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十首最著名的詠物詩

最著名的十首詠物詩 托物言志的古詩大全 經典詠物詩100首
本文章由 MAIGOO編(bian)輯 上傳提供 2024-12-08 評論 0
詠物詩是古往今來許多文人最喜歡寫的一種題材,其特點是托物言志、借物抒情。如:《賞牡丹》《梅花》《草》《詠柳》《詠螢》《竹石》《菊花》等都是膾炙人口的詠物詩,除此之外,你還知道哪些詠物詩名作?本文Maigoo小編就為大家盤點下最著名的十首詠物詩,看看在這些詠物詩經典作品中最受你青睞的是哪一首。
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十首最知名的詠物詩CNPP小編盤點(dian)了一系列古往今來有名的詠物詩,結(jie)合詩詞(ci)的流傳度、影(ying)響力、社會(hui)評價(jia)、網絡(luo)關注指數以及(ji)與榜單主題的契合度等情況,并綜(zong)合參考(kao)互聯網相關排行榜/榜單(dan)進行(xing)總結。排(pai)名不分主(zhu)次,榜單(dan)僅供(gong)參考,數據截至(zhi)2023121日,如(ru)有疑問,歡迎在末尾(wei)評論/交流。 為我喜歡的投票>>

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十首最著名的詠物詩
唐·劉禹錫唯有牡丹真國色/花開時節動京城
牡丹花開富貴,國色天香,一向深受世人喜愛。作為國花,歷來以牡丹為題材的詩詞有很多,最令人驚艷的當屬劉禹錫的這首《賞牡丹》。這是一首托物詠懷詩,此詩描繪了唐朝慣有的觀賞牡丹的習俗。全詩用抑彼揚此的對比、反襯的藝術手法,從側面來寫牡丹,用芍藥和荷花以襯托牡丹之高標格和富于情韻之美,暗示了牡丹兼具妖、凈、格、情四種資質,可謂花中之最美者,蘊含了詩人心中的理想人格精神。尤其是詩中后兩句“唯有牡丹真國色,花開時節動京城”,更是成為了千百流傳的經典佳句。【 詳細>>】
宋·王安石詠梅名篇千古絕唱遙知不是雪/為有暗香來
歷來詠梅的詩作也有不少,說起關于梅花的經典詠物詩,Maigoo小編立馬想到了北宋詩人王安石所作的《梅花》,詩中的“遙知不是雪,為有暗香來”堪稱詠梅的千古絕句。此詩前兩句寫墻角梅花不懼嚴寒,傲然獨放;后兩句寫梅花的幽香,以梅擬人,通過對梅花不畏嚴寒的高潔品性的贊賞,用雪喻梅的冰清玉潔,又用“暗香”點出梅勝于雪,說明堅強高潔的人格所具有的偉大的魅力。【 詳細>>】
唐·白居易野火燒不盡/春風吹又生
家喻戶曉的唐詩《草》,又名《賦得古原草送別》,是唐代詩人白居易的成名作,亦是最著名的詠物詩之一。此詩通過對古原上野草的描繪,抒發送別友人時的依依惜別之情,它可以看成是一曲野草頌,進而是生命的頌歌,其中最有名的句子莫過于“野火燒不盡,春風吹又生”,這兩句勵志的詩句不但寫出“原上草”的性格,而且寫出一種從烈火中再生的理想的典型,“燒不盡”與“吹又生”唱嘆有味,對仗亦工致天然,作為一種“韌勁”而有口皆碑,傳誦千古。【 詳細>>】
唐·賀知章不知細葉誰裁出/二月春風似剪刀
在詠物詩大全中,賀知章的這首《詠柳》堪稱詠柳的千古名作。這首詠物詩,寫的是早春二月的楊柳。詩人別出心裁地將“二月春風”比喻為“剪刀”,再用擬人化的“裁出”動作,使視之無形的春風變成了具體可感的生動形象,不僅立意新奇,而且飽含韻味。此詩立意高遠,比喻巧妙,先從大處著眼,然后分部描述,越寫越細,把柳樹的形神栩栩如生地表現了出來。其中“不知細葉誰裁出,二月春風似剪刀”二句歷來膾炙人口。【 詳細>>】
5、詠螢
唐·虞世南恐畏無人識/獨自暗中明
詠物詩有哪些?唐代詩人虞世南的《詠螢》就是十大詠物詩之一。在這首清新淡雅的詠物詩中,作者借詠流螢表達了物雖小而不礙其光華的哲理,同時又借物自喻,寄寓身世之感。因有所寄托,因而別具情致。此詩前兩句從流螢的飛翔之形、發光之態的角度開始寫,“流光小”與“弱翅輕”襯托出了螢火蟲的弱小。詩的三、四兩句則由表及里,一下子窺視到螢的內心世界:“恐畏無人識,獨自暗中明。”即使微小如螢,不愿自暴自棄,依然努力散發光亮,頑強地表現自己的存在,執著地實現自己的人生價值。其偉岸形象,令人肅然起敬,又促人深思猛省。
清·鄭燮咬定青山不放松/立根原在破巖中
托物言志的詩《竹石》,為清代書畫家鄭燮所作。這首詩為題詠竹石圖之作,語言通俗曉暢,虛實結合,情景相生,饒有理趣。全詩通過詠竹,塑造了一個百折不撓、頂天立地的精神強者的形象,像是信筆揮灑,而又鏗鏘有力,形象鮮明,詩風灑脫,頗有豪放余味。其中“咬定青山不放松,立根原在破巖中”這兩句歷來膾炙人口。【 詳細>>】
唐·元稹不是花中偏愛菊/此花開盡更無花
元稹的《菊花》是一首詠菊的經典詩詞。這首賞菊之作,先描述秋菊之多、花開之盛仿佛陶淵明家,以及詩人專注地看花時悠閑的情態;后兩句“不是花中偏愛菊,此花開盡更無花”,詩人從菊花凋謝最晚這個角度出發,寫出了自己獨特的愛菊花的理由,暗含了對菊花歷盡寒冷最后凋零的堅強品格的贊美之情。詩人沒有正面寫菊花,卻通過愛菊,側面烘托它的優秀品格,美妙靈動,意趣盎然。【 詳細>>】
明·于謙千錘萬鑿出深山/烈火焚燒若等閑
關于詠物言志的古詩有很多,于謙的《石灰吟》就是詠物言志的名篇,堪稱明詩七絕“壓卷之作”。此詩運用象征手法,通過詠石灰借物喻人,托物言志,彰顯自身“高潔”品格,詠石灰其實就是詠作者自己。全詩用語自然流暢,一氣呵成,毫無刻意雕琢的痕跡,感染力很強;尤其是作者那積極進取的人生態度和大無畏的凜然正氣更給人以啟迪和激勵。【 詳細>>】
