(jiu)(jiu)(jiu)所(suo)(suo)組(zu)織恢復(fu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)（建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)兔(tu)毫(hao)(hao)釉(you)(you)(you)）科(ke)研(yan)(yan)(yan)(yan)組(zu)，主(zhu)要(yao)負責配方和(he)工(gong)(gong)(gong)藝(yi)(yi)(yi)，經(jing)過(guo)一年(nian)(nian)(nian)(nian)(nian)的(de)研(yan)(yan)(yan)(yan)究(jiu)(jiu)(jiu)(jiu)試驗，初步試制(zhi)(zhi)(zhi)出(chu)仿宋建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)兔(tu)毫(hao)(hao)盞(zhan)(zhan)(zhan)(zhan)(zhan)。這(zhe)期間，孫(sun)(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)(xing)認(ren)識了(le)(le)在(zai)福(fu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)省輕工(gong)(gong)(gong)業研(yan)(yan)(yan)(yan)究(jiu)(jiu)(jiu)(jiu)所(suo)(suo)工(gong)(gong)(gong)作(zuo)(zuo)(zuo)(zuo)(zuo)的(de)栗(li)(li)云(yun)(yun)。為(wei)了(le)(le)全面地(di)恢復(fu)失傳(chuan)(chuan)的(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)技(ji)藝(yi)(yi)(yi)，1981年(nian)(nian)(nian)(nian)(nian)，孫(sun)(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)(xing)栗(li)(li)云(yun)(yun)夫妻(qi)先(xian)(xian)后(hou)從省城調(diao)到(dao)閩北工(gong)(gong)(gong)作(zuo)(zuo)(zuo)(zuo)(zuo)。工(gong)(gong)(gong)作(zuo)(zuo)(zuo)(zuo)(zuo)之余，他們在(zai)幫助(zhu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)陽(yang)燒(shao)(shao)制(zhi)(zhi)(zhi)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)兔(tu)毫(hao)(hao)盞(zhan)(zhan)(zhan)(zhan)(zhan)、油(you)(you)滴(di)的(de)基(ji)礎(chu)上，1982年(nian)(nian)(nian)(nian)(nian)，幫助(zhu)南(nan)平(ping)陶(tao)瓷廠仿制(zhi)(zhi)(zhi)燒(shao)(shao)出(chu)油(you)(you)滴(di)盞(zhan)(zhan)(zhan)(zhan)(zhan)，該制(zhi)(zhi)(zhi)品(pin)(pin)(pin)經(jing)有(you)關(guan)專(zhuan)(zhuan)家(jia)(jia)鑒(jian)定，確認(ren)是成功的(de)。為(wei)了(le)(le)更全面、系統地(di)挖掘(jue)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)技(ji)藝(yi)(yi)(yi)，1991年(nian)(nian)(nian)(nian)(nian)，孫(sun)(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)(xing)岳(yue)父(fu)栗(li)(li)金(jin)(jin)(jin)(jin)旺領頭創辦了(le)(le)民營科(ke)研(yan)(yan)(yan)(yan)機構—福(fu)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)南(nan)平(ping)星(xing)辰天(tian)目(mu)(mu)陶(tao)瓷研(yan)(yan)(yan)(yan)究(jiu)(jiu)(jiu)(jiu)所(suo)(suo)，任所(suo)(suo)長(chang)，2008年(nian)(nian)(nian)(nian)(nian)，孫(sun)(sun)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)興(xing)(xing)(xing)與(yu)(yu)岳(yue)父(fu)栗(li)(li)金(jin)(jin)(jin)(jin)旺、妻(qi)子(zi)栗(li)(li)云(yun)(yun)以及(ji)(ji)女兒孫(sun)(sun)莉創辦了(le)(le)南(nan)平(ping)市建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)陽(yang)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)陶(tao)瓷研(yan)(yan)(yan)(yan)究(jiu)(jiu)(jiu)(jiu)所(suo)(suo)，一家(jia)(jia)三代(dai)(dai)人(ren)投入(ru)到(dao)系列“建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)”的(de)研(yan)(yan)(yan)(yan)發(fa)中，使(shi)(shi)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)的(de)技(ji)藝(yi)(yi)(yi)得以完善并傳(chuan)(chuan)承、發(fa)展(zhan)。孫(sun)(sun)莉受家(jia)(jia)庭環境(jing)薫陶(tao)，大學(xue)畢業后(hou)跟著(zhu)外公和(he)父(fu)母癡迷于建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)科(ke)研(yan)(yan)(yan)(yan)工(gong)(gong)(gong)作(zuo)(zuo)(zuo)(zuo)(zuo)。