9、蜂
唐·羅隱采得百花成蜜后/為誰辛苦為誰甜
《蜂》是唐代詩人羅隱所寫的詠物詩。這是一首關于蜜蜂的詠物古詩,其通過描寫蜜蜂采花釀蜜供人享受這一自然現象,比喻廣大勞動人民的勞動成果被封建統治階級殘酷剝削的現實,表現了詩人對勞動人民的同情。全詩體物工妙,詞近旨遠,夾敘夾議的手法配合默契,語言敘述中不尚辭藻,平淡而具思致,清雅輔以言深。其中“采得百花成蜜后,為誰辛苦為誰甜”為經典名句。
清·袁枚苔花似米小/也學牡丹開
詠物詩經典代表作《苔》,為清代詩人袁枚所作。這首詩獨出蹊徑,不僅全神貫注地寫苔,而且把淡泊寧靜、頌強質拙的人格融入這小小生命。全詩把苔蘚人格化,把詩人的感受、情緒融入到形象的塑造中,理趣橫生,意蘊明徹而深邃,簡約疏朗中具有濃重的哲理意味。尤其是“苔花似米小,也學牡丹開”,歷來備受推崇。【 詳細>>】
  • 更多經典詠物詩詞作品

    詩作:《贈(zeng)(zeng)從(cong)弟三首》東漢·劉(liu)(liu)楨、《飲酒(jiu)·結廬在人境(jing)》《飲酒(jiu)·幽蘭(lan)生前庭》《飲酒(jiu)·青(qing)松在東園》明(ming)東晉·陶淵明(ming)、《擬嵇中(zhong)(zhong)散詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)松詩》東晉·謝道蘊(yun)、《早(zao)梅(mei)(mei)》南(nan)(nan)北朝·謝燮(xie)(xie)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)萍(ping)》南(nan)(nan)北朝·劉(liu)(liu)繪、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)同(tong)(tong)心芙蓉》隋·杜(du)公瞻、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)竹(zhu)》 南(nan)(nan)北朝·劉(liu)(liu)孝先、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)寒(han)松》南(nan)(nan)朝梁·范云(yun)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)槿》《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)桂》《蘭(lan)花(hua)(hua)(hua)·古風(feng)》《白馬篇》唐(tang)(tang)(tang)(tang)(tang)(tang)·李(li)白、《孤雁(yan)(yan)》《嚴鄭(zheng)公宅同(tong)(tong)詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)竹(zhu)》《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)春(chun)(chun)筍》《春(chun)(chun)夜喜雨》《古柏行》《房兵曹(cao)胡馬詩》唐(tang)(tang)(tang)(tang)(tang)(tang)·杜(du)甫、《在獄詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)蟬(chan)(chan)》《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)風(feng)》唐(tang)(tang)(tang)(tang)(tang)(tang)·駱賓王(wang)(wang)、《辛夷塢(wu)》《竹(zhu)里(li)館》《相思(si)》唐(tang)(tang)(tang)(tang)(tang)(tang)·王(wang)(wang)維、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)風(feng)》唐(tang)(tang)(tang)(tang)(tang)(tang)·王(wang)(wang)勃、《楊(yang)柳(liu)枝詞》《牡丹芳》《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)菊》唐(tang)(tang)(tang)(tang)(tang)(tang)·白居(ju)易、《蟬(chan)(chan)》《憶梅(mei)(mei)》《贈(zeng)(zeng)荷花(hua)(hua)(hua)》《題小松》唐(tang)(tang)(tang)(tang)(tang)(tang)·李(li)商隱、《蟻》唐(tang)(tang)(tang)(tang)(tang)(tang)·元(yuan)稹、《松》唐(tang)(tang)(tang)(tang)(tang)(tang)·成彥雄、《采蓮曲二首》唐(tang)(tang)(tang)(tang)(tang)(tang)·王(wang)(wang)昌齡、《菊》《鷺(lu)鷥》唐(tang)(tang)(tang)(tang)(tang)(tang)·鄭(zheng)谷(gu)(gu)、《野(ye)菊》唐(tang)(tang)(tang)(tang)(tang)(tang)·王(wang)(wang)建(jian)、《不第后(hou)賦菊》唐(tang)(tang)(tang)(tang)(tang)(tang)·黃(huang)巢、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)山(shan)泉》唐(tang)(tang)(tang)(tang)(tang)(tang)·儲光羲、《白蓮》唐(tang)(tang)(tang)(tang)(tang)(tang)·陸龜(gui)蒙、《桃花(hua)(hua)(hua)》唐(tang)(tang)(tang)(tang)(tang)(tang)·周樸、《柳(liu)》 