用近10年(nian)(nian)(nian)(nian)(nian)的(de)青春時光與(yu)(yu)泥相伴，現已掌握了(le)(le)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)技(ji)藝(yi)(yi)(yi)，尤(you)其是曜變(bian)(bian)的(de)制(zhi)(zhi)(zhi)作(zuo)(zuo)(zuo)(zuo)(zuo)成型及(ji)(ji)燒(shao)(shao)成技(ji)藝(yi)(yi)(yi)，作(zuo)(zuo)(zuo)(zuo)(zuo)品(pin)(pin)(pin)‘油(you)(you)滴(di)天(tian)球瓶(ping)’入(ru)選(xuan)中國(guo)(guo)第二屆新秀陶(tao)藝(yi)(yi)(yi)家(jia)(jia)作(zuo)(zuo)(zuo)(zuo)(zuo)品(pin)(pin)(pin)雙(shuang)年(nian)(nian)(nian)(nian)(nian)展(zhan)。2008年(nian)(nian)(nian)(nian)(nian)，孫(sun)(sun)莉擔任了(le)(le)南(nan)平(ping)市建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)陽(yang)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)窯(yao)(yao)(yao)(yao)陶(tao)瓷研(yan)(yan)(yan)(yan)究(jiu)(jiu)(jiu)(jiu)所(suo)(suo)所(suo)(suo)長(chang)。她(ta)覺得“通(tong)過(guo)努(nu)力地(di)去塑造著(zhu)自己所(suo)(suo)希望(wang)的(de)完美(mei)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)，不(bu)斷(duan)地(di)在(zai)實踐中，去提高技(ji)藝(yi)(yi)(yi)水平(ping)而得到(dao)的(de)那種成就感，是最快樂的(de)事情了(le)(le)。”現今，她(ta)的(de)建(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)(jian)盞(zhan)(zhan)(zhan)(zhan)(zhan)作(zuo)(zuo)(zuo)(zuo)(zuo)品(pin)(pin)(pin)，分(fen)(fen)別在(zai)國(guo)(guo)家(jia)(jia)、省級(ji)(ji)有(you)關(guan)會議及(ji)(ji)參展(zhan)上，獲得金(jin)(jin)(jin)(jin)獎，銀(yin)、銅獎和(he)優(you)秀獎，并獲國(guo)(guo)家(jia)(jia)專(zhuan)(zhuan)利兩(liang)項。 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隨著人(ren)民生活水平的(de)不斷提(ti)高，人(ren)們對精神文化(hua)(hua)生活的(de)需求(qiu)越迫切，建(jian)盞文化(hua)(hua)重(zhong)新被人(ren)們所認(ren)識。日本人(ren)把中(zhong)國的(de)飲茶習俗發展成其獨(du)有(you)的(de)茶道文化(hua)(hua)，長期以來，優秀(xiu)的(de)建(jian)盞，是日本國上層階級所珍藏和使用(yong)的(de)寶物。如今，武夷茶正強勁崛(jue)起，建(jian)盞與(yu)茶緊密結合(he)，必(bi)將(jiang)也隨之興盛。
一只質(zhi)樸(pu)、典雅(ya)的(de)(de)(de)(de)(de)“建(jian)盞”就是(shi)充分利用了釉料的(de)(de)(de)(de)(de)材質(zhi)，把固有(you)(you)的(de)(de)(de)(de)(de)潛在(zai)的(de)(de)(de)(de)(de)美(mei)表現出(chu)來，它所(suo)給予人們的(de)(de)(de)(de)(de)不僅(jin)是(shi)大自然和宇宙的(de)(de)(de)(de)(de)壯觀(guan)美(mei)，還有(you)(you)視覺和觸(chu)覺所(suo)不能覺察到(dao)的(de)(de)(de)(de)(de)，一種(zhong)靠(kao)心(xin)靈(ling)才能感受到(dao)的(de)(de)(de)(de)(de)美(mei)。建(jian)窯(yao)(yao)建(jian)盞的(de)(de)(de)(de)(de)制作工(gong)藝，將(jiang)流暢、簡煉、實用的(de)(de)(de)(de)(de)造(zao)型、精光內蘊的(de)(de)(de)(de)(de)釉色(se)和匠心(xin)獨到(dao)的(de)(de)(de)(de)(de)斑紋和諧地統一于建(jian)窯(yao)(yao)珍品中(zhong)(zhong)，使之無庸置疑地屹立于中(zhong)(zhong)國古代黑釉瓷制造(zao)的(de)(de)(de)(de)(de)巔峰(feng)，成(cheng)為一朵富有(you)(you)詩(shi)意的(de)(de)(de)(de)(de)瓷壇奇葩(pa)。
“建窯建盞”是我國(guo)(guo)古代(dai)黑釉瓷的巔(dian)峰(feng)之作(zuo)，對其技藝的保護、傳(chuan)(chuan)承(cheng)與(yu)發展有(you)著重要的現(xian)實意義。它對認識我國(guo)(guo)悠久的歷(li)史(shi)文明，促進(jin)我國(guo)(guo)對外交流，弘揚中華民(min)族(zu)傳(chuan)(chuan)統文化都有(you)著無可(ke)替代(dai)的重要作(zuo)用。
2011年3至5月，一(yi)家三代傳承人受福建(jian)省非(fei)物質文化遺(yi)(yi)產博(bo)覽苑(yuan)特邀，舉(ju)辦(ban)了“建(jian)窯建(jian)盞燒制技藝成(cheng)果展”。當(dang)我們走進(jin)非(fei)遺(yi)(yi)博(bo)覽苑(yuan)，靜靜品味(wei)建(jian)窯建(jian)盞的(de)科(ke)技含量、文化底蘊(yun)和藝術(shu)魅力，將(jiang)會為(wei)這鳥語花香(xiang)的(de)光陰(yin)倍添(tian)一(yi)份春情春趣。
2016年3月(yue)22日下午，“天(tian)工開物——非(fei)物質文化遺產(chan)全國(guo)精品邀請展(zhan)”在上海灘大美術館盛大開幕（展(zhan)期從3月(yue)22日持續(xu)至4月(yue)15日），“不(bu)為(wei)”建(jian)盞作(zuo)為(wei)建(jian)窯建(jian)盞燒(shao)制技藝受邀參加(jia)本(ben)次展(zhan)覽。此(ci)次展(zhan)覽匯聚五湖四海著名(ming)非(fei)遺技藝及其傳承人，向觀眾展(zhan)現(xian)全國(guo)非(fei)遺精品。
巧笑倩兮
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