唐(tang)(tang)(tang)(tang)(tang)(tang)·羅(luo)隱、《驄馬》唐(tang)(tang)(tang)(tang)(tang)(tang)·萬楚、《蟬(chan)(chan)》唐(tang)(tang)(tang)(tang)(tang)(tang)·虞世(shi)南(nan)(nan)、《晚春(chun)(chun)歸山(shan)居(ju)題窗前竹(zhu)》唐(tang)(tang)(tang)(tang)(tang)(tang)·錢起(qi)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)月》唐(tang)(tang)(tang)(tang)(tang)(tang)·李(li)建(jian)樞(shu)、《早(zao)梅(mei)(mei)》唐(tang)(tang)(tang)(tang)(tang)(tang)·張謂、《早(zao)梅(mei)(mei)》唐(tang)(tang)(tang)(tang)(tang)(tang)·齊己、《曲池荷》唐(tang)(tang)(tang)(tang)(tang)(tang)·盧(lu)照鄰、《紫薇(wei)花(hua)(hua)(hua)》唐(tang)(tang)(tang)(tang)(tang)(tang)·杜(du)牧、《鷓鴣》唐(tang)(tang)(tang)(tang)(tang)(tang)·鄭(zheng)谷(gu)(gu)、《小松》唐(tang)(tang)(tang)(tang)(tang)(tang)·杜(du)荀鶴(he)、《垂柳(liu)》唐(tang)(tang)(tang)(tang)(tang)(tang)·唐(tang)(tang)(tang)(tang)(tang)(tang)彥謙(qian)(qian)、《蘆花(hua)(hua)(hua)》唐(tang)(tang)(tang)(tang)(tang)(tang)·雍裕(yu)之(zhi)(zhi)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)鴛鴦(yang)》唐(tang)(tang)(tang)(tang)(tang)(tang)·李(li)遠(yuan)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)長城》唐(tang)(tang)(tang)(tang)(tang)(tang)·汪遵、《五粒小松歌》唐(tang)(tang)(tang)(tang)(tang)(tang)·李(li)賀、《侍宴(yan)詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)石榴》唐(tang)(tang)(tang)(tang)(tang)(tang)·孔紹(shao)安、《南(nan)(nan)中(zhong)(zhong)詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)雁(yan)(yan)詩》唐(tang)(tang)(tang)(tang)(tang)(tang)·韋承(cheng)慶(qing)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)省壁(bi)畫(hua)(hua)鶴(he)》唐(tang)(tang)(tang)(tang)(tang)(tang)·宋(song)(song)(song)(song)(song)(song)之(zhi)(zhi)問(wen)、《海(hai)棠》《惠州一絕》《和秦太虛梅(mei)(mei)花(hua)(hua)(hua)》《花(hua)(hua)(hua)影》《於(wu)潛僧綠(lv)筠軒》宋(song)(song)(song)(song)(song)(song)·蘇軾、《梅(mei)(mei)花(hua)(hua)(hua)絕句二首》宋(song)(song)(song)(song)(song)(song)·陸游、《曉出凈慈寺送林子方二首》《新柳(liu)》宋(song)(song)(song)(song)(song)(song)·楊(yang)萬里(li)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)竹(zhu)》宋(song)(song)(song)(song)(song)(song)·王(wang)(wang)安石、《山(shan)園小梅(mei)(mei)·其一》 宋(song)(song)(song)(song)(song)(song)·林逋、《蠟梅(mei)(mei)》宋(song)(song)(song)(song)(song)(song)·高荷、《紅梅(mei)(mei)》宋(song)(song)(song)(song)(song)(song)·王(wang)(wang)十(shi)朋、《觀(guan)梅(mei)(mei)有感》元(yuan)·劉(liu)(liu)因(yin)、《寒(han)菊》宋(song)(song)(song)(song)(song)(song)·鄭(zheng)思(si)肖、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)牡丹》宋(song)(song)(song)(song)(song)(song)·王(wang)(wang)溥(pu)、《鶯梭》宋(song)(song)(song)(song)(song)(song)·劉(liu)(liu)克莊、《病牛》宋(song)(song)(song)(song)(song)(song)·李(li)綱、《畫(hua)(hua)眉鳥(niao)》宋(song)(song)(song)(song)(song)(song)·歐陽修、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)初日》宋(song)(song)(song)(song)(song)(song)·趙(zhao)匡胤、《雪梅(mei)(mei)二首》宋(song)(song)(song)(song)(song)(song)·盧(lu)梅(mei)(mei)坡(po)、《墨梅(mei)(mei)》元(yuan)·王(wang)(wang)冕、《蓮藕花(hua)(hua)(hua)葉圖》元(yuan)·吳師道、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)蘭(lan)》元(yuan)·余同(tong)(tong)麓、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)煤炭(tan)》明(ming)·于謙(qian)(qian)、《白燕》明(ming)·袁凱、《畫(hua)(hua)雞(ji)》明(ming)·唐(tang)(tang)(tang)(tang)(tang)(tang)寅、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)菊》明(ming)·丘浚、《梅(mei)(mei)花(hua)(hua)(hua)九(jiu)首》明(ming)·高啟、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)秋蘭(lan)》明(ming)·靜諾、《蘭(lan)》明(ming)·徐渭、《蘭(lan)花(hua)(hua)(hua)》 明(ming)·薛(xue)網、《新竹(zhu)》《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)梧桐》《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)芭蕉》清·鄭(zheng)燮(xie)(xie)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)瀑布》清·馮云(yun)山(shan)、《詠(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)(yong)甘蔗(zhe)》清·佚名

    詞作:《水龍吟·次韻章質夫(fu)楊花詞(ci)》《浣溪沙·詠橘》《西(xi)江(jiang)(jiang)月·梅花》《洞仙歌(ge)·詠柳》 《鷓鴣(gu)天(tian)·林斷山明竹隱墻》宋(song)(song)(song)·蘇(su)軾(shi)、《卜算子·詠梅》宋(song)(song)(song)·陸游、《齊天(tian)樂(le)·蟋蟀(shuai)》宋(song)(song)(song)·姜夔、《東(dong)風(feng)第一枝·詠春雪(xue)》宋(song)(song)(song)·史達祖、《鷓鴣(gu)天(tian)·桂花》宋(song)(song)(song)·李清照、《臨江(jiang)(jiang)仙·柳外輕雷池上雨(yu)(yu)》 宋(song)(song)(song)·歐陽修、《蘇(su)幕遮·草》宋(song)(song)(song)·梅堯臣(chen)、《蘇(su)幕遮·燎沈香(xiang)》宋(song)(song)(song)·周邦(bang)彥、《憶王孫·夏詞(ci)》宋(song)(song)(song)·李重元、《蝶(die)戀花·黃菊開時傷聚散》宋(song)(song)(song)·晏幾道、《虞美人·聽雨(yu)(yu)》宋(song)(song)(song)·蔣捷、《點絳(jiang)唇·蘭(lan)花》宋(song)(song)(song)代·姚述堯、《朝(chao)天(tian)子·詠喇(la)叭(ba)》明·王磐、《滿(man)江(jiang)(jiang)紅(hong)·詠竹》明·陸容、《鷓鴣(gu)天(tian)·賞荷》金·蔡松(song)